Bro I always watch your videos. I have a question, how compatible is the Hollyland Lark Max with the DJI Osmo Action 4? I actually wanted to use it for Vlogging like interview blogging. I use another microphone for motor blogging though, but for interview Vlogging should I take the Hollyland Lark Max with DJI Osmo Action 4 or the DJI Mic or something else? Hope to give an honest suggestion. thank you Note: There is not enough money to buy DJI Mic 2 at the moment.
I love being able to use internal recording. As you can see from the test in this video it totally saves the audio files that had major drop outs from the transmitted connection. I think any serious project should also be internally recorded. 👍🏼👍🏼
@@codylander Bro I always watch your videos. I have a question, how compatible is the Hollyland Lark Max with the DJI Osmo Action 4? I actually wanted to use it for Vlogging like interview blogging. I use another microphone for motor blogging though, but for interview Vlogging should I take the Hollyland Lark Max with DJI Osmo Action 4 or the DJI Mic or something else? Hope to give an honest suggestion. thank you Note: There is not enough money to buy DJI Mic 2 at the moment.
Thanks for the support! I think Lark Max is great. If the budget allowed I do think DJI mic 2 is worth the upgrade. However it’s not essential. What is essential is learning the basics of audio. Mic placement, how to set your levels, internal recording and mixing, etc. I’ll be posting some more tutorials covering these soon.
Asmr effect happens when you record in a quiet room with the microphone very close to the subject you are recording. If for example you are talking and want it to have the Amsr effect you should set the gain of the microphone so you can pick up the small noises/whispers. To do this you’ll want to adjust the gain into the negative range. Try starting at -3 and see if that is giving you the correct amount. If it’s not enough keep going to -6 or -12. As for which mode to use you could use any of them. If I was asked to make an asmr style recording with one person as the talent I would use one mic on the safety track feature. If I needed to record two people or two subjects I would record in stereo and make sure that I set the microphone levels properly. Hope this makes sense. Let me know if this helps. 👍🏼
Hi Cody! Is the internal recording only mono? Is it possible to set the capturing mode to safety track, trough the menu on the receiver, and expect each transmitter to record internally both normal and safety track?
Good question! I’ll confirm this for you first by asking the HollyLand Rep I am in contact with and when I get my hands on the Lark Max again. I’ll be getting the mic again to put it up against the DJI mic 2 and the Rode wireless pro. So keep an eye out for that video in the coming weeks. When I imported my internal recordings they were recorded Mono and I had to change the audio track in DaVinci resolve to stereo so I could add the track to the other side. You can see me do that in the tutorial section of this video. I’m not sure if we are able to adjust how the internal recording is recorded besides the gain.
@@codylander Good. I've been wanting to buy a set of wireless mics and it'll be one more opinion about all of them. If I may, try to show them in the most real life like scenarios for solo videomakers. I don't mean influencers, I mean one man band gigs for professional work. No one is doing that and I can't decide if I listen to those who tell me to get 1000€ equipment because quality and longevity and professionalism or if one of those 3 alternatives will be enough for small scale professional work and for some time. I'll be waiting for that comparison video. When you can, check that out about the internal recording just to be sure but I'm afraid it's not possible reading what you said, you indeed changed it to stereo.. I think that's all we get, one track.
I think a solid wireless mic is the best bang for buck upgrade we can purchase as content creators, one man band, or even higher level production. I have tried multiple times to record videos while we are shooting our commercial work but I always end up getting pulled away with the actual job so the reviews end up missing key parts. This is why you see me doing these out and about solo videos I’m currently making. Maybe you’d like to see an overview of our “day of” process and techniques? I think I could make a video like that at our studio showing you our process without an actual client there with us. I think all three of these options(Hollyland, DJI, rode) can be used “professionally” meaning you could find jobs that will pay you for the quality work if you have a solid understanding of how to use the mics. We have used the DJI mic 1 on some jobs that definitely needed UHF. Luckily the internal recording saved our butts! That’s when we invested into UHF. I don’t think you need to go out and spend $1,000+ on a mic system. But the investment in the long run does make sense. Right now the HollyLand Lark max is the most reliable and affordable system coming in at $125US per channel. As I mentioned in this video it isn’t perfect. But you can definitely get good quality at a very affordable price. As for UHF the most reliable and affordable option seems to be the Deity Theos. Which I’ll be reviewing soon compared to the Sony UHF. Deity comes in at $545US per channel. Replaceable battery’s, 32bit internal, global band, timecode, and the list continues. Long story short. If you’re just doing smaller jobs any of these options are great. If you’re stepping up to higher level productions in the near future UHF is a smart investment. Sorry for the long response!
@@codylander Nothing to be sorry for, I'm thankful for your time and knowledge! I'd like to see a video like that, please do it if you get the chance. Regarding the wireless mics, I understand the logic of "not spending the same money twice" but I think it makes sense to start with a consumer level system, on a consumer level budget, and eventually buy UHF later. I just started. I bought a 3.5mm shotgun and will eventually get the Lark Max, I guess that will be enough for most of what's coming. The only thing I'm reluctant about the Lark Max is knowing that both Dji Mic 2 and RODE Pro record internally 32 bits. Even though they're more expensive. Will have to make up my mind on that.
You seem to have the correct thinking with all of this. I haven’t tested the HollyLand Lav mics. But I’m sure there is a decent lav that works with the HollyLand system. I know the DJI systems are less than optimal for working with 3rd party lav mics. I’ve found that the Shure MVL works great with the DJI mic 1. I’ve also seen multiple reviews from trusted sources that have had major issues with connecting quality lavs to both systems. I do think 32bit float is worth it. Also the DJI mic two has some Bluetooth connectivity that is very useful with their action cameras. However just keep in mind that if you set your levels correctly and use a safety track you should be in the clear. I’ve never used 32bit float until just last night with my first test of the DJI mic 2. If you need to save money go with the HollyLand. If you want to future proof your set up I’d consider the DJI mic 2.
Very good review. Thanks! I bought the Lark Max as well and the clip is actually supposed to fit in a cold shoe. But, at least on my Smallrig cage, it doesn't, which is really annoying. I'll probably need to come up with a solution that I can 3D-print.
I know exactly what you mean. Smallrig makes them wide like that so a wider variety of accessories can be used. My DIY hack has been to add a layer(or a few) of tape to the clip on the mic receiver. Not ideal but it works.
![ไลฟ์สุ่ม iPhone 295 บาท... โกงมั้ย?[ โกงมั้ยครับ ep.97 ] | DOM](http://i.ytimg.com/vi/gdstHEE4UUE/mqdefault.jpg)
Bro I always watch your videos. I have a question, how compatible is the Hollyland Lark Max with the DJI Osmo Action 4? I actually wanted to use it for Vlogging like interview blogging. I use another microphone for motor blogging though, but for interview Vlogging should I take the Hollyland Lark Max with DJI Osmo Action 4 or the DJI Mic or something else? Hope to give an honest suggestion. thank you
Note: There is not enough money to buy DJI Mic 2 at the moment.
Amazing Video Brother ❤ Just one question, does it work with Dji action 5 pro? Or Go pro hero 13?
Yes, you will just need a 3.5mm microphone adapter. The GoPro has the medium mod and the DJI probably has a 3.5 mm connector adapter.
Good review/tests, I received mine this morning but haven't managed to test it properly. What are your thoughts on the Internal recording quality?
I love being able to use internal recording. As you can see from the test in this video it totally saves the audio files that had major drop outs from the transmitted connection. I think any serious project should also be internally recorded. 👍🏼👍🏼
@@codylander Yes, that's why I chose the Lark Max over the Lark M2. But how good is the internal recording audio quality?
The internal recording is a 24bit audio file. Very good. 👍🏼
Cool review sir🎉
Thank you 🙏🏻
@@codylander Bro I always watch your videos. I have a question, how compatible is the Hollyland Lark Max with the DJI Osmo Action 4? I actually wanted to use it for Vlogging like interview blogging. I use another microphone for motor blogging though, but for interview Vlogging should I take the Hollyland Lark Max with DJI Osmo Action 4 or the DJI Mic or something else? Hope to give an honest suggestion. thank you
Note: There is not enough money to buy DJI Mic 2 at the moment.
Thanks for the support! I think Lark Max is great. If the budget allowed I do think DJI mic 2 is worth the upgrade. However it’s not essential. What is essential is learning the basics of audio. Mic placement, how to set your levels, internal recording and mixing, etc. I’ll be posting some more tutorials covering these soon.
@@codylander Thank you Bro ❣
Let me know if you have any more questions. 🫡
good review
can i use it on iphone 15 pro ? thx
I’m sure it works with iPhone 15 pro. If you need confirmation you could check their website.
If used as ASMR, what mode of use should this microphone be set to?
Asmr effect happens when you record in a quiet room with the microphone very close to the subject you are recording. If for example you are talking and want it to have the Amsr effect you should set the gain of the microphone so you can pick up the small noises/whispers. To do this you’ll want to adjust the gain into the negative range. Try starting at -3 and see if that is giving you the correct amount. If it’s not enough keep going to -6 or -12. As for which mode to use you could use any of them. If I was asked to make an asmr style recording with one person as the talent I would use one mic on the safety track feature. If I needed to record two people or two subjects I would record in stereo and make sure that I set the microphone levels properly. Hope this makes sense. Let me know if this helps. 👍🏼
Hi Cody!
Is the internal recording only mono?
Is it possible to set the capturing mode to safety track, trough the menu on the receiver, and expect each transmitter to record internally both normal and safety track?
Good question! I’ll confirm this for you first by asking the HollyLand Rep I am in contact with and when I get my hands on the Lark Max again. I’ll be getting the mic again to put it up against the DJI mic 2 and the Rode wireless pro. So keep an eye out for that video in the coming weeks.
When I imported my internal recordings they were recorded Mono and I had to change the audio track in DaVinci resolve to stereo so I could add the track to the other side. You can see me do that in the tutorial section of this video. I’m not sure if we are able to adjust how the internal recording is recorded besides the gain.
@@codylander Good. I've been wanting to buy a set of wireless mics and it'll be one more opinion about all of them. If I may, try to show them in the most real life like scenarios for solo videomakers. I don't mean influencers, I mean one man band gigs for professional work. No one is doing that and I can't decide if I listen to those who tell me to get 1000€ equipment because quality and longevity and professionalism or if one of those 3 alternatives will be enough for small scale professional work and for some time.
I'll be waiting for that comparison video.
When you can, check that out about the internal recording just to be sure but I'm afraid it's not possible reading what you said, you indeed changed it to stereo.. I think that's all we get, one track.
I think a solid wireless mic is the best bang for buck upgrade we can purchase as content creators, one man band, or even higher level production. I have tried multiple times to record videos while we are shooting our commercial work but I always end up getting pulled away with the actual job so the reviews end up missing key parts. This is why you see me doing these out and about solo videos I’m currently making. Maybe you’d like to see an overview of our “day of” process and techniques? I think I could make a video like that at our studio showing you our process without an actual client there with us.
I think all three of these options(Hollyland, DJI, rode) can be used “professionally” meaning you could find jobs that will pay you for the quality work if you have a solid understanding of how to use the mics. We have used the DJI mic 1 on some jobs that definitely needed UHF. Luckily the internal recording saved our butts! That’s when we invested into UHF. I don’t think you need to go out and spend $1,000+ on a mic system. But the investment in the long run does make sense. Right now the HollyLand Lark max is the most reliable and affordable system coming in at $125US per channel. As I mentioned in this video it isn’t perfect. But you can definitely get good quality at a very affordable price.
As for UHF the most reliable and affordable option seems to be the Deity Theos. Which I’ll be reviewing soon compared to the Sony UHF. Deity comes in at $545US per channel. Replaceable battery’s, 32bit internal, global band, timecode, and the list continues. Long story short. If you’re just doing smaller jobs any of these options are great. If you’re stepping up to higher level productions in the near future UHF is a smart investment. Sorry for the long response!
@@codylander Nothing to be sorry for, I'm thankful for your time and knowledge!
I'd like to see a video like that, please do it if you get the chance.
Regarding the wireless mics, I understand the logic of "not spending the same money twice" but I think it makes sense to start with a consumer level system, on a consumer level budget, and eventually buy UHF later.
I just started.
I bought a 3.5mm shotgun and will eventually get the Lark Max, I guess that will be enough for most of what's coming.
The only thing I'm reluctant about the Lark Max is knowing that both Dji Mic 2 and RODE Pro record internally 32 bits. Even though they're more expensive.
Will have to make up my mind on that.
You seem to have the correct thinking with all of this. I haven’t tested the HollyLand Lav mics. But I’m sure there is a decent lav that works with the HollyLand system. I know the DJI systems are less than optimal for working with 3rd party lav mics. I’ve found that the Shure MVL works great with the DJI mic 1. I’ve also seen multiple reviews from trusted sources that have had major issues with connecting quality lavs to both systems. I do think 32bit float is worth it. Also the DJI mic two has some Bluetooth connectivity that is very useful with their action cameras. However just keep in mind that if you set your levels correctly and use a safety track you should be in the clear. I’ve never used 32bit float until just last night with my first test of the DJI mic 2. If you need to save money go with the HollyLand. If you want to future proof your set up I’d consider the DJI mic 2.
Very good review. Thanks!
I bought the Lark Max as well and the clip is actually supposed to fit in a cold shoe. But, at least on my Smallrig cage, it doesn't, which is really annoying. I'll probably need to come up with a solution that I can 3D-print.
I know exactly what you mean. Smallrig makes them wide like that so a wider variety of accessories can be used. My DIY hack has been to add a layer(or a few) of tape to the clip on the mic receiver. Not ideal but it works.