To all the underground artists like me.. Wishing you luck every step of the way. Keep grinding and eventually you'll be so good nobody can ignore you any longer. I'll see y'all at the top 🔝💯🚀
There's never a guarantee in this industry and his strategy will not work the same for other artists. It's hit or miss. You have to make tons of music.
Most of this video is referring to anomalous opportunities. Without the contact info. of the GATEKEEPERS (aka - catalog managers, catalog supervisors, music supervisors, etc.), these videos are just ok. I've gotten into this in the past. It's a different world. The way the music is composed is COMPLETELY different as well. You don't just grab 16 bars from a song and send it in (i.e. - stems, stings, risers, drops...). The business side of sync licensing is pretty simple (if you're not new to the music business). *Royalty payouts are typically 9 months+ after your music is "aired". (sometimes longer) In my experience, fees are always negotiable. I have never been asked to submit something WITH vocals. Not once.
What are the best ways to get in touch with these managers and supervisors to send them your music you feel? I have came across some contacts but no one that major yet
This is what I was thinking. You don't just need great music, you need to have at least 5 years of business contacts and relationships. The opportunities are not consistent.
Sync Licensing Payouts For Songs Depend On The Budget For That Part of The Project ! On Occasion, There Might Be a Six Figure Deal . Majority Might Be In The Thousands . Most Would Name Off Companies They've Done Successful Sync Projects ! Sync Terminology, How To Get Into or Where To Start Wasn't Discussed . Wouldn't An Up and Coming Star or Singer Use His / Her Own Music For The Brand ? This Does Not Match With a $200,000 From Music Deals . At a Quick Glance, Maybe $75,000 - $100,000 In Other Music Categories Such As PlayListing or Promotions ! ‼️
This was a great interview with valuable key moments. The timing as well is perfect for me as I've been looking into this world more. Just gotta lay down the ground work and it can definitely be possible. Thanks again ya'll
I use to be a fan of this channel but lately ive noticed that there no real advice in any of these videos. Just showing us how upcoming people got those opportunities that put them in better positions. And for this being a music channel the audio engineering needs alot of work. I can never fully understand homeboy with the glasses he mumbles too much . Pleaseeee work on this channel ! Youre our only hope
You do not want to lose a lot of money and time in this industry. The whole time you're gonna be lied to and stood up. It takes a bunch of L's just to get one W. Trust me.
To all the underground artists like me.. Wishing you luck every step of the way. Keep grinding and eventually you'll be so good nobody can ignore you any longer. I'll see y'all at the top 🔝💯🚀
W
There's never a guarantee in this industry and his strategy will not work the same for other artists. It's hit or miss. You have to make tons of music.
Thanks for another great conversation.
Wow really great insight in sync! Thanks Brandman Sean and Cohrey for having Deraj on! I've been following Deraj for a while!
Word ☝getting ready to release my first music
Our guy!! 🔥🔥🔥
Awesome interview! Love when y’all had Deraj on the webinar 💎🔥
Most of this video is referring to anomalous opportunities.
Without the contact info. of the GATEKEEPERS (aka - catalog managers, catalog supervisors, music supervisors, etc.), these videos are just ok.
I've gotten into this in the past. It's a different world.
The way the music is composed is COMPLETELY different as well. You don't just grab 16 bars from a song and send it in (i.e. - stems, stings, risers, drops...).
The business side of sync licensing is pretty simple (if you're not new to the music business).
*Royalty payouts are typically 9 months+ after your music is "aired". (sometimes longer)
In my experience, fees are always negotiable.
I have never been asked to submit something WITH vocals. Not once.
What are the best ways to get in touch with these managers and supervisors to send them your music you feel? I have came across some contacts but no one that major yet
This is what I was thinking. You don't just need great music, you need to have at least 5 years of business contacts and relationships. The opportunities are not consistent.
Sync Licensing Payouts For Songs Depend On The Budget For That Part of The Project ! On Occasion, There Might Be a Six Figure Deal . Majority Might Be In The Thousands . Most Would Name Off Companies They've Done Successful Sync Projects ! Sync Terminology, How To Get Into or Where To Start Wasn't Discussed . Wouldn't An Up and Coming Star or Singer Use His / Her Own Music For The Brand ? This Does Not Match With a $200,000 From Music Deals . At a Quick Glance, Maybe $75,000 - $100,000 In Other Music Categories Such As PlayListing or Promotions ! ‼️
Yall fellas killed this interview. So much game in here.
This was a great interview with valuable key moments. The timing as well is perfect for me as I've been looking into this world more. Just gotta lay down the ground work and it can definitely be possible. Thanks again ya'll
The timing of this episode 🖤. Thank you 🙏🏾 🖤🖖🏾👽
I saw his ig and started applying to hella sync companies
I been getting my BMI "mailbox" money from sync for 20+ years.
Cool talk fellas.
Rap, sing, or just instrumentals?
@@diamondhumphrey9947 mostly instrumentals. Some rap and sung songs I produced for my artists.
@@justin.johnson excellent. Thanks for the response.
Really great video keep u the good works.
No labels required but this man literally worked for a label.
Also how do you not remember a perceivable impact of getting a song on espn?
Good day to all. I'm a artists
he was stingy with the jems brandman asked him like 3 times how someone can get into this and he pivoted to his team
It’s not easy getting a sync deal I need one tho
Sync licensing can be great passive income.
Idol🎇
I use to be a fan of this channel but lately ive noticed that there no real advice in any of these videos. Just showing us how upcoming people got those opportunities that put them in better positions. And for this being a music channel the audio engineering needs alot of work. I can never fully understand homeboy with the glasses he mumbles too much . Pleaseeee work on this channel ! Youre our only hope
We just show you the doors. You gotta do your own work to figure out how to walk through them big dog
You do not want to lose a lot of money and time in this industry. The whole time you're gonna be lied to and stood up. It takes a bunch of L's just to get one W. Trust me.
Keep it up! Im one of the pioneers of rappers that sing, produce, mix and master all of their own music. If you want come along for the ride! - Bryan