Same here. After the darkness of Geduld, Erbarme Dich, Aus Liebe or Können Tränen, this last aria is simply bright. And I think no recording does justice to it.
Ária de beleza inigualável. Enlevo espiritual. José de Arimateia, discípulo de Jesus, ofereceu o túmulo de sua propriedade para a sepultura de Jesus. Envolveu o corpo do Crucificado num fino e limpo lençol e o pôs ne sepulcro cavado na rocha e rolando um grande pedra para fechamento da porta do sepulcro (cf. Mateus 27.57 ss.). J. S. Bach apresenta José oferecendo o seu coração para morada permanente do Senhor.🤗
I have longed to hear a piano transcription of this immensely beautiful aria for a long time... Your rich, sweet interpretation has just given me that. This is probably my favorite aria from the Passion... Thank you!
I surely hope Bagge will be rediscovered and performed by professional pianists! (His wonderful transcription of Beethoven's 6th was performed by Martha Argerich and Theodosia Ntokou, which you can find on TH-cam.)
The Werkmeister temperament sounds significantly warmer than equal temperament. It would be nice to see it used regularly in your baroque music records, if the piece has not too many accidentals. For music with little chromatic modulation, the Meantone temperament would also be an option. For example, in a soulful piano transcription of Monteverdi's "Pur ti miro".
Yup, I have been using the Werkmeister temperament ever since. My next video "Buß und Reu" is in F# minor where the dominant chord (specifically C#-E#) really sticks out, but I'm getting used to it. Now if I switch back to equal temperament I find everything sounds out of tune! I'll try meantone when I get to "Pur ti miro" - thanks for the recommendation!
Beautiful. Probably my favorite movement from the Passion.
Mine too...
Same here. After the darkness of Geduld, Erbarme Dich, Aus Liebe or Können Tränen, this last aria is simply bright. And I think no recording does justice to it.
Ooh, my favorite aria in St. Matthew Passion!!! 🥰🥰🥰
Ária de beleza inigualável. Enlevo espiritual. José de Arimateia, discípulo de Jesus, ofereceu o túmulo de sua propriedade para a sepultura de Jesus. Envolveu o corpo do Crucificado num fino e limpo lençol e o pôs ne sepulcro cavado na rocha e rolando um grande pedra para fechamento da porta do sepulcro (cf. Mateus 27.57 ss.). J. S. Bach apresenta José oferecendo o seu coração para morada permanente do Senhor.🤗
Faizan here. Great as always Ruoshi.
I have longed to hear a piano transcription of this immensely beautiful aria for a long time... Your rich, sweet interpretation has just given me that. This is probably my favorite aria from the Passion... Thank you!
I surely hope Bagge will be rediscovered and performed by professional pianists! (His wonderful transcription of Beethoven's 6th was performed by Martha Argerich and Theodosia Ntokou, which you can find on TH-cam.)
This Aria so beautiful. ❤️ Very good piano version.👍
I knew this wasn’t Equal temperament! Your performance with this temperament sounds absolutely lovely!
Beatiful!!
I am studying a simplified version, and here i hear how it should sound...
The accents are very important
The Werkmeister temperament sounds significantly warmer than equal temperament. It would be nice to see it used regularly in your baroque music records, if the piece has not too many accidentals. For music with little chromatic modulation, the Meantone temperament would also be an option. For example, in a soulful piano transcription of Monteverdi's "Pur ti miro".
Yup, I have been using the Werkmeister temperament ever since. My next video "Buß und Reu" is in F# minor where the dominant chord (specifically C#-E#) really sticks out, but I'm getting used to it. Now if I switch back to equal temperament I find everything sounds out of tune!
I'll try meantone when I get to "Pur ti miro" - thanks for the recommendation!
1:08 - 1:25 🥰
Beautiful, but a little slow