0:27 aeolian sound: only the breath is audible, but with a precise pitch 0:55 Sound and breath simultaneously 1:07 middle register 1:19 high register 1:38 air sound inside the flute, white noise/unpitched noise 1:51 aeolian sound: only the breath is audible ( i - u ) 2:19 keyclicks: key percussion only (descending is better) 3:29 tongue pizz/slap (most effective in the first octave) 4:12 bass flute 5:03 tongue ram 5:18 bass flute
What was really helpful and deferred from the other videos was the existence of the way we (new composers) can write the above techniques! Thank you for your tips as well!
That was amazing! I didn’t know you could get all those sounds on a flute. If I’d heard these sounds in a piece of music I would never have guessed that they were being made by a flute. Thank you for this video.
Thank you for this clear and concise demonstration! I'm trying these techniques right away. On a side note, they have the advantage of being very quiet, that is I can practice them without disturbing anyone.
thank you so much dear Helen Bledsoe but I have a question: in the case of playing air sound inside the flute, is it just possible in the first octave? or also it works with the upper notes? thank you in advance
You can use any fingering, the effect is only a filter in terms of noise (bright, dark, white, pink, etc), not really an effect of pitch. (sorry for the late answer)
0:27 aeolian sound: only the breath is audible, but with a precise pitch
0:55 Sound and breath simultaneously 1:07 middle register 1:19 high register
1:38 air sound inside the flute, white noise/unpitched noise
1:51 aeolian sound: only the breath is audible ( i - u )
2:19 keyclicks: key percussion only (descending is better)
3:29 tongue pizz/slap (most effective in the first octave) 4:12 bass flute
5:03 tongue ram 5:18 bass flute
What was really helpful and deferred from the other videos was the existence of the way we (new composers) can write the above techniques! Thank you for your tips as well!
This is how should these videos look like. Very helpful, especially visual notes. Thums up !
Everytime i'm writing for flute i'm here! Thanks a lot! :D
as a composer, it helps me a lot. Thank you
That was amazing! I didn’t know you could get all those sounds on a flute. If I’d heard these sounds in a piece of music I would never have guessed that they were being made by a flute. Thank you for this video.
Thank you for this clear and concise demonstration! I'm trying these techniques right away. On a side note, they have the advantage of being very quiet, that is I can practice them without disturbing anyone.
Thank you for this clear and concise demonstration!
Amazing variety of sounds. I hope I can transfer some of that to the bansuri.
Sick! Thanks for sharing this!!
Excellent, very didactic. Amazing Helen.
hi I found this most helpful and immediatly applicable on my pvc flute, thanks for the quality instruction
Very helpful for composers. Thank you!
Glad you think so!
Thank you for uploading this video, I found it through reading your blog. It has really helped me with composition ideas. Rachel.
Fantastic, thanks so much for this!
I LOVE your video.
Thank you!
Awesome! Thank you sooooooo much!
Absolutely fascinating, thank you for sharing!
Awesome video, great explanation, clear and effective. Congrats! This is essential for any composer.
Very nice and clearly lesson... thanks a lot!!!
This was really helpful for me, thank you so much
Great data! Very well explained and detailed, thanks for the dedication!
Very very helpful video! Bravo
I was going to give it a like, but I already liked this before so I can't like it anymore which makes me sad... This is amazing. Thank you!
Really good Helen, very clear explanations, very usefull for composers and students. Thank you very much (Eduardo - from Brasil)
very useful! Thank you very much!
Danke!
very thankful for this vid!
thank you so much dear Helen Bledsoe but I have a question: in the case of playing air sound inside the flute, is it just possible in the first octave? or also it works with the upper notes? thank you in advance
You can use any fingering, the effect is only a filter in terms of noise (bright, dark, white, pink, etc), not really an effect of pitch. (sorry for the late answer)
@@pandemoniumpandemonius4660 Yes you’re right. Thank you so much 😊
This is very helpful!
Thank you for video! Really helpful. In which piece Sciarrino uses the technique you mention in the video? the lifting keys up?
Salvatore Sciarrino's Opera per Flauto - Fra i testi dedicati alle nubi
@@mausimhaus11Thank you!
4:10 that’s not a flute, this is a flute
Ооо "ФБЫТЬ-ФБЫТЬ!" Красивые Тембры и слова! В Роке их надо!