Amazingly useful, thankyou for sharing! I kept noticing a weird synthetic string-y sounding pedal when the players were demonstrating the examples, did anyone else notice this?
I'm a choralist and composer and this helped SO much with my understanding of woodwind orchestration. I've always been curious about a2 as it was not explained too in depth in my undergrad classes. The octaves and various doublings helped greatly as well. Thanks for this AWESOME resource: P
Your free content outstrips many paid TH-cam and online courses I've encountered. Your passion and generosity for music shines through. Beyond helpful. Thank You!
It would be super helpful if instead of just playing the excerpts about doubling, if we could compare, say, the Brahms example with 2 oboes versus just a single oboe.
@@OrchestrationOnline then, why bother with any examples at all? I could just listen to the Brahms example elsewhere, but where am I going to hear it played with a single oboe?
Hi Armando! • First tip - chapter 3 of 100 Orchestration Tips • Second tip - still being written • Third tip - you can read on orchestration online dot com, will be included in my next book, 100 MORE Orchestration Tips.
If I wore the same sport jacket in every video, no one would notice. But I wear those clothes to show that I work for a living - I'm not pretending to be some hotshot rich guy. Also, it make things easier to cut back and forth between different filmings.
@@OrchestrationOnlineI would not be so sure that people would not notice. OP‘s is quite possibly made without any intention to hint at clothing associated to different economical classes.
Excelent video, very helpful. You could do a video about how to balance other families of orchestra with woodwinds, specially brass. There's a lot of tuttis where's you can't hear woodwinds at all. I know that's not possible to hear every single instrument in tuttis, but all the other families you can hear at least one instrument, so should happen with woodwinds.
23:30 flute a2
25:05 oboe a2
26:44 clarinet a2
28:40 bassoon a2
33:56 oboe/flute octaves (flute above)
35:43 clarinet/flute octaves (flute above)
37:20 flute/bassoon octaves(flute above)
39:38 oboe/clarinet octaves(oboe above)
40:43 oboe/clarinet octaves, lower register (oboe above)
42:26 oboe/bassoon octaves
43:33 bassoon/clarinet octaves
44:47 bassoon/clarinet octaves, lower register
46:36 clarinet/oboe octaves (clarinet above)
48:50 bad combinations
An absolute delight : great practical content; real depth of insight; and warm sympathetic delivery.
Wow! That 4h example sounds almost like very subtle parallel fifths. I love it.
Amazingly useful, thankyou for sharing! I kept noticing a weird synthetic string-y sounding pedal when the players were demonstrating the examples, did anyone else notice this?
Yes, very annoying because it has pitch. Must have been the air conditioning
"Orchestration tips Orchestra" Lol. Well said
Starts 2:20
I'm a choralist and composer and this helped SO much with my understanding of woodwind orchestration. I've always been curious about a2 as it was not explained too in depth in my undergrad classes. The octaves and various doublings helped greatly as well. Thanks for this AWESOME resource: P
Your free content outstrips many paid TH-cam and online courses I've encountered. Your passion and generosity for music shines through. Beyond helpful. Thank You!
Thank you so much for sharing. This was exactly what I was looking for.
You can get slightly different sounds for "flute I" and "flute II", and so on, in Finale 2014.
This lecture is very helpful! Thank you so much, Thomas
It would be super helpful if instead of just playing the excerpts about doubling, if we could compare, say, the Brahms example with 2 oboes versus just a single oboe.
Just use your ear. You'll start to make out all the differences between a2 and solo on your own with some practice.
@@OrchestrationOnline then, why bother with any examples at all? I could just listen to the Brahms example elsewhere, but where am I going to hear it played with a single oboe?
The draft status joke is hilarious! Can you still join the the Ambulance Corps a la Ravel?
Is the third player @37:12 the Air Conditioner on that steady F#?
This is so useful!
Super useful!! I didn't know about this streaming...
Me too. This is great, but I have to watch this later. I wonder if it will be kept online till later.
@@shawnvstaden I hope so, I also don't have time now to whatch it :)
Thanks for this!
Very interesting. Nice speach Thomas. Thanks
Nice straw
Crazy Straws are the Bomb!
Amazing!
hi goss. In your " 100 orchestration tips" i find this exemples?
Hi Armando!
• First tip - chapter 3 of 100 Orchestration Tips
• Second tip - still being written
• Third tip - you can read on orchestration online dot com, will be included in my next book, 100 MORE Orchestration Tips.
This was super helpful, thank you so much!
Brilliant thanks for sharing!
Does anyone else keep hearing that F# ?
Johannes Bowman yes sounds like a string pad always playing in background
Hi internet 5
Bro I know what you're talkin about, probably the computers droning
Sounds more like a G to me
I was expecting it to segue into Elgar's Nimrod :D
😊😊m😊😊😊m
I'm sorry, my son wrote...your video is wonderfull
starts at 2:30
Thank you!!!
He always wears the same thing.
If I wore the same sport jacket in every video, no one would notice. But I wear those clothes to show that I work for a living - I'm not pretending to be some hotshot rich guy. Also, it make things easier to cut back and forth between different filmings.
OrchestrationOnline I am with you Thomas
think of steve jobs. Net worth: US$7 billion
@@OrchestrationOnlineI would not be so sure that people would not notice. OP‘s is quite possibly made without any intention to hint at clothing associated to different economical classes.
schönbergs quintet...
Wonderful; thank you so much!
Overslept it, a pity:(
Goodness- this is SO helpful! You don't have one of these for the brass by chance, do you?
I planned a lecture on brass at Azusa but it was canceled at the last minute due to Covid. Maybe in a year or two when life gets back to normal.
@@OrchestrationOnline Nice! I look forward to seeing it!!!
@@OrchestrationOnline any progress or news on doing more of these series?
Thank you for sharing! It is good opportunity to practice in orchestration and also in English language understanding. Best wishes!!!! 🕊❤
Excelent video, very helpful. You could do a video about how to balance other families of orchestra with woodwinds, specially brass. There's a lot of tuttis where's you can't hear woodwinds at all. I know that's not possible to hear every single instrument in tuttis, but all the other families you can hear at least one instrument, so should happen with woodwinds.
This has been massively helpful, as is the rest of your course - thank you :)
nnlnn
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@@robertomoralessax5784 Is a cat walking across your keyboard ?
SO FUNNY - No one got the "4F" reference. I guess that has been forgotten by this generation :)
I kept wondering bout that for a moment... can you explain it, if you will? Thanks!
@@cristianlozamusic 4-F classification in the U.S. Selective Service System, identifies a person as being unfit for military service. :)
Golden man.Golden.Thank you so much.
This is amazing! Thanks a lot for this super usefull lecture
Thank you Thomas!