Check out the channel for latest videos: youtube.com/@korneljanega Other random video from the channel: All Along the Watchtower | cover | looping | Hotone Ampero | Boss RC600 | Fender Strat w/Lace Sensor th-cam.com/video/6csRtn14JBY/w-d-xo.html
Exactly. By the way from two feet away you can’t here the hiss and the cell mic amplifies it, i think if there’s no “hiss-gate” hype i don’t even mention it.
This time I use it with BossRC600 and Dream 65. If both are set halfway volume and the FR-10 is at 5(ish) it is nearly okey and hopefully you won’t drive the neighbours crazy.
@@Badrique you’re welcome. Here is a link to a video made few days ago, in-the-room test, wasn’t loud, around 5-6 but the room is almost empty and the iPhone microphone is crazy sensitive. Dream Set Test Run In-the-room | Fender Ultra Strat | UA Dream ‘65 | Fender TM FR-10 | Cell Cam&Mic th-cam.com/video/3bORIK4Q7Q0/w-d-xo.html
@@korneljanega I`m very impressed, it sounds warm und clear. I have one last question. I have a Positive Grid Spark Mini and a Hotone Ampero Mini. Which cables do I need to connect these devices to the Fender FR 10? Many thanks in advance.
@@Badrique The FR-10 has normal 1/4" and XLR Combination input - both you can use, but probably the best is just to connect one of your devices 1/4 normal output (the Hotone should have one, the Positive Grid is unknown to me) to the input of the FR-10.
Did you consider the 12? Wondering which one to get. The price difference isn’t that different. Wondering about your rationale in going with the smaller speaker.
I had the same trouble. I have chosen only by size, couldn’t checkout them before purchase, but I believe the 10 is perfect. Maybe bigger speaker deeper sound, but the volume is more than enough, the tone is great and the 10 is simply easy to care. The power is enough for small gigs even if I use loops, rhythm and sing. And honestly: if the show is so big the volume is not enough with 10 it won’t be enough with 12 either…
I am at home, that’s not a sponsored pro video and I am not a supermodel. And those slippers are warm enough for the November at the Arctic circle where we are.
Ok honest question. Headrush FR108 V Fender Tone Pro FR12 or FR10. That sounds awesome and seems to make the amp models come to life. Am I wrong? Or just hearing things. Thank you for putting this out.
I have never played the Headrush FR108, used to gig with an LD Systems stereo PA. Nice, but Fender Tone Master FR is a different universe i believe, you are right the amp models come to life with it. Here is a sample for in-the-room looping jam tone, also you can find the daw audio in descriptions, to compare and hear how clean the room tone is: Fender | ToneMaster | FR-10 | In-the-room | Looping | Wickedgamestyle | Daw record in description - th-cam.com/video/LIhGqXUzuF8/w-d-xo.html
Anybody NOT complaining about ANY hiss from a $500 solid state amp obviously knows dick about electronic design. If you can't produce a DEAD silent solid state mono amplifier for $500 you are producing garbage. People absolutely should take issue with it.
@@BB-pi2wd you don’t understand amplification. It has nothing to do with the dsp modeling, that’s not where the hiss is coming from. It’s coming from the power amplifier, the section that is powering the amp.
That’s makes a sense, although me myself never worried about carrying amps - but I prefer to have a portable all-in-one speaker like this which with I can enjoy all the sounds my pedal board could make, also vocal if needed.
Then you wouldn't get one and only go through front of house. People that buy these are people who like their modelers for the amount of amps, pedals, and Implulse reponses in them compacted into one thing, but also was on stage sound or to not play with headphones at home without going through studio monitors.. it makes perfect sense to get one...
@@jerryhill8281, I’m leaning in the same direction. Run front of house with the FR as your monitor, have something you can do small gigs that doesn’t have all your needs, push air with friends jamming. You have all the bases covered. But Fender really needs to do something about that hiss!!!
![[Live] : ONE 168 วันนี้!! "โจนาธาน vs ซุปเปอร์เล็ก"](http://i.ytimg.com/vi/0jIN65KgJsI/mqdefault.jpg)
Check out the channel for latest videos:
youtube.com/@korneljanega
Other random video from the channel:
All Along the Watchtower | cover | looping | Hotone Ampero | Boss RC600 | Fender Strat w/Lace Sensor
th-cam.com/video/6csRtn14JBY/w-d-xo.html
Sounds good with the MX5!
Nice warm sound.
Definitely can hear the hiss, but holy cow, that sounds awesome.
Exactly. By the way from two feet away you can’t here the hiss and the cell mic amplifies it, i think if there’s no “hiss-gate” hype i don’t even mention it.
Fender Tone Master FR-10 | recorded with Shure SM57 mic | In-the-room | First session | Little Wing
th-cam.com/video/ELmwrT9pNKk/w-d-xo.html
Sounds great mate. But does it also sound good at low volume in a small room?
This time I use it with BossRC600 and Dream 65. If both are set halfway volume and the FR-10 is at 5(ish) it is nearly okey and hopefully you won’t drive the neighbours crazy.
@@korneljanegacool, thanks for the quick response 👍🏻
@@Badrique you’re welcome. Here is a link to a video made few days ago, in-the-room test, wasn’t loud, around 5-6 but the room is almost empty and the iPhone microphone is crazy sensitive.
Dream Set Test Run In-the-room | Fender Ultra Strat | UA Dream ‘65 | Fender TM FR-10 | Cell Cam&Mic
th-cam.com/video/3bORIK4Q7Q0/w-d-xo.html
@@korneljanega I`m very impressed, it sounds warm und clear. I have one last question. I have a Positive Grid Spark Mini and a Hotone Ampero Mini. Which cables do I need to connect these devices to the Fender FR 10? Many thanks in advance.
@@Badrique The FR-10 has normal 1/4" and XLR Combination input - both you can use, but probably the best is just to connect one of your devices 1/4 normal output (the Hotone should have one, the Positive Grid is unknown to me) to the input of the FR-10.
Did you consider the 12? Wondering which one to get. The price difference isn’t that different. Wondering about your rationale in going with the smaller speaker.
I had the same trouble. I have chosen only by size, couldn’t checkout them before purchase, but I believe the 10 is perfect. Maybe bigger speaker deeper sound, but the volume is more than enough, the tone is great and the 10 is simply easy to care. The power is enough for small gigs even if I use loops, rhythm and sing. And honestly: if the show is so big the volume is not enough with 10 it won’t be enough with 12 either…
@@korneljanegaalso if the volume isn't enough you can connect to PA thru the xlr and use it as monitor
Using a modeler with the FR-10 is it possible to get good sound at low volume to play at home?
@@josalarcal33 Absolutely. Of course there is a limit, but it’s possible to use it at low volume without driving crazy your neighbours.
I don’t care what anyone says
Slippers and socks is just cool
I am at home, that’s not a sponsored pro video and I am not a supermodel. And those slippers are warm enough for the November at the Arctic circle where we are.
@@korneljanega no need to explain
like I said it’s cool !!
@@QuickSticks8771 🙂 by the way also to stomp the pedalboard are helpful
Ok honest question. Headrush FR108 V Fender Tone Pro FR12 or FR10. That sounds awesome and seems to make the amp models come to life. Am I wrong? Or just hearing things. Thank you for putting this out.
I have never played the Headrush FR108, used to gig with an LD Systems stereo PA. Nice, but Fender Tone Master FR is a different universe i believe, you are right the amp models come to life with it. Here is a sample for in-the-room looping jam tone, also you can find the daw audio in descriptions, to compare and hear how clean the room tone is: Fender | ToneMaster | FR-10 | In-the-room | Looping | Wickedgamestyle | Daw record in description - th-cam.com/video/LIhGqXUzuF8/w-d-xo.html
The Fender stuff is in an entirely different league than the Headrush stuff.
I had the Headrush 108 for a couple of days. It sounded really bad. Extremely boomy bass. Didn’t sound as an amp in the room at all 😢
What did the neighbours say?😊
They don’t exist 🙂
Check out the channel for new guitar videos: youtube.com/@korneljanega?si=iXfgJEvgZD0-oAzz
People complaining about a hiss have been using either their computer or a modeler for an amp. That noise is crazy low and isn’t impacting anything.
Anybody NOT complaining about ANY hiss from a $500 solid state amp obviously knows dick about electronic design. If you can't produce a DEAD silent solid state mono amplifier for $500 you are producing garbage. People absolutely should take issue with it.
@@BB-pi2wd you don’t understand amplification. It has nothing to do with the dsp modeling, that’s not where the hiss is coming from. It’s coming from the power amplifier, the section that is powering the amp.
But if you want to stop carrying amps , wouldn’t this defeat the purpose?
That’s makes a sense, although me myself never worried about carrying amps - but I prefer to have a portable all-in-one speaker like this which with I can enjoy all the sounds my pedal board could make, also vocal if needed.
Then you wouldn't get one and only go through front of house. People that buy these are people who like their modelers for the amount of amps, pedals, and Implulse reponses in them compacted into one thing, but also was on stage sound or to not play with headphones at home without going through studio monitors.. it makes perfect sense to get one...
@@jerryhill8281 if you’re home just get the real deal then and have a nice pedalboard
@@jerryhill8281, I’m leaning in the same direction. Run front of house with the FR as your monitor, have something you can do small gigs that doesn’t have all your needs, push air with friends jamming. You have all the bases covered. But Fender really needs to do something about that hiss!!!