María Dueñas performs Ravel's Tzigane
ฝัง
- เผยแพร่เมื่อ 17 ม.ค. 2022
- María Dueñas, 17, Spain, performing Ravel's Tzigane at the Menuhin Competition #Richmond2021 Senior Semi-Finals.
Pianist: Evgeny Sinaiski
Born in Spain, María Dueñas studies with Boris Kuschnir at the University of Music and Performing Arts Graz and MUK in Vienna. She has won top prizes at international competitions, including 1st Prize at the Zhuhai Mozart International Competition and the Vladimir Spivakov International Competition. Since making her debut at 15 at the Vienna Musikverein, she has performed at venues including the Tchaikovsky Concert Hall and the Elbphilharmonie Hamburg. María Dueñas plays on the Niccolò Gagliano violin 17?4, kindly on loan from the Deutsche Stiftung Musikleben and on the Guarneri del Gesù “Muntz” 1736, on generous loan from the Nippon Music Foundation.
Founded by Yehudi Menuhin in 1983, the Menuhin Competition is the world's leading international competition for young violinists. The Competition attracts hundreds of entries from countries across the globe, choosing only 44 of the world’s very best young violinists to participate. Held every two years in a different world city the Competition discovers, encourages and nurtures exceptionally talented young musicians from all corners of the world under the age of 22 years to develop into the next generation of great artists.
Find out more about the Menuhin Competition on our website: menuhincompetition.org/
Follow us on social media: linktr.ee/menuhincompetition
Sign up to our newsletter to stay up to date: bit.ly/3uYtcKv - เพลง
![Echoes - 8. Chanson de Nuit, Op 15 No 1 [Mariana Preda & Daisuke Kanamaru]](http://i.ytimg.com/vi/ktDcJcjQIDk/mqdefault.jpg)
She plays it so AGGRESSIVE, and somehow it works amazing!
For me it's PASSION. And if you are in fire when you play violin then you know that you are born to do it.
The piece is aggressive
Tzigane is kinda known for aggressiveness.
Exactely! Her play is pasional like gipsy hearth!
That’s gypsy music. Wild and aggressive!
Her aggressive style suits her very well! BEST RECORDING OF THIS PIECE I HAVE EVER HEARD!!!❤
I can only compare her style to Vengerov, he also has this very confident style, but not every piece suits their agressive style, sometimes I feel it too much in case of other pieces, but this piece is perfect for them. Recently I am very amazed with a version of a young Kroean violinist, she basically plays an elegant, beautified version of it (so to say 😄) th-cam.com/video/q-wbmu7o81c/w-d-xo.html
The person who composed this piece is called Maurice Ravel. He initially composed for a Hungarian violinist Jelly d'Arányi, great-niece of the violinist Joseph Joachim. The original instrumentation was for violin and piano. But after, the orchestration part was composed. The first performance took place in London on April 26, 1924. The original score of Tzigane included instructions for these register changes during execution. The name of the piece is derived from the generic European term for "gypsy". This piece was made in the romantic era, which is characterized by its emphasis on emotion and individualism. I like this piece because it has alot of emotion and because the beginning of the piece, the violinist gets a solo. The player playing this piece is called María Dueñas, she plays with a lot of emotion, and very aggressively, she also uses long bow strokes to play.
The style of this piece suits her very well, an amazing version!
This piece fits her style very well, yet I can't decide if I like it more than Vengerov's version or not. I think I like both equally, it is impossible to judge violinits over a certain level, I just rather go with the overall feeling they give with their own style and interpretation with a piece.
my favorite recording! So aggressive!!!
She is just so incredible. 👏
She’s so mesmerizing to watch and listen to!
No existe mejor interpretación que esta, creo que solo ella mismo puede superarla, grande María Dueñas🎉
The female Kavakos.....Wow...she will become top tier Violinist!!!!
The best one. Bravo María, eres única!! Gracias 👏👏👌🏼🇪🇦
She is for the best of this century. Of course there is a lot to improve but it has the essentials.
just great! I will look for more from María Dueñas.
She’s amazing 😍💕
Excellent Performance😍
OMFG love this.
Que maravilla.....eres un prodigio de la naturaleza....
The best interpretation I‘ve heard!👏👏👏 Brava!
Eaaaaaa que orgullooo
Amazing
wow!!!
擠術、音樂之賞心悅目，名付其實的顶級演奏家～
Those harmonics 😮
hello just wanna ask are you arabic by any chance
@@bahaeeddineofficiel1173 yes l'am
WoW
Perfezione assoluta!
Es la mejor
What's that hissing sound through out the recording is that her breathing? And holding her breath?
Yassss, amazing right?
Ravel is watching now
Obviamente al final de la obra hubo una "falta de entendimiento" entre ella y el pianista...incomprensible a mí parecer!
Incomprensible es la osadía con la que dices eso, si no puedes hacerlo mejor no critiques!
corazón, así es la pieza :/
Creo que debería "moverse menos y sonar más"
Y tú quizás hablar menos y practicar más, cuánto darías por sonar así...
Que mala es la envidia...
Burn that envy Jesus.
Ciò che non sai, è che Tzigane, per una serie di motivazioni storiche, diviene l’archetipo novecentesco dell’aspetto gestuale violinistico, cui seguiranno, per tutto il secolo, diverse sperimentazioni in tal senso. Questa, tra tutte le interpretazioni che troverai sul web, è la migliore a mio parere. C’è uno studio approfondito dietro, non è semplicemente “troppo movimento”, questo pezzo è scritto appositamente in questo modo. Agli occhi di Ravel, la figura della giovane violinista che ispirò la stesura di questo pezzo, diviene la personificazione mitica della Musica, una donna, in grado di svelare le segrete relazioni tra lo strumento e l’artista. I suoni prodotti dal violino, grazie a sapienti movimenti dell’esecutrice, dialogano in rapporto sinestesico con la sonorità visuale delle oscillazioni dell’archetto e di tutto il corpo della giovane, a sua volta indotto dalla musica a muoversi empaticamente, flettendosi e inarcandosi nello spazio aereo e sonoro circostostante.
Potrei parlartene per ore, ma evidentemente non sei la persona giusta, o semplicemente non hai voglia, di comprendere a pieno questo pezzo, e questa sua ottima interpretazione, intrinsicamente legata alla storia che ci sta dietro.
Tiene una proyección espectacular, y una musicalidad fuera de serie. Encima de todo eso ella es capaz de interpretar la pieza con tanta energía y de la manera tan extravagante que exige esta pieza en específico.
Es un espectáculo musical que cuesta mucho trabajo y está muy bien ejecutado.
Sabemos que todo es mejorable en esta vida, y antes de evaluar tu capacidad crítica, vamos a darte la oportunidad de que estudies un poco más y te leas tu primer libro 🥰