Nadine Sierra & Ivan Repušić - Verdi: É strano! - Sempre libera degg'io from 'La Traviata'
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- เผยแพร่เมื่อ 4 ส.ค. 2022
- The young American soprano Nadine Sierra thrilled the audience during the Hannover Klassik Open Air in 2021.
The opera gala together with the NDR Radiophilharmonie under the direction of Ivan Repušic, took place in front of the magnificent backdrop of Hannover's illuminated city hall in the Maschpark.
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is one of the starriest young talents of today and makes regular guest appearances in the world's greatest opera houses.
Enjoy Nadine Sierra's captivating performance of Donizetti's Regnava nel silenzio 'Lucia di Lammermoor'
Listen to 'Made for Opera': dgt.link/MadeForOpera
Hanover Classic Open Air
21.08.2021 | Maschpark Hannover
Nadine Sierra, soprano
NDR Radio Philharmonic Orchestra
Ivan Repušić, conductor
Director: Michael Valentin
Production management: Melanie Clausen, Florian Legatis
Editorial ARTE Concert: Thomas Salb
Editorial NDR: Claudia Cellarius
A production of TVN AZ Media TV GmbH. Commissioned by Norddeutscher Rundfunk.
In cooperation with ARTE Concert. Supported with funds by nordmedia Film- und
Mediengesellschaft Niedersachsen / Bremen mbH. Licensed by Studio Hamburg Enterprises GmbH
Nadine Sierra & Ivan Repušić - Verdi: É strano! - Sempre libera degg'io from 'La Traviata'
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#nadinesierra #madeforopera #opera - เพลง
Her voice is the most powerful thing in the whole universe right now
Once again, Ms. Nadine Sierra displays the artistry that made her one of the greatest operatic sopranos of all time!!!!! 10:54
Stupenda!!! Bella voce. Meravigliosa!!
un miracle de voix , je suis sans voix ,la meilleure de toutes , qui peut chanter mieux??
Magnifique interprétation. Très belles nuances. Une grande Violetta .
Sensationel, Weltklasse.
just saw Nadine in La Traviata last Saturday at the New York metropolitan opera house, just breath taking
I was in the audience with you. Early Nov. matinee right? Wow!
Потрясающее проникновение в образ, красивый голос, великолепная техника, -- все это создает сильнейшее эмоциональное воздействие на слушателя . Браво !!! Это звезда оперного искусства❤❤❤
Nadine! So fantastic, so beautiful! I love you!!! ❤
Nadine Sierra é fantástica. Brava!!!!
Einfach perfekt !!!!!!!!!
She is exquisite
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is being hailed as one of the most promising, young talents in opera today. She was named the Richard Tucker Award Winner in 2017 and was awarded the 2018 Beverly Sills Artist Award by the Metropolitan Opera. Having made a string of successful debuts at the Met, Teatro alla Scala, Opéra national de Paris, and Staatsoper Berlin, she has become a fixture at many of the top houses around the world. On August 24th, 2018, her debut album, There’s a Place for Us, was released under the Deutsche Grammophon/Universal Music labels.
Ok Rob, you do a great job. (But we've got it now, we know who is Nadine Sierra)
excellent soprano.
Замечательно!!!🎉
Je ne peux pas arreter de l'écouter.... Sublime Merci Nadine
You can see how Maestro is enjoying Nadine! Beautiful voice!
Prachtige vertolking en wateemnmooie jonge heldere stem bravo!
素晴らしい！ さすがですなぁ。
Wow! This is breathtaking
!Brava!.
Thank you! Cheers!
You can see how intently the concert-mistress is listening to time the orchestra to Nadine's coloratura. Wonderful!
Two of my favorite arias beautifully interpreted!
What a performance, such an artistic representation, what a deep sense of talent, so much for my weekend, and thanks for sharing!
Impressive!! Braaava!!
Браво!
This dress though 😻
Ah !ah ! Ah ! Yes !
She should take care : one day ,she will end up naked on stage 😋😋😋😅
But she is astonishingly good for singing
The best!!!!!!!!!!!!!!!!!!
Magníficas interpretaciones 👏👏
Wonderful ! 💖👏👏👏
I know nothing about opera, but now I can die
Brava! 😍😍😍😍😍😍
oh .. my .. God(ess)
Wow!
🤣🤣🤣
Maravillosa
😊❤
awwww!!!!!!!❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Sublime !!
👏 열정적인 가창력이네요😄
This aria shall always be known to me as the Pretty Woman opera scene aria 💃🏼😁
Kommt es mir nur so vor oder ist die tonspur leicht zeitversetzt?
Soweit meine (geringfügigen) Lippenlesekünste gefragt sind würde ich Ihnen antworten, zumindest im Vorliegenden TH-cam-Video nicht.
@@n.n.5293 habe bemerkt dass es eher mit meiner Internetverbindung zusammenhängt 😅
Is not this song , the song in the movie is when she is saying goodbye to alfredo " ammi alfredo"
Does anyone know who the tenor is in this video? He sounds like a cross between a spinto and a dramatic tenor, definitely a Verdi tenor. I'd like to hear more of his singing. He is quite talented and skilled, an impeccable musician with both a ringing resonance and commanding timbre!
I discovered that he is Stephen Costello, a remarkable artist I had seen in Moby Dick years ago, and am delighted that he is still thriving in his career.
Wow
Oui, c'est elle! C'est la déesse... Beautiful!!
Belle ref aux pêcheurs de perles ♥️
That's some next level knödeling...
Yes.Plastic 🤣
Sempre libera 고음....^^
This is a once in a lifetime performance which those of us who follow with a score and dream of hearing a "complete" performance like this can just bow down and say thank you "I can die with this aria checked off." Maria Callas and Eleanor Steber dreamed of singing this aria like this but never quite reached the promised land. And I suppose that the moderns own a debt of gratitude for being shown the way by such luminous predecessors.. But make no mIstake this is as good as it gets. The jealous and negative comments posted here by the supremely ignorant and untalented I guess are part of the 21st Century at it's worst.
@4:20 J’adore sa cadence, si personnelle et musicalement très inspirée 💙🤍❤️
Que je suis d’accord avec tout ce que vous dites . C’est une merveille d’écouter une artiste pareille !
We have Nadine Sierra and Lisette Oropesa in the same universe...equally compelling but so different vocally.
Callas dreamed of singing this aria like this? You probably believe Joan Sutherland and Beverly Sills dreamed the same thing. Sei pazzo.
There are too many words to make it look smart
Damn you Senior Germont! Poor Violetta....
Nadine auf dem Weg zur Nr.1.Oder ist sie es schon ?
BETTER THAN CALLAS_ AND THE OTHERS? OR GRANDE LIKE THEM?
Almost as good as Montserrat, who loved her ❣️👌
Poor homie in the back realized her voice would never be digestible for him and he didn't know what to do with her until she got her real hair raising energy blast through that microphone I wasn't having it either. She's a modern day torture gladiator chamber
Is thus what passes for good singing these days?
Yes Maria Callas couldn't compare to this
No, it’s what passes as extraordinary singing.
Sounds mixed Oropesa and Moffo
비올레타 모습 그대로구나!
Violetta looks just as good
Shepherd's Chapel Network !!!!!!! Do you know where America is mentioned in the Bible ??????? Shepherd's Chapel Network !!!!!!!
Mai nominare il nome della Callas invano.
Belle voix mais elle en fait trop ;;;; beau son pour pas grand chose hélas
Que voulez-vous dire par là ?
🍅🍅😜 sorry about that but the final high Eb is flat 😮
she drives pretty close to pitch after it sits a bit low
Cadenze e variazioni ub po' troppo "rigolettose", oltre all'impostazione belcantista... 😮
Eine würdige Nachfolgerin von Sumi Jo, die selbst wiederum Maria Callas längst übertroffen hatte.
Maria callas è dura da superare ! Perché fare paragoni ?
Questo non è vero.@@ritagirometta2438
Non nominare il nome della Callas invano.
I have always appreciated the palpable "height" in her voice. But the same permanently high position that allows her such facile access to her upper register, here, dampens her middle register.
Every famous piece don't square with every great voice. And, audibly, this piece (unlike PLENTY others) don't allow her voice not nary one iota of "ping" inna middle. (Maybe, it's this recording? Maybe, she sick? Maybe, she just like singin it?)
I just hope she not singin this role cuz it's "expected" for a soprano voice of certain size and color.
THE "most promising, young" talent of Nadine Sierra BEEN proved her staying power, the reason "the top houses around the world" SHOULD want her to grace their stages. So, unless she just tryna have fun while makin her cash, Nadine Sierra don't need to play nobody traviata. (Selah)
way too much terminology for something that asks for a visceral and emotional response
@@stephpwall - (1a) Watch your mouth. (1b) Whether nescient, you ain't nobody arbitor of discourse or its excesses. (2) Structure, e.g. language & art, precludes a merely "visceral and emotional response". (3) Reflect on what I've shared.
A strong tremolo in the voice at the top.It's not good for a professional singer
she can do a lot better than this
찌찌음반사.ㅉㅋ
Yet another failed mezzo soprano with amateurish singing technique, singing this vanilla and played out aria.
Every single female singer sings this today, at some point. Sure, because it is easy to force yourself through it. From Nadine, Netrebko, Oropesa, Damrau, Yende etc. - so many terrible productions, so many broken and terrible singers. What is the point of having 20 Traviatas at the same time in Europe, and one is worse than the other?
Nadine sings completely without support, no sul fiato singing. She is nasal, knödel like, screams, squeaks, has no legato, cannot phrase one line in a very simple phrase formed aria. To be even more honest, this whole scene is really quite easy to sing through. And her intonation is too low from the beginning to the end. Constantly off key!
I am pianist and I can recognize a good piano playing and a mediocre piano playing but I don't have any Idea about how to recognize good voices. Any recommendations?
@@alanleoneldavid1787 It is hard to explain to someone who is not trained, versed, molded in the art of belcanto. And I sure do understand, fully understand, when I say that she sings without legato, that listeners cannot hear it. Which is understandable, because the vast majority of singing students, learners never hear the difference between legato and non legato (basics of singing). So I get where you come from.
Be aware of:
Body structure and face shape. Round, fuller faces, feminine, small, curvey, short necks are sopranos. Taller, slimmer, bone-like, long neck, masculine face (very edged like) and body structure are mezzos.
Watch out for over opening the mouth, or singing on teeth(Oropesa). A disaster advice for singing technique. This is how you instantly tense up all the area around the mouth+front and back of the neck. Jaw shaking, tongue shaking.
Mannerism - another distraction to conceal terrible singing technique(DiDonato, Bartoli). Overembalishing arias that you are not allowed to embellish at all(Mozart!).
Singing everything on super, mega, allegro, presto, prestissimo, brutale - this is how they try to hide that they have no support and no legato (Bartoli, Lezhneva).
Singing ha, ha, ha (Lezhneva, Damrau, Devieilhe, Sierra, DiDonato, Bartoli Oropesa, Yende, etc.) passages and ha, ha, ha trillo (Lezhneva). Singing trillo as just a wide wobble (Damrau, Devieilhe, Sierra, DiDonato, Bartoli Oropesa, Yende, almost all modern female singers).
Always singing on the microphone. Even on a microphone you barely hear those small, undeveloped voices, and when they walk away you don't hear them at all, even though the orchestra is playing on super pppppppppppp.
(th-cam.com/video/sUEtg93P5WQ/w-d-xo.html - Je marche sur tous les chemins)
They are almost always off key.
And don't forget if it sounds »angel like« with tons of air and only white, bleached colour it is so wrong to oblivion and beyond (Devieilhe, Desandre).
She’s not a mezzo soprano. So much hatred coming from someone who only wishes they had an ounce of these singers talent. You’re always trolling. Nothing better to do.
Why don't you get a job?
Stop trolling and putting others people down!
@@christian.cortez I don't have time to troll, because all I know and live for is my work. Here and there I do get some small amount of time for myself, and what I do with it is my problem.