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Fedora Barbieri - Nacqui all'affano... Non più mesta - 1949 - FILM
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- เผยแพร่เมื่อ 8 ต.ค. 2019
- (This video is uploaded for educational purposes and is not monetized.)
In true Italian form, everyone here is lip synching to a pre-recorded soundtrack. But annoyingly our Cenerentola is being sung by Fedora Barbieri but acted by Lori Landi. While this isn't the first recording of the aria (that'd be Eugenia Mantelli: • Eugenia Mantelli, mezz... ), this film's soundtrack was the first "complete" recording of the opera-judiciously cut, of course.
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This channel is primarily about vocal emission-aural examples of basically correct singing, correct impostazione-chiaroscuro, vowel clarity, firm and centered pitch, correct vibrato action, absence of throatiness or thickness, sounds free from constriction and from the acoustic noise that accompanies it-with occasional video examples that demonstrate what the body, face, mouth, jaw, and tongue look like when used with correct impostazione-the vocal emission of the one and only Italian school.
Caveat: I'm biased in favor of baritones and baritone literature, but if you want to learn about and listen to all the greatest singers in the old-school tradition, explore this spreadsheet (voice parts are separated by tabs): bit.ly/2W4qmE3
HAPPY BIRTHDAY, Mme BARBIERI, BORN ON THIS DAY, JUNE 4, 1920.
Better than any mezzo of nowadays
Прекрасная певица!!! Bellissima!!!
Grazie tante. ❤️
Che carina che ha. Che fare con un repertorio non suo ..ma l voce è stupenda
Que bellisima!
She was so pretty back then. . .
This wasn't a part for her, but she is still better than many later "dramatic mezzos" trying to sing this repertoire.
Thank you thank you thank youuuuuuu😍😍😍😍
Une des plus grandes voix de mezzo de l'histoire, certes, mais les coloratures ne sont ni faites, ni à faire; il manque des notes partout et, malgré la transposition un ton et demi plus bas (!), l'intonation est loin d'être parfaite.
Je m'attendais à être éblouie, ce fut le cas mais pas de la bonne manière...
Barbieri was marvelous.
Not here….
the greatest Amneris I ever heard. Listen to her curse on the priests of Isis!
Listen to Callas rendition.
@@SHUTARA777Pretty difficult, given that Callas never sang even a note of Amneris. But I guess it's impossible for you obsessed queens to go without mentioning her name every 5 minutes. How sad.
@@alleviation91ahahah perfect answer for Callas psicopatic fans!!
La Cenerentola?
Angelina o Arsace ?
The florid passages are excruciating. She has a large voice, but this music requires an arsenal of skills she simply doesn't possess.
Definitely coloratura wasn't her speciality, her voice is great though (of course the aria is one tune below, original key would've been too high for her)
A great singer,but not in this repertoire! Some of it is almost comic..but as Azucena,well that's something else again!
@@roberthorn1838 I agree to an extent.
She did have a gifted voice by nature, but I just can't warm up to such inflexible, pachydermatous singing. If your repertoire includes roles such as Eboli and Azucena, you should at least have some agility, as well as an upper range that doesn't stop dead - on a good day - at G5.
👍🏻
Agilità ZERO e con in più la VOLGARITA" nel tono che, secondo me, nella Barbieri era sempre presente.
To be rather honest, this is not sung too well.
You are too generous 😂
No es Cenicienta! Para nada! Ni ajilidades ni tono original!
Everyone gets a closeup except Barbiere. Her singing is terrible.