Very enjoyable. The original piece is now RV 813. After some earlier confusion, it's been found to be by Antonio Vivaldi. Listening to the original Concerto, this makes sense, it has many features of early Vivaldi.
El original de ese concierto , la fuente de la belleza es de Vivaldi : "Concerto for violin, strings & b.c. in D minor. RV 813" . Por tanto es BWV979 after Vivaldi . Torelli ???? , para nada !!
Todos los comentarios abajo que señalan que los “expertos” dicen que es de Vivaldi y no de Torelli, yo les preguntaría además del evidente hecho de que no suena para nada a Vivaldi: cuantos conciertos de Vivaldi conocen con 7 u 8 tempos/movimientos diferentes?
That's exactly why it is considered as an extremely early Vivaldi work (1705-1710), and not a mature one, since it presents features of Vivaldi's early concertos that aren't present in later concertos (the loose structure with a great number of movements neing one of them).
I imagine Mme Dreyfus was using an edition different from that shown here in the video. It is very common for old editions of ancient and Baroque music to have little differencies between each other.
A static sheet is much more easy to read for me, but if you really want to make it scrolling, you really need to use 60fps, a scrolling sheet of music looks stuttering and blurry at this rate.
Bach and many of the great composers had absolute (or perfect) pitch, but not all, and it's not a necessary condition in order to become a good musician. It's very helpful, though. Also, people whose native language is tonal (e.g. Chinese, Yoruba) are much more likely to have perfect pitch.
Ethan Gainer That's a matter of some contention. I've heard some people say it can definitely be trained, and others say it definitely can't be trained (after a critical period in infancy). I don't know what the true answer is, but my guess is that some people can learn it even late in life. The language connection (as discovered by Diana Deutsch) is possibly a good clue: most people's language learning ability declines after childhood, but some can still learn languages perfectly later on. I'm guessing the perfect pitch situation is similar.
Beethoven was deaf so... not really. You have to be really smart tho
6 ปีที่แล้ว
Which pitch? There were several pitch standards Bach encountered. Do you think he was born with his ears tuned to Renaissance wind pitch, choir pitch and organ pitch (around A465)? Chamber pitch (around A415)? Deep chamber pitch (around A392)? Or do you think he was born with his ears tuned to modern concert pitch (A440)?
Very enjoyable. The original piece is now RV 813. After some earlier confusion, it's been found to be by Antonio Vivaldi. Listening to the original Concerto, this makes sense, it has many features of early Vivaldi.
RV 813, or Anh 10
@@marcocampus7943 it used to be Anh 10, when its authenticity as Vivaldi was unclear. RV 813 is the latest categorisation.
@@marcocampus7943"Anh" is used when there is uncertainty.
Я тоже почему то подумал,что слишком похоже на Вивальди,но.....
Прошли века,и кто у кого передирал ...время несправедливо, одни в тени другие на солнышке...
The final Allegro is amazing.
2:53 - 3:11 is simply gorgeous
It is one of my favourite channels!!!
The greatest thing I found in this concerto is how the tension tightens and loosens throughout, with no resolution until the very end.
Toujours un bonheur ;)
Sur la paternité du concerto, les avis divergent...
En tout cas, thanks a lot Mister "Geru"
11:42 Chopin ballade 4 final chords
I love the bass at 1:03 - it's almost cartoonishly (and hilariously) "evil"-sounding.
Sorentius yeah hahaha
Thanks for uploading!
8:19 Mozart Requiem
2:29 Sound like RV 578
Geru, please change the TH-cam title as this is now confirmed as being after Vivaldi RV 813!
Nao é de Vivaldi esse tema ??? Porque after Torelli ??
Fantastic!
El original de ese concierto , la fuente de la belleza es de Vivaldi : "Concerto for violin, strings & b.c. in D minor. RV 813" . Por tanto es BWV979 after Vivaldi . Torelli ???? , para nada !!
Todos los comentarios abajo que señalan que los “expertos” dicen que es de Vivaldi y no de Torelli, yo les preguntaría además del evidente hecho de que no suena para nada a Vivaldi: cuantos conciertos de Vivaldi conocen con 7 u 8 tempos/movimientos diferentes?
That's exactly why it is considered as an extremely early Vivaldi work (1705-1710), and not a mature one, since it presents features of Vivaldi's early concertos that aren't present in later concertos (the loose structure with a great number of movements neing one of them).
El andante me hace recordar a la seccion transitoria del concierto para 4 violines en si menor...
This is actually by Vivaldi RV Anh. 10 and was wrongly attributed to Torelli
Formerly Anh. 10, now authenticated enough (at least to Ryom's satisfaction) to be designated RV 813.
Poor Vivaldi.
How much difference does it sound from the original piece from Vivaldi?
could also be a Torelli doctorated
@@louiscouperin3731This screams Vivaldi for me
What were the red notes about at 3:10? Were they just altered in this performance?
I imagine Mme Dreyfus was using an edition different from that shown here in the video. It is very common for old editions of ancient and Baroque music to have little differencies between each other.
3:18 ... eddy #1
5:54
2:53 … eddy #1
4:39 ... eddy #2
👍
A static sheet is much more easy to read for me, but if you really want to make it scrolling, you really need to use 60fps, a scrolling sheet of music looks stuttering and blurry at this rate.
Just increase the replay speed to get more fps
@@dominuscz3681 lmao
Did Bach ever had perfect pitch? Do you need that skill in order to become a good musician or composer?
Bach and many of the great composers had absolute (or perfect) pitch, but not all, and it's not a necessary condition in order to become a good musician. It's very helpful, though.
Also, people whose native language is tonal (e.g. Chinese, Yoruba) are much more likely to have perfect pitch.
Ryan Truong It is not necessary, and can be acquired with sufficient study.
Ethan Gainer That's a matter of some contention. I've heard some people say it can definitely be trained, and others say it definitely can't be trained (after a critical period in infancy).
I don't know what the true answer is, but my guess is that some people can learn it even late in life.
The language connection (as discovered by Diana Deutsch) is possibly a good clue: most people's language learning ability declines after childhood, but some can still learn languages perfectly later on. I'm guessing the perfect pitch situation is similar.
Beethoven was deaf so... not really. You have to be really smart tho
Which pitch? There were several pitch standards Bach encountered. Do you think he was born with his ears tuned to Renaissance wind pitch, choir pitch and organ pitch (around A465)? Chamber pitch (around A415)? Deep chamber pitch (around A392)? Or do you think he was born with his ears tuned to modern concert pitch (A440)?
B or D?
B *and* D
Oh, I see
Does not sound like estro armonico. Esstravaganza or 4 seasons. Could be Vivaldi. Could be sb else. If thé experts says so...
It's Vivaldi
7:54
9:48 ... eddy #3