Never seen so much detailed tutorial of Q3 before, this make me fully understand how to EQ match and subtract freqs between two elements. Great video, taught me a lot, thanks Sage Audio.
Outstanding! I've had the plug for a few weeks, and find it incredibly useful and intuitive, but I was unaware of how much depth there is for different applications. I've been mainly using it as the versatile band compressor that it also is, but now I have a bunch of other things I need to try. Many thanks! Very helpful!
This is an ace video - thanks for making it! I bought Q3 because I saw how many people used it, and after looking into it realised how versatile it is, and this has made that even more evident!
I *love* Pro Q3, it’s instantiated on every track & bus in all of my Logic templates. I’ve used it since Pro-Q 1 and the piano roll, Bax eq type and dynamic eq are so freakin handy. Love it man!
2 more: 1. It’s cool that while a track is playing you can hover over the bottom half of the EQ curve and it will turn purple and show you any “annoying frequencies”. 2. But it’s really cool if you the click and hold your mouse to make it turn BLUE which freezes the screen (otherwise each time you make an adjustment you have to then go back, hover, wait for a couple seconds purple). Awesome video, thanks guys !!!
I was experimenting with the notes in the EQ spectrum. My chorus is written in G-lydian.. I made narrow bands at every G note in the spectrum & raised them all super high (just for the experiment). I was hearing ping noises that sounded pretty neat in my key. It actually sounded great throughout the chord changes. Then, with every band selected, I moved them back & forth. You can clearly hear how horrible it sounds when they are out of key. This is important to know, because they can help you make your music sound even better, knowing how it sounds at ridiculous levels. When it sounds pleasing to the ears, then you lower them, so you can't really hear any "weirdness" - but you know it's subtly adding to the natural beauty of the sound. I might want to start doing this on the drums. No matter what you do to the EQ, you can have a separate EQ in the chain for this purpose. :)
TNice tutorials is much more simple than I thought with you explaining it. Currently half way through and I feel like I know everytNice tutorialng already lmao
Wow. I made a mistake waiting this long to get Pro-Q 3. No other EQ comes close to the UI/UX quality and features. I can't wait to try the EQ inversion -- I would never have thought of that if not for this video.
YT's AI surfaced this to me for some reason. Learned something new today. Been using FF Q-3 for about a year and didn't know about the collision. Cool. Thanks
Actually there is one incredible feature in the “expert” options - you can get the dynamic bands to react the other freq’s than the ones you are affecting 🤓 Thank you for great content 🙏🏼😘
Thanks for watching! Cutting out some of the lows on the side image with a HP filter will help. Then try amplifying the fundamental, and an overtone in the high mids, where the click or beater of the kick is. This video might be helpful: th-cam.com/video/UVIiWDVzvcw/w-d-xo.html
Excellent, excellent - really excellent. As one recently arrived in Pro Q•3 land, you video is a much needed gem that will certainly help to get me up and running with this amazing plugin.
Hey Abolit! Thanks for watching - I can't see a way to do that, but if you pan the signal to either mid or side in the plugin's output, this helps. SageAudio.com
With Linear phase mode. I've noticed when making a high pass / low pass it introduces pre/post ring But not so much on subtle bell shape cut or boosts What're your thoughts on using linear phase EQs? What setting would u recommend purely for mastering applications
Hey Compound Audio! Thanks for watching this one! When mastering I like Natural phase, dynamic phase, or medium latency linear phase. Sometimes the zero latency sounds better for rock or punk since they don't sound as clean. Also, maximum latency linear phase might introduce some issues as you said, so it's best to avoid these for the most part. SageAudio.com
Hello:) amazing video! I have one question - because I am writing sort of cinematic music and I am a beginner - is it possible to do a final mix using only intuition and to listen a piece on diffrent headphones and monitors? Just to ballance particular instruments in my partiture by experimenting with dynamics?
Thanks for watching and letting me know you enjoyed the video! It's definitely is possible - granted the more you know, the easier it is to figure out why something isn't sounding the way you want it to, and then know how to fix it. But if you have a good ear and general knowledge of the tools you're using, you can absolutely make a final mix with some trial and error.
I feel ya. I've tried Ableton, Reaper, even shelled out for Cubase and I am no closer to understanding any of tNice tutorials than I was before. I don't
Question, Lets say i want to send my high hats to the far left and the far right of the mix, is this possible to do with ProQ? I saw someone talking about it but i dont have much info about that specific function. To me it seems like if i send it to the left then try to send it to the right itll just go center, no?
Thanks for watching! That's right - if you were to duplicate the hi-hat and send one channel to the left and the other to the right, you'd create "Phantom Mono" or a stereo signal in which both the left and right channels are identical. In other words it would sound centered. If you use the Pro-Q 3, introduce 1 bell filter and place it on the Left, then create another and place it on the Right. Vary their center frequencies by about 500Hz, and amplify. This should widen the stereo image of the hi-hat. Alternatively, use a sample delay plugin, and delay the right or left channel by about 3ms. This will widen the hi hat as well.
@@sageaudio Thank you very much! I cant believe you responded so quickly, i was teedering on weather i should buy it or not, but you definitely sold me on it!
Even,fabfilter themselves couldn't elaborate,the way you did,perfect shot ma nigga,would you pls be kind enough,to do one for fabfilter C2.much love from East Africa Tanzania🇹🇿
I'm just watching every video since i discovered this channel.
Hey Hildebrando! I'm glad to hear that you like the channel this much - thanks for watching!
SageAudio.com
same bruh
Same here man ! How can someone afford to miss these top notch professional giveouts.... 👍👍🏅
Same here. I don’t let the new videos get past a day before I watch
Never seen so much detailed tutorial of Q3 before, this make me fully understand how to EQ match and subtract freqs between two elements. Great video, taught me a lot, thanks Sage Audio.
Thanks for watching this one! Great to hear that it was useful to you!
SageAudio.com
屁?
Thanks for the kind words, I'm always happy to help! Let know if you'd like any videos on specific topics in the future. I wish you all the
Damn, that match and inverse technique seems like an golden nugget!
Hey Casper! Thanks for watching! It's definitely incredibly useful, especially on instrument busses.
SageAudio.com
Insanely good i must say! 🙏🏼🤩
You would probably like trackspacer then
This channel is so underrated. Best on the internet by FAR. Thank you!
Outstanding! I've had the plug for a few weeks, and find it incredibly useful and intuitive, but I was unaware of how much depth there is for different applications. I've been mainly using it as the versatile band compressor that it also is, but now I have a bunch of other things I need to try. Many thanks! Very helpful!
Awesome! Thanks for watching Gelon!
SageAudio.com
This is an ace video - thanks for making it! I bought Q3 because I saw how many people used it, and after looking into it realised how versatile it is, and this has made that even more evident!
I *love* Pro Q3, it’s instantiated on every track & bus in all of my Logic templates. I’ve used it since Pro-Q 1 and the piano roll, Bax eq type and dynamic eq are so freakin handy. Love it man!
the bax eq type? did i miss something? :)
2 more:
1. It’s cool that while a track is playing you can hover over the bottom half of the EQ curve and it will turn purple and show you any “annoying frequencies”.
2. But it’s really cool if you the click and hold your mouse to make it turn BLUE which freezes the screen (otherwise each time you make an adjustment you have to then go back, hover, wait for a couple seconds purple).
Awesome video, thanks guys !!!
Awesome! Thanks for watching and sharing these extra tips!
SageAudio.com
omg ilysm
Fabfilter is incredible..you broke it down nicely.
I was experimenting with the notes in the EQ spectrum. My chorus is written in G-lydian.. I made narrow bands at every G note in the spectrum & raised them all super high (just for the experiment). I was hearing ping noises that sounded pretty neat in my key. It actually sounded great throughout the chord changes. Then, with every band selected, I moved them back & forth. You can clearly hear how horrible it sounds when they are out of key. This is important to know, because they can help you make your music sound even better, knowing how it sounds at ridiculous levels. When it sounds pleasing to the ears, then you lower them, so you can't really hear any "weirdness" - but you know it's subtly adding to the natural beauty of the sound. I might want to start doing this on the drums. No matter what you do to the EQ, you can have a separate EQ in the chain for this purpose. :)
I love this tool more the longer I have it! I did not know you could zoom in on the frequencies!!! woah dang!
Great job,guys.Wonderful content,well presented.
Thank you for watching! Glad to hear you enjoyed it!
SageAudio.com
Dude that eq match makes such a difference
Thanks for the vid.. I'm gonna have to watch this multiple times to absorb all the info you dropped on this post ! Wow
I checked - everything is clean
TNice tutorials is much more simple than I thought with you explaining it. Currently half way through and I feel like I know everytNice tutorialng already lmao
U made it simple man ur subscribers are well deserved
Wow. I made a mistake waiting this long to get Pro-Q 3. No other EQ comes close to the UI/UX quality and features. I can't wait to try the EQ inversion -- I would never have thought of that if not for this video.
Awesome worked on Big Sur.Follow the steps as per the video.😉Thank you
BROTHER, YOU ARE THE BEST!!! You oooh really helped me!! THANK YOU VERY
YT's AI surfaced this to me for some reason. Learned something new today. Been using FF Q-3 for about a year and didn't know about the collision. Cool. Thanks
Thanks for the hints!
Thanks for watching!
SageAudio.com
It took me a while to realize bands can be made dynamic by right clicking on a band and the amount adjusted with those little arrows!
this channel is Gold
Thanks Robel! Glad you're enjoying it!
SageAudio.com
Thank you so much! I can not wait to start setuping. I want to create original soft for comrcials and shows alongside my many other
Ima download it thanks for sharing!!
Thanks for watching!
SageAudio.com
Ayyyy Thanks for helping get to know the Software! I just downloaded it in hopes of making resetupes and originals. Props to you for
Super helpful! Where can I find the song used in the examples?
Thanks for the tips and the song in the video has really nice melodies and instrumentation. 👏
hanks lot Sir.. You helping us..
Many many thx for all what you do for us.
Actually there is one incredible feature in the “expert” options - you can get the dynamic bands to react the other freq’s than the ones you are affecting 🤓
Thank you for great content 🙏🏼😘
Wait how
@@tyzoeeeee I guess he is confusing Pro Q 3 with Pro MB compressor expert options. :)
greetings, please what can be done for clean and nice kick in fab filter proQ3, I think the side was being done... it was a good video
Thanks for watching! Cutting out some of the lows on the side image with a HP filter will help. Then try amplifying the fundamental, and an overtone in the high mids, where the click or beater of the kick is. This video might be helpful: th-cam.com/video/UVIiWDVzvcw/w-d-xo.html
Excellent, excellent - really excellent. As one recently arrived in Pro Q•3 land, you video is a much needed gem that will certainly help to get me up and running with this amazing plugin.
That's awesome! Thanks for watching Edward - glad it helped!
SageAudio.com
Thank you, so much I didn't know or appreciate. It would be cool if you could make a similar video about the Kirchhoff EQ
Boom!!! Latency options ftw can’t wait to try that out
Great video! Following this channel now!
when you’re in the channel rack, click on gms to open up the gms nu, in the light blue screen on the top left look where it says
Installed, everything works, thanks!
Nice tutorial
thanks a lot!!! so nice reverb
Very important knowledge you are sharing thanks for very great information really amazing channel
@sageaudio
❤️
Thanks for watching Jony! Glad you like the channel!
SageAudio.com
MELHOR VIDEO QUE EU JA VI NA MINHA VIDA , OBRIGADO !
Nice job man, seems like soft soft has gotten a lot more complex since the fruity loops days that I rember. Very helpful, thank you.
Great video I love FabFilter Plugins, very clean.
Same! They're great! Thanks for watching!
SageAudio.com
Woah, great video mate!
Thanks for watching!
SageAudio.com
good work king, love you
Wow! This was incredibly helpful. Thank you!
Awesome! Thank you for watching!
SageAudio.com
Thanks for the help.
BROOO thankyou so much, this really helped and the tutorial was really easy to use as well :)
Amazing advice, and also that song is 🔥🔥🔥
Awesome! Thanks for watching!
SageAudio.com
Pls I need the link of the song it lifts my spirit
@@bowsay8435 Dry Moonlight by Arc De Soleil
thank you so much dude you're a god
bro give thanks just remembering i didnt need the nova after all... koooollll song
Hey Nurd! Thanks for watching! Glad you enjoyed the video!
SageAudio.com
thank you very very very much, you help me a lot
Dropping some real gems here mate!!!👍👍
Hey Johan! Thanks so much for watching and leaving a comment!
SageAudio.com
Thanks ... some of them I didnt know. Its a great plugin.
Thank you for this helpful video! Also, what’s the name of the song on 5:03?
Thanks for watching and leaving a comment! It's called 'Dry moonlight' by Arc De Soleil
SageAudio.com
thank you man,you are a legend
Awesome. I'm subscribing. Thanks for sharing.🙂💪🏿
cool tutorial, 100% works, +rep
thanks for the video - very helpful! What if I want to see only side or mid curves ? Is it possible to make everything else hidden?
Hey Abolit! Thanks for watching - I can't see a way to do that, but if you pan the signal to either mid or side in the plugin's output, this helps.
SageAudio.com
your videos are sooo great i love it
doing well and thanks again!
It's just awesome
Thanks for watching!
SageAudio.com
Very nice sir 💐🙏💐
This is a great song
sway og youngboy bro that’s how everyone starts even Kanye admited that Nice tutorials soft weren’t great at first just keep grinding and you’ll
thank you very much❤
Bro this is such a fire song! What’s it called?
Thanks for this
With Linear phase mode.
I've noticed when making a high pass / low pass it introduces pre/post ring
But not so much on subtle bell shape cut or boosts
What're your thoughts on using linear phase EQs? What setting would u recommend purely for mastering applications
Hey Compound Audio! Thanks for watching this one! When mastering I like Natural phase, dynamic phase, or medium latency linear phase. Sometimes the zero latency sounds better for rock or punk since they don't sound as clean.
Also, maximum latency linear phase might introduce some issues as you said, so it's best to avoid these for the most part.
SageAudio.com
Thanks Sage Audio
Hey Mathias! Thanks for watching!
SageAudio.com
Excellent video!
Hey Daniel! Thanks for watching and leaving a comment!
SageAudio.com
What is this song used in this tutorial? I’d like to use it to play around with this EQ.
Thank you for tNice tutorials. You've done a great job breaking down the features and build. I can now concentrate on my instead of the
just got this, love the content
Awesome! Hope this video helps with using the plugin!
SageAudio.com
Hello:) amazing video!
I have one question - because I am writing sort of cinematic music and I am a beginner - is it possible to do a final mix using only intuition and to listen a piece on diffrent headphones and monitors? Just to ballance particular instruments in my partiture by experimenting with dynamics?
Thanks for watching and letting me know you enjoyed the video! It's definitely is possible - granted the more you know, the easier it is to figure out why something isn't sounding the way you want it to, and then know how to fix it. But if you have a good ear and general knowledge of the tools you're using, you can absolutely make a final mix with some trial and error.
@@sageaudio Thank you for answer, helped me a lot. I will try to save money for the FabFilter!
Tnq we enjoy 🙏🙏🙏
merci beaucoup a toi :))
fr stay on the grind
THANK BRO
i love u so much bro, thanks very much
thank you bro thank you
Super Video!!!
Hey Gerald! Thanks for watching!
SageAudio.com
i proud of you
Thanks for watching!
SageAudio.com
Great video 👍❤️
Thanks for watching Darbo!
SageAudio.com
I feel ya. I've tried Ableton, Reaper, even shelled out for Cubase and I am no closer to understanding any of tNice tutorials than I was before. I don't
I wanna see eq for vocals
Question,
Lets say i want to send my high hats to the far left and the far right of the mix, is this possible to do with ProQ? I saw someone talking about it but i dont have much info about that specific function. To me it seems like if i send it to the left then try to send it to the right itll just go center, no?
Thanks for watching! That's right - if you were to duplicate the hi-hat and send one channel to the left and the other to the right, you'd create "Phantom Mono" or a stereo signal in which both the left and right channels are identical. In other words it would sound centered.
If you use the Pro-Q 3, introduce 1 bell filter and place it on the Left, then create another and place it on the Right. Vary their center frequencies by about 500Hz, and amplify. This should widen the stereo image of the hi-hat.
Alternatively, use a sample delay plugin, and delay the right or left channel by about 3ms. This will widen the hi hat as well.
@@sageaudio Thank you very much! I cant believe you responded so quickly, i was teedering on weather i should buy it or not, but you definitely sold me on it!
Even,fabfilter themselves couldn't elaborate,the way you did,perfect shot ma nigga,would you pls be kind enough,to do one for fabfilter C2.much love from East Africa Tanzania🇹🇿
Hey DOPPE WAXY! Thanks so much for watching and leaving a comment! We'll make that video in the future!
SageAudio.com
I can’t stand the hypocrisy.... sorry, just can’t !!
arrow forward once to get "Analog app 1 TE" like he uses in the video or simply find one you'd like to use alternatively instead.
Why dont I get audio from the sidechain?
worked!
Well lockdown started with Blender but since my laptop can't handle it, I've relocated
Honestly, a very useful tutorial to break the ice going into tNice tutorials software
Subscribed 💁🏾♂️
Thanks!
SageAudio.com
❤❤❤
Wow
Thanks for watching!
SageAudio.com
Nice sirthnks
Thanks for watching!
SageAudio.com