for your consideration, if I may, Joni Mitchell, Shadows and Light, 1979: Don Alias, Michael Brecker, Lyle Mays, Pat Metheny, Charles Mingus and ehhh - Jaco Pastorius. www.allmusic.com/album/shadows-and-light-mw0000200161/credits
@@everythingisopen Those were the glory days, eh? What ever happened to Lyle Mays? After the The Way Up tour with the Pat Metheny Band he just fell off the earth as Metheny went off to play with more traditional combos. Damned shame. Metheny and Mays were what the Lennon and McCartney of Fusion Jazz and I've never had anyone disagree with me. Damn I wish Pat and Lyle would get the band back together.
@@SeanVedell Maybe they consider their fusion-prog-jazz project completed, having been around since dawn of MIDI and tried it all. IIRC Mays preferred to stop touring and went into IT business and/or cars!? May his hair remain smooth and fair.
@@lovebaja Restraint, adding to the texture, awareness in a group musical context. These are elements which require good discipline and musicianship. Maybe you've heard the phrase "it's not about the notes you play but how you play them". A genius is not only someone who is actively demonstrating technical virtuosity, but applies also to those who have an ear for expressing subtlety in the composition, in my opinion.
I saw this lineup on tour at Fringe in Philadelphia. I had never heard of Sam Amidon, but I am a massive fan of Bill Frisell. I left the show a fan of Sam Amidon.
I saw Sam open up for Anathallo in 2009 at the Exit / In. His cover of "O' Death" had people weeping in the crowd. Glad to see he's still putting out music.
I`m not sure what`s better, hearing these guys lock in, sensitively and beautifully.Or Bills gorgeous smile when the band are `in sync` and utterly somewhere else
I love Tiny Desk Concerts, and this one just took it to the next level for me. It is not often that you hear a song that grabs your attention for the first time, I just heard three in escalating order! Thank you!
Got to see them live at the wolf trap. Sam is a hell of a lot taller than I thought. And he does the screaming when he plays wild bill jones too, bill and shahzad just stopped playing after awhile and just looked at him till he ran out of breath. Great performer
spellbinding ... would love to see this live so interesting to here american versions of folk music from Britain ... and then to hear it in such a modern style lovely
While I can hear similarities to British/Irish folk, pretty sure all three of these are American folk; Blue Mountains has the line at the end "...past dark cabin windows, where eyes never see, across the blue mountains to the Allegheny.." plus is its a Sam original; Pat do this is a Appalachian folk song, recorded first in the 50's (i think) and may be based on Paddy Works on the Railroad which was probably adapted from Irish folk songs; Short Life is another one of sam's originals too. That said I couldn't agree more with you sentiment Anders, if they come around I'll make sure I save a seat for you!
that rumbling sound at the end of Blue Mountains with Shazad's drumming and Bill's guitar is one of the most beautiful sounds ever. Sounds like thunder on top a mountain
I remember talking to a girl from Charlestown, WV. she actually had a lyrical voice like that, even when just flirting. there is something enchanting about Appalachia. not all the bad stuff we were told it was.
wow the part at the end where he throat sings while playing the fiddle is so incredibly jarring and melodic its so sick i had to watch it again and again
I wonder if that Banjo was made on Salt Spring Island on the west coast of Canada? I've seen a builder there who uses star inlays like that and he makes really great claw hammer style instruments.
Interesting takes on trad music. Sam is talented and creative, if a little precious. Frisell is among the most subtle and melodic of electric guitarists I have ever heard. My own taste runs to traditional backing on this kind of song, but I am glad someone is singing these sturdy songs and I suppose they do the songs no harm ;) I like the original melody to "Short Life of Trouble" better than Sam's melody. Buth that's OK
He is a percussionist , bass player and singer who also plays with the guitarist Marc Ribot and drummer Ches Smith in a band called Ceramic Dog. Pretty out compared to this! N.Y session guy as well.
He's recorded a Tiny Desk. Think it's coming in conjunction with the release of Djesse Volume 2 on July 19th. Somewhere around there anywhere. He told us about it in a Patreon Q&A in June. Can't wait.
idk why anyone likes bill frisell. he didn't really add anything. and on the second song it totally sounded like bill didn't know what he was doing. bill being there just made the banjo sound worse somehow. if it was just alone, unaccompanied, it would've been better
I've been listening to Bill Frisell for many years and his work with this trio is one of my favourite things.
maybe the best backing any folk singer ever had
Tyt
too bad he it total ass trash. What hideous sounds he makes with his voice and the instruments he knows how to "play"
for your consideration, if I may, Joni Mitchell, Shadows and Light, 1979:
Don Alias, Michael Brecker, Lyle Mays, Pat Metheny, Charles Mingus and ehhh - Jaco Pastorius.
www.allmusic.com/album/shadows-and-light-mw0000200161/credits
@@everythingisopen Those were the glory days, eh? What ever happened to Lyle Mays? After the The Way Up tour with the Pat Metheny Band he just fell off the earth as Metheny went off to play with more traditional combos. Damned shame. Metheny and Mays were what the Lennon and McCartney of Fusion Jazz and I've never had anyone disagree with me. Damn I wish Pat and Lyle would get the band back together.
@@SeanVedell Maybe they consider their fusion-prog-jazz project completed, having been around since dawn of MIDI and tried it all. IIRC Mays preferred to stop touring and went into IT business and/or cars!? May his hair remain smooth and fair.
and very discret and humble, this genius of Shahzad Ismaily...
Where exactly is the genius? I watched the whole video and I know 14 yr olds who play that well.
@@lovebaja Restraint, adding to the texture, awareness in a group musical context. These are elements which require good discipline and musicianship. Maybe you've heard the phrase "it's not about the notes you play but how you play them".
A genius is not only someone who is actively demonstrating technical virtuosity, but applies also to those who have an ear for expressing subtlety in the composition, in my opinion.
That guy playing bass and percussion has such good feel and suuuuuch a delicate touch
He's part of Ceramic Dog, one of Marc Ribot's projects
his name is Shahzad Ismaily and he's cool
@@eficer04 3:16 camera dude zooms on his head
Translation: he's mediocre and you can barely hear him.
@@lovebajanot the best translation I must admit
Exquisite team, Sam Amidon is a bundle of underrated talent..
My dad played this song when I was 5 and I loved it and just found it 7 years later
I saw this lineup on tour at Fringe in Philadelphia. I had never heard of Sam Amidon, but I am a massive fan of Bill Frisell. I left the show a fan of Sam Amidon.
Bill is my guitar hero.
I saw Sam open up for Anathallo in 2009 at the Exit / In. His cover of "O' Death" had people weeping in the crowd. Glad to see he's still putting out music.
I first saw him open for Anathallo in 2008! I think it was at Proud Larry's in Oxford. I fell in love immediately
His version of O Death is probably one of, if not, my favourite version of the song.
I can't believe people are in the NPR comments talking about anathallo :o
I love to see Bill playing in this kind of setting.
totally amazing, this is a great document, thanks NPR, Sam, Bill and Shahzad
I`m not sure what`s better, hearing these guys lock in, sensitively and beautifully.Or Bills gorgeous smile when the band are `in sync` and utterly somewhere else
When I listen to Sam Amidon, I feel like a kid just learning to jump in on a double dutch jump rope session.
spiritual and beautiful
Quanta storia! Quanta musica così eterna, quanto tempo traslato! Un attimo nella verità.
Is there more of this? I don't know how it's possible for a person to never sound bad in their entire life, Frisell is an alien.
Look up his east/west album. Its a three piece and its killer.
Outta this world!!! >(:^D
Amidon’s Lily-O is a beautiful studio album.
Never heard him before. That was amazing.
I love Tiny Desk Concerts, and this one just took it to the next level for me. It is not often that you hear a song that grabs your attention for the first time, I just heard three in escalating order! Thank you!
Impressed by the drummer. So sensitive.
Got to see them live at the wolf trap. Sam is a hell of a lot taller than I thought. And he does the screaming when he plays wild bill jones too, bill and shahzad just stopped playing after awhile and just looked at him till he ran out of breath. Great performer
Man!! The second song "Pat do this, Pat do that" reminds me of the show "Outsiders" Great music. Love it!
Sam has been putting in work.. Brilliant dude
spellbinding ... would love to see this live
so interesting to here american versions of folk music from Britain ... and then to hear it in such a modern style
lovely
Anders Panders are they british folk songs?
While I can hear similarities to British/Irish folk, pretty sure all three of these are American folk; Blue Mountains has the line at the end "...past dark cabin windows, where eyes never see, across the blue mountains to the Allegheny.." plus is its a Sam original; Pat do this is a Appalachian folk song, recorded first in the 50's (i think) and may be based on Paddy Works on the Railroad which was probably adapted from Irish folk songs; Short Life is another one of sam's originals too.
That said I couldn't agree more with you sentiment Anders, if they come around I'll make sure I save a seat for you!
Check this out. Same song. Different venue and a special guest that makes Pat do This truly special. th-cam.com/video/yifX1OlSOgw/w-d-xo.html
Man, the way everything just blends in... beautiful.
Damn, that's some tasteful drumming ...
that rumbling sound at the end of Blue Mountains with Shazad's drumming and Bill's guitar is one of the most beautiful sounds ever. Sounds like thunder on top a mountain
I love his stories :) and how he just keeps on going.
Meget vakkert. Flott utførelse av gamle tradisjonelle låter. Fin komp.
bill frisell you are too good
the end was stunning, i like this raw sound. his voice is very emotional an true
Very atmospheric, simply and beautiful.
Bill's guitar is so cool
Agreed. It's just so...so, dreamy I guess. It's taking me away and I'm not resisting.
It's a Collings I-35. Beautiful instrument.
ive played guitar for about a decade.. and ive never wanted to play another instrument... until now... i need me a banjo
his mediocre-at-best banjo playing was what gotcha?!
It's a quintessentially American instrument, having come from Africa only to become a staple of folk and country music.
They really fit together well!
I have no words to describe how great this is! What a phenomenal collaboration!
big ups to teller for coming on and playing for sam
that voice.. and that guitar. wholesome and lovely. I dont doubt it for a second
Awesome, so expressive!!!!
Wow, fantastic.
sam's donkey dream is absolute storytelling gold. 8:40 - 10:40
"thats the subtext"
So good, just fantastic...
bill = the man
this is so amazing
That's beautiful and interesting! Love it!
Pure MAGIC here!
Peeling back the edges of tonal simplicity, to reveal another penetrating story. Explorer Bill Frisell presses and swells and blends the sound.
SAM AMIDONには失礼ながら BILL FRISELL おっちゃんに 感動しました。
I remember talking to a girl from Charlestown, WV. she actually had a lyrical voice like that, even when just flirting. there is something enchanting about Appalachia. not all the bad stuff we were told it was.
wow the part at the end where he throat sings while playing the fiddle is so incredibly jarring and melodic its so sick i had to watch it again and again
Spellbinding as always. Wonderful.
This is one of the greatest things ive ever heard. This fills a void I didnt know existed.
Ma che spettacolo per le mie orecchie, saluti
Great art thanks!!!
Good god, this is fantastic
wow, i gave sam bass lessons ages ago
This is fantastic.
thank you all
Shahzad Ismaily - such a delicate artist and a great human being he is
The fuzzy donkey goes 9:51
awesome! they should have recorded an album together
What do you mean? The did, they constantly recorded together the three of them...and many more :)
Super figata! Cool!!!!
Bass player is great
His screaming is clearly some form of overtone singing, but I haven't ran across that method before. Does anyone know what that method is called?
San in his own little world and Bill madly trying to follow him.
Never knew that was his interpretation for 'Short Life' I was guessing it was a Civil War song.
Great set!
great things!
Awesome!
I wonder if that Banjo was made on Salt Spring Island on the west coast of Canada? I've seen a builder there who uses star inlays like that and he makes really great claw hammer style instruments.
Sam sounds a lot like Bert Jansch. A great sound together.
Danke!
15:00 don't do drugs kids
Incrivel
Wow..
bellissimo
SHUG SHUGAROO SHUG SHUGAROO
This i s so fucking good.
wow
hi shahzad !!
valerie fanarjian I know Shahzahd from Tempe, if that's the same guy, and his sister sang!
yep!! yep!!
is he claw-hammering that bajno?
yes
AKA frailing AKA dropthumb.
he reminded me of Kate Bush when she "turned into a mule" for Get out of my house... cool!
"A little pitchy, dawg"
Exceptional guitar playing.
GREAT!!!
Parts of the second tune to me, sound like Tinariwen's style of Malian rock music.
why is nobody talking about 14:50
Where is Trey's recording?
Frisell kept me here.
I hope this is a presage to a Julian Lage Jacob Collier collab.
Is that an Australian five dollar note in the background? If so, why?
They sound like they did not know what they were doing in that place
Songs or artists that sound like "Blue mountain"?
Pancho Veliz check out orange sky by Alexi Murdoch
His voice is exactly halfway between Tim Eriksen and Bruce Molsky. Kind of uncanny.
two of my heroes!
Mine too :)
How do you sing both octaves at once? Am I losing my mind? Love this - bravo.
Interesting takes on trad music. Sam is talented and creative, if a little precious. Frisell is among the most subtle and melodic of electric guitarists I have ever heard. My own taste runs to traditional backing on this kind of song, but I am glad someone is singing these sturdy songs and I suppose they do the songs no harm ;) I like the original melody to "Short Life of Trouble" better than Sam's melody. Buth that's OK
Check out this atmospheric duo, Freddy Koella x Aske Jacoby: th-cam.com/video/aKpHvizo1ak/w-d-xo.html
and there's a doraemon on the shelf!
who is that percussionist
He is a percussionist , bass player and singer who also plays with the guitarist Marc Ribot and drummer Ches Smith in a band called Ceramic Dog. Pretty out compared to this! N.Y session guy as well.
Shahzad Ismaily
No idea Dhalism had any musical abilty
hahaha, dude....score! Made my night.
this comment is YOGA FIRE !
we need jacob collier in tiny desk please !!!
He's recorded a Tiny Desk. Think it's coming in conjunction with the release of Djesse Volume 2 on July 19th. Somewhere around there anywhere. He told us about it in a Patreon Q&A in June. Can't wait.
Enjoy this one from Sam and Jacob. th-cam.com/video/yifX1OlSOgw/w-d-xo.html
We actually don't
Wow, he sings off key just like me!
lol
idk why anyone likes bill frisell. he didn't really add anything. and on the second song it totally sounded like bill didn't know what he was doing. bill being there just made the banjo sound worse somehow. if it was just alone, unaccompanied, it would've been better