Fedora Barbieri. Re dell´abisso, affrettati. Un Ballo in maschera. G. Verdi.

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  • เผยแพร่เมื่อ 13 ก.ย. 2024
  • Fedora Barbieri. Mezzo.
    Orchestra del Teatro Alla Scala di Milano.
    Antonino Votto.

ความคิดเห็น • 83

  • @gabrioxxx
    @gabrioxxx 4 ปีที่แล้ว +26

    sontuosità del timbro , la ricchezza degli accenti, la dizione scolpita nel bronzo. Unica Barbieri

  • @80Mrmirko
    @80Mrmirko 14 ปีที่แล้ว +15

    Il più grande mezzosoprano drammatico di tutti i tempi

  • @esterbruno8604
    @esterbruno8604 3 ปีที่แล้ว +6

    Maestra Barbieri! Una delle migliori! 💓💖

  • @bodiloto
    @bodiloto 5 ปีที่แล้ว +16

    e' semplicemente divina .

  • @jean-christopheMiquel-ef3ur
    @jean-christopheMiquel-ef3ur 3 ปีที่แล้ว +4

    La Barbieri posséda dans ses rôles, bien au delà de Callas , une PUISSANCE D'INCARNATION rarement égalée, jamais surpassée.
    Une mezzosoprano dramatique légendaire au timbre somptueux , aux accents si bouleversants , à la diction toujours impeccable .
    Une merveille et une référence absolue qui défiera les siècles par sa beauté lyrique.

  • @LeSopraniste
    @LeSopraniste 4 ปีที่แล้ว +10

    L'autentico contralto italiano!

    • @KajiVocals
      @KajiVocals 2 ปีที่แล้ว +1

      MEZZO-SOPRANO!

    • @davidmuller9938
      @davidmuller9938 2 ปีที่แล้ว +1

      @@KajiVocals I think she was a "mezzo-contralto". Her voice definitely had contralto characteristics especially the second half of her career

    • @KajiVocals
      @KajiVocals 2 ปีที่แล้ว

      @@davidmuller9938 That’s not a genuine classification. And what characteristics?

    • @cleopatra4226
      @cleopatra4226 2 หลายเดือนก่อน

      @@davidmuller9938 She is a typical Mezzo-Soprano, And she did not have any relations with Contralto!!

  • @sachseco
    @sachseco 7 ปีที่แล้ว +12

    HAPPY BIRTHDAY MADAMA BARBIERI, BORN ON THIS DAY, 4 JUNE, 1920. ALWAYS MY FAVORITE AMNERIS!

    • @Davidissimo100
      @Davidissimo100 5 ปีที่แล้ว +2

      Also unsurpassed were her Ulrica and Azucena

  • @numetutelare
    @numetutelare 10 ปีที่แล้ว +7

    Un mezzo dal colore vocale ineguagliabile.

  • @anarosareyes6269
    @anarosareyes6269 3 ปีที่แล้ว +3

    🤤¡demasiado genial! la riqueza y profundidad de la voz y la perfección de la ejecución

  • @CarloQuinto
    @CarloQuinto 11 ปีที่แล้ว +8

    Always admired Barbieri, rich full voice

  • @DonPaolissimo
    @DonPaolissimo 12 ปีที่แล้ว +16

    Adore this "hair under the armpits" mezzo - gutsy & full-bodied voice. Always my fav Azucena. NOT to diminish the great accomplishments of Simionato & Cossotto!

    • @xxsaruman82xx87
      @xxsaruman82xx87 4 ปีที่แล้ว +6

      Barbieri is a contralto. Simionato is most likely a falcon soprano, but she was great in the mezzo rep. Cossotto is a woofy and constricted soprano.

    • @draganvidic2039
      @draganvidic2039 3 ปีที่แล้ว +6

      @@xxsaruman82xx87
      You forgot to tell us Spyres is a baritone

    • @DamonKClark
      @DamonKClark 3 ปีที่แล้ว +2

      @@draganvidic2039 hahahahahaha!

    • @WotanKlingsor
      @WotanKlingsor 2 ปีที่แล้ว +1

      @@xxsaruman82xx87 Barbieri had the weakest low notes of the three you mentioned...

    • @xxsaruman82xx87
      @xxsaruman82xx87 2 ปีที่แล้ว +3

      @@WotanKlingsor Hmm, I don’t think she did. Barbieri’s voice is naturally darker than both Cossotto’s and Simionato’s, and Cossotto’s low notes are certainly much weaker than Barbieri’s.

  • @FranciscoFerrerGaliana1930
    @FranciscoFerrerGaliana1930 8 ปีที่แล้ว +5

    Impresionante Aria. Gran interpretación de Fedora Barbieri

  • @williambondar9195
    @williambondar9195 6 ปีที่แล้ว +5

    Just wonderful!

  • @lorik_shat
    @lorik_shat 8 ปีที่แล้ว +7

    Просто Божественно!

  • @TheMuerdago
    @TheMuerdago 15 ปีที่แล้ว +5

    Thank you Tenorisimo for posting this. Love this aria, love Barbieri and had never heard her sing it.

  • @MrGer2295
    @MrGer2295 7 ปีที่แล้ว +6

    Beautiful singing ! Thanks for posting :)

  • @Zva26
    @Zva26 14 ปีที่แล้ว +14

    I always loved Fedora Barbieri. A great Azucena, Amneris, Ulrica, etc. She sang with Callas a lot and they recorded around five operas together. Barbieri's voice lost it's top early on in the late 1950's, and she kind of became a contralto. She had a booming chest voice which made her ideal in roles like Dame Quickly in "Falstaff", which she continued to sing well into the late 1970's. She made her Met debut in 1950 and sang there off and on until around 1978.

    • @xxsaruman82xx87
      @xxsaruman82xx87 4 ปีที่แล้ว +2

      A true contralto

    • @barahona68
      @barahona68 3 ปีที่แล้ว +2

      I heard her singing Mrs. Quickly in the mid-80' and she still was impressive!

  • @christophedesbiens4490
    @christophedesbiens4490 7 ปีที่แล้ว +9

    per fare tremare di paura e di piacere

  • @user-kd9qs3gr7g
    @user-kd9qs3gr7g 3 ปีที่แล้ว +2

    Magnifica

  • @ippolitaamoruso5182
    @ippolitaamoruso5182 4 ปีที่แล้ว +2

    Superlativa

  • @aureliapaganelli6494
    @aureliapaganelli6494 ปีที่แล้ว

    Divina!

  • @Moepi83
    @Moepi83 13 ปีที่แล้ว +2

    Ca.1930 sangs IRENE MINGHINI-CATTANEO the same song. You must listen it. It is the original song and it is amasing.

  • @vittoriomaurinotosi718
    @vittoriomaurinotosi718 3 ปีที่แล้ว +6

    Gravi da contralto e con un'estensione vocale da raggiungere facile il registro acuto. Voce di timbro brunito e voluminosa. con Buona gestione dei fiati e conseguente buona gestione del legato.

  • @WotanKlingsor
    @WotanKlingsor 5 ปีที่แล้ว +6

    Her low G sounds like a low G of a mezzosoprano. If you listen to the low G of Elena Obraztsova it already sounds more like a contralto. But the low G of Ewa Podles is the best one - I think she is the world's best contralto ever and also the best singer in this role.

    • @xxsaruman82xx87
      @xxsaruman82xx87 4 ปีที่แล้ว +8

      Podles isn’t even close to Barbieri and Obraztsova.

    • @WotanKlingsor
      @WotanKlingsor 4 ปีที่แล้ว +1

      @@xxsaruman82xx87 Barbieri isn't very close to Obraztsova and Podleś in this aria...

    • @xxsaruman82xx87
      @xxsaruman82xx87 4 ปีที่แล้ว +4

      @@WotanKlingsor Obraztsova and Barbieri are much better than Podles.

    • @WotanKlingsor
      @WotanKlingsor 4 ปีที่แล้ว +1

      @@xxsaruman82xx87 I don't find Barbieri's chest voice as strong as Obraztsova's and Podleś's, but I personally like her very much, just that she didn' t have good low and high notes...

    • @jiso5232
      @jiso5232 2 ปีที่แล้ว +1

      ​@@WotanKlingsor Podles doesn't even have a proper chest voice. Artificial darkening doesn't make the voice bigger or more powerful, quite opposite. Barbieri and Obraztsova had a well developed chest voice, Podles doesn't. Judging from recordings without having a proper knowledge of voice production can be very misleading.

  • @TheKatchour
    @TheKatchour 3 ปีที่แล้ว +1

    ♥️🌹🌹🌹

  • @DonPaolissimo
    @DonPaolissimo 11 ปีที่แล้ว +21

    No - you don't understand. That expression refers to the so-called "provincial" Italian sopranos of the 40s & 50s; those who had la voce & power. They were not necessarily "beautiful" singers, but had the intensity to make your hair stand on end. The expression is a complimemt!!!!

    • @ferdermat
      @ferdermat 5 ปีที่แล้ว +1

      what do you mean this is no beautiful singing?

    • @marchsteiger
      @marchsteiger 4 ปีที่แล้ว +2

      @@ferdermat i think it's more of a non conventional beauty. not silvery or light, but heavy and unashamed, with different beautiful aspects. the technique is there but it's so completely different from the tone and color of a lyric soprano or soubrette.

    • @EmilyGloeggler7984
      @EmilyGloeggler7984 2 ปีที่แล้ว +1

      She didn;t do a good job with intensity either, there is a difference between conveying and overacting what you are singing and sadly Fedora did a lot of bad conveying. You want to hear a good Italianate rendition - look up Ebe Stignani, Bruna Castagna, and Irene Minghini-Cattaneo.

  • @bastianinifansempre
    @bastianinifansempre 7 หลายเดือนก่อน

    io direi : il vero contralto non mezzosoprano!

  • @davidramanzini1605
    @davidramanzini1605 2 ปีที่แล้ว

    La tensione di Votto.

  • @rozer0xw
    @rozer0xw 4 ปีที่แล้ว +3

    Alguien que hable español :(

    • @rodolfoalonso7568
      @rodolfoalonso7568 4 ปีที่แล้ว +3

      El arte no tiene idiomas y la ópera se escucha con el corazón no con los oídos así que no te preocupes por no entender los comentarios que aveces no son acertados

  • @kurtganzl4290
    @kurtganzl4290 7 ปีที่แล้ว +5

    Im sticking my neck out. I would never ever give a dislike to Barbieri whom I consider one of the great Italian contraltos of her era. But what's this 'mezzo soprano' bit? Surely this piece is one of the most thoroughly contralto Verdi ever wrote. Arwedson, or whatever she is called in the Italian version, is a black-voiced witch. Pia Tassinari's version gets, for me, much closer to the nitty gritty. I'll go back to listening to Barbieri (above almost all other, except of course Dominguez!!!) in more suitable roles.

    • @Operacrazed
      @Operacrazed 6 ปีที่แล้ว +9

      Not sure that Verdi ever wrote specifically for a contralto voice. Vocal categories were much more loosely defined then.

    • @Operacrazed
      @Operacrazed 5 ปีที่แล้ว

      I have just noted that the photograph of Fedora Barbieri is tagged with the title Contralto.
      Certainly she had a rich and resonant lower register but I am sure that sure that she herself would never have called herself a contralto. If indeed that title exists in Italy.
      Mezzo certainly and in later in her career lacking the confidence/ability of delivering the high notes required by that vocal catergory. But we must look to others for a true contralto voice.

    • @xxsaruman82xx87
      @xxsaruman82xx87 4 ปีที่แล้ว

      Exactly. And Barbieri IS a contralto

    • @teodorsvobodniy
      @teodorsvobodniy 3 ปีที่แล้ว +1

      On a contralto thing: check out Zenaina Pally singing this here on TH-cam. I was very much impressed.

    • @operasingersstorehouse5311
      @operasingersstorehouse5311 2 ปีที่แล้ว

      Tassinari was a soprano who turned to mezzo roles. Barbieri was much darker than her (who was, by the way, an amazing singer).

  • @purisermonisamator
    @purisermonisamator 2 ปีที่แล้ว

    В этой сцене Вотто настолько же выше Гавадзени (порою просто нелепого), насколько Митропулос выше Вотто. Симионато, исполняя Ульрику, думает только о собственном комфорте и убыстряет темп, таща за собой вяло сопротивляющийся оркестр. Барбьери хороша, хотя её Ульрика проигрывает её же Азучене. (Правда, признаюсь, что давно не переслушивал запись "Бала-маскарада"с Серафином, где Барбьери моложе на 13 лет).
    Митропулос и великая Марион Андерсон недосягаемы, даже для Тосканини и его не самой удачной Ульрики.

  • @user-co5wx3cb1d
    @user-co5wx3cb1d 2 ปีที่แล้ว +2

    А наша Образцова лучше поёт эту арию

  • @lesindorf-835videos
    @lesindorf-835videos 2 ปีที่แล้ว

    Слабенько. Вот так надо: th-cam.com/video/zD6skGztrTA/w-d-xo.html

  • @EmilyGloeggler7984
    @EmilyGloeggler7984 2 ปีที่แล้ว

    Honestly, this is not nearly as technically or emotively impressive as Bruna Castagna, Ebe Stignani, Shirley Verrett, Marian Anderson, Jeanne Gordon, Irene Minghini-Cattaneo, etc.

  • @babbonatale9362
    @babbonatale9362 5 ปีที่แล้ว +1

    Il registro acuto sempre incerto e duro

    • @claudiogiombi
      @claudiogiombi 4 ปีที่แล้ว +5

      ci fosse oggi una voce come questa, anche "dura e incerta" come dici tu

    • @enriquevaccaro8968
      @enriquevaccaro8968 4 ปีที่แล้ว +2

      Si encuentras alguien que cante mejor esta aria dimelo

    • @mariomario2825
      @mariomario2825 4 ปีที่แล้ว +8

      Mah..... faccio finta di non aver letto. Per criticare la Barbieri nel 2020 serve coraggio.

    • @babbonatale9362
      @babbonatale9362 3 ปีที่แล้ว +1

      Se lei sente un timbro morbido e rotondo sugli acuti... Mi contraddica pure. Io ho fatto un rilievo preciso. La caratura del personaggio è questione diversa

    • @esterbruno8604
      @esterbruno8604 3 ปีที่แล้ว +1

      È un mezzosoprano drammatico, se non addirittura un contralto. È normale che il suo registro grave sia molto meglio.

  • @Dadacomero
    @Dadacomero 11 ปีที่แล้ว

    hair under what?...
    disgusting

    • @yonahaber111
      @yonahaber111 5 ปีที่แล้ว

      hello dadacomero, what is the use to comment a mater you don't like and don't understand . as you see she is one of the most fantastic opera singer, singing beautifully the very dramatic aria of ulrica.