YOSHIMATSU : Symphony No.6 “Birds and Angels”, Maestro Kimbo ISHII with New Japan Philharmonic
ฝัง
- เผยแพร่เมื่อ 9 ต.ค. 2022
- New Japan Philharmonic, “SUMIDA TOBIRA of Classic” #7
18th Jun, 2022, Sumida Triphony Hall, Tokyo
Takashi YOSHIMATSU : Symphony No.6 “Birds and Angels” for chamber orchestra, op.113
Ⅰ. Bird in Right: Allegro 4:26
Ⅱ. Forgetful Angels: Adagio 19:18
Ⅲ. Bird in Left: Allegro molto 27:45
Conductor: Kimbo ISHII
Concertmaster：Masahide DENDA
Orchestra: New Japan Philharmonic
新日本フィルハーモニー交響楽団
＜すみだクラシックへの扉＞ 第8回
2022年6月18日 すみだトリフォニーホール
吉松 隆：交響曲第6番「鳥と天使たち」 op. 113
Ⅰ. 右方の鳥 : Allegro 4:26
Ⅱ. 忘れっぽい天使たち : Adagio 19:18
Ⅲ. 左方の鳥 : Allegro molto 27:45
指揮：キンボー・イシイ
コンサートマスター：伝田正秀
管弦楽：新日本フィルハーモニー交響楽団 - เพลง
I really wish there will be more live recordings of Yoshimatsu symphonies, they defo something worth celebrating.
I’d imagine his music is rather strenuous to prepare and perform, because of all the time changes you see in the music and stuff life that. But yes I agree
I wish I could see one in person but contemporary composers, especially Japanese ones, are hardly played in the West
Love the tribute to Tchaikovsky.
Maybe Yoshimastu actually work on his 7th symphony.
So beautiful...
So glad! The first of Yoshimatsu`s six wonderful symphonies in a live version on YT - and the Maestro (69 years old) is in the audiance. But I recommend the absolute perfect studio version with the BBC Philharmonic, it is better balanced, especially the trombone, which is very special.
25:30 In the Adagio you hear a brief quotation of the Lamento from another sixth symphony - however not so complicated written as by Tchaikovsky himself
(In his fifth Yoshimatsu quotes the beginning of another famous fifth. Guess).
If you just now discovered this phantastic composer, you will have much pleasure with the other five symphonies and a lot of brilliant concertos. After that try Akutagawa!
31:51: Quotation of Beethoven's sixth symphony
完美的
This was such an amazing performance. I had a really great time listening.
Magnífica obra!!! Gracias maestro Yoshimatsu!!!
Beautiful performance 🤍🙏
yoshimatsu is brilliant!!! thank you for the introduction. 🏹
4:50
太完美了
Bravo what a music!
I hear Tarantella in this piece
日本真的厉害
I found myself listening to the entire piece so it must have been good since I have little tolerance for the mediocre. This was a well blended admixture of a variety of my favorite styles. Even the Tchaikovsky excerpt fit in perfectly.
If you have little tolerance for the mediocre, would you mind telling me what your favourite pieces are, from the mid to late 20th century? I don’t want to sound aggressive, I’m just listening to Rautavaara and Arvo Pärt a lot and would like some more inspiration :).
Music is a very personal thing, a compact between the composer and the listener, so it does not matter what I like, it is your life, your ears, and your taste. Enjoy whatever strikes your fancy. @@acid7333
你说它深刻吧，它是简约秀气的动机大拼凑；你说它不深刻吧，它又有强烈的形而上的气质；东方人肯沉静下来搞声响趣味还是很有文化优势的，曲子听感上聪明伶俐，可听性强，吉松隆把德彪西那套色彩的手法搞通透了，甚至用做减法的方式给突破了，很多地方我都能找到原曲，但又不忍心说他是抄袭，因为安排的很巧妙，算优质的致敬吧，听完有寄蜉蝣于天地，缈沧海之一粟之感，精神上哀恸又富有生命力。小品气质的交响乐到底是好还是不好呢？管那么多呢，作为观众来讲，音乐史的理论囚笼是禁锢体验的。吉松隆+1，感谢新日本爱乐的奉献--来自中国的敬意。
点赞，同样是来自中国的吉松隆听众
我唯一要批評的話
就是他幾乎每一首曲目都太相似
就是不停重複回收他那幾個idea
優秀作曲家的曲目會給你展示多年來的變化，自我突破
但吉松隆從80年代開始技法成熟後的所有曲目都沒有任何轉變
@@KinkyLettuce 哈哈，这位朋友，我们的感觉是很相似的！知音+1