Salminen is so great here... like always... but this Jaako sings very beautiful as well. Is not surprising, because the Finnish obviously can sing very well. I must tell you: thanks a lot for sharing this nice, great, perfect piece of music, man... especially for perfect Salminen
Not all the arias are mentioned above in the list, and unfortunately the first duett is not intact (Don Carlo) - otherwise I would like to listen the whole concert. Thank You for sharing!
@@revivaljesus Rhyanen is far more impressive, both for the timbre and for the roundness of the sound, with sumptuosus high notes and darker low notes. Salminen... I never "digested" him... He loses focus in the higher register and the vibrato goes too. Was he ever among world's best basses? I see him as a counterpart of Furlanetto for the "profondi".
@@diegoreviati5166 Salminen is definately an acquired taste with his stylistic and technical mannerisms. However, his voice was massive in his prime and he actually could sing beautifully when he decided to like as Seneca. The role of Hagen, which most basses avoid, was also one his signatures so that put him in a very select group of international Wagnerian singers. Talvela also helped Salminen alot and Salminen was able to basically take over from him as Talvela's career slowed down and ended. Ryhanen is certainly a more traditional bass in sound and style and would have deserved a bigger international career. There are many reasons why things happen the way they do, ofcourse.
@@revivaljesus I LLLLOVED your answe. Motivated, well thought and well wrote. I ABSOLUTELY agree, Salminen had by far one of the biggest voices of his geberations basses, but his mannerism ad you called it disperses that power. Take Hagen. Salminen "Hoiho" is famous, right. In the higher note he loses the focus and the otherwise gigantic note is whitened and It cannot be' heard over the orchestra, of course the orchestra is huge
@@revivaljesus of course take, as always, what I say with a grain of salt. I'm far too young and inexperienced to have the truth in my pocket! It's just personal taste and observation
Matti Salminen, singing a silly patter-song ("La Calunia") is every bit as scary as when he sings Hagen or Grand Inquisitor! Terrifying. And he looks as if he could bench-press 300 pounds using only the muscles in his forehead.
In my humble opinion, Rhyanen is by far the more impressive of the three, and the most natural, "italianate", when it comes to way of emitting the voice. Salminen has a weird way of singing high notes, and he often loses his vibrato and the beauty of sound... At the same time, maybe, MAYBE, too much Wagner strained his voice. Rhyanen has a far deeper, cavernous and rounded sound. Try to listen to his "Madamina, il catalogo è questo". At the same time, it's true ... there is a quite disappointing Grand Inquisitor here with George Lloyd... Both past their prime (never liked Lloyd to be honest).
@@diegoreviati5166 Yes, Matti Salminen has a distinctive way of shaping the vowels, especially on high notes. But he can sing high notes with plenty of relaxed vibrato; he just chooses to suppress it sometimes to heighten the drama. Listen, for instance, to what he does on the long high E-flat on the word "Streit" at the end of the phrase "Gute Waffen, starke Waffen, sharf zum STREI-I-I-I-I-I-IT" in the scene where he summons the vassels in GÖTTERDÄMMERUNG. He begins the note straight-tone, with no vibrato, and then allows the vibrato to slide in and gradually increase until the end, when it's a full, natural, relaxed vibrato: th-cam.com/video/Caj0gKIbgLU/w-d-xo.html
I know all this music because I sang over and over in opera performances for thirty years. I've heard tons of tenor led shows like this on TV but this is the first time I've heard one devoted to the bass repertoire.. It's nice. I've heard Salminen live in complete operas but not the other two. I'm very impressed with Ryhanen's Daland. I think Salminen did La Calunia in C - which is OK with me. Tilli doesn't have quite a low enough voice for Falstaff's song. He can manage the low E Naturals but they aren't very impressive. He interpolates some high notes. Real basses interpolate extra low notes.
Finnish basses are so good!!! Salminen is beautiful. They come from the land of Martii Talvela!
❤ Salminen 🎉
Mr Ryhänen has most beautiful voice in our time bassos
BRAVO!!!!,wonderful 3 basses!!!,supreme!!!!
pardescu@intodeauna mi-au placut vocile joase! bravo, exceptional!
Gràcies per reunir tanta qualitat !
Salminen is so great here... like always... but this Jaako sings very beautiful as well. Is not surprising, because the Finnish obviously can sing very well.
I must tell you: thanks a lot for sharing this nice, great, perfect piece of music, man... especially for perfect Salminen
Kyllä meilläkin osastaan - mahtavaa äänten sointia bassoilta.
Gooseflesh the entire time!
Bravi, bravi, bravissimi
stemmaaaaa
Where can I find other videos of these three! They are awesome basses!
O wie will ich triumfieren...Es war echt toll!
Estupendo
SO ENJOYABLE!!!
Where is the version full of this concert ?
Super!!!
They're all good, Salminen is magnificent. A great testosterone fest.
very special bravo
Not all the arias are mentioned above in the list, and unfortunately the first duett is not intact (Don Carlo) - otherwise I would like to listen the whole concert. Thank You for sharing!
Hienoa kun tosi miehet laulaa.
Bravo ❤️
Thank you very much
such a wonderful concert
Would there be a chance that we can find the whole concert video??
BRAVI!
Both Salminen and Ryhanen have very large voices.
Both still sing sometimes. Salminen has lost much of his best sound, but Ryhanen actually still sounds great.
@@revivaljesus Rhyanen is far more impressive, both for the timbre and for the roundness of the sound, with sumptuosus high notes and darker low notes. Salminen... I never "digested" him... He loses focus in the higher register and the vibrato goes too. Was he ever among world's best basses? I see him as a counterpart of Furlanetto for the "profondi".
@@diegoreviati5166 Salminen is definately an acquired taste with his stylistic and technical mannerisms. However, his voice was massive in his prime and he actually could sing beautifully when he decided to like as Seneca. The role of Hagen, which most basses avoid, was also one his signatures so that put him in a very select group of international Wagnerian singers. Talvela also helped Salminen alot and Salminen was able to basically take over from him as Talvela's career slowed down and ended. Ryhanen is certainly a more traditional bass in sound and style and would have deserved a bigger international career. There are many reasons why things happen the way they do, ofcourse.
@@revivaljesus I LLLLOVED your answe. Motivated, well thought and well wrote. I ABSOLUTELY agree, Salminen had by far one of the biggest voices of his geberations basses, but his mannerism ad you called it disperses that power. Take Hagen. Salminen "Hoiho" is famous, right. In the higher note he loses the focus and the otherwise gigantic note is whitened and It cannot be' heard over the orchestra, of course the orchestra is huge
@@revivaljesus of course take, as always, what I say with a grain of salt. I'm far too young and inexperienced to have the truth in my pocket! It's just personal taste and observation
❤️
Matti Salminen, singing a silly patter-song ("La Calunia") is every bit as scary as when he sings Hagen or Grand Inquisitor! Terrifying. And he looks as if he could bench-press 300 pounds using only the muscles in his forehead.
In my humble opinion, Rhyanen is by far the more impressive of the three, and the most natural, "italianate", when it comes to way of emitting the voice. Salminen has a weird way of singing high notes, and he often loses his vibrato and the beauty of sound... At the same time, maybe, MAYBE, too much Wagner strained his voice. Rhyanen has a far deeper, cavernous and rounded sound. Try to listen to his "Madamina, il catalogo è questo". At the same time, it's true ... there is a quite disappointing Grand Inquisitor here with George Lloyd... Both past their prime (never liked Lloyd to be honest).
@@diegoreviati5166 Yes, Matti Salminen has a distinctive way of shaping the vowels, especially on high notes. But he can sing high notes with plenty of relaxed vibrato; he just chooses to suppress it sometimes to heighten the drama. Listen, for instance, to what he does on the long high E-flat on the word "Streit" at the end of the phrase "Gute Waffen, starke Waffen, sharf zum STREI-I-I-I-I-I-IT" in the scene where he summons the vassels in GÖTTERDÄMMERUNG. He begins the note straight-tone, with no vibrato, and then allows the vibrato to slide in and gradually increase until the end, when it's a full, natural, relaxed vibrato:
th-cam.com/video/Caj0gKIbgLU/w-d-xo.html
I know all this music because I sang over and over in opera performances for thirty years. I've heard tons of tenor led shows like this on TV but this is the first time I've heard one devoted to the bass repertoire.. It's nice.
I've heard Salminen live in complete operas but not the other two. I'm very impressed with Ryhanen's Daland. I think Salminen did La Calunia in C - which is OK with me. Tilli doesn't have quite a low enough voice for Falstaff's song. He can manage the low E Naturals but they aren't very impressive. He interpolates some high notes. Real basses interpolate extra low notes.
KYLLÄ POTUILLA OITÄÄ OLLA
aina yks on poissa,mutta onneksi meillä on kuusia
Strepitosi
🎶OPERAMUSIC! 🎶
🎻🥁🎷🪘 🪗🎺🎸🎹🪕❤️Operasingerbass*musicologist*philosopher*writer*polyglot=7 spoken-english*português*français*italiano*español*deutsch*swenska*3 sung=ancient latin*ancient Ελληνικά*sanskrit σανσκριτική