Bhibusana Puspe - Odissi - Oriya Abhinaya

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  • เผยแพร่เมื่อ 9 พ.ย. 2024
  • Bibhushana Pushpe:
    A descriptive verse in Oriya by Kavi Samrat Upendra Bhanjha (The 17th Century Oriya
    poet-composer of Odissi classical music), on Sita being dressed and adorned before
    the wedding ceremony.
    Ek-shloki Ramayana in Śrī Rāmacaritamānasa
    Who has complexion and softness like that of a blue lotus,
    whose body parts are very soft.
    On whose left side resides his dear consort Sita.
    Who has a divine arrow and a beautiful bow in His hands,
    I pray to that Shri Rama who is the Lord of Raghu dynasty.
    (lordrama.co.in/...)
    Vaidehisa Vilas Bibhushana Pushpe
    “Bring in the maiden whose beauty is lustrous like that of the Vibhushan
    flower (a flower that shines without being ornamental). There is no need to adorn
    her. When she crosses the threshold thus, she would bring joy to Rama’s heart.”

    These words uttered by Vishvamitra were fragrantly cool like sandalwood paste
    for Rama, Prince of Raghu’s dynasty.
    The attendants responsible for dressing her began to decorate her in
    various colors. With special care they show her the looking glass in which she
    sees her reflection. She whose lips are like the bimba fruit, hardly requires any
    cosmetics. And with the maid servants untied her tresses the brilliance of her
    bejeweled hair so dazzled then that they wondered if the sun in the heaven got
    all its brightness from her.
    The attendants made the parting in the center of her hair so that at the
    wedding ceremony at the bride-groom might put the sindoor in the parting. The
    dark tresses are like the demon Ketu and the red thread with which they are tied
    like the Sun’s rays. The Ketu in the grip of the Sun is being forced to bring forth,
    out of fear, the nectar that he had stealthily drunk and that is none other than the
    bakul flowers in the braid of her hair.
    When like the swan she moves forward, the trinkets in her feet jingle. That
    mysterious music tells Rama the direction in which his beloved is moving. The
    rise and fall of the sounds of large and tiny trinkets, announce to Rama’s ears the
    arrival of his beloved.
    Her feet’s natural hue excels the red color of the alta. Her feet appears like
    the lotus in the Saraswati river. She dresses in garments of the color green like
    the fresh green Durba Grass which matched the color of Rama’s complexion,
    Decked out in gold and jewelry her beauty shines even more. The dark
    collyrium and musk are like the night, and her face is like the moon rising in the
    heavens.
    Poetry and music: Kavi Samrat Upendra Bhanjha
    Original dance choreography: Padmavibhushan Guru Kelucharan Mohapatra
    Artistic direction: Guru Sri Vishnu Tattva Das
    Raag for the sloka: jhinjhoti
    Bibhushana Pushpe is a chanda style Odissi music so it has no raga. However it is set
    in a tune rasakulya.
    Taal: Triputa (7 matra)
    Dancer: Haruko Tanaka (Odissi Vilas)
    Our special thanks to the Margazhi San Francisco, December 2023

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