Echoes Pompeii Main & Funky Solo Tab: www.patreon.com/posts/echoes-pompeii-92948380?Link& Money PULSE FULL Tutorial: www.patreon.com/posts/money-pulse-tab-95482448?Link& Pigs Solo Tutorial: th-cam.com/video/bk_UymPD6GQ/w-d-xo.html On The Turning Away Solo Tutorial: www.patreon.com/posts/on-turning-away-93667161?Link& In Any Tongue Solo Tutorial: th-cam.com/video/2rlwrO1RMrs/w-d-xo.html
Had this for like 5 years or so now and it's worth every penny for a Pink Floyd fan but it's capable of so so much more too! To be honest though I do wish they had kept with the original design that had the insert cable and input so you could put other effects between the 2 pedal sides.
Dude. Nice video, and very adept guitar work. It all sounds really good. I bought the Keeley Dark Side with a wild look in my eyes, fell in love, and then I sold it. You are right about this pedal; it will give you lots of great Gilmour sounds. And in a way, that exposes its greatest shortcoming. There is no means to access alternate tones, unless you reset the controls (for the heart of the Sun.) Keeley needs to find a way to store presets from the pedal and make them accessible on the fly. If you put the Dark Side on your gigging pedal board, it will yield a range of great fuzz tones, and a smorgasbord of modulation. However, if you are in a Pink Floyd cover band and want to use this pedal, you will have to pause between every song to dial up the right sound. That's a beautiful Stratocaster you are playing! Candy Apple Red doesn't get enough love.
I’ve just stumbled across your videos Mustafa, you’ve renewed my love of Floyd, and in particular Gilmour, and I think your content is absolutely brilliant and wonderfully researched. Unlike many people on TH-cam, you actually use your ears. I salute you
As someone who has recently spent a small fortune on guitars, pickups, amps and pedals to try and recreate the Gilmour sound, I can confirm the equipment only gets you about 5% of the way. The rest is all in the hands!
By the way, I own this pedal for around three years. And it's really a great one! And I also do covers of Pink Floyd th-cam.com/video/riALtYYWS0k/w-d-xo.html
Especially Gilmores vibrato! So hard for me to get that down and in slow melodic solos it’s pretty key. I’ve really enjoyed this pedal tho. Endless fun
I have this pedal and also the Keeley Monterey, which I run together, it’s a fantastic tool box, those 2 together, slice of Heaven. Frequently, cramming in a bunch of effects together means sacrifice. But not here. Every sound of any of the effects & their variations sound great. In fact, if I don’t use them for a while, then drag them out, well, I am always surprised at how great they are! If you’re a fan of the great tones out there from about 67 to the early 80s it’s all in there…
Thanks for this, I'm a home guitarist and enjoy playing Pink Floyd. Also I only have this pedal with a small amp.. Can you suggest settings for Coming Back to Life?
@@mustyguitar I'm building a small pedalboard from the scratch. Thinking of MXR Script Dyna Comp > Crazy Tube Circuits HI-Power > Keeley Dark Side > Dunlop Echoplex Delay. What do you think?
The Boss PS-5 and PS-6 have a few tracking issues and other glitches. I recommend The TC Electronic Quintessence "Intelligent" Harmonizer. Same price as the Boss units
I don't believe there's a leslie (rotary) with phaser on syd's theme. Leslie is very dominant effect and it doesn't do well with phaser. I'm not saying gilmour didn't use leslie, he clearly did very, very much in his earlier stuff, on Dark Side, on Wembley, but I don't hear leslie on wish you were here album. he might have used it, but maybe that's me, I'll have to research for wish you were here definitive tone guide.
Thanks for the video posts- super helpful! Had a question- what are the ideal basic settings for the Laney amp or any amp for that matter? Thanks in advance! Best regards.
Dam Musty :)....You keep my head spinning...I'm building my DG rig ....... Dark side? Hi-Power? and the Engine in one week. I have a mix of vintage pedals from my youth (OG electric mistress / Big Muff ) but working on building up a rig for DI work direct to a DAW's....I'm dizzy.
I'll update my pedalboard video next month. I never make a video about a pedal I don't recommend, so it's all great, but I have my overall taste too of course. I'll give more info about my pedalboard, alternative pedals and everything.
I got the dark side as my first pedal yesterday and I’m looking to pair it with an overdrive. However, I know that Gilmour puts OD between his fuzz and modulation, which isn’t possible with this pedal. Will I still be able to get good OD Gilmour tones (ie: scattered) by putting the OD before the dark side on signal chain? Thank you so much in advance!
Hey man! Good choice. Well, you don't need to use fuzz and overdrive together. That's not what Gilmour typically does. I believe people exaggerate the boosting big muff thing a little bit. On PULSE he used overdrive before big muff SOMETIMES and on Gdansk he used overdrive after big muff ALL THE TIME. rest? no, nada, maybe on some. and maybe on 1977 in the flesh tour, he did do some pairing but thats maybe. what I recommend you to do, is get a good overdrive and use it before dark side, since, you'll be using some of the modulations or delay on the pedal, you have to have it last in the chain if you don't have external delay. I recommend pastfx td-y for tube driver and good colorsound tones or hi-power for colorsound and good tube driver tones. by the way, scattered has 3 parts of the solo, first one is classic guitar, second is overdrive with neck pickup, third is big muff with bridge pickup. you don't need to pair overdrive and big muff for these sounds.
Thanks so much for the in depth reply! Very new to all this pedal stuff as I’ve been on a digital amp since I started playing guitar. As for the overdrive, I was thinking of getting a boss bd-2. Do you think it’ll get me close to the gilmour overdrive type of sound or is it worth spending the extra money on the pedals you recommended? I didn’t know he turned off the OD for the big muff part, thanks for letting me know. Been learning scattered from your tutorial and it’s been going excellent. Love the videos mate!
@@cooperfrieberg5360 boss bd-2 is great. but on it's own, it might be a tad bright. I use bd-2 with hi-power. td-y can do amazing job on it's own and hi-power can do amazing job on it's own. if you get bd-2 you might lack a few smooth gilmour tones.
What is the minimum number of independent setups would you require to get through a Pink Floyd Cover show? What if you bought four of these and hook them to a Gigrig Quartermaster ? !! It sounds stupid, but maybe it would work fantastically.
If I would put it on my pedalboard, what will be the signal chain? Sorry if it’s a weird question, i’m just confuse by the modulation and the fuzz and all on the pedal 😅
I understand man, no problem, it's not weird. so the logical signal chain should be like this: pitch shifters (whammy and stuff) -> wah -> VINTAGE fuzz -> compressor -> big muff -> distortion -> overdrive -> modulation -> delay -> reverb. you can put an overdrive BEFORE the big muff too if you want, it will sounds great and I'll make a video about boosting big muffs. so you have big muff and modulations on dark side and if you put the right order, big muff comes first. it would be logical to put an overdrive BEFORE the dark side pedal and you can use the delay or modulation on the dark side pedal. I haven't tried it but dark side has fx loop too.
@@mustyguitar Thank you so much for your answer and taking of your time to do it! That really help indeed and I see what you’re saying, I will try that! And btw, your videos inspired me and helped a lot for me and I think you’re amazing and dedicated in what you’re doing, and that is very cool! And you’re so talented man! And again, thanks for the help!
@@mustyguitarShouldn't a vintage Fuzz like a Fuzzface or Tonebender go first? Unless it's one of the units that are engineered specifically to handle buffered pedals like a Wah in front (eg MXR Classic 108, SGFX If 6 Was 9, Chase Tone Red Velvet 68/Fuzz Fella, anything by Analogman)?? Otherwise, you'll get horrible oscillations
@@mustyguitarunless it's something like an MXR Classic 108, SGFX If 6 Was 9, Chase Tone Red Velvet 68/Fuzz Fella, or Analogman Sunface, all vintage Fuzz pedals should go first in the chain. It's a question of impedance. Vintage Fuzz pedals reverse the impedance of any other pedal (Fuzz- low impedance in/high impedance output).
@@mustyguitarOnly the rare Dark Side V1 has the FX loop (Insert). You were playing a V2, which is what has been sold as standard model for over 10 years now. It took me 11 years to find a V1 and it's going with me to my grave! The V2 replaced the insert with a button that reverses the order of the two sides so you can run either modulation or delay>Fuzz or Fuzz>Modulated or Delay.
Side by side with a triangle Big Muff we noticed the Dark Side's fuzz has a lot more drive. Do you think the Dark Side pedal might be boosting the fuzz?
@@vlpudja hmm, rat is too mid rangy in my opinion. and, contrary to some opinions, I don't think rat can cover big muff tones because they are different circuits. it can get great tones for sure, but you're not going to get that live at pompeii 2016 tones, you're not going to get that sorrow studio tone or dogs, pigs, comfortably numb tones. I guess rat can cover some 80s and 90s tones and some overdrive tones as well if you back down the gain quite a bit. watch this video about rat that I did: th-cam.com/video/n2-ItnjbN_4/w-d-xo.html I'm trying to get all types of tones with a rat type pedal.
The one big drawback with these all in one Swiss army knife pedals... there are certain combinations of effects you can not run concurrently. I was considering this pedal for Gilmourish type tones, but after my experience with its cousin, the Keeley Monterey ( for Jimi Hendrix-style), I decided against it. You may still have to have other pedals to fill in the gaps of its limitations of combinations. Also, it might be OK for the studio, but for live applications... these types of pedals can be really fiddly to dial in, especially in the dark. I'm not saying its bad..,.just be aware. Many times, these all in one pedals will do a good/ ok job of multiple things but not a great job of all things. Do homework, download the manual, apply that to your songs beforehand...,you may have an ahh- ha moment. I wish I had drilled deeper with the Monterey first...Vids like this one help alot, thank you and Happy Trails.
I agree with you. This is definitely a recommendation for players who want to get into the pedals and wants to get a lot of stuff for it's buck, but it's best to have dedicated pedals for dedicated effects. that being said, I will still be using this pedal for my patreon page. Also I really like the tape delay!
That would turn this pedal into a processor or a big multi effect pedal. It's possible and it would attract more players probably, but I think it wouldn't be compact.
@@charlesbolton8471 its not really that expensive if you consider the pedals you would need seperately to achieve the same thing. You would need a big muff, phase, flanger, univibe, probably a clean boost, delay with time settings,
This review doen't help at all considering that you don't show the pedal settings for each individual section. And any sublte changes you do show (knob settings for example) don't sound anything like what you get from the pedal. Theres no way youre getting that tone with this pedal alone. You don't tell us which setting you're in on the delay side. The switch never moves throughout the entire video. So basically you're just showcasing your playing with absolutely no feedback on the pedal itself. BTW, the knob settings you show in each section don't correspond AT ALL to the tone youre getting. I set mine up exactly as yours is set in each section and it doesn't sound anything like your tone.
this review helped hundreds of people and at least 10 of my Patrons messaged me and thanked me about it. also you're crazy to think every setting reacts same on every rig. this is a guideline, this is how "I" use it on my 1w amp with low volume. "YOU" might have different pickup, different amp, different picking style, different volume, different setting on your amp.
@@mustyguitar I know some people who don’t play good, not tight, and end up sounding like shit even if they have thousands of dollars of gear ….like me 😂
Echoes Pompeii Main & Funky Solo Tab: www.patreon.com/posts/echoes-pompeii-92948380?Link&
Money PULSE FULL Tutorial: www.patreon.com/posts/money-pulse-tab-95482448?Link&
Pigs Solo Tutorial: th-cam.com/video/bk_UymPD6GQ/w-d-xo.html
On The Turning Away Solo Tutorial: www.patreon.com/posts/on-turning-away-93667161?Link&
In Any Tongue Solo Tutorial: th-cam.com/video/2rlwrO1RMrs/w-d-xo.html
This pedal got me back into guitar after a 20 year hiatus.
I have a laney cub12 for over 10 years now, great little amp for clean stuff and gilmour off course.
The "Pigs" outro solo sounded so legit! Kudos
I've been waiting for you to review this for ages, thanks
I've always loved this pedal, I've played it at my local guitar store a few times and always sounds absolutely killer, buddy
Had this for like 5 years or so now and it's worth every penny for a Pink Floyd fan but it's capable of so so much more too! To be honest though I do wish they had kept with the original design that had the insert cable and input so you could put other effects between the 2 pedal sides.
Yep the tone at the end is a kicker with the Obscured tones also very good....
Holy shit, that GGITS jam in the intro - perfection!
What in the hell is GGITIS ? Is it code or something and why it can’t be typed out or just lazy?
Great Gig in The Sky :))@@TheSoundofForgetting
Dude. Nice video, and very adept guitar work. It all sounds really good. I bought the Keeley Dark Side with a wild look in my eyes, fell in love, and then I sold it. You are right about this pedal; it will give you lots of great Gilmour sounds. And in a way, that exposes its greatest shortcoming. There is no means to access alternate tones, unless you reset the controls (for the heart of the Sun.) Keeley needs to find a way to store presets from the pedal and make them accessible on the fly. If you put the Dark Side on your gigging pedal board, it will yield a range of great fuzz tones, and a smorgasbord of modulation. However, if you are in a Pink Floyd cover band and want to use this pedal, you will have to pause between every song to dial up the right sound. That's a beautiful Stratocaster you are playing! Candy Apple Red doesn't get enough love.
I bought the pedals about three weeks ago and I really love it. Incredible sounds
I’ve just stumbled across your videos Mustafa, you’ve renewed my love of Floyd, and in particular Gilmour, and I think your content is absolutely brilliant and wonderfully researched. Unlike many people on TH-cam, you actually use your ears. I salute you
Thank you Martin! I appreciate that!
great pedal and some fantastic playing bro!!!!!!
greetings Romanov...
For Pink Floyd, pedal is only half of the sound, even less :) Player is the key :) Great job and good review! Thanks for sharing! Shine on
Dont worry in the future you will get a DG chip in your head and you will be complete 😉
As someone who has recently spent a small fortune on guitars, pickups, amps and pedals to try and recreate the Gilmour sound, I can confirm the equipment only gets you about 5% of the way. The rest is all in the hands!
By the way, I own this pedal for around three years. And it's really a great one! And I also do covers of Pink Floyd
th-cam.com/video/riALtYYWS0k/w-d-xo.html
I already own this pedal for more than three years. Truly great pedal. Playing with my black strat.
Especially Gilmores vibrato! So hard for me to get that down and in slow melodic solos it’s pretty key. I’ve really enjoyed this pedal tho. Endless fun
Damm that sound, blown away! Great playing!
Man you're doing awesome work here. Many thanks. And the pedal is glorious
Been waiting for this review...
Great video! Really good in showcasing the different capabilities of this awesome pedal! And as always: on point playing! :)
I have this pedal and also the Keeley Monterey, which I run together, it’s a fantastic tool box, those 2 together, slice of Heaven.
Frequently, cramming in a bunch of effects together means sacrifice. But not here. Every sound of any of the effects & their variations sound great.
In fact, if I don’t use them for a while, then drag them out, well, I am always surprised at how great they are!
If you’re a fan of the great tones out there from about 67 to the early 80s it’s all in there…
Ok. The Animals sound sold me. Going to get one tomorrow.
Exemplary player…keep going and do your thing.!!!! Rock that ahi!.
That's it- that's all I can take, can't takes no more- I bought it.
I use the keely Monterey it lowkey works better for pre dark side tone cause it’s got a germanian style fuzz face in it
I hope Robert makes a v3 with presets. Or a 3rd modulation channel.
well ... the pedal, a phaser, the Strat and the EMG DG20 David Gilmour mics set I guess,right ? 😉and of course, your amazing playing 👍👍
Thanks for this, I'm a home guitarist and enjoy playing Pink Floyd. Also I only have this pedal with a small amp.. Can you suggest settings for Coming Back to Life?
DAMN THE INTRO🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🧯🧯🧯🧯🧯
So, having a small setup like: Comp > OD > DARK SIDE > DELAY is pretty much all I need :)
yeah, that can cover a ton of pink floyd and gilmour sound.
@@mustyguitar I'm building a small pedalboard from the scratch. Thinking of MXR Script Dyna Comp > Crazy Tube Circuits HI-Power > Keeley Dark Side > Dunlop Echoplex Delay. What do you think?
@@worldwithbart133 I don’t know echoplex but rest are awesome!
You could make a shoe box with elastic bands over it sound good!
haha! thanks!
Have you tried the boss harmonist? I’d like to see how it does on Pink Floyd songs like dogs, pigs, sheep, and hey you.
The Boss PS-5 and PS-6 have a few tracking issues and other glitches.
I recommend The TC Electronic Quintessence "Intelligent" Harmonizer. Same price as the Boss units
Final Cut nailed!
only issue is you cant mix modulation and delay, and you can't mix phaser and rotary to make shine on you crazy diamond syds theme, which is annoying
I don't believe there's a leslie (rotary) with phaser on syd's theme. Leslie is very dominant effect and it doesn't do well with phaser. I'm not saying gilmour didn't use leslie, he clearly did very, very much in his earlier stuff, on Dark Side, on Wembley, but I don't hear leslie on wish you were here album. he might have used it, but maybe that's me, I'll have to research for wish you were here definitive tone guide.
@@mustyguitar but yeah. off to the side in that photo is a leslie 142 speaker
Thanks for the video posts- super helpful! Had a question- what are the ideal basic settings for the Laney amp or any amp for that matter? Thanks in advance! Best regards.
What kind of technological wizardry is this?!!
Woooow I’m hooked!!!! 😊❤
If that is you playing, you're pretty fkn good to be honest : )
Oh man, thank you so much! I just got one of those, mainly because of your lessons!
Dam Musty :)....You keep my head spinning...I'm building my DG rig ....... Dark side? Hi-Power? and the Engine in one week. I have a mix of vintage pedals from my youth (OG electric mistress / Big Muff ) but working on building up a rig for DI work direct to a DAW's....I'm dizzy.
This channel is where paychecks come to die.
I'll update my pedalboard video next month. I never make a video about a pedal I don't recommend, so it's all great, but I have my overall taste too of course. I'll give more info about my pedalboard, alternative pedals and everything.
@@mustyguitar I just ordered a Drybell the Engine based on your other video. It'll keep my vibe machine company.
@@paull8678 I love engine, it's definitely a must on my pedalboard!
I got the dark side as my first pedal yesterday and I’m looking to pair it with an overdrive. However, I know that Gilmour puts OD between his fuzz and modulation, which isn’t possible with this pedal. Will I still be able to get good OD Gilmour tones (ie: scattered) by putting the OD before the dark side on signal chain? Thank you so much in advance!
Hey man! Good choice. Well, you don't need to use fuzz and overdrive together. That's not what Gilmour typically does. I believe people exaggerate the boosting big muff thing a little bit. On PULSE he used overdrive before big muff SOMETIMES and on Gdansk he used overdrive after big muff ALL THE TIME. rest? no, nada, maybe on some. and maybe on 1977 in the flesh tour, he did do some pairing but thats maybe.
what I recommend you to do, is get a good overdrive and use it before dark side, since, you'll be using some of the modulations or delay on the pedal, you have to have it last in the chain if you don't have external delay. I recommend pastfx td-y for tube driver and good colorsound tones or hi-power for colorsound and good tube driver tones.
by the way, scattered has 3 parts of the solo, first one is classic guitar, second is overdrive with neck pickup, third is big muff with bridge pickup. you don't need to pair overdrive and big muff for these sounds.
Thanks so much for the in depth reply! Very new to all this pedal stuff as I’ve been on a digital amp since I started playing guitar.
As for the overdrive, I was thinking of getting a boss bd-2. Do you think it’ll get me close to the gilmour overdrive type of sound or is it worth spending the extra money on the pedals you recommended?
I didn’t know he turned off the OD for the big muff part, thanks for letting me know. Been learning scattered from your tutorial and it’s been going excellent. Love the videos mate!
@@cooperfrieberg5360 boss bd-2 is great. but on it's own, it might be a tad bright. I use bd-2 with hi-power. td-y can do amazing job on it's own and hi-power can do amazing job on it's own. if you get bd-2 you might lack a few smooth gilmour tones.
What is the minimum number of independent setups would you require to get through a Pink Floyd Cover show? What if you bought four of these and hook them to a Gigrig Quartermaster ? !! It sounds stupid, but maybe it would work fantastically.
Well, if you're gonna get 4 pedals, get a keeley dark side, get an overdrive, a rotary and delay. that will be the best way to go.
Get a hi power and an echorec or DD-2or DD8 with the dark side and your good!
If I would put it on my pedalboard, what will be the signal chain? Sorry if it’s a weird question, i’m just confuse by the modulation and the fuzz and all on the pedal 😅
I understand man, no problem, it's not weird. so the logical signal chain should be like this:
pitch shifters (whammy and stuff) -> wah -> VINTAGE fuzz -> compressor -> big muff -> distortion -> overdrive -> modulation -> delay -> reverb.
you can put an overdrive BEFORE the big muff too if you want, it will sounds great and I'll make a video about boosting big muffs.
so you have big muff and modulations on dark side and if you put the right order, big muff comes first. it would be logical to put an overdrive BEFORE the dark side pedal and you can use the delay or modulation on the dark side pedal.
I haven't tried it but dark side has fx loop too.
@@mustyguitar Thank you so much for your answer and taking of your time to do it! That really help indeed and I see what you’re saying, I will try that! And btw, your videos inspired me and helped a lot for me and I think you’re amazing and dedicated in what you’re doing, and that is very cool! And you’re so talented man! And again, thanks for the help!
@@mustyguitarShouldn't a vintage Fuzz like a Fuzzface or Tonebender go first? Unless it's one of the units that are engineered specifically to handle buffered pedals like a Wah in front (eg MXR Classic 108, SGFX If 6 Was 9, Chase Tone Red Velvet 68/Fuzz Fella, anything by Analogman)?? Otherwise, you'll get horrible oscillations
@@mustyguitarunless it's something like an MXR Classic 108, SGFX If 6 Was 9, Chase Tone Red Velvet 68/Fuzz Fella, or Analogman Sunface, all vintage Fuzz pedals should go first in the chain. It's a question of impedance. Vintage Fuzz pedals reverse the impedance of any other pedal (Fuzz- low impedance in/high impedance output).
@@mustyguitarOnly the rare Dark Side V1 has the FX loop (Insert). You were playing a V2, which is what has been sold as standard model for over 10 years now.
It took me 11 years to find a V1 and it's going with me to my grave!
The V2 replaced the insert with a button that reverses the order of the two sides so you can run either modulation or delay>Fuzz or Fuzz>Modulated or Delay.
Time 2:50
Side by side with a triangle Big Muff we noticed the Dark Side's fuzz has a lot more drive. Do you think the Dark Side pedal might be boosting the fuzz?
I think it’s not triangle but close to green Russian model.
does it come with a booklet,with different settings to help get all the Gilmour tones :))
Your EMG pickups don't screw up the fuzz sounds, obviously. That tells me the fuzz is actually a Big Muff circuit, not a fuzz face, yes?
True, close to "triangle" models in my opinion. the "flat" position on the big muff side is my favorite. sounds amazing
Hi Musty, can this pedal on low gain do overdrive like in have a cigar or in shine on?
Unfortunately, no. It’ll be a bit cleaner but it’ll be very dark and bassy for an overdrive. It will still sound good though
@mustyguitar Thank You! Do you think RAT can cover that better? Keep on, I enjoy your videos!!!
@@vlpudja hmm, rat is too mid rangy in my opinion. and, contrary to some opinions, I don't think rat can cover big muff tones because they are different circuits. it can get great tones for sure, but you're not going to get that live at pompeii 2016 tones, you're not going to get that sorrow studio tone or dogs, pigs, comfortably numb tones.
I guess rat can cover some 80s and 90s tones and some overdrive tones as well if you back down the gain quite a bit. watch this video about rat that I did: th-cam.com/video/n2-ItnjbN_4/w-d-xo.html
I'm trying to get all types of tones with a rat type pedal.
What about the Machine dry Bell
The one big drawback with these all in one Swiss army knife pedals... there are certain combinations of effects you can not run concurrently. I was considering this pedal for Gilmourish type tones, but after my experience with its cousin, the Keeley Monterey ( for Jimi Hendrix-style), I decided against it. You may still have to have other pedals to fill in the gaps of its limitations of combinations. Also, it might be OK for the studio, but for live applications... these types of pedals can be really fiddly to dial in, especially in the dark.
I'm not saying its bad..,.just be aware. Many times, these all in one pedals will do a good/ ok job of multiple things but not a great job of all things. Do homework, download the manual, apply that to your songs beforehand...,you may have an ahh- ha moment. I wish I had drilled deeper with the Monterey first...Vids like this one help alot, thank you and
Happy Trails.
I agree with you. This is definitely a recommendation for players who want to get into the pedals and wants to get a lot of stuff for it's buck, but it's best to have dedicated pedals for dedicated effects.
that being said, I will still be using this pedal for my patreon page. Also I really like the tape delay!
Like you don't have to tweak your other pedals to get the correct sounds. I think people are just not happy no matter what. Presets would be nice tho.
Excellent.
This pedal needs a MK2 so you can use all the effects at once.
That would turn this pedal into a processor or a big multi effect pedal. It's possible and it would attract more players probably, but I think it wouldn't be compact.
@@mustyguitar True, had the opportunity to buy it for 200 euros but didnt pull the trigger since I already have everything this pedal has to offer.
No compressor?
Nope
Combined modulation and delay is a huge NO-NO :( We need modulation and delay at the same time
Bello!!!
Мустафа отличный парень. Минусовки не могу открыть.
Помоги!!!!
what's that my man? I translated it but didn't get a thing :))
the 1 problem is a big problem.
I don’t understand. What problem? Thank you
@@billmoran935
Obviously, I don’t know what he’s talking about either, but if I had to guess I would say the “big problem” is the price.
@@charlesbolton8471 its not really that expensive if you consider the pedals you would need seperately to achieve the same thing. You would need a big muff, phase, flanger, univibe, probably a clean boost, delay with time settings,
Given what you’re getting from these pedals (I also run the Keeley Monterey with this pedal), it’s a steal!
This review doen't help at all considering that you don't show the pedal settings for each individual section. And any sublte changes you do show (knob settings for example) don't sound anything like what you get from the pedal. Theres no way youre getting that tone with this pedal alone. You don't tell us which setting you're in on the delay side. The switch never moves throughout the entire video. So basically you're just showcasing your playing with absolutely no feedback on the pedal itself. BTW, the knob settings you show in each section don't correspond AT ALL to the tone youre getting. I set mine up exactly as yours is set in each section and it doesn't sound anything like your tone.
this review helped hundreds of people and at least 10 of my Patrons messaged me and thanked me about it. also you're crazy to think every setting reacts same on every rig. this is a guideline, this is how "I" use it on my 1w amp with low volume. "YOU" might have different pickup, different amp, different picking style, different volume, different setting on your amp.
Be safe and we all support you
I feel that support very much lately, thanks!
would be even better plugged in a stack of hi watt 🫶
everything would sound better plugged in a stack of hiwatt amps, no?
@@mustyguitar I know some people who don’t play good, not tight, and end up sounding like shit even if they have thousands of dollars of gear ….like me 😂