Alina Pogostkina Beethoven Violin Concerto Op. 61 Rechtman Nonet arrangement
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- เผยแพร่เมื่อ 6 ก.ค. 2019
- The manuscript (score and 9 individual parts) is available in PDF format for immediate download. For a limited time, this nonet arrangement can be purchased for $149 (instead of $249). Link for the online store: www.ilanrechtman.com/beethove...
A string septet version is available for purchase as well: (3 violins, 2 violas and 2 cellos, plus the solo part) for $114. For more information, please go to www.ilanrechtman.com - เพลง
Alina Pogostkina gives a beautiful, sensitive performance.
A highly imaginative, stylistically persuasive transcription deserving of wide performance. With Alina in rapturous, spiritual form, and an ensemble of such finely distinguished and responsive players, this is a performance not to be missed ...
Wow, that's just magnificent. She plays with such grace and sensitivity, with technical perfection resting quietly underneath.
I know Alina for first time
She plays Beethoven with perfection
I like her
Thanks for sharing
Спасибо, Алина. Великолепно, слов нет. Одна Ваша улыбка - награждение.
Es ist immer wieder ein Traum, ihr zuzuhören.
She's a real Talent as well as Gorgeous! I could watch her for hours.
Alina holds an unchallenged position as an interpreter of Beethoven.
And
she is a great Alchemist of the violin embodying the musical aesthetics of Beethoven.
From
A corner of Tokyo
Absolutely superb performance, wonderful arrangement, quality sound and video engineering, millions of music lovers will enjoy this across glove forever ! Many thanks to all.
Thank you Shelley. We were very lucky with the amazing soloist Alina Pogostkina and the wonderful nonet players here. They knew they were debuting a "ground braking" arrangement and gave it their all.
Aside from the actual production work I dedicated hours working as a tone master on the audio recording and post production. However, first and foremost I should thank my father, Mordechai Rechtman, who labored on the first draft of the arrangement for nearly 2 months. He unfortunately just died 2 weeks ago at the age of 97. Left lots of such amazing arrangements, many of which not even published yet. (However, more than 250 are published in various edition houses).
Омичи настроили свои уши и сердца! 😍👍💪💥🎻🎯🙏👏
Very sensitively performed and appealing to emotion. Thanks are due to the main artiste and the supporting members of the Nonet giving such wonderful performance.
Brilliant performance. Very clever arrangement. Very fine playing all round. Wonderful soloist
This violinist virtuoso is reaching the "outer galaxies" with her heavenly playing! Her intonation is so incredible, it is almost inhuman...
Personally, I love this interpretation & performance. Purely a matter of taste, & deeper psychology, & classical heresy - I would be happy to hear 99% of 19th c. symphonies & concerti brought out in smaller ensembles such as this wonderful Rechtman Nonet. There is no "why," really, just a way to hear all the lines clearly interacting; & to feel, so to speak, invited into the composer's intention. Full orchestras, even solo beloved Steinway Grands, can have an effect of trying to overpower us (?). The 19th c., of course, had no amplified rock concerts, or even Big Band jazz, for popular "power" entertainment. Whatever we may understand of the triumphant force of Beethoven's mind, soul & supreme talent, would he really object to this fine 21st c. realization of his masterpiece?
I don't think he would have minded. He himself made a number of self-arrangements: the Op. 14/1 E major Piano Sonata became a string quartet in F; the early but misnumbered Op. 103 Octet was reworked as the Op. 4 String Quintet; the Second Symphony was re-scored for piano trio, while the original Piano Trio Op. 1 No. 3 - one of his most radical youthful works - was re-created in middle age as another string quintet. He was possibly also aware of an arrangement by another hand of his Seventh Symphony for wind ensemble; a remarkably faithful reproduction in most respects, but one which curiously chooses to abridge the finale rather drastically (even more oddly, Richard Strauss - who appears in general to have been quite a stickler for musical fidelity - has been recorded conducting an orchestral performance of this curtailed version).
My own Beethoven reduction vice is to bash merry hell out of the symphonies rather badly on the piano. The pianist Joanna MacGregor asserts that Beethoven was much more tolerant of wrong notes than of safe and soulless playing, and I like to think that he might take a similarly indulgent view of my own efforts!
PS) I don't know if the arranger of the Seventh is known, but the author of the following commentary alleges that the wind ensemble version was "probably approved by Beethoven in 1816".
www.bing.com/search?q=who+arranged+beethoven%27s+seventh+symphony+for+wind+ensembel%3F&cvid=ffaf3064c4144597a950cf33e20400c3&FORM=ANAB01&PC=U531
@@michaelbell8387 Thanks for the information about the various "re-imagined" compositions. Think of the great man patting you on the shoulder while you're bashing merry hell... :)
Yes, I could reach your opinion too. beautiful violin concerto with strings !
Thank you, Mr Rubin. My thoughts precisely, though I could not have said it, half as eloquently as you have.
Interesting to make this famous consert into chamber music. I dont think we miss something except the "thick sound". 10 persons can play this. It is just for us to define (redefine?) what we are listening to. And Alina plays this with grace and perfection.
Thank you for listing the names of the nonet members. This is a nice arrangement. Alina plays very, very well.
Lovely arrangement.
I love this version. It sounds more intimate and less pompous than a full orchestra.
Exactly, it reminds me of Mozart, if I may say. Also, it emphasizes the virtuosity, the clarity and the "strong frailty" of the violin.
I also love this version (and I wish I could find a copy of it on cd for my collection) but I have never thought this concerto ever sounded pompous.
@@victorlloyd5271
>> I have never thought this concerto ever sounded pompous.
Right. I don't think 1earflapping was claiming that the concerto itself ever sounded pompous, but only that the orchestra playing it sometimes does. 😏
Una interpretación excelente, arreglo muy sutil, sonido de calidad e ingeniería de video, ¡millones de amantes de la música disfrutarán de esta melofia para siempre!
Alina, you are an ANGEL playing this Beethoven Concerto!!! FELICIDADES!!!
thank you reminding me were we belong to by our hearts, minds, ears and eyes
Very moving and total excellence!
Alina Pogostkina in pink form. Spellbinding!
Enchanting. So perfect, pure and luminous.
Me encantó este arreglo para 3 violines, 3 violas, 2 violoncellos y un contrabajo.
La gran violinista Alina POgostkina parece lucir más rodeada por el ensemble.
Gran sonido y no se pierde nada de la gran obra de Beethoven. A él le encantaría, seguramente.
Великолепное исполнение,браво Алина!
Браво Алина высший класс
Thanks for posting.
Beautiful! Thank you
Absolutely beautiful and impressive.
great intunation///love it
Amazing
Allegro ma non troppo (D major)
Larghetto (G major) 23:04
Rondo. Allegro (D major) 31:16
Marvelhoso!! Nunca he oido melhor. I combine languages too often. Ella es Guapissima!
That was superb.
Fantastic
A jewel
1. Allegro ma non troppo 00:29
2. Larghetto 23:05
3. Rondo. Allegro 31:16
Excellent performance. String instruments make wind sound too. Thank you.
But the timpani intro is missing very badly :D
@@luborkloda8903 How about plucking the string bass?
Fenomenal Alina. É gratificante e emocionante ouvir uma performance assim. O noneto é muito harmonioso. E acima de tudo o divino Beethoven!
Алина спасибо за труд!❤
Great!!!!!
Amazing!!!! Great Performance!!!! bravisimo
Excelente música!
ありがとうございます🤗
brava! bravi!
Magnífica música, magníficos músicos !!!
Maravillosa interpretación.....felicitaciones..
Perfection
Her expressions...
Todo está muy bueno , hasta me motiva a seguirla!!!!
That arrangement is nice.
תענוג לשמוע ,רק עם כמה כלים בלי תזמורת מלאה.יש הרבה קונצרטים כאלו ביוטיוב ואני מאוד נהנה מהסוג הזה של בצוע.תודה אילן
Madonna che brava
Interesting. Renews a thrice known piece, though the nonet could have perhaps used some winds to create more contrast in sound.
Very fine playing. Good sound.
👌👏🎶🙏
❤
България има чудесна музикална школа моля давайте по-често български изпълнения
Buona la cadenza di Kreisler
🌹🌷🌺💕🍁🍂🌼😍
Sublime envoûtant. Très belle version avec orchestre réduit et talentueux.
중앙에 서신 인은, 오드리헵번(?), 닮은듯 하십니다^^
Spellbinding.
JIMI HENDRIX DOES LUDWIG!!!!
하나님께서 모든 악단연주를 즐겨 보시고 계신줄 앎 입니다~~
מה זאת השמלה הזאת אני מתעלף פה
Why am I feeling like there is passion
missing in her playing?.....
🤔 mmh, why are the women shifted to 4th violin and the violas? The stunning soloist proves that musicality and leadership is not a mans only job.
probably coincidence. If you have an equal and random distribution of genders to seats, you will have women in the last seats by chance from time to time, as well as the other way round.
There have fortunately been many women in leading positions in orchestras and ensembles for a long time.
@@SimonPiano42 you might be right Simon. It is interesting though, that even the cameraman focuses on the male musicians first.
… just saying ..
There are a lot of women in leadership positions in orchestras... Playing the viola or second violin as a female doesn't mean that they are less that the first violin or that they are not "capable to be in a leadership position" .. playing the second violin or viola is not sth that you do by chance sometimes you as a violinist decide to play the part of the 2nd or 1 at violin.. specially on an ensamble like this 🙂🙂
Violas of course are playing their part the first viola is who plays alone sometimes... But in this case there are not "a leader" there are 9 musicians who play their part and all of them are "leaders"
@@SimonPiano42 yes, but why not here?
@@iaf1810 iad, you are right of course, but you have to admit, the men if the ensemble are much more in the focus. Even the camera seems to avoid closeups of the three ensemble ladies.. it’s a man’s world..
i have to say they look more dutch than sabra
doesn´t matter since nefesh is yehudim
Hear Alina talk about "trauma of gifted children": th-cam.com/video/ChzCY8lLnxg/w-d-xo.html
a little soft
さす３ささそすさすささすししさしす３すさしせさそしささすさすしささすさささせそさすささす３しししさし😊😊😊😊😊😊😊
hérésie ce concerto ne peut que ce concevoir qu'avec un orchestre symphonique et ce malgré le très beau violon d'alina,la partie orchestrale est très importante
Alina est une violoniste chambriste très appréciée, quand j'ai vu "Concerto pour violon" et Beethoven avec elle en soliste, j'ai été intrigué. Disons que c'est une version du concerto pour interprètes ayant l'habitude de jouer en petit comité.
Quand je vois tous ces artistes Israéliens de très haut niveau faisant chacune interprétation sublime, et Alina en soliste, je comprends mieux la haine des musulmans !
C''est magnifique, un régal, Bravo à tous. Quant à Alina c'est encore au dessus avec l'esthétique en prime. N'oublions pas Mozart quand même. Superbe.
Aimer la musique tout en méprisant toute une catégorie de gens, ça rappelle des mauvais souvenirs...
No Bra Violinist.
Exceptional soloist, but the arrangement for string nonet is flat and boring.
Beethoven's music lives from the contrast between the different instrument families like woodwinds, brass and strings and their various groupings in different dynamic stages.
I miss all of that here.
A cello pizicatto instead of kettle drum beats is ridiculous.
I'd argue the opposite: by condensating all to the strings and forgoing the extra colors and timbres, the structure of the work is reduced to its essentials -- delightful like the beautiful solist in her light, free outfit instead of stuffy dresses. It is for people who, like yours truly, prefer a good drawing that clearly shows the essentials to a painting.
Musique class
...des coins du monde en toure de role mansori a mes proff
It can there be different opinions, but I prefer the full Version with the Woodwind Instrument and the full Symphony orchestra. The nonet Version is interesting, but Generally to few plastical for me. The Violinist plays very well, maybe a little too sweet.
I heard Alina the First time on a Concert during the Ruggiero Ricci competitions in Berlin. It was 1993 and it was the Concert for the winners. She played Mozart, the G Major concerto, and won a children's prize, but was not included at the main valueing. She was 8 years old and a cute little girl.She was come with their parents. It is long ago. 30 years later. I was live present among the listeners and had neither a computer nor the Internet or TH-cam. Not yet. I had got it all this some years later. She begun to play at concertos and to take part on violin competitions at that time. I am glad to hear play her after a so long time.
Считаю такой облик этой подруги оскорбительным для Брамса...она бы вовсе что ли обнажилась бы? Может, уже хватит это терпеть и делать вид - что этого никто не видит...должны же быть границы приличия.