Even with the tone, they still sound nothing like Bleach songs. Really emphasizes the differences in the styles of the riffs between the two albums. Nothing against you, your playing was impeccable and your tone spot on. Just saying…
Nah he probably would’ve fell into the same bullshit every band does. God knows I wouldn’t wanna know what “experimental” stuff he’d be doing today with imagine dragons or some shit. The only good news is that we wouldn’t have to pretend foo fighters are a good band because they wouldn’t exist.
@@davidporter671 - Kurt was way more principled than most musicians creatively. Musically, a "cynical son of a bitch" as Krist put it. Dave was/is a whore that tries to please everyone, with a commercial heart like most. I can see where you'd want to lump Kurt in with the rest of them but I guess you haven't really looked into Kurt's mindset very much outside of his lyrics. He had legit hate for "those guys." Even though he wasn't my favorite Seattle musician, I think out of them all he was the least likely to take a shitty route musically. But yeah, it's all speculation at this point.
@@NirvanaGuitars an in depth look at all the techniques and little tricks kurt did would be a very interesting video imo. Cuz by now i think most people would have known all the chords by watching marty schwartz ( me included :P )
This video showcases how much different the two albums are, no matter the production; this still sounds nothing like the songs on Bleach. The diversity really is genius
lmao, imagine Nevermind as the first album recorded by Nirvana, I wonder if this could be the sound of it... Amazing job! I wish I had a playlist of full "Neverbleach" songs.
This is really cool sounding, but it also shows how much of role Butch Vig's production on Nevermind contributed to its success. Although the songwriting and performances would still be there, I don't think it would have gone as mainstream as it did if it sounded like Bleach.
A lot of the sweetening of ‘Nevermind’ is Andy Wallace’s mix. If you can find a version of Butch Vig’s mix of ‘Smells Like Teen Spirit’ it doesn’t hit as hard as the Andy Wallace mixed version that everyone heard on MTV and the radio in 1991. That’s what sold all those copies of ‘Nevermind’.
I feel like the production team really butchered the material. Nevermind is way over produced. I don't think this rendition here is better, but the album is so textured and rich it has very little punk feeling to it at all.
@@GeorgeLocke In context at the time, it bridged the gap between much more commercial and slickly produced rock and more indie/alternative styles. It might sound dated now, but there’s no way that ‘Nevermind’ would have got played on the radio the way that it did without that mix. (And again, it was Andy Wallace’s polish, not Butch Vig. If you listen to other pre-Nevermind Vig productions like ‘Gish’ by Smashing Pumpkins or Killdozer - they don’t sound as shiny as ‘Nevermind’).
@@Steaminlidz Cool info, I didn't know that. I saw clips of Butch Vig talking about the recording of the album and mistakenly thought he mixed it too. I do think Butch Vig contributed in a big way if the recording sessions went as he described them, where he had to practically drag Kurt kicking and screaming into doubling vocals and tricking him into laying down extra rhythm guitar tracks.
@@topher4677 Yeah, it was already a big change from recording with Jack Endino on an 8-Track machine ($600 budget vs. $65k). Big studio, big Neve board, a variety of different mics and guitar amps.. all that. But, there’s a lot of effects on the mix. You can hear a chorus effect on the bass (the ‘Symphony’ setting on the Yamaha SPX90) which is an Andy Wallace trademark. Plus all the reverbs and gates on the drums. It’s a very “mixed” sounding record. But, it’s a major label record that they wanted played on the radio. (And they did the same when they got Scott Litt to sweeten the mixes on the singles for ‘In Utero’ as well, so they can’t have been that disappointed by it…)
Great job nailing the SLTS riff. It seems so simple, but many people leave out the little details that Kurt might have done on purpose or due to sloppiness, but make all the difference and give the riff it's character and soul. Not even Beato got it right.
This is interesting to hear because, personally, it feels like the muddiness worked better on bleach than Nevermind. I think In Bloom and Come As You Are needed the lighter clarity from Kurt's Nevermind setup
Dude how you lived that entire album, incredible how well you captured not just Nirvana but also Kurt himself. I could literally hear the rest of the band and there was nothing there
What’s cool about what you’re doing here, aside from tone comparison, is that Kurt didn’t want the huge layered sound that Butch got during the sessions. Kurt preferred a more raw, single take (Bleach sounding) punk rock tone & composition. In order to get him to layer the guitars Butch would make excuses to get Kurt to do multiple takes, for example he’d say a string was a bit out of tune or something to that effect. He tricked Kurt into getting that sound!😆😆 That along with the pop over & undertones in the Nevermind material turned it into the monster that it became. Thanks for posting man, good stuff. Rock on bro!!!!!
I agree that the sound wasn’t as edgy as the rest of their stuff. For a long time Bleach was my fave but for the longest it has been Incesticide… Then again, people would’ve taken a long time to hear that stuff if Nevermind didn’t do what it did 🤘
Polly is my favorite because there's actually demos and BBC sessions of it that sound exactly like how you played it. You got it so dead on, much kudos.
There’s a band called Superbloom that are heavily influenced by Nirvana, they add in a pinch of Deftones and it really sounds like Bleach era Nirvana, I highly recommend
The cleanest proof that kurt will never stop to inspire and will live with us forever. Great recommendation reminds me smh of katatonia. I loved the song spill.
Not going to lie. They sound like those mediocre Nirvana wannabe ripoff bands.. Like Socotra, Pandora Bliss...and such. Bleach era of Nirvana was super creative. You have to be creative and have some edge on abnormal riffs you may come up with.
It's really interesting to hear how Kurt's playing changed between the albums. Lots more space between the chords, more defined strumming patterns, but with a looser feel. What would be good is if you record the bass and drums in a similar style, and mimic the more frantic, aggressive style that Kurt had on Bleach to hear everything in context.
The way you made these work is actually MIND blowing. IMO teen spirit, drain you, and something in the way just have too much of a nevermind stamp, it’s hard to imagine them on bleach. The rest of the songs tho.. gawd dayum! it’s like if I was listening to a deluxe edition of bleach 🤣
Between bootlegs of concerts, radio appearances and demos, its funny how many times I've heard most of these songs with that tone performed by Nirvana. You def nailed it.
The sheer genius of that guy, the On a Plane riff always stuns me, how did he even come up with that, and using the low E note to get that subtle shift in the chord before sliding down, just genius
imo the muddier, gritty tone works better on bleach rather than nevermind. The tone on nevermind really compliments kurt's melody and singing voice, but still the "what if" situation is still really intriguing and your playing is practically listening to the album itself. Great job and hope to see more from you
i like the sounds and you play the songs well! I think what Butch Vig objected to was Cobain relying on the Boss DS-1 for his tone rather than an amplifier. At least the Fender is a tube amp. I am not saying that solid state amps are bad or don't have their place (especially today's stuff), but tube amps definitely have their own sound, even more so back then!!!! Vig wanted Cobain to get his distortion from tube amp gain rather than a pedal, so he brought out the Bassman. Plus, he sometimes double-tracked guitars to thicken it up. Thanks!!!
This was awesome. I was tapping the drum parts out on a cajon while listening to this video! I would totally start a Nirvana Tribute band to play these with that tone
You played that entire album in order and you played them very accurately to how they were recorded. I'm impressed and it sounded amazing. Now do bleach in the Nevermind tone.
One thing is that there is an A in the breed riff at the end wheras you’re playing it open, which didn’t come in until later. Kurt plays this note in the recorded version as well as in the 1991 concerts but later on ditched it and just played it open, so if you’re playing recorded versions or at least early versions in a bleach tone then you should include the a. I would also say that there are a few 1989 versions of these songs. Good video.
It would be interesting to see you take on how you’d expect nirvana to sound like if kurt was still around and the recorded a studio album in 94. I just imagine what types effects he would have used or maybe there would be more acoustic numbers. I think the only glimpse we have is you know you’re right and I think Do re mi which were both recorded on 94
I try not to think about that too often cause it bums me out to think about what could've been! Seeing his taste in distortion and effects change over time really makes you wonder what he would've used in 94 and on. If Nirvana ended in 91 or 92, I bet no one would think he'd use crazy chorus sounds like the polychorus but he did!
@@NirvanaGuitars I heard somewhere (and this might be incorrect information) but Kurt wanted a more orchestral sound for the next Nirvana (think the later years of the Beatles for a close comparison where it blends orchestral with rock music)
This sounds really cool, especially 'Something in the Way' - even more like hard rock (if I'm not mistaken about the style), not grunge. I have another idea - to try what the heaviest songs would sound like if they had been played in MTV Unplugged.
When I saw this in my feed I was super excited being Bleach is my favorite Nirvana album, not much a fan of their other stuff cept for nostalgia purposes. With that said Im glad they didn't go to bleach route with their later stuff. I do hear how Kurt was just advancing as an artist. Great video
I thought Butch Vig claimed Kurt recorded Nevermind (or at least some of it) with a guitar just like that. Teen Spirit especially sounds so close to the album
9:00 It's so satisfying to jump into on a plain after playing stay away haha. So convenient that Kurt de-tuned in the recording so it flows perfectly aswell.
Even with the tone, they still sound nothing like Bleach songs. Really emphasizes the differences in the styles of the riffs between the two albums. Nothing against you, your playing was impeccable and your tone spot on. Just saying…
Thank you, and great observation!
i would say that endless nameless is the only one that sounds like it could be in Bleach
@@loubaxo9339 And Breed and Territorial Pissings imo
They also have different tech guys so they drums sound more grotty cause that's what the sound guy liked I forgot his name
@@DoubleE5135 kinda true, but to me it wouldn't work idk maybe it's just me
11:22 Endless, Nameless sounds even more spookier with the Bleach tone I love it
Sounds very gothic kinda gives me the creeps lol
Kurt grew more and more as a songwriter on each of their three albums. I can’t even imagine what he would’ve done next.
Yeah I've thought about that a lot. He was really turning a creative corner. The world missed out on some amazing music :(
Nah he probably would’ve fell into the same bullshit every band does. God knows I wouldn’t wanna know what “experimental” stuff he’d be doing today with imagine dragons or some shit. The only good news is that we wouldn’t have to pretend foo fighters are a good band because they wouldn’t exist.
@@davidporter671 - Kurt was way more principled than most musicians creatively. Musically, a "cynical son of a bitch" as Krist put it. Dave was/is a whore that tries to please everyone, with a commercial heart like most. I can see where you'd want to lump Kurt in with the rest of them but I guess you haven't really looked into Kurt's mindset very much outside of his lyrics. He had legit hate for "those guys." Even though he wasn't my favorite Seattle musician, I think out of them all he was the least likely to take a shitty route musically. But yeah, it's all speculation at this point.
bleach is their best album, kurt hated nevermind, and he'd hate you for idolizing him.
@@davidporter671 jeez who hurt you 😂
Wow Teen Spirit sounded epic with the Hi Flier! Both clean and distorted tone. As well as CAYA totally did not expect that
I thought so too! I was playing these songs with these settings for fun and thought it sounded interesting enough to make a video if it
If they used this tone, and maybe upped the tempo a bit, it would have been such an killer song.
So did drain you like gahddamn
@@nesfan8 up the tempo? the riff already sounds pacey, if it was even faster it would've sounded like shit probably
This tone in general no matter the album, sounds amazing.
Agreed, I play using these settings frequently! Ran through some Nevermind songs and thought a "what if" video like this might be fun 😀
300th like, and hell yeah dude
@@VICIOUSD3M0N Holy shnikes I didn’t even realize I had 300 likes.
the smells like teen spirit intro sounded just like in the album and I give that more to your playing than to the tone. You could do great tutorials
Thank you so much! I’ve thought about doing tutorial videos. What kind of lessons would you want to see?
@@NirvanaGuitars an in depth look at all the techniques and little tricks kurt did would be a very interesting video imo. Cuz by now i think most people would have known all the chords by watching marty schwartz ( me included :P )
@@NirvanaGuitars I agree with the guy above me. Those little tricks just give it that spice most tutorials are missing
Tutorials please!!!!!!!! )
Do videos with the little tricks Kurt and full-length videos on how to play the whole song.
This video showcases how much different the two albums are, no matter the production; this still sounds nothing like the songs on Bleach. The diversity really is genius
Polly needed an About a Girl treatment
lmao, imagine Nevermind as the first album recorded by Nirvana, I wonder if this could be the sound of it... Amazing job! I wish I had a playlist of full "Neverbleach" songs.
Thank you! That's the "what if" scenario I was thinking of while making this video 😊
This is really cool sounding, but it also shows how much of role Butch Vig's production on Nevermind contributed to its success. Although the songwriting and performances would still be there, I don't think it would have gone as mainstream as it did if it sounded like Bleach.
A lot of the sweetening of ‘Nevermind’ is Andy Wallace’s mix. If you can find a version of Butch Vig’s mix of ‘Smells Like Teen Spirit’ it doesn’t hit as hard as the Andy Wallace mixed version that everyone heard on MTV and the radio in 1991. That’s what sold all those copies of ‘Nevermind’.
I feel like the production team really butchered the material. Nevermind is way over produced.
I don't think this rendition here is better, but the album is so textured and rich it has very little punk feeling to it at all.
@@GeorgeLocke In context at the time, it bridged the gap between much more commercial and slickly produced rock and more indie/alternative styles. It might sound dated now, but there’s no way that ‘Nevermind’ would have got played on the radio the way that it did without that mix. (And again, it was Andy Wallace’s polish, not Butch Vig. If you listen to other pre-Nevermind Vig productions like ‘Gish’ by Smashing Pumpkins or Killdozer - they don’t sound as shiny as ‘Nevermind’).
@@Steaminlidz Cool info, I didn't know that. I saw clips of Butch Vig talking about the recording of the album and mistakenly thought he mixed it too. I do think Butch Vig contributed in a big way if the recording sessions went as he described them, where he had to practically drag Kurt kicking and screaming into doubling vocals and tricking him into laying down extra rhythm guitar tracks.
@@topher4677 Yeah, it was already a big change from recording with Jack Endino on an 8-Track machine ($600 budget vs. $65k). Big studio, big Neve board, a variety of different mics and guitar amps.. all that. But, there’s a lot of effects on the mix. You can hear a chorus effect on the bass (the ‘Symphony’ setting on the Yamaha SPX90) which is an Andy Wallace trademark. Plus all the reverbs and gates on the drums. It’s a very “mixed” sounding record. But, it’s a major label record that they wanted played on the radio. (And they did the same when they got Scott Litt to sweeten the mixes on the singles for ‘In Utero’ as well, so they can’t have been that disappointed by it…)
Great job nailing the SLTS riff. It seems so simple, but many people leave out the little details that Kurt might have done on purpose or due to sloppiness, but make all the difference and give the riff it's character and soul. Not even Beato got it right.
Those chord progressions were fucking magical. What a song writer
Songs featured:
0:09 "Mr. Moustache"
0:30 "Smells Like Teen Spirit"
1:04 "In Bloom"
1:30 "Come As You Are"
2:31 "Breed"
3:33 "Lithium"
4:48 "Polly"
5:21 "Territorial Pissings"
5:47 "Drain you"
7:04 "Lounge act"
8:03 "Stay away"
9:04 "On a Plain"
9:49 "Something in the Way"
10:37 "Endless, Nameless"
first one was swap meet
drain you first and then lounge act
Pretty sure 5:47 was Drain you, and 7:04 was Lounge act
It was in the description sorry you wasted your time bro
Thanks my ears needed this
1:59 Bro the tone here went actually so hard right here 🔥🔥🔥🔥🔥
This is interesting to hear because, personally, it feels like the muddiness worked better on bleach than Nevermind. I think In Bloom and Come As You Are needed the lighter clarity from Kurt's Nevermind setup
Dude how you lived that entire album, incredible how well you captured not just Nirvana but also Kurt himself. I could literally hear the rest of the band and there was nothing there
What’s cool about what you’re doing here, aside from tone comparison, is that Kurt didn’t want the huge layered sound that Butch got during the sessions. Kurt preferred a more raw, single take (Bleach sounding) punk rock tone & composition. In order to get him to layer the guitars Butch would make excuses to get Kurt to do multiple takes, for example he’d say a string was a bit out of tune or something to that effect. He tricked Kurt into getting that sound!😆😆 That along with the pop over & undertones in the Nevermind material turned it into the monster that it became. Thanks for posting man, good stuff. Rock on bro!!!!!
I agree that the sound wasn’t as edgy as the rest of their stuff. For a long time Bleach was my fave but for the longest it has been Incesticide…
Then again, people would’ve taken a long time to hear that stuff if Nevermind didn’t do what it did 🤘
Polly is my favorite because there's actually demos and BBC sessions of it that sound exactly like how you played it. You got it so dead on, much kudos.
There’s a band called Superbloom that are heavily influenced by Nirvana, they add in a pinch of Deftones and it really sounds like Bleach era Nirvana, I highly recommend
The cleanest proof that kurt will never stop to inspire and will live with us forever. Great recommendation reminds me smh of katatonia. I loved the song spill.
@@pR0ManiacS glad you liked it! There’s a whole new wave of bands that are bringing the 90s back. Also check out Gravedweller
Yo, thanks for the recommendation, that band is fucking brilliant!
@@BushLitter Yeah man, I love all of these new bands. Also check out Teenage Wrist
Not going to lie. They sound like those mediocre Nirvana wannabe ripoff bands..
Like Socotra, Pandora Bliss...and such.
Bleach era of Nirvana was super creative. You have to be creative and have some edge on abnormal riffs you may come up with.
I fucking love this tone. Bleach is one my favorite albums of all time.
oh man, had a blast playing the drums to this...
That was beautiful. Memories of my youth, jamming to these tunes, and all the craziness of the 90s came flooding back.
Dude you absolutely nailed these performances, literally sounds like you are channeling Kurt in your playing! Very well done!
That really means a lot, thank you! I try my best to play the songs as he did 😁
It's really interesting to hear how Kurt's playing changed between the albums. Lots more space between the chords, more defined strumming patterns, but with a looser feel.
What would be good is if you record the bass and drums in a similar style, and mimic the more frantic, aggressive style that Kurt had on Bleach to hear everything in context.
Amazing as always.
@ 2:31 you even added the slide and feedback!
Thanks! Gotta add in those little details 😁
The bleach tone sounds surprisingly good for the nevermind tone! Even sounded studio like in some cases
Come as you are with the clean tone sounds beatiful
The way you made these work is actually MIND blowing. IMO teen spirit, drain you, and something in the way just have too much of a nevermind stamp, it’s hard to imagine them on bleach. The rest of the songs tho.. gawd dayum! it’s like if I was listening to a deluxe edition of bleach 🤣
The difference between the composition of songs on Bleach and Nevermind is mind-blowing.
Each one of these riff are memorable, they sound amazing no matter what!
I just love watching you mess about with your gear in a nirvana inspired way, I enjoy the albums even more now
That Digitech makes life so much easier don't it? 😂 amazing work as always brother!
I literally love this bro this sounds so good
Thank you 🙂
I legitimately got shivers when I heard your recreation of the first tone. Keep it up brother 🖤🙏
Idk why this is so satisfying
Between bootlegs of concerts, radio appearances and demos, its funny how many times I've heard most of these songs with that tone performed by Nirvana. You def nailed it.
2:35 - yup, thatš proves the sound, sounds exactly like live 1989 or immodium version of breed, great tone.
Literally hearing teen spirit and it sounds great already love your vids
Thank you so much!
You help me so much do better with Nirvana tones and playing the riffs when I see you play you helped me learn so much thank you
I love this vid!!
Thank you, I'm glad you like it!
This really showcases how much the songwriting grew in that time. And yeah, having Butch Vig in the room helps a great deal.
11:22 I like this part the most
The SLTS riff on this Hi Flier sounds so heavy. 🤘
fun fact: in earlier live shows in 1989, kurt actually played polly with a hi flier
Breed too! Known as Imodium at the time
Damn, ur spot on. Start doing tutorials, I'd love to learn from you step by step
Coincidentally, this is exactly as much as I know how to play from any song I 'learn' on guitar
BRO I DEAD ASS THOUGHT YOU ONLY HAD 3 FINGERS AT FIRST AHAHA
the riffs are just off the chain on this album. i still can't believe how great it was.
I AM SO HAPPY I FOUND YOUR CHANNEL!!! Great sound man, please keep it up!
On a plain sounded so awesome so do the others but this just stood out great job!
The sheer genius of that guy, the On a Plane riff always stuns me, how did he even come up with that, and using the low E note to get that subtle shift in the chord before sliding down, just genius
It sounds more raw, like the beehive records gig. I personally think I would have preferred nevermind this way.
Holy fucking fuck that was a journey! You even got Endless, Nameless spot-on! Excellent, wow. I could never.
Fam I did not expect endless nameless to be that heavy, GJ on capturing that energy w that kicking bleach tone 🤘🤘
spot on as always. ur killin it man! drain you was perfect.
also you should do bleach songs with in utero tone
Thank you! Have gotten numerous requests for that, that’ll probably have to be my next “what if” tone video!
imo the muddier, gritty tone works better on bleach rather than nevermind. The tone on nevermind really compliments kurt's melody and singing voice, but still the "what if" situation is still really intriguing and your playing is practically listening to the album itself. Great job and hope to see more from you
Happy 11k congratulations! @nirvanaguitars
i like the sounds and you play the songs well! I think what Butch Vig objected to was Cobain relying on the Boss DS-1 for his tone rather than an amplifier. At least the Fender is a tube amp. I am not saying that solid state amps are bad or don't have their place (especially today's stuff), but tube amps definitely have their own sound, even more so back then!!!! Vig wanted Cobain to get his distortion from tube amp gain rather than a pedal, so he brought out the Bassman. Plus, he sometimes double-tracked guitars to thicken it up. Thanks!!!
the clean tone was effing spot on
I love it 😮
This was awesome. I was tapping the drum parts out on a cajon while listening to this video!
I would totally start a Nirvana Tribute band to play these with that tone
That’s sound really good bro
Man, 30 years ago I would have pissed myself with joy watching this shit, great work
AMAZING!!!
Big up from Italy
just sounds like a live show
great video, with some great playing. bravo
^This sounds great!
I would love to hear a full version of drain you. It just sounds so good in the bleach tone, especially the beginning without the pedal.
Would love to hear bleach songs in the sound of nevermind too! Awesome concept
In Drain you I absolutely love it! The bleach tone adds more power and twang which i like
You played that entire album in order and you played them very accurately to how they were recorded. I'm impressed and it sounded amazing. Now do bleach in the Nevermind tone.
One thing is that there is an A in the breed riff at the end wheras you’re playing it open, which didn’t come in until later. Kurt plays this note in the recorded version as well as in the 1991 concerts but later on ditched it and just played it open, so if you’re playing recorded versions or at least early versions in a bleach tone then you should include the a. I would also say that there are a few 1989 versions of these songs. Good video.
Thanks for the pointer!
Amazing catch haha
I’m amazed someone has the nuance for details to catch this, while still neglecting to bother capitalizing the A
@@Syclone0044 💀💀💀 that made me laugh ibr
nerd hahah
Dude, that was great!
*Smells Like Bleach Spirit*
Brilliant job mate
It would be interesting to see you take on how you’d expect nirvana to sound like if kurt was still around and the recorded a studio album in 94.
I just imagine what types effects he would have used or maybe there would be more acoustic numbers.
I think the only glimpse we have is you know you’re right and I think Do re mi which were both recorded on 94
I try not to think about that too often cause it bums me out to think about what could've been! Seeing his taste in distortion and effects change over time really makes you wonder what he would've used in 94 and on. If Nirvana ended in 91 or 92, I bet no one would think he'd use crazy chorus sounds like the polychorus but he did!
@@NirvanaGuitars what if he would have moved into delay pedals lol
I’m pretty sure his cover of And I Love Her was also from ‘94, wasn’t it?
Likely would’ve sounded a lot like REM
@@NirvanaGuitars I heard somewhere (and this might be incorrect information) but Kurt wanted a more orchestral sound for the next Nirvana (think the later years of the Beatles for a close comparison where it blends orchestral with rock music)
Nirvana used to be more sludge-oriented than their post-Nevermind stuff for sure; their first LP was essentially alt-metal meets Melvins.
This Harkins back to me learning how to play anything by them
This sounds really cool, especially 'Something in the Way' - even more like hard rock (if I'm not mistaken about the style), not grunge. I have another idea - to try what the heaviest songs would sound like if they had been played in MTV Unplugged.
god imagine endless nameless, milk it or radio friendly unit shifter unplugged
@@youdontneedtoknow7182 scentless apprentice
You matched the album tone really well
Yeah, it really gets me when Kurt screams "GADAALLAIII! MHGNAHANNGII!!" and similar opuses in Endless, Nameless.
Great stuff. You should make a video on Kurt's guitar feedback. Those were always brutal.
Killer tonee!! :O
My brain easily fills in the bass, drums, and vocals.
The thumbnail is just amazing
🌊👶🏻🎸
@@NirvanaGuitars Thats exactly it!!
When I saw this in my feed I was super excited being Bleach is my favorite Nirvana album, not much a fan of their other stuff cept for nostalgia purposes. With that said Im glad they didn't go to bleach route with their later stuff. I do hear how Kurt was just advancing as an artist. Great video
I liked in territorial pissings and lounge act stay away was good to also I really liked drain you keep up the good work you earned a sub
Breeds the only one that sounds like a Bleach song but it's all spot on
God that tone is awesome.
Love that you use the cobain Barr technique
When I first went into this I thought you meant Bleach tone as in Bleached Clean tone, but I'm still very happy with what I got.
nice tone, beautiful guitar!
Thank you!
man that was really good
Amazing! 😊
This is really cool
Wow this is amazing I love it
I thought Butch Vig claimed Kurt recorded Nevermind (or at least some of it) with a guitar just like that. Teen Spirit especially sounds so close to the album
Yeah it was the mosirite gospel
That was neat!
Bro your tone is fucking insane.
Swesome video 💪🏻 you play the songs very will 🙏🏻🤩🔥
Thank you so much!
9:00 It's so satisfying to jump into on a plain after playing stay away haha. So convenient that Kurt de-tuned in the recording so it flows perfectly aswell.