VN Editor is a great video editor on Android that lets you import LUTs and has pretty good color grading tools. If you're color grading Log footage manually, just play around with the contrast, highlights, shadows, and saturation settings.
Am a fan of mcpro. But I don't like how the skin tones comes out. Anyways to fix that?
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Thanks to you i'm starting to understand better MCPro24fps and the concepts of the things involved about to shot like a profesional with a smartphone. Hope to can make some video test soon after learn it much better. Btw the only thing i don't see in any place is how to do this in low light/night.
I made a video about it here: How to Shoot LOG with your Smartphone // MCPro24fps Tutorial (Gamut + Gamma Curves) th-cam.com/video/d97L5U_wNe8/w-d-xo.html
Hey RJ. Can you make a video update explaining how to use the technical luts? I tried to download them from the website, but they go directly to the phone now
Yes the latest update allows you to create and download your own conversion luts from within the mcpro app. Here's the recent video I made on it: th-cam.com/video/5v8X6F8wSwk/w-d-xo.htmlsi=TLVXuU9EnojvEmO1
Great video and thanks. I noticed I easily clip my log footages on mobile, I might not have the dynamic range of a mirorless of course. I suggest to underexpose a little bit to avoid surprises.
Hi! Thank you for this video! I have a question though. Can I use the technical lutz on a macbook? When i try to download the lutz it brings me to windows store.
Yea you can use LUTs on a macbook. But technical luts can now be downloaded within the mcpro24fps app (no longer available on their website). I have a tutorial here: MCPro24fps Update! // Create Your Own Log Conversion LUTs th-cam.com/video/5v8X6F8wSwk/w-d-xo.html
I'm super confused. I started using the free version of Resolve and when I attempt to use the technical luts, there is a "Resolve Studio" overlay on my footage. Also, what if I'm shooting using A-Wide gamut? I don't see an A-Wide to 709 conversion lut...I'm a total noob so I'm sure I'm missing something simple.
Oh, if you can't use luts in the free version then you'll just have to color corrext manually. Try using the Color Space Transform tool when you're on the Color page and you should be able to pick your gamut to convert into 709
Yes, it's an updsted new feature where uou can download a LUT custome tailored to your device sensor. I made a video anout it here: th-cam.com/video/5v8X6F8wSwk/w-d-xo.htmlsi=TLVXuU9EnojvEmO1
The recent update now allows you to create and download your own conversion LUTs from within the app. I made a video anout it right here: th-cam.com/video/5v8X6F8wSwk/w-d-xo.htmlsi=TLVXuU9EnojvEmO1
Great vid and great channel. You have a new follower here. mcpro24fps is pretty good too. I learned a lot from this video as well as your others on this app. Just now in the process of getting into color grading. You think you could do another tutorial on how to color grade a project that uses clips that come from different cameras that include smartphone (with mcpro24fps) footage and dslr footage and walks us through how to set up CST for the entire project? This is where I'm lost on this part.
Thanks for sub, my friend! That would be a great video one day! As far as the process to color grade a project with different footage from dslr and smartphone, just make sure to conform all your clips to one standard (Rec.709) and do whatever color correcting tweaks you need so both camera footage match as much as possible (wont be perfect) and then you can use an Adjustment Layer to do one single blanket color grade over the mixed footage. The Colorspace Transform tool is very helpful to conform your footage ;) Hope that helps a little
Hey RJ thank so much you for all the time and effort you've put into these tutorials - I reckon it's helped a lot of people including myself. Just wanted to ask if you could quickly list your Davinci color management settings in the project settings for when you're grading 10bit log shots - 1. Color Science. 2. Timeline color space eg is it Rec709(scene) or Rec709gamma2.4 and lastly 3.Output color Space - eg is it same as timeline or something else. This would be a massive help - many thanks and best wishes, Mark :)
Thanks Mark, so far the settings i've been using have been default ones... Color science: DaVinci YRGB, Timeline color space: Rec.709 Gamma 2.4, and Output color space: Same as timeline. I'm able to view the colors correctly (and not overblown as sometimes happens when I use a different editor like Adobe Premiere). I do have an upcoming video in the works deep diving into the 10-bit workflow with MCPro24fps and DaVinci Resolve (a lot of ppl have been requesting it). Keep an eye out for it in the next month or so.
@@RJBaculo That's brilliant! Those are the settings I'll use. Nice one RJ and thank you for taking the time to answer my question as I suspect you are very busy - I really appreciate that because when you're new to this kind of stuff you can feel a bit out of your depth. Looking forward to the 10bit video - thats gonna be so useful and helpful. I've not come across a lot of decent and detailed content on youtube about McPro24fps and shooting in Log on android so to me your channel has been invaluable. Thanks again RJ,, all the best, Mark :)
The recommended gamuts to use with HDR10 are either P3-D65 or Rec.2020 and the ideal gamma curve is PQ (used by Samsung and LG for HDR10). Hope that helps!
@@flightpathproductions5579 there's no specifc technical LUT provided for that HDR10 configuration but you can use my 2nd method of using the Color Space Transform tool to convert that to Rec709. But actually you can use the HDR gamuts (P3-D65, Rec.2020) with one of their curves (mLog, mSlog, HLG) and then use their provided technical LUTs to get the Rec709 conversion. At least you'll still have that HDR 10-bit color depth. I'll be making that MCPro 10-bit workflow video soon hopefully.
@@RJBaculo My issue is that mcpro24fps doesn't give me the option to shoot 60fps. I have Redmi Note 8 Pro. So not sure why there is no 60fps in the app, but the stock camera app that comes with the phone does allow for 60fps. Strange.
I have an Acer Nitro 5 with Ryzen 7 chip now but before this I had an i5 11th gen with 8gb ram and sometimes it would struggle with editing smartphone footage (because phone footage is more compressed, the computer has to work harder to uncompress it while playingback) You might struggle with the i3, but you could always turn your clips into proxy files to play smoother (you just need anlot of HD space for that though)
Thanks man! Protake's Log emulates Arri's famous Log-C gamma curve (which MCPro24fps also has). I might do some tests on it this week (since I hope to release some Protake videos very very soon)
True. Smartphone sensors dont have that much dynamic range and Log doesnt increase dynamic range but allows us to use the best of what is available. Also perhaps, I captured all the sample shots with every available gamut and gamma curve combinations but kept the exposure settings the same throughout for the sake of comparison. The tendency with Log curves is an overexposed look, hence the best practice is to shoot 2 exposure steps down. Thanks for the great observation though.
This is a 5 star 🌟 video...
Really heavy packed with the key information yet easy to absorb.
Thanks
Thanks, my friend!
Great 👍 video bro 🤩 nice 👍🏾
Thanks brotha! I got a lot of pointers from you too!
super dope, I hope you do a full tutorial...awesome again thank you for taking the time. !!!!
Thanks man! Maybe one day
Thankkkkkkkkk You!!!!! Mannnnn really props to you.. Thank you again. This helped me out a lot..
Great, thanks.
But how do I edit or colour grade this type of log video on my android phone?
VN Editor is a great video editor on Android that lets you import LUTs and has pretty good color grading tools. If you're color grading Log footage manually, just play around with the contrast, highlights, shadows, and saturation settings.
Am a fan of mcpro. But I don't like how the skin tones comes out. Anyways to fix that?
Thanks to you i'm starting to understand better MCPro24fps and the concepts of the things involved about to shot like a profesional with a smartphone.
Hope to can make some video test soon after learn it much better.
Btw the only thing i don't see in any place is how to do this in low light/night.
How to make combination b/w s gamut and gama curves?
I made a video about it here: How to Shoot LOG with your Smartphone // MCPro24fps Tutorial (Gamut + Gamma Curves)
th-cam.com/video/d97L5U_wNe8/w-d-xo.html
long-awaited video, thanks, I will study
Thanks for waiting Sergey
Hey RJ. Can you make a video update explaining how to use the technical luts? I tried to download them from the website, but they go directly to the phone now
Yes the latest update allows you to create and download your own conversion luts from within the mcpro app. Here's the recent video I made on it: th-cam.com/video/5v8X6F8wSwk/w-d-xo.htmlsi=TLVXuU9EnojvEmO1
How do you pause in mcpro24?
Great video and thanks. I noticed I easily clip my log footages on mobile, I might not have the dynamic range of a mirorless of course. I suggest to underexpose a little bit to avoid surprises.
Great advice!
Hi! Thank you for this video! I have a question though. Can I use the technical lutz on a macbook? When i try to download the lutz it brings me to windows store.
Yea you can use LUTs on a macbook. But technical luts can now be downloaded within the mcpro24fps app (no longer available on their website). I have a tutorial here: MCPro24fps Update! // Create Your Own Log Conversion LUTs
th-cam.com/video/5v8X6F8wSwk/w-d-xo.html
I'm super confused. I started using the free version of Resolve and when I attempt to use the technical luts, there is a "Resolve Studio" overlay on my footage. Also, what if I'm shooting using A-Wide gamut? I don't see an A-Wide to 709 conversion lut...I'm a total noob so I'm sure I'm missing something simple.
Oh, if you can't use luts in the free version then you'll just have to color corrext manually. Try using the Color Space Transform tool when you're on the Color page and you should be able to pick your gamut to convert into 709
@@RJBaculo thank you! Will try that.
Amazing as usual!🔥👍
Thanks! I appreciate it!
Hey, when I go to the link it says LUTs can only be downloaded directly in the app, but I can't find anywhere to download them in the app.
Yes, it's an updsted new feature where uou can download a LUT custome tailored to your device sensor. I made a video anout it here: th-cam.com/video/5v8X6F8wSwk/w-d-xo.htmlsi=TLVXuU9EnojvEmO1
Mcpro24fps...how to connect with zhiyun smooth 4
Unfortunately it doesn't have that feature yet. In a future update I hope they will add it (I'm sure they will)
the staff removes these lut from the site, could it be available for download??
The recent update now allows you to create and download your own conversion LUTs from within the app. I made a video anout it right here: th-cam.com/video/5v8X6F8wSwk/w-d-xo.htmlsi=TLVXuU9EnojvEmO1
What about proshot?
It's a decent app, but other apps are better in terms of features and usability.
@@RJBaculo yes mcpro24fps is best
Great vid and great channel. You have a new follower here. mcpro24fps is pretty good too. I learned a lot from this video as well as your others on this app. Just now in the process of getting into color grading. You think you could do another tutorial on how to color grade a project that uses clips that come from different cameras that include smartphone (with mcpro24fps) footage and dslr footage and walks us through how to set up CST for the entire project? This is where I'm lost on this part.
Thanks for sub, my friend! That would be a great video one day! As far as the process to color grade a project with different footage from dslr and smartphone, just make sure to conform all your clips to one standard (Rec.709) and do whatever color correcting tweaks you need so both camera footage match as much as possible (wont be perfect) and then you can use an Adjustment Layer to do one single blanket color grade over the mixed footage. The Colorspace Transform tool is very helpful to conform your footage ;) Hope that helps a little
Hello! Do you know about mobile RAW video?
Yes, my friend! I made a video about it here: th-cam.com/video/DX1FEtEnt5Y/w-d-xo.html
Hey RJ thank so much you for all the time and effort you've put into these tutorials - I reckon it's helped a lot of people including myself. Just wanted to ask if you could quickly list your Davinci color management settings in the project settings for when you're grading 10bit log shots - 1. Color Science. 2. Timeline color space eg is it Rec709(scene) or Rec709gamma2.4 and lastly 3.Output color Space - eg is it same as timeline or something else. This would be a massive help - many thanks and best wishes, Mark :)
Thanks Mark, so far the settings i've been using have been default ones... Color science: DaVinci YRGB, Timeline color space: Rec.709 Gamma 2.4, and Output color space: Same as timeline. I'm able to view the colors correctly (and not overblown as sometimes happens when I use a different editor like Adobe Premiere). I do have an upcoming video in the works deep diving into the 10-bit workflow with MCPro24fps and DaVinci Resolve (a lot of ppl have been requesting it). Keep an eye out for it in the next month or so.
@@RJBaculo
That's brilliant! Those are the settings I'll use. Nice one RJ and thank you for taking the time to answer my question as I suspect you are very busy - I really appreciate that because when you're new to this kind of stuff you can feel a bit out of your depth.
Looking forward to the 10bit video - thats gonna be so useful and helpful. I've not come across a lot of decent and detailed content on youtube about McPro24fps and shooting in Log on android so to me your channel has been invaluable. Thanks again RJ,, all the best, Mark :)
Hey @karma_moths I finally got around to doing that 10-bit video tutorial: th-cam.com/video/VdIdY-a3U1s/w-d-xo.html
Fantastic video RJ !! Really got a lot out of that - thanks very much
Very informative.
Thanks. Glad it was useful information
Hey which gamut and LUT can I use with HDR10
The recommended gamuts to use with HDR10 are either P3-D65 or Rec.2020 and the ideal gamma curve is PQ (used by Samsung and LG for HDR10). Hope that helps!
@@RJBaculo great many thanks ! Also do the technical LUTs contain HDR10 or do I apply rec709 ?
@@flightpathproductions5579 there's no specifc technical LUT provided for that HDR10 configuration but you can use my 2nd method of using the Color Space Transform tool to convert that to Rec709. But actually you can use the HDR gamuts (P3-D65, Rec.2020) with one of their curves (mLog, mSlog, HLG) and then use their provided technical LUTs to get the Rec709 conversion. At least you'll still have that HDR 10-bit color depth. I'll be making that MCPro 10-bit workflow video soon hopefully.
@@RJBaculo excellent I can't wait.
I finally got around to doing that 10-bit video tutorial: th-cam.com/video/VdIdY-a3U1s/w-d-xo.html
Can I shoot 24fps using my Redmi Note 10 Pro.?
Thru this app, yes it should be able to.
@@RJBaculo My issue is that mcpro24fps doesn't give me the option to shoot 60fps. I have Redmi Note 8 Pro. So not sure why there is no 60fps in the app, but the stock camera app that comes with the phone does allow for 60fps. Strange.
What is your computer specs if you don't mind sharing. Is i3 11th Gen Laptop enough.
I have an Acer Nitro 5 with Ryzen 7 chip now but before this I had an i5 11th gen with 8gb ram and sometimes it would struggle with editing smartphone footage (because phone footage is more compressed, the computer has to work harder to uncompress it while playingback) You might struggle with the i3, but you could always turn your clips into proxy files to play smoother (you just need anlot of HD space for that though)
Great video. I use Protake more than any other app due to it's simplicity. What version of log do you think their log resembles more?
Thanks man! Protake's Log emulates Arri's famous Log-C gamma curve (which MCPro24fps also has). I might do some tests on it this week (since I hope to release some Protake videos very very soon)
@@RJBaculo Awesome. I'll be looking forward to it
Highlights are all blown out in all of the clips.. may be smartphone limitation
True. Smartphone sensors dont have that much dynamic range and Log doesnt increase dynamic range but allows us to use the best of what is available. Also perhaps, I captured all the sample shots with every available gamut and gamma curve combinations but kept the exposure settings the same throughout for the sake of comparison. The tendency with Log curves is an overexposed look, hence the best practice is to shoot 2 exposure steps down. Thanks for the great observation though.