Thank you so much Kasia for another excellent tutorial. The information you're sharing with our community is truly phenomenal! Your September video on Color Grading in Capture 20 was transformational for me. Watching your videos feels like a veil of secrecy is being lifted and I'm being shown the 4th dimension of photography. Looking forward to your upcoming course on Mastering Color in Capture One 21. Best wishes and many thanks!
HI Kasia, thank you for such a well thought through video. I also have XT-2 and I find it great that the RAW file stores metadata on the type of curve/film simulation when shot and imports it with that particular curve. The challenge I would like C1 to take on is to actually display that curve name instead of just 'Auto'. It could be something like (Shot - Classic Chrome). Anyway, well done on your teaching and communication side especially when English is not your first language. One day I will visit Poland (my great grandfather was born in Warsaw) - winter there looks great. Have a great 2021!
Hi Stuart, thanks a lot! Happy that you enjoyed the video. That's true, I find the lack of clear indication regarding to the film simulation mode used during the shoot a bit confusing too. It's good though that the initial choice doesn't lock out the other options. So you have real Polish roots, I need to record videos in Polish than hahaha! :D We had quite a bit of snow, I live in Lower Silesia (West South) very near to the Czech Republic and mountains. Pomyslnosci w Nowym Roku!
I have followed many tutorials and webinars but none of them where so helpfull as your videos. After studiing the videos I UNDERSTAND much more about Capture One. Super!
Very detailed and logical presentation - excellent! I have used Capture One on and off, but have decided to fully embrace it, so I am looking forward to viewing more of your tutorials on advanced editing techniques.
a very interesting video. You always manage to transcribe a photo well. Your analyzes before post processing are appreciable. I wish I could do it on my photos. Because it sounds easy for you. Thanks for your videos.
Thank you Richard, I first edit the image an after I get the result I hit record and repeat the process. Sometimes getting the right result comes nicely, at times it is a struggle. It took me a while to reach this point, but if I could do this you can too!
Just got Capture today, with a strong background in Photoshop in a work environment. . Naturally it will take time to remember how to access things, like your Color balance. I feel the image didn't have enough color in it to be a good subject. Or enough shadows. Perhaps a nighttime shot of people lit by neon lights and street lighting would have been more intriguing , and shown more flexibility, especially working the color balance in highlights, shadows and mid tones. But I'm already keeping this video to go back to. I'll be interested to see if I can import some looks that I've seen in the Lightroom Cinematic folder. Thanks for this. Of course, at this point, I would still want to open the adjusted raw file in P.S., and hope to see it in it's original size.
Another excellent and informative video, Kasia. I’m glad you landed on Capture One for your processing as you’re certainly helping me get the most out of the software. I’m learning a lot about composition and color from your instruction, too.
Hello Kasia Thank you very much for this great and very instructive video! I like the way you explain the topic! Very easy to understand and uncomplicated SUPER!
Thank you for your work so much! Your video is awesome, so clear and useful for a C1 newbie like me migrating from Adobe, much more than many C1 instruction material. Subscribed. 👍
The third image, at first I was like 'what's so interesting about this one'. But after being edited it looks fantastic. Very nice explanation of the workflow, really helps me to learn capture one. Thanks :)
@@KasiaZmokla Hi again, do you have video about your capture 1 workspace? I use C1 20, and it looks so different than yours. I have only been using lightroom for a week or two now
@@KasiaZmokla This is just a suggestion, but can you give the same file you are editing i the videos so we viewers could follow along?, I think it would help the viewers a lot, to me at least :D
Hi Kasia, thanks for your informative video! Great images! I have been working with C1 for years and every camera system I worked with so far (Nikon, Canon) all images reveal in C1 as set in camera, except for Fuji files! 😳 With my Fuji (XE4) I work with film simulation recipes (e.g. FujiXweekly, always JPG fine +RAW. Unfortunately all JPGs are set to 5000K and 0 hue, when imported into C1, even though my setting in camera is 7200 K! With my RAWs it even gets weirder: the Kelvin value is all over the place and so is the hue value. It's so far off it's unbelievable! This issue has been like that since version 20/21/22 and still is in 23! I have absolutely no clue why this is, since all my Canon files (R5) are exactly as set in camera. It looks like C1 is trying to interpret my film simulation recipe instead of taking the actual values. In C1 I have set import to auto and mode is set to "as shot" Do you have an idea what's happening here? Thanks 🙏🏻
Again a good instruction. Many thanks. Color is of course a matter of personal taste. I do like to use "classic chrome" as a starting point for winter photographs of woodland. The greens are less pronounced and can be targetted (highlighted) if necesarry with the COLOR EDITOR. For a backdrop (if the the color of the backdrop is more or less uniform of color) i do like to create a mask of the backdrop based on the main color of the backdrop with the COLOR EDITOR and then change the luminance saturation and hue if wanted. This resulting in a color contrast between the front and the back of the photograph. To create more depth. Or after creating a mask I also do erase some part of the mask if necesarry when targetting a specific part of the image. But i al depends also on the mood. I'am still finding out the most efficient way of local adjustments on color contrast.
Thank you Ruud for sharing your tips, great idea to target the foreground and background on separate layers and play around with complementary colors and luminance differences.
Hi, Nice video. About the sharpening, Capture One ALREADY sharpens my photo when the "background" layer is selected. so you sharpened on top of an already sharpened photo? just curious thanks.
Kasia, thank you for presenting your workflow - very helpful. Could you please advise if changing the Colour Balance on the Master wheel and then also on the Highlights wheel increases/doubles the colour effect applied to the highlights (as opposed to using the Master wheel only)?
You are welcome Pawel! Yes, it will make the color stronger-the master wheel applies color cast to the whole image, regardless luminosity range. Adding color on the highlights wheel will enhance the effect if you use the same color. Best is to clone variant of the image, open 2 copies one beside another, zoom in and compare the results - with adjustments on master and on the second copy master+highlights.
Do you use a dedicated monitor or just your Mac/laptop? If you intend to print the images on paper would you do anything differently? Thank you once agin for informative videos
Hi Kasia, really informative video, I like your style of presentation in Capture one. A video I would love to see is how you can make the skin of a female model, have a real chromey metallic look in a black & white image. I often see this chromey skin look but having tried numerous times I can't get that look.
Hi Mike, thank you! Hmm, I suspect the chromey, super smooth and shiny skin has to be prepared by a make up artist. It is question of specific make up techniques to get that glow. Please post a link to a specific example.
3 ปีที่แล้ว
fotografowac to ja nie umiem ale Capture One bardzo ratuje to co ja zrobie .. fajny filmik
do you always do luminosity, followed by colour adjustments, and then sharpness clarity adjustments? In other words do you generally follow the order when procesing images? Maybe a video talking about the order you do things and why would help?? Also linked to this do you crop before or after other adjustments? Thanks once again for a great video.
Yes, this framework works well for me - I cover it in depth in my free masterclass (courses.daclasses.com/15-min-edit-masterclass). Certain images would ask for more luminosity adjustments, while some might be just fine with a few touches. No hard rules here, but the overall structure helps work in a logical way and avoid any chaotic guessing: Luminosity > color > final touches like sharpening etc. When it comes to cropping - in Capture One it is a non-destructive operation (in opposition to Photoshop for example), so can be applied either at the beginning or in the end. When I have a portrait and my idea is to crop quite tightly - then I'll do that right at the beginning. With landscapes the scene can change a lot during color grading and elements that were not interesting initially can start playing stronger role in the whole composition. So I tend to crop landscapes in the end, and create different variants for experiments with cropping tool.
Many thanks, Kasia. I find your work incredibly useful and instructive. I have learnt from you. So, C1 has this OVERLAY feature, but honestly, I find it to be very weird and hard to implement since the effect cannot be applied to one image at a time. Once activated, it affects every image in the library. It is unlike any other ' texture overlay' feature in other programs. Am I missing something? If you have any experience with this functionality, would you kindly explain the best implementation of this feature? Cheers.
Hi Hal, I apologise - your comment went to the "held for review" folder in YT, which I never check out. I've just realised now it exists. I'm assuming you relate to the Overlay feature that allows to add a watermark. So you can design it in Photoshop or just use a simple text as a watermark. You can also display a sort of draft, composition aid if you were working for example on a magazine cover. This could be helpful to crop the image to fit the cover layout. Hope this helps. You may watch this video where I cover creating a simple text watermark and a graphic watermark created with fancy text in Photoshop th-cam.com/video/fKI0ddfRImI/w-d-xo.html
Hi Kasia! Does every Fujifilm raw file import with the film simulation it was shot with? Or is there some sort of default "generic" simulation applied until you select something different?
If you shoot with sepia film simulation, then the imported raw will be displayed in sepia. But you are free to change it to any other film simulation- color, bw, whatever you like.
*FREE MASTERCLASS:* courses.daclasses.com/15-min-edit-masterclass
This link is not working
Thank you, you are a great instructor, I wish you would return with more lightening videos.
Hello Kasia, When are you coming back? We miss you.!
Thank you so much Kasia for another excellent tutorial. The information you're sharing with our community is truly phenomenal! Your September video on Color Grading in Capture 20 was transformational for me. Watching your videos feels like a veil of secrecy is being lifted and I'm being shown the 4th dimension of photography. Looking forward to your upcoming course on Mastering Color in Capture One 21. Best wishes and many thanks!
Thank you Sorin, happy that you find the videos helpful! :)
HI Kasia, thank you for such a well thought through video. I also have XT-2 and I find it great that the RAW file stores metadata on the type of curve/film simulation when shot and imports it with that particular curve. The challenge I would like C1 to take on is to actually display that curve name instead of just 'Auto'. It could be something like (Shot - Classic Chrome). Anyway, well done on your teaching and communication side especially when English is not your first language. One day I will visit Poland (my great grandfather was born in Warsaw) - winter there looks great. Have a great 2021!
Hi Stuart, thanks a lot! Happy that you enjoyed the video. That's true, I find the lack of clear indication regarding to the film simulation mode used during the shoot a bit confusing too. It's good though that the initial choice doesn't lock out the other options. So you have real Polish roots, I need to record videos in Polish than hahaha! :D We had quite a bit of snow, I live in Lower Silesia (West South) very near to the Czech Republic and mountains. Pomyslnosci w Nowym Roku!
I have followed many tutorials and webinars but none of them where so helpfull as your videos. After studiing the videos I UNDERSTAND much more about Capture One. Super!
Thank you Kurt, glad to hear that!
Me too!
Very detailed and logical presentation - excellent! I have used Capture One on and off, but have decided to fully embrace it, so I am looking forward to viewing more of your tutorials on advanced editing techniques.
Fantastic tutorial. I'm just getting starting, having switched from lightroom. This had so much in a short video. Can't wait to get editing!
a very interesting video. You always manage to transcribe a photo well. Your analyzes before post processing are appreciable. I wish I could do it on my photos. Because it sounds easy for you.
Thanks for your videos.
Thank you Richard, I first edit the image an after I get the result I hit record and repeat the process. Sometimes getting the right result comes nicely, at times it is a struggle. It took me a while to reach this point, but if I could do this you can too!
Thank you for your video. Very nice indeed.
Thank you too!
I like your explanations so much its very helpful ! :) Thank you
Excellent & educational!
Just got Capture today, with a strong background in Photoshop in a work environment. . Naturally it will take time to remember how to access things, like your Color balance. I feel the image didn't have enough color in it to be a good subject. Or enough shadows. Perhaps a nighttime shot of people lit by neon lights and street lighting would have been more intriguing , and shown more flexibility, especially working the color balance in highlights, shadows and mid tones. But I'm already keeping this video to go back to. I'll be interested to see if I can import some looks that I've seen in the Lightroom Cinematic folder. Thanks for this. Of course, at this point, I would still want to open the adjusted raw file in P.S., and hope to see it in it's original size.
Another excellent and informative video, Kasia. I’m glad you landed on Capture One for your processing as you’re certainly helping me get the most out of the software. I’m learning a lot about composition and color from your instruction, too.
My pleasure John!
Hello Kasia
Thank you very much for this great and very instructive video!
I like the way you explain the topic! Very easy to understand and uncomplicated SUPER!
Glad it was helpful!
Another great video! Love your channel!
Thanks Rony! 😀
Thank you for your work so much! Your video is awesome, so clear and useful for a C1 newbie like me migrating from Adobe, much more than many C1 instruction material. Subscribed. 👍
You're very welcome!
Great video, very helpful! I'm relatively new to Capture One and this was very informative, particularly the colour grading portion. Thank you!
Thank you David!
Cool shoots nicely captured! Love it 💘 😀
Thank you Arina :)
The third image, at first I was like 'what's so interesting about this one'. But after being edited it looks fantastic. Very nice explanation of the workflow, really helps me to learn capture one. Thanks :)
Thank you Toro :)
@@KasiaZmokla Hi again, do you have video about your capture 1 workspace? I use C1 20, and it looks so different than yours. I have only been using lightroom for a week or two now
Hi Toro, not sure if I have published video on workspace on my YT channel. I have such a video in my comprehensive Capture One course though.
@@KasiaZmokla This is just a suggestion, but can you give the same file you are editing i the videos so we viewers could follow along?, I think it would help the viewers a lot, to me at least :D
@@reboundk1ng I'll try ti dig it out and post link to download.
Hi Kasia, thanks for your informative video! Great images!
I have been working with C1 for years and every camera system I worked with so far (Nikon, Canon) all images reveal in C1 as set in camera, except for Fuji files! 😳
With my Fuji (XE4) I work with film simulation recipes (e.g. FujiXweekly, always JPG fine +RAW.
Unfortunately all JPGs are set to 5000K and 0 hue, when imported into C1, even though my setting in camera is 7200 K! With my RAWs it even gets weirder: the Kelvin value is all over the place and so is the hue value. It's so far off it's unbelievable! This issue has been like that since version 20/21/22 and still is in 23!
I have absolutely no clue why this is, since all my Canon files (R5) are exactly as set in camera. It looks like C1 is trying to interpret my film simulation recipe instead of taking the actual values.
In C1 I have set import to auto and mode is set to "as shot"
Do you have an idea what's happening here? Thanks 🙏🏻
Again a good instruction. Many thanks. Color is of course a matter of personal taste. I do like to use "classic chrome" as a starting point for winter photographs of woodland. The greens are less pronounced and can be targetted (highlighted) if necesarry with the COLOR EDITOR. For a backdrop (if the the color of the backdrop is more or less uniform of color) i do like to create a mask of the backdrop based on the main color of the backdrop with the COLOR EDITOR and then change the luminance saturation and hue if wanted. This resulting in a color contrast between the front and the back of the photograph. To create more depth. Or after creating a mask I also do erase some part of the mask if necesarry when targetting a specific part of the image. But i al depends also on the mood. I'am still finding out the most efficient way of local adjustments on color contrast.
Thank you Ruud for sharing your tips, great idea to target the foreground and background on separate layers and play around with complementary colors and luminance differences.
Hi, Nice video. About the sharpening, Capture One ALREADY sharpens my photo when the "background" layer is selected. so you sharpened on top of an already sharpened photo? just curious thanks.
Kasia, thank you for presenting your workflow - very helpful. Could you please advise if changing the Colour Balance on the Master wheel and then also on the Highlights wheel increases/doubles the colour effect applied to the highlights (as opposed to using the Master wheel only)?
You are welcome Pawel! Yes, it will make the color stronger-the master wheel applies color cast to the whole image, regardless luminosity range. Adding color on the highlights wheel will enhance the effect if you use the same color. Best is to clone variant of the image, open 2 copies one beside another, zoom in and compare the results - with adjustments on master and on the second copy master+highlights.
Very good..! I find the Colour Grading part very useful. I would be great if you could do a video on using Styles..?
Great suggestion Jason!
Pěkný video 👍
Děkuji mnohokrát Milan :D
Do you use a dedicated monitor or just your Mac/laptop? If you intend to print the images on paper would you do anything differently? Thank you once agin for informative videos
Hi Kasia, really informative video, I like your style of presentation in Capture one.
A video I would love to see is how you can make the skin of a female model, have a real chromey metallic look in a black & white image. I often see this chromey skin look but having tried numerous times I can't get that look.
Hi Mike, thank you! Hmm, I suspect the chromey, super smooth and shiny skin has to be prepared by a make up artist. It is question of specific make up techniques to get that glow. Please post a link to a specific example.
fotografowac to ja nie umiem ale Capture One bardzo ratuje to co ja zrobie .. fajny filmik
Dziekuje :)
do you always do luminosity, followed by colour adjustments, and then sharpness clarity adjustments? In other words do you generally follow the order when procesing images? Maybe a video talking about the order you do things and why would help?? Also linked to this do you crop before or after other adjustments? Thanks once again for a great video.
Yes, this framework works well for me - I cover it in depth in my free masterclass (courses.daclasses.com/15-min-edit-masterclass).
Certain images would ask for more luminosity adjustments, while some might be just fine with a few touches. No hard rules here, but the overall structure helps work in a logical way and avoid any chaotic guessing:
Luminosity > color > final touches like sharpening etc.
When it comes to cropping - in Capture One it is a non-destructive operation (in opposition to Photoshop for example), so can be applied either at the beginning or in the end. When I have a portrait and my idea is to crop quite tightly - then I'll do that right at the beginning. With landscapes the scene can change a lot during color grading and elements that were not interesting initially can start playing stronger role in the whole composition. So I tend to crop landscapes in the end, and create different variants for experiments with cropping tool.
@@KasiaZmokla Thank you for detailed and helpful reply. I will check out your masterclass. Cheers!
You are welcome Ak :)
Many thanks, Kasia. I find your work incredibly useful and instructive. I have learnt from you. So, C1 has this OVERLAY feature, but honestly, I find it to be very weird and hard to implement since the effect cannot be applied to one image at a time. Once activated, it affects every image in the library. It is unlike any other ' texture overlay' feature in other programs. Am I missing something? If you have any experience with this functionality, would you kindly explain the best implementation of this feature? Cheers.
Hi Hal, I apologise - your comment went to the "held for review" folder in YT, which I never check out. I've just realised now it exists. I'm assuming you relate to the Overlay feature that allows to add a watermark. So you can design it in Photoshop or just use a simple text as a watermark. You can also display a sort of draft, composition aid if you were working for example on a magazine cover. This could be helpful to crop the image to fit the cover layout. Hope this helps. You may watch this video where I cover creating a simple text watermark and a graphic watermark created with fancy text in Photoshop th-cam.com/video/fKI0ddfRImI/w-d-xo.html
Hi Kasia! Does every Fujifilm raw file import with the film simulation it was shot with? Or is there some sort of default "generic" simulation applied until you select something different?
If you shoot with sepia film simulation, then the imported raw will be displayed in sepia. But you are free to change it to any other film simulation- color, bw, whatever you like.
@@KasiaZmokla ah thank you!