"Tzigane" de Ravel interprété par Patricia Kopatchinskaja (violon) avec Jean Jacques Kantorow dirigeant le Sinfonia Varsovia à la Folle Journée de Nantes 2013 Réalisation Miguel Octave
Gameminer letting your emotions guide you is a big risk. It can make you shine as well as putting you down. So the risks she took were absolutely worth it
A thing she does, but few people notice, is that she doesn't think that the soloist has to be in the foreground always and everywhere, sometimes she also play as accompanying other instruments of the orchestra… I appreciate that…
She has left me speechless. It was a very strong, personal and very original interpretation of Tzigane. Not a perfectly clean playing, but definitely an overwhelming execution. This is exactly how a gipsy music should be played - with the fire running through the veins. In one word - beautiful!
Possibly the most inventive and rhapsodic Tzigane I've ever heard. I can't say that I agree with all of it, but I LOVE the fact that she's making strong enough choices that I have something to disagree with, rather than just playing another note-perfect but dull-as-dishwater rendition.
I found Patricia through TwoSet. Though I am Twoset's fan, I disagree with their opinion. I think she is a genius. I think it's just a matter of taste and I am proud to say that I am now both Patricia and Twoset's fan.
How are you disagreeing with them? They also literally said she was a genius and that they enjoyed her playing a lot (more Brett than Eddy but Eddy looked sick and done with life in general xD). They were weirded out for real at first but then they were just goofing around & enjoying the music aha
45 years ago, in my childhood, i heard Tzigane and other Ravel pieces almost every evening for falling asleep. Since then I heard many interpretations of Tzigane. But her interpretation is so completely different and so revealing that it makes me think that I finally and for the first time really understood what Ravel meant with that piece. She very probable also heard some interpretations of other performers of this piece. It needs insane creativity and courage to shake off and overcome those and come to something completely different.
Absolutely agree with you. She's a breath of fresh sparkle. Now that's what Ravel intended. She speaks gypsy music -- and what fabulous orchestral accompaniment/interpretation!!!
It was not love at first sight. The first time I watched her (Twoset) I thought her redemption was too weird and was kind of annoyed. Then I caught myself thinking about her harmonics and realized I was already hooked. Listened to her again. "Well, I gotta say it brings a whole other character to this piece, and it matches it. I think I like it." *searchs for other pieces just to get what is going on* ... ... ... a week later: "Woooooow, I've listened to all she's ever played, it is so true, the sounds she makes are magic, it is spooky because it is so unique, she really really gets Music, when is she coming to my country?"
Well, Twoset are so funny and they make many people know about music and such interesting works, but as musicians they don't step out of the academic standards... Music is much more than traditions and the way we've told to do things (taking the quality and in-depth study of music for granted).
prawdopodobnie wyższy standard muzyki całe stado krów uśmiercił 😮 z " statku UFO"🤣 , naszym rolnikami też już dają wytyczne by zaznaczali w wniosku kiedy i na jaką łące będą paść krowy?🤔😉
Во времена инквизиции сожгли бы ее на костре. Ну настоящая ведьма. Лучше Цыганки я не слышала и думаю, что уже не услышу. Вот это темперамент! Это настоящая страсть! Такое звуковое разнообразие. Она купается в звуке, скрипка не солирует, а разговаривает с оркестром, обволакивает и завлекает. Роскошно. Огромное удовольствие.
PK is always such a joy to watch. She throws herself headfirst into every performance and is clearly just there to have fun and make music. She's incredibly expressive without ever coming across as pretentious or show-offy. It's like she's dancing with her violin.
She knows the music and the Violin inside out. She's very spontaneous and in control, having both the musical and technical command. She plays like shes talking! Rare gem!
Je n’ai pas les mots pour décrire les émotions que ça le procure… c’est extrêmement puissant. Divin. Humain… Merci d’avoir composé, joué, interprété, enregistré et partagé cette merveille
She is the first I have seen not to struggle through the pizzicato. She has better command of this piece than I have heard before. An emphatic performance with flair. The first time I heard it I thought a vastly different interpretation. Now I hear that it is that she is actually in command of this piece like I have not heard before.
intervalkid have you seen the Midori recording? She takes it substantially faster and is clearer. Her interpretation is very different, but just wanna make sure you see the Midori recording as it is quite impressive!
Oh yeah, she's obviously got the chops to bat this out with the fastest of them. But she subordinates her virtuosity--or uses it, as you suggest--to get at the soul of the music and express it.
In a talk Patricia Kopatchinskaja has defined herself as the "wild boar among the violinists", but in my view she is a fairy who newly evokes the true and honest spirit of music.
Absolutely brilliant performance - my favourite version on youtube. She made it seem so effortless, but I performed this piece when I was a student and know that it's a work that was deliberately calculated to be as difficult as possible - the violin equivalent of Scarbo. Anything in the piece that *can* be difficult *is* difficult, and then a bit more difficult than you were hoping. But she completely nailed it.
Yeah, she did. But for the first time listening to Tzigane I heard a gypsy. I wasn't watching the fingers. I had visions and FEELINGS. I had never gotten this piece before. I thought Heifitz was the exemplar. Boy was I ever wrong
Fantastic imagination.... Yes I want to listen to the end because it's so interesting and personal ! Everybody complains that the new generation play all the same in a formatted world, but still criticise when a violinist dare to play differently..
As a composer I must say that for me my compositions are only outlines to be filled in by the performer(s). Almost like a playwright who writes in order to give great actors the opportunity to bring his characters to life. I am not a great believer in the notion that the score is to be taken literally and performed note perfect -- I see it as an opportunity for gifted individuals to take it over and make it their own. So as you can imagine Patricia is, for me, the ideal performer, and I can only hope that some day she might decide to perform some of my own work. As for Ravel, I feel sure he is enjoying this stunning performance from his grave as much as I do.
what a great comment and , as someone who is not a composer , strikes me as so clearly true as to defy question. your comment is exactly as id expect a true artist to respond. the journey, not the destination, is what matters.
At the end I expected her to explode or, I don't know, throw the konzertmeister off the stage or something :D Loved it, so different but so musical, this is what art is. Congratz bish. :*
Wow!!! Who is this girl?? I was on the very edge of my seat from the first few notes, and she never disappointed me. Like emilelaurent, I got chills....on top of other chills!! I will return to this version time and again. What a blessing to my life TH-cam is. Every day I hear or learn something new.
One of the best performances I've ever heard. She's got not only great technique, but also, and most importantly, musicality. She plays much more than just notes, and that's what music is all about. Music is not the same thing without the musician's personal touch. Erstaunlich Geiger!
@@a.n.i.c.k.a are YOU joking?? YES, She has a great technique!! (She performed with the bests orchestras around the world) Just because a performance is different that you are acostumeted, don't means that is a bad performance, you can disagree her intentions, BUT YOU CAN'T HAVE the opinion that she is untechnical... You must be other Twoset fan....
Anna Safrankova Those double stops were perfectly in tune, her playing exuded emotion. Remember that Tzigane is inspired by Gypsy music. She comes from a Gypsy family. She’s playing it as a Gypsy fiddler would play it. Not to mention that she has performed with as soloist with the Berlin Phil. Therefore, I don’t think you can tell her what good technique is.
I think Ravel would have cried perfect diamond tears of joy down his patrician nose to have heard her play this. I also think that he would have written several more violin pieces.
Son interprétation du "Tzigane" de Ravel est juste excellente ! Je crois que c'est la meilleure version que j'ai entendue ! Le rythme, la musicalité, la justesse, etc... tout y est 😄 ! Sachant que je n'aime pas spécialement la musique dite d'époque "moderne" c'est assez difficile que j'accroche à un morceau de ce genre ... Mais là, j'ai accroché direct ! Bravo Patricia 😁 !
-- Patricia Kopatchinskaja est l'une des plus redoutables violonistes de ce début de XXIe siècle, un archet acéré, presque tranchant, un niveau d'écoute orchestral remarquable, une vision nouvelle de la musique, une ouïe exceptionnelle, une musicienne hors pair, virtuose & d'un caractère à la force propagatrice. Bravo. --
un Partage immense, une Surdouée Magique, les yeux écarquillés, nous apprécions ???? se demande t-elle ... Une Cadence Sublimissime !! Bravoooo Miss !!
Patricia est originaire de Moldavie! J'adore l'artiste la! En plus, elle est tres modeste :) Patricia draga, noi, basarabenii, ne mandrim ca te avem. Si ne pare rau ca esti departe. Dar fiecare reusita a ta ne bucura. Succes in continuare!
She is incredible !!!!!! don't you just love these self appointed judges that come on the comment section. Love her approach to this piece and others as well. Love ya
But I gotta say as much as I don't like her in a lot of pieces this is one of the best tzigane ever (if not THE best). I simply don't like when she gives accents and make faces in places where it doesn't make almost any sense, especially in the beginning cadenza
At 5:59, sounds like a fiddler just sort of playing around with a melody, next to a campfire, then gradually the melody becomes stronger and turns into a hoedown. I love it 😻. After listening to this probably a couple dozen times, I listened to other soloists’ renditions of this piece, and they sound jarring compared to the beauty of this arrangement, and the orchestra is amazing in this as well.
I saw her perform this tonight! Ecstasy! Ravel with Kopatchinskaja! OMG. What-what!? They just reached in to pull it out from another Planetary Dimension. :) Overjoyed. Thank you Brilliant Musical Artists. Search to watch her with perform with Anoushka Shankar.
Helene Grimaud, Valentina Lisitsa, Patricia Kopatchinskaya and Julia Fischer, four of my favorite musicians who make every day 'whole' with their music making.
wahoooo très très belle introduction!!! ...malgré sa jeunesse Patricia Kopatchinskaja diffuse une grande personnalité très affirmée !!! bravo et merci du partage ...
This made me log in just to Like it!! Love it! Love the madness! Think she captured hte essence of what Ravel wanted to transmit! Caught my attention form the get go! I'm a fan.
An absolutely stunning performance! Intonation more perfect than many other performances, yet perfectly enacted in her personal interpretation! Absolute Tziganer playing, probably crazier than the premier!! This is the true Tzigane performance, though the orchestra could try to be wilder.
Prouesse technique et en même temps c est drôle. ..y a du plaisir dans le jeu l expression...on attend toujours la suite comme un challenge plus vif plus étonnant. ..elle ressemble à un oiseau plein de tempérament et de vie.
This is an eye-opening performance for me. I've always been taught to play exactly according to the score, and as 'correct' as possible, yet this lady challengs it all! Reminds me of Bjork!
Meu Deus!!! Kopatchinskaja é um talento magnificente, formidável e surpreendente! Levarei anos até ouvir uma performance mais arrebatadora do que esta que acabo de contemplar! E se houver o dia em que o farei, certamente Patricia estará no centro do palco! Que violinista SUPERB!!!
Stunningly fresh interpretation and still respecting and listening to the original voice of the composer.... Truly engaging performance, rich colours, fearless energy... Bravo!
I'm both violinist and sound designer for film, for me, this may not be the most "Ravel" interpretation, but she nailed creating colors and imagery of this piece.
From her Facebook Note on the Tzigane: For playing Ravel there exists the elegant abstractly esthetic tradition of the French Salons. But Patricia Kopatchinskaja grew up with the Eastern-European folklore of her parents. When a small child she danced to it on stage. In the Tzigane she hears the origins, the village feast, the violent eroticism, at one point also the squeaking wheels of the donkey cart, she wants to bring this out even if it scratches and squeaks… facebook.com/notes/patricia-kopatchinskaja/ravels-tzigane-a-provocation/1813572532005852/
Un pur chef d’œuvre, si vous demandez mon avis. Quel sublime orchestration et écriture pour le violon, le génie incontesté de Ravel qui continue sans cesse de nous fasciner.
I had no idea that this could be played so slow and sound anything but lame. But I'm beginning to think that she's gotten at an, if not the, essence of the piece. She brings out all the crazy gypsy mystery and sexiness. I'd always thought of it an pretty much just a virtuoso vehicle, but she subordinates all that to bringing out all kinds of things I never heard. I never heard the gypsy in this before. But this made me think of Bartok a lot. This was absolutely fantastic.
The opening section before the orchestra comes in is a tour de force - she plays with total technical command but it sounds wild, uncontrolled and sheerly passionate. She is the 'Wild Thing' of the violin and I'm sure Ravel would have loved it!
"If I have the choice between perfection and risk, I choose risk.- it's more interesting and more exciting", that quote sums up her performances.
Yeah, why perfection? It requires dedication and responsibility and who wants that od you can just shock and gry somewat od a response
Gameminer letting your emotions guide you is a big risk. It can make you shine as well as putting you down. So the risks she took were absolutely worth it
@@Regis596 Who needs perfection in orthography?
Alternatively, another way of describing this performance is "not the score".
@@sebastian-benedictflore mmh yes, but who cares ?
A thing she does, but few people notice, is that she doesn't think that the soloist has to be in the foreground always and everywhere, sometimes she also play as accompanying other instruments of the orchestra…
I appreciate that…
She has left me speechless. It was a very strong, personal and very original interpretation of Tzigane. Not a perfectly clean playing, but definitely an overwhelming execution. This is exactly how a gipsy music should be played - with the fire running through the veins.
In one word - beautiful!
Possibly the most inventive and rhapsodic Tzigane I've ever heard. I can't say that I agree with all of it, but I LOVE the fact that she's making strong enough choices that I have something to disagree with, rather than just playing another note-perfect but dull-as-dishwater rendition.
Yes. This!
A-MEN!! Well said.
opinions prevent deprive, maybe just enjoy or not:)
Completely agree. I think this is the first time I've ever really "heard" and felt the piece.
such good commentary and i totally agree. imo her interpretation is sublime in its disregard for convention.
I found Patricia through TwoSet. Though I am Twoset's fan, I disagree with their opinion. I think she is a genius. I think it's just a matter of taste and I am proud to say that I am now both Patricia and Twoset's fan.
How are you disagreeing with them? They also literally said she was a genius and that they enjoyed her playing a lot (more Brett than Eddy but Eddy looked sick and done with life in general xD). They were weirded out for real at first but then they were just goofing around & enjoying the music aha
Me too!!
@@curio_sphere but they talked a bit like she was a joke violinist
45 years ago, in my childhood, i heard Tzigane and other Ravel pieces almost every evening for falling asleep. Since then I heard many interpretations of Tzigane. But her interpretation is so completely different and so revealing that it makes me think that I finally and for the first time really understood what Ravel meant with that piece. She very probable also heard some interpretations of other performers of this piece. It needs insane creativity and courage to shake off and overcome those and come to something completely different.
Absolutely agree with you. She's a breath of fresh sparkle. Now that's what Ravel intended. She speaks gypsy music -- and what fabulous orchestral accompaniment/interpretation!!!
It was not love at first sight. The first time I watched her (Twoset) I thought her redemption was too weird and was kind of annoyed. Then I caught myself thinking about her harmonics and realized I was already hooked. Listened to her again. "Well, I gotta say it brings a whole other character to this piece, and it matches it. I think I like it." *searchs for other pieces just to get what is going on* ... ... ... a week later: "Woooooow, I've listened to all she's ever played, it is so true, the sounds she makes are magic, it is spooky because it is so unique, she really really gets Music, when is she coming to my country?"
Well, Twoset are so funny and they make many people know about music and such interesting works, but as musicians they don't step out of the academic standards... Music is much more than traditions and the way we've told to do things (taking the quality and in-depth study of music for granted).
prawdopodobnie wyższy standard muzyki całe stado krów uśmiercił 😮 z " statku UFO"🤣 , naszym rolnikami też już dają wytyczne by zaznaczali w wniosku kiedy i na jaką łące będą paść krowy?🤔😉
She is totally mad. I love it.
Quotenwagnerianer She always is, she does it on a funny way.
Absolutely nuts. But man can she play.
Во времена инквизиции сожгли бы ее на костре. Ну настоящая ведьма. Лучше Цыганки я не слышала и думаю, что уже не услышу. Вот это темперамент! Это настоящая страсть! Такое звуковое разнообразие. Она купается в звуке, скрипка не солирует, а разговаривает с оркестром, обволакивает и завлекает. Роскошно. Огромное удовольствие.
PK is always such a joy to watch. She throws herself headfirst into every performance and is clearly just there to have fun and make music. She's incredibly expressive without ever coming across as pretentious or show-offy. It's like she's dancing with her violin.
broadwayfanaticcjb +
She knows the music and the Violin inside out. She's very spontaneous and in control, having both the musical and technical command. She plays like shes talking! Rare gem!
Je n’ai pas les mots pour décrire les émotions que ça le procure… c’est extrêmement puissant. Divin. Humain… Merci d’avoir composé, joué, interprété, enregistré et partagé cette merveille
Pat, the queen of down bows. Also featuring Steve Jobs as the conductor.
Quasar Bacchus I lol’d
Love her a true musician in a world of people searching technical perfection. You forget heart n soul. Can't wait to see her in a few days❤
This tzigane is the best i have seen ever
She is the first I have seen not to struggle through the pizzicato. She has better command of this piece than I have heard before. An emphatic performance with flair. The first time I heard it I thought a vastly different interpretation. Now I hear that it is that she is actually in command of this piece like I have not heard before.
intervalkid have you seen the Midori recording? She takes it substantially faster and is clearer. Her interpretation is very different, but just wanna make sure you see the Midori recording as it is quite impressive!
Oh yeah, she's obviously got the chops to bat this out with the fastest of them. But she subordinates her virtuosity--or uses it, as you suggest--to get at the soul of the music and express it.
Mere mortals have been outclassed by this enchanted woman...just accept that and go for the ride!
In a talk Patricia Kopatchinskaja has defined herself as the "wild boar among the violinists", but in my view she is a fairy who newly evokes the true and honest spirit of music.
Well said - and I completely agree.
Kopatch walks the fine line between genius and insanity and the world is a better place for it. What a force of nature...
When corona is done I am playing this piece like her and even more crazy. You rock it woman
I wanna learn this piece too!
Absolutely brilliant performance - my favourite version on youtube. She made it seem so effortless, but I performed this piece when I was a student and know that it's a work that was deliberately calculated to be as difficult as possible - the violin equivalent of Scarbo. Anything in the piece that *can* be difficult *is* difficult, and then a bit more difficult than you were hoping. But she completely nailed it.
Yeah, she did. But for the first time listening to Tzigane I heard a gypsy. I wasn't watching the fingers. I had visions and FEELINGS. I had never gotten this piece before. I thought Heifitz was the exemplar. Boy was I ever wrong
Anybody else here from TwoSetViolin?
GO PRACTICE! I am!
farheen niazi, oh yeah!! What's up fellow TwoSetter?
GO PRACTICE! Not much, what bout u?
lol me
"I wonder if I'll get Tzigane..."
Fantastic imagination.... Yes I want to listen to the end because it's so interesting and personal ! Everybody complains that the new generation play all the same in a formatted world, but still criticise when a violinist dare to play differently..
As a composer I must say that for me my compositions are only outlines to be filled in by the performer(s). Almost like a playwright who writes in order to give great actors the opportunity to bring his characters to life. I am not a great believer in the notion that the score is to be taken literally and performed note perfect -- I see it as an opportunity for gifted individuals to take it over and make it their own. So as you can imagine Patricia is, for me, the ideal performer, and I can only hope that some day she might decide to perform some of my own work. As for Ravel, I feel sure he is enjoying this stunning performance from his grave as much as I do.
what a great comment and , as someone who is not a composer , strikes me as so clearly true as to defy question. your comment is exactly as id expect a true artist to respond. the journey, not the destination, is what matters.
At the end I expected her to explode or, I don't know, throw the konzertmeister off the stage or something :D Loved it, so different but so musical, this is what art is. Congratz bish. :*
Wow!!! Who is this girl?? I was on the very edge of my seat from the first few notes, and she never disappointed me. Like emilelaurent, I got chills....on top of other chills!! I will return to this version time and again. What a blessing to my life TH-cam is. Every day I hear or learn something new.
One of the best performances I've ever heard. She's got not only great technique, but also, and most importantly, musicality. She plays much more than just notes, and that's what music is all about. Music is not the same thing without the musician's personal touch. Erstaunlich Geiger!
Great technique? Are you joking?
@@a.n.i.c.k.a are YOU joking??
YES, She has a great technique!! (She performed with the bests orchestras around the world)
Just because a performance is different that you are acostumeted, don't means that is a bad performance, you can disagree her intentions, BUT YOU CAN'T HAVE the opinion that she is untechnical...
You must be other Twoset fan....
@@guilhermecaldas7358 You certainly are not a violinist :-D
Anna Safrankova Those double stops were perfectly in tune, her playing exuded emotion. Remember that Tzigane is inspired by Gypsy music. She comes from a Gypsy family. She’s playing it as a Gypsy fiddler would play it.
Not to mention that she has performed with as soloist with the Berlin Phil. Therefore, I don’t think you can tell her what good technique is.
@@a.n.i.c.k.a youre that type of person who only recognises Heifetz
This girls gives me hope for the future.
very agree .. she is revolutionizing the area with great skills & unique colours ... A fresh whirlwind . Love her !
I think Ravel would have cried perfect diamond tears of joy down his patrician nose to have heard her play this. I also think that he would have written several more violin pieces.
Finally, something new!
I wonder if anyone has ever had more fun with this piece than Ms. Kopatchinskaja.
She plays as if, the Violin is just an extended part of her body. Simply fabulous. Patricia you are a wonderful :)
my God, the best ever!!! i'd never heard some one play these impossible peaces with so much comfort like you! far out !!!
Son interprétation du "Tzigane" de Ravel est juste excellente ! Je crois que c'est la meilleure version que j'ai entendue ! Le rythme, la musicalité, la justesse, etc... tout y est 😄 ! Sachant que je n'aime pas spécialement la musique dite d'époque "moderne" c'est assez difficile que j'accroche à un morceau de ce genre ... Mais là, j'ai accroché direct ! Bravo Patricia 😁 !
-- Patricia Kopatchinskaja est l'une des plus redoutables violonistes de ce début de XXIe siècle, un archet acéré, presque tranchant, un niveau d'écoute orchestral remarquable, une vision nouvelle de la musique, une ouïe exceptionnelle, une musicienne hors pair, virtuose & d'un caractère à la force propagatrice. Bravo. --
Patricia is fan-tas-tic!!! By far the best version I ever heard of this splendid piece!
She's actually incredible
What is DIVINE is Marissa Elene Nadieja! RARE talent! trance
Bravo, Patricia! Suntem mandri ca te-ai nascut in Republica Moldova!
un Partage immense, une Surdouée Magique, les yeux écarquillés, nous apprécions ???? se demande t-elle ...
Une Cadence Sublimissime !! Bravoooo Miss !!
Постепенно попадаешь в очарование великой скрипачки, ее чародейство восхищает до глубины души.
Patricia est originaire de Moldavie! J'adore l'artiste la! En plus, elle est tres modeste :)
Patricia draga, noi, basarabenii, ne mandrim ca te avem. Si ne pare rau ca esti departe. Dar fiecare reusita a ta ne bucura. Succes in continuare!
Tzigane I've never heard before.
Eccentric.
I never comment, but, WOW! Absolutely amazing and wonderfully/beautifully/enchantingly/magically expressed!!!
Her sound is fantastic. Instantly draws you in!
That moment in 4:35, when a misterious and forgotten spell is casted!
She is incredible !!!!!! don't you just love these self appointed judges that come on the comment section. Love her approach to this piece and others as well. Love ya
Jamais je ne me serrais attendue à cela !!!!! Je ne sais plus quoi dire !? C'est juste extraordinaire ! La Calas du Violon ! Merci
I don't know how to feel about this.
Feel inspired :)
Rainy Day yes
Usually I feel inspired by innovative interpretations unless it starts feeling like a lot of choices are exaggerated just for the sake of it.
But I gotta say as much as I don't like her in a lot of pieces this is one of the best tzigane ever (if not THE best). I simply don't like when she gives accents and make faces in places where it doesn't make almost any sense, especially in the beginning cadenza
Exactly
At 5:59, sounds like a fiddler just sort of playing around with a melody, next to a campfire, then gradually the melody becomes stronger and turns into a hoedown. I love it 😻. After listening to this probably a couple dozen times, I listened to other soloists’ renditions of this piece, and they sound jarring compared to the beauty of this arrangement, and the orchestra is amazing in this as well.
outstanding.
the magic of violin playing back. genius
Oh my God! I don't have enough superlatives to talk about this performance. PatKop is fan-tas-tic!
I saw her perform this tonight! Ecstasy! Ravel with Kopatchinskaja! OMG. What-what!? They just reached in to pull it out from another Planetary Dimension. :) Overjoyed. Thank you Brilliant Musical Artists. Search to watch her with perform with Anoushka Shankar.
Thrilling!! What an artist -- and a real gypsy!!!!
fantastique performance
Her body language matches both the music and the spirit of our time.
Helene Grimaud, Valentina Lisitsa, Patricia Kopatchinskaya and Julia Fischer, four of my favorite musicians who make every day 'whole' with their music making.
Oh she played this so well. I enjoyed her interpretation.😮
So personal, this is a masterpiece
wahoooo très très belle introduction!!! ...malgré sa jeunesse Patricia Kopatchinskaja diffuse une grande personnalité très affirmée !!! bravo et merci du partage ...
This made me log in just to Like it!! Love it! Love the madness! Think she captured hte essence of what Ravel wanted to transmit! Caught my attention form the get go! I'm a fan.
Think I'm in love...(sigh)
This girl rocks something else
LOL im done
Extraordinaire performance !
An absolutely stunning performance! Intonation more perfect than many other performances, yet perfectly enacted in her personal interpretation! Absolute Tziganer playing, probably crazier than the premier!! This is the true Tzigane performance, though the orchestra could try to be wilder.
Prouesse technique et en même temps c est drôle. ..y a du plaisir dans le jeu l expression...on attend toujours la suite comme un challenge plus vif plus étonnant. ..elle ressemble à un oiseau plein de tempérament et de vie.
Tellement que j'ai explosé de rire à 7:54. #UMadeBro
jamaibabu
Mmmdr un des seules commentaire français 😅
Evuant blank de la pue'
She's kind of like the Janis Joplin of violin. Amazing, a little neurotic, and completely genius.... you can't look away.
+Serenade St. Louis Except that Janis Joplin was ugly as hell.
+Library Pervert She just did not use make up or anything like this. she was not ugly!
+Library Pervert LOL. Because of course the most important thing about Janis Joplin was her looks.
totally can't look away. I got goosebumps from listening to this. it's beautifully enthralling!
ur comment is the only ugly thing here , mr. pervert !
I have actually been watching this for a few days now....never gets old :)
Fantastic Patricia!!!!!
Magnifique ! Juste woah ! Bon dieu, ça me donne envie de jouer au violon !
This is an eye-opening performance for me. I've always been taught to play exactly according to the score, and as 'correct' as possible, yet this lady challengs it all! Reminds me of Bjork!
magnifique!!
Now this really is a very notable performance - love it ot bits. Fantastic
Quelle Excellence !
Sooooo beautiful,bravo Patricia!!! 😍❤️❤️❤️
This is a totally perfect performance, which has encouraged me to retake the piece. Bravo!
Meu Deus!!! Kopatchinskaja é um talento magnificente, formidável e surpreendente!
Levarei anos até ouvir uma performance mais arrebatadora do que esta que acabo de contemplar! E se houver o dia em que o farei, certamente Patricia estará no centro do palco!
Que violinista SUPERB!!!
Simply, is not only a violinist but a musician too. Only a hand of violinists have both cualities.
Fantastica interpretazione!!
I rate it an *INTERESTING/10*
Amazing performance. Love it.
This is the closest that Ravel had thought about how it should sound. Amazing and unique interpretation
Stunningly fresh interpretation and still respecting and listening to the original voice of the composer.... Truly engaging performance, rich colours, fearless energy... Bravo!
She loves playing and it shows. What passion. Notice she put the orchestra above herself, thanking everyone else first.
I'm both violinist and sound designer for film, for me, this may not be the most "Ravel" interpretation, but she nailed creating colors and imagery of this piece.
From her Facebook Note on the Tzigane: For playing Ravel there exists the elegant abstractly esthetic tradition of the French Salons. But Patricia Kopatchinskaja grew up with the Eastern-European folklore of her parents. When a small child she danced to it on stage. In the Tzigane she hears the origins, the village feast, the violent eroticism, at one point also the squeaking wheels of the donkey cart, she wants to bring this out even if it scratches and squeaks… facebook.com/notes/patricia-kopatchinskaja/ravels-tzigane-a-provocation/1813572532005852/
Patricia Kopatchinskaja, Une Alice Au Pays Des Merveilles :-)
Just incredible ! i like so much ! Very creative !
this is magnificent. and i love it.
Je voudrais insister sur la violoniste : elle est formidable !
This is a REAL ARTIST. We need more like her and less correct super-stars clones
Right. Let's hope is the end of "politically correctness" also in classical music....
This performance is just so fantastic
Quelle interprétation ! Bravo aussi au chef d'avoir réussi à suivre la diva ! ;-)
Bravo. Astounding work.
IL y a de la folie dans cette oeuvre magnifiquement interprétée. Ravel: génial compositeur.
Un pur chef d’œuvre, si vous demandez mon avis. Quel sublime orchestration et écriture pour le violon, le génie incontesté de Ravel qui continue sans cesse de nous fasciner.
I had no idea that this could be played so slow and sound anything but lame. But I'm beginning to think that she's gotten at an, if not the, essence of the piece. She brings out all the crazy gypsy mystery and sexiness. I'd always thought of it an pretty much just a virtuoso vehicle, but she subordinates all that to bringing out all kinds of things I never heard. I never heard the gypsy in this before. But this made me think of Bartok a lot. This was absolutely fantastic.
The opening section before the orchestra comes in is a tour de force - she plays with total technical command but it sounds wild, uncontrolled and sheerly passionate. She is the 'Wild Thing' of the violin and I'm sure Ravel would have loved it!
One of my favorite pieces by Ravel.
Interprétation très personnelle et très intelligente, J'aime.
she is a very explosive person especially in her music with tremendous results very good indeed thank you
Full of surprises innovative bold original absolute powerful violinist.
No hay palabras , un genio .
J'avais l'habitude d'écouter la version de Vengerov, mais là... Je suis séduite par cette prestation
She's fantastic. Also, please no ads in the middle of music.