I'm singing it on my next album ;0) !!!! Thank you so very much for your complimenti. No, seriously, your tracks are FIRE! The Bachianas? Brilliant! It's so good to offer these orchestrated things, because most singers don't know what it really sounds like when they get to 8 celli on the same stage.
Oh, I heard the album soft delicate but with enough power...nice control man and awsome flexibility in different music genre's great ang you have a special energy keep up with the humble heart. Well, since nobody comments over my arrangements coming from you, it is a huge relief... not that I doubt myself, but it is nice to have the exchange of ideas I could really learn from. About the nr 5 YES full orchestra .... I'm a perfectionist in music as in personal training (rugby BB etc) no buts no error marge thoughts allowed 😉
ps, there is another Barenreiter score edition that has a few extra measures in it. A few measures past the return of the verse. SO if you are confused, it's because there's a cut. I literally was trying to follow MY score and would throw my voice out with the confusion. This is literally a piece you have to practice perfectly, even when learning it, or you'll hurt yourself. Still, it's a beautiful version. Thanks for putting the time in.
Hi thanks for the comment, I've heard singers adding the extra 3 measures at the 'da capo' after fide spiagge , and repeating fide spiagge a voi non torno, my version from Breitkopf & Härtel, 1881 does not have it and I've 3 Mozart's drafts of 1770 version which are also not written. I could not find a copy of the Bärenreiter edition, I could make both versions if I have it.
@@Digitalmuzar-RScerbo I've delved into a much larger subject, much higher than my pay grade! I know there were a number of arrangements and versions of the aria and lots of them. I guess it's related to the artists was working with at the time, requesting/demanding/requiring rewrites to Mozart's settings. I know, working with new opera composers, it's difficult to find the right balance of tessitura, range, and lyric that is healthy(for lack of a better word) for the performers, and engaging for an audience. OBVSLY, Mozart worked it out! LOL! It IS interesting though (historically) as a topic of discussion BUT No real need or request for YOU to change or post anything more. This is imminently readable. It was only confusing when following my own score. When I'm singing through the piece, with your arrangement (at home of course), there are no problems. I was wondering why what I was singing was totally off! Thanks also for YOUR reply! NG
@@NGUnderground Hi Nathan I do really appreciate your input, and comment big time, the extra measures actuality make a lot of sense musically, however the aria is very demanding, it has not a real DC and is quite short, may be Mozart did not wanted to push the Tenor , it was his entry aria . However I need to redo this aria for better sound and just some changes in the interpretation . Again thanks for the comment I do appreciate you are using my arrangements for practice or whatever there are there to help, and courage my friend your voice is amazing, good control....my next arrangement will be Bachianas Brasileiras nr5. Rob
Many hearted thanks for putting this on-line!!!
I'm singing it on my next album ;0) !!!! Thank you so very much for your complimenti. No, seriously, your tracks are FIRE! The Bachianas? Brilliant! It's so good to offer these orchestrated things, because most singers don't know what it really sounds like when they get to 8 celli on the same stage.
Oh, I heard the album soft delicate but with enough power...nice control man and awsome flexibility in different music genre's great ang you have a special energy keep up with the humble heart. Well, since nobody comments over my arrangements coming from you, it is a huge relief... not that I doubt myself, but it is nice to have the exchange of ideas I could really learn from. About the nr 5 YES full orchestra .... I'm a perfectionist in music as in personal training (rugby BB etc) no buts no error marge thoughts allowed 😉
thank you!
con mucho gusto que lo disfrute
ps, there is another Barenreiter score edition that has a few extra measures in it. A few measures past the return of the verse. SO if you are confused, it's because there's a cut. I literally was trying to follow MY score and would throw my voice out with the confusion. This is literally a piece you have to practice perfectly, even when learning it, or you'll hurt yourself. Still, it's a beautiful version. Thanks for putting the time in.
Hi thanks for the comment, I've heard singers adding the extra 3 measures at the 'da capo' after fide spiagge , and repeating fide spiagge a voi non torno, my version from Breitkopf & Härtel, 1881 does not have it and I've 3 Mozart's drafts of 1770 version which are also not written. I could not find a copy of the Bärenreiter edition, I could make both versions if I have it.
@@Digitalmuzar-RScerbo I've delved into a much larger subject, much higher than my pay grade! I know there were a number of arrangements and versions of the aria and lots of them. I guess it's related to the artists was working with at the time, requesting/demanding/requiring rewrites to Mozart's settings.
I know, working with new opera composers, it's difficult to find the right balance of tessitura, range, and lyric that is healthy(for lack of a better word) for the performers, and engaging for an audience. OBVSLY, Mozart worked it out! LOL! It IS interesting though (historically) as a topic of discussion
BUT
No real need or request for YOU to change or post anything more. This is imminently readable.
It was only confusing when following my own score. When I'm singing through the piece, with your arrangement (at home of course), there are no problems. I was wondering why what I was singing was totally off!
Thanks also for YOUR reply!
NG
@@NGUnderground Hi Nathan I do really appreciate your input, and comment big time, the extra measures actuality make a lot of sense musically, however the aria is very demanding, it has not a real DC and is quite short, may be Mozart did not wanted to push the Tenor , it was his entry aria . However I need to redo this aria for better sound and just some changes in the interpretation . Again thanks for the comment I do appreciate you are using my arrangements for practice or whatever there are there to help, and courage my friend your voice is amazing, good control....my next arrangement will be Bachianas Brasileiras nr5. Rob
@@NGUnderground Oh I forgot Happy Birthday!