How did I miss this Prof KVN piece for such a long time. Since I was a lecturer in an Engg college I add Prof for him whenever I address. And he indeed professed music as much as I professed Mech Engineering. TRUE VIDWAT
There is so much Bhava is this rendition that I find myself tearing up every time I listen to it. Kapi ragam is deep KVN territory! There's nobody better suited to sing in this ragam.
I have playedthe tambhura many a time for this immortal artist. He left us in 2002, emotions and tears well-up everytime I listen to this kruthi. As some one commented kapi raga is kvn's territory. Hands off.
@@geethasrinivasan3491 Yes Bhairavi (Balagopala), Kaapi (Inta Sowkhya...), but also Todi (EnuDhanyalo, Sarasijanabha), Charukeshi (KripayaPalaya), Behag (Kandu, Saramaina), Keervani (Damodara) and yes, practically every Raga. As for Shankarabharanam, even MSS declares him the master - see comments from her kids th-cam.com/video/jryZ0faLxN0/w-d-xo.html
No I am a Kannadiga, and she strictly followed the exact pronunciations as composed by purandaradasa. I'm not even a huge MS fan, but it is annoying to see people say that she mispronounced words when it really isnt true
I do not appreciate people talking about some things which are totally useless. A true singer sings a song making it his own. This rendition from KVN is one of the best another rendition is at a live concert at Mysore where UKS has accompanied which are at its peak in terms of involvement and Bhakti. Mel kalam in Paramapurushana is well.. not a preferred pace. But it is called Manodharmam. Its at the artists discretion what he should do at what point.
Yashoda played with Krishna, who can not be caught even with the vedas (who is beyond the Vedas), who is bigger than infinite, gem among all the children.
Without getting into too much of details. The niceties are there for everyone to see. Elaborate and relaxed singing makes it for a wonderful hearing.Incredible stress on sthaanam and adherance to sruti makes it a pleasure to hear.
This track seems to actually be from this concert in 1981 : th-cam.com/video/DsAzp_Ar1xc/w-d-xo.html (starting at 2:46:05). KVN is accompanied by Kovai Balu and Palghat Rajamani.
Dear friends, I have known KVN personally and intimately He has told me himself that he taught this song to MSS as Mr Sadashivam heard him in a concert and the next day he sent a car with the request to come over and teach the song. The original song is sung by B S Raja Iyengar. He, despite being a Kannadiga, has mispronounced the word makkala as magugaLa. So that has stuck!
One of my most favorite doyens of Karnatik music...This great work of purandaradAsa gets the best treatment in terms of the rAga vishleShaNa (the rendition and extrapolations on the allowed notes of the 'dedicate' scale for the fervent rAga - 'kApi'). As far as the closeness, diction and authenticity towards the kannaDA language, Smt. M.S. Subbulakshmi scores higher (Listen to her rendition and the separation of words (as in Jagada + uddhAraNa) and adherence to language for its own nuances...
Hi Haribol100, It appears that you are a Kannadiga or more closer to the language than I can ever claim any 'command' or 'supremacy' in that plane for any reason. Among the folks who have ventured to render the irrepleaceable works of shrI purandaradAsaru (THE initiator of Karnatik music!), MSS stands out the best (based on documented records of her taking every effort to maintain the dignity of the language of the kIrtana involved).
If the comment on pronunciation is made in right spirit, then it is ok. else, get vattal to stop non native singers from singing native songs in KA. this crib about "purity" of pronunciation is idiotic.
Except for a slight mismatch of the kalapramanam of kvn and the mridangist at some point, everything else is pretty sowikiyam. I am only in disagreement with the mel kalam in the charanam "paramapurusha". Otherwise, the playing is very refined.
How did I miss this Prof KVN piece for such a long time. Since I was a lecturer in an Engg college I add Prof for him whenever I address. And he indeed professed music as much as I professed Mech Engineering. TRUE VIDWAT
There is so much Bhava is this rendition that I find myself tearing up every time I listen to it. Kapi ragam is deep KVN territory! There's nobody better suited to sing in this ragam.
And Also Kharaharapriya Neravals
Everytime I hear this song by Dr.KVN I couldn't control my tears. Even to think of his rendition of this song moves me.
I have playedthe tambhura many a time for this immortal artist. He left us in 2002, emotions and tears well-up everytime I listen to this kruthi. As some one commented kapi raga is kvn's territory. Hands off.
Not at all !! Bhairavi,Pantuvarali ALL raga devatas declare him their master
@@geethasrinivasan3491 Yes Bhairavi (Balagopala), Kaapi (Inta Sowkhya...), but also Todi (EnuDhanyalo, Sarasijanabha), Charukeshi (KripayaPalaya), Behag (Kandu, Saramaina), Keervani (Damodara) and yes, practically every Raga. As for Shankarabharanam, even MSS declares him the master - see comments from her kids th-cam.com/video/jryZ0faLxN0/w-d-xo.html
Bless you
No
I am a Kannadiga, and she strictly followed the exact pronunciations as composed by purandaradasa. I'm not even a huge MS fan, but it is annoying to see people say that she mispronounced words when it really isnt true
Kovai Balu on Violin and Palghat TR Rajamani on Mridangam
sung with utmost melody...emotionally surcharging....the singing opens up an ancient doorway to dwaparayuga.....
Part of the playlist # ದಾಸರಪದಗುಚ್ಛ #DasaKirtanamanjari #Rasikas
Bliss! Transcendence! Grace! Supreme!
K V N Sir legend of music ❤❤❤
This is just ultimate bliss! Nothing else to say........
One of the easiest rendering of a difficult krithi filled with Bhakthi? What else to say!
If music is wine, Great KVN is the one who is endowed with the extraordinary talent of wine making..
If music is wine, KVN is some oldest batch of wine...Chateau Lafite Rothschild
@@kanbuz The older it gets, the stronger it becomes..
Wonderful ! We are privileged to hear such a wonderful Jagadhodharana.
Thank you.
Wow wow wow....❤ KVN thee best...
I do not appreciate people talking about some things which are totally useless. A true singer sings a song making it his own. This rendition from KVN is one of the best another rendition is at a live concert at Mysore where UKS has accompanied which are at its peak in terms of involvement and Bhakti. Mel kalam in Paramapurushana is well.. not a preferred pace. But it is called Manodharmam. Its at the artists discretion what he should do at what point.
Yashoda played with Krishna who is smaller than an atom, bigger that the biggest and beyond limit and immeasurable.
most haunting voice... thanks for posting
wat a quality n neat followin by none other than raghu sir.. m his one of da biggest fan!!
the raga gets clearly established in the very 1st phrase.. hallmark of a great artist!
Yashoda played with Krishna, who can not be caught even with the vedas (who is beyond the Vedas), who is bigger than infinite, gem among all the children.
Amazing voice..must say i had goosebumps throughout the song... v r so blessed to hear such talented voices..
heart touchn kaappi.........amaazing......
Quite amazing. Thanks Navarasan for posting masterpieces.
Without getting into too much of details. The niceties are there for everyone to see. Elaborate and relaxed singing makes it for a wonderful hearing.Incredible stress on
sthaanam and adherance to sruti makes it a pleasure to hear.
This track seems to actually be from this concert in 1981 : th-cam.com/video/DsAzp_Ar1xc/w-d-xo.html
(starting at 2:46:05).
KVN is accompanied by Kovai Balu and Palghat Rajamani.
Amazing. It takes me to another divine world
fantastic!!!!Thank you very much for uploading.
Amazing, couldnt get it out of my head...
I love KVN,, Amazing singing..
Divinity Eternity Supreme
Dear friends, I have known KVN personally and intimately He has told me himself that he taught this song to MSS as Mr Sadashivam heard him in a concert and the next day he sent a car with the request to come over and teach the song.
The original song is sung by B S Raja Iyengar. He, despite being a Kannadiga, has mispronounced the word makkala as magugaLa. So that has stuck!
He truly professed Music
Yashoda played with Krishna, who is full of virtue and care taker of the whole world himself, thinking that he was a mere boy and her son!
Extraordinarily beautiful...
beautiful rendition
what an amazing alapanai...beautiful
@psychesp So many great vidwans have rendered this krithi, but KVN touches the soul.
Please, translate. I love this song.
One of my most favorite doyens of Karnatik music...This great work of purandaradAsa gets the best treatment in terms of the rAga vishleShaNa (the rendition and extrapolations on the allowed notes of the 'dedicate' scale for the fervent rAga - 'kApi'). As far as the closeness, diction and authenticity towards the kannaDA language, Smt. M.S. Subbulakshmi scores higher (Listen to her rendition and the separation of words (as in Jagada + uddhAraNa) and adherence to language for its own nuances...
Heavenly!
amazing alapana!!
Evergreen....
Yashoda played with Krishna from Pandarapura vittala who is best among men and beyond the realms of norms.
no words
Happy to receive corrections.
Puttur Narasimha Nayak has also sung this song very beautifully . Could somebody upload it?
its not sri raghu sir on mridangam
#IndiaDivine
Bliss....
this is not sri palghat raghu.
Haha righttt
Hi Haribol100,
It appears that you are a Kannadiga or more closer to the language than I can ever claim any 'command' or 'supremacy' in that plane for any reason. Among the folks who have ventured to render the irrepleaceable works of shrI purandaradAsaru (THE initiator of Karnatik music!), MSS stands out the best (based on documented records of her taking every effort to maintain the dignity of the language of the kIrtana involved).
Translation:
Regarding the pronunciation, MAGUGALA is correct. Its not MAKKALA as being discussed. I'm also a Kannadiga and I have clarified.
definitely not any one of the top mridangam vidhwans - DR TKM, PRR, UKS, KRM etc...
If the comment on pronunciation is made in right spirit, then it is ok. else, get vattal to stop non native singers from singing native songs in KA. this crib about "purity" of pronunciation is idiotic.
Except for a slight mismatch of the kalapramanam of kvn and the mridangist at some point, everything else is pretty sowikiyam. I am only in disagreement with the mel kalam in the charanam "paramapurusha". Otherwise, the playing is very refined.