Hello Lene I just watcher all episodes of you cornetto podcast! Good job, I fall in love with this instrument and I have few questions: 1. Is there any book/tutorial or online teacher? 2. How hard is to start? I'm 23 and I play only irish whistles and had 3 months clarinet episode, no brass instrument experience. 3. Is it possible to play cornetto together with loud double reed instrument like sopranino shawm or loud bagpipes? Kind Regards Adam Jakubowski
Hi Lene ,I would like to send my thanks for a very informative and delightful podcast. An instrument I was totally unfamiliar with until recently, but I am not surprised to hear it was the most popular woodwind instrument of its day. As the husband of a soloist in a local recorder orchestra in the UK and the father of a two daughters studying recorder one at the RCM I am very interested in how difficult for a recorder player to transition to the embressure of the Cornett and also is there a source of "student" instruments?
Loved every episode! Wonderful instrument.
Pretorius music is great, thanks for your videos
Thank you Lene for introducing everything about Cornetto which sounds so good.
Hello Lene
I just watcher all episodes of you cornetto podcast! Good job, I fall in love with this instrument and I have few questions:
1. Is there any book/tutorial or online teacher?
2. How hard is to start? I'm 23 and I play only irish whistles and had 3 months clarinet episode, no brass instrument experience.
3. Is it possible to play cornetto together with loud double reed instrument like sopranino shawm or loud bagpipes?
Kind Regards
Adam Jakubowski
Hi Lene ,I would like to send my thanks for a very informative and delightful podcast. An instrument I was totally unfamiliar with until recently, but I am not surprised to hear it was the most popular woodwind instrument of its day. As the husband of a soloist in a local recorder orchestra in the UK and the father of a two daughters studying recorder one at the RCM I am very interested in how difficult for a recorder player to transition to the embressure of the Cornett and also is there a source of "student" instruments?
A non-musical question if you don't mind. What is the marquetry work (I think) at 2:21?