026 - Midas

We like to call this video "Edu-tainment"!! In this video, Jim Roese shows the effects of multiple arrival times of the same instrument into a Midas console and shows how channel delay can be used to help solve the induced problem.

[@wilcandou]

Brilliant explanation easy to understand... a great lesson! Nice! 👍

[@stevendenmon9557]

This explains alot....thank you!!!!

[@jimgrill]

Next-level stuff! Thank you!

[@alwaysending]

ahahaha..... look at these nuckleheads! love you guys, can't wait to come visit again.

[@blacktree.recording]

Very informative Jim, thanks.

[@wilcandou]

This means when recording an acoustic guitar through both a DI and a Microphone it's the same problem PLUS you have to make sure that when performing, that the artist doesn't move back n forth on the mic... hmmm, good luck with that. Getting them to sit (if possible) would reduce this problem a little.

[@snapascrew]

and if you wanted to try and make it sound "double tracked' you would spin one of em all the way up to 5 or 10 or 15ms then work from there with held notes played/recorded not quick chugs still looking for that same null point

[@saulobonilla9834]

shit SSL L500 mixers have a function called an all pass filter much more precise !!! just saying !! still like the video ..