WHYYYYYYYYYYYYYY
ฝัง
- เผยแพร่เมื่อ 11 เม.ย. 2020
- "WHYYYYYYY" Supercut from one of the most infamous songs in all of Andrew Lloyd Webberdom - Gethsemene, from #JCS, Jesus Christ Superstar. Why? because he is risen (in that he can hit that high note [some of the time]). Yes, I know there was already a JCS supercut on TH-cam - it was time for a new one.
Jesus is coming out of his cave, and he's been doing just fine.
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You can group everyone in this video into 4 categories:
1. rock star tenors who kill it and put a crazy amount of emotion in
2. tenors who sound like air slowly being let out of a balloon
3. baritones who cant quite hit the note but still show the emotion
4. lin manuel miranda
Also John Legend was there for some reason.
@@nickrulez809765 At least he can sing at the range he did...
@@nickrulez809765 he was Jesus in the televised Jesus Christ Superstar. He did pretty good! Alice Cooper stole the show for me as King Herod
Knock #1 down for Japanese angel man with a perfect voice
What about the people who don't even attempt the note lol?
This is the meanest thing anyone has ever done to Lin Manuel Miranda
Some old dude shot a paintball into his mouth a couple years ago and got called Aaron Burr for it.
Why is Jesus dressed like an old timey sheriff in that production?
@@mixmastermind He's not a sheriff, he's a Holocaust victim
mixmastermind That version of JCS took was set around World War II during the subjugation of Jews in Prague. That’s a Star of David, not a sheriff’s star.
Funny, I was thinking it was the meanest thing he had done to us.
Lin: "Why should I try?"
Underrated comment
😭
This just broke me. Thank you for this.
Oh.
HAHAHAHAHAHAHAHAHAHA
Some singers: I'm gonna kill this part
Other singers: I'm gonna kill this part or die trying.
Lin Manuel Miranda: I cannot do this part and I see no reason why I should die trying.
It took me an embarrassingly long time to get this, and now that I do I have nothing but respect. Clever beans right here, these beans are clever
Lin: Screw it, I’m going to write my own musical where the historical title character’s story is told by the person who caused his death. And this time, I’ll actually be able to sing it
@@ezelfrancisco1349 If we're being 100% honest, he's only able to sing well in Hamilton because, with it being rap, there's a lot more songs which are pretty much just fast lyrics, meaning he doesn't need to focus on being able to sing notes well that much. Of course, that all breaks down in the slower and more emotional songs and those really show... he really doesn't know how to sing that well.
Full respect to him though. I can't sing either, but unlike him, I haven't written two musicals (three if you count 21 Chump Street).
I'd call that a slow death, though!
@@trickytreyperfected1482 5 if you include Moana and Mary Poppins, 6 if you include the upcoming little mermaid movie
"Hal . . . it's about Jesus"
OH MY GOD
Now that's what I call meta!
And we never discussed it again. *fade to black*
Hal . . . it’s about a rainbow coat.
”Hal... it’s about cats”
At first sight of Lin Manuel Miranda, I thought "Oh damn, is he about to hit that high note?"
0.4 seconds later: "No. No he is not."
He's a very talented performer, but he's not a good singer.
@@goose7371 Fortunately, he also became a much better singer as time went by. He's still not a brilliant singer or anything, but it's pretty decent at least. A bit nasal in tone, but way better than the the clip in this video. Check out "Cheering For Me Now by John Kander and Lin-Manuel Miranda" on TH-cam for a comparison.
Lin was like 19 when he was in JCS at Wesleyan and according to Lin himself puberty wasn't done with him yet (hence why he couldn't hit the high notes) he was 35 when he was in Hamilton, but check out Cheering For Me Now and you'll see a big difference in his vocal control (he has more vocal control and he's older as well, he was 38)
@@BurrShotHam711 Fair point, no one should have to be remembered for how they were at 19.
"Oh shit, Lin's gonna hit the high note.... Oh... Oh, he didn't even hit the lyrics."
"Why?", Dumbledore asked Harry calmly
Underrated comment.
Hate that this is the best joke here lmao
I literally burst out laughing loudly at this. Brilliant.
DID YOU PUT YOUR NAME IN THE GOBLET OF FIRE!?!?!?!?!?!?
@@TelestoTheBesto - ... IN THE GOBLET OF FIIIIIIIIIIIIIIIII
...re.
I need a super cut of all the Judas' screaming "JESUSSSSSSS!"
MY GOD YES
The 2000 version is my favorite. He screams for Jesus and in walks Jesus with surfer hair, cargo pants, and flip flops. Fucking iconic.
Please, this would be incredible
@@Sharpe1502 Judas: JESUUUUUUUUUUUUUUUS
Jesus:🧍
...This isn't quite as detailed analysis as most of Lindsay's videos. I hope she goes into more depth in part 2.
Timothy McLean I think she nailed it, everything that needs to has already been said.
Clearly you don't have a high enough IQ to understand the points made here.
I heard the studio's making her do a part 3.
S.L. The TH-cam Addict This joke is an underrated gem as someone who has seen the hobbit docu twice lol.
WHYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY?
Ah yes, there’s the Lindsay Ellis content I came for: two minutes of high-pitched screaming punctuated by Lin-Manuel Miranda sounding like a broken trombone.
She really threw him under the bus lmao
I mean the man is not a broadway legend for his virtuoso singing, that's for sure.
blumoon187 HAHAHAH!! True enough! He’s a writer for a reason 😂 There’s a good few here who really should never sing this, at least on the regular....I love me some Michael Ball but NOOOOOOPPPEE
I mean, I’m not complaining, but...
Why she gotta do our man Lin like that
Addison Cain: Lindsay Ellis is a menace!
Lin Manuel Miranda: First time?
OMG
ELLIS THE MENACE
I've seen this multiple times, yet never realised this was one of her videos....
Bwahaaaaa
Everyone: WHYYYY?
Camilo Sesto: PORQUÉEEEEE?
And Kamil Střihavka: JÁÁÁÁÁÁÁÁÁÁ TEĎ ZEMŘU!
WAAAAAAA PORQUEEEEEEEEEE
Logic, it's the Spanish version: Scream + ¿¡Por qué!?
@@ABYZClub sometimes logic is still funny
@@launder0 Yeah, I know. I understand that it's funny for English speakers because they think he screams 'Why + Por qué' (at least it may sound like that) but with my comment I'm just trying to explain that it's not that way. It's only a clarification of a Spanish speaker. 👍🏼
*Children in a store when you won't buy them their toy:*
Whhhyyyyyyyyyyyyyyyyyyyyyyy wont you buuuyyyyyyyyyyyyyyyy??
Everyone asks why is Jesus, no one asks how is Jesus
jesus is fake period
@@thesky3452 ok whatever he still loves you
@@thesky3452 not really, many history experts agree that Jesus was a real person
He s dead
@@slein1055 jesus was a real person but not the god son
I love that Lindsay was so sure that this video is what the world needed, that despite it having *nothing* to do with her usual content, she just kind of dropped this in the midst of all of her video essays.
And what I love even more is that she was right and we're all here for it lol
I fully didn't realize this was her video until reading this comment
This is the sort of things TH-camrs were able to do before TH-cam became a living
And she got over 1M views on this video. A legend.
This her "songs that stop at the word 'stop' supercut" video
Ian Gillan is actually insane. His use of vibrato that somehow starts creating more harmonics before doing a descending lick always amazes me.
He used his voice like an electric guitar, it's insane
That's a great description!
He’s awesome - he and John Farnham are the only two that could comfortably pull off Gethsemane. No need for falsetto, G5 was belted out in full chest voice by both. Both are aliens 😂
@@Dr_KAP And what about Ted? He was obviosly the best of all in my opinion. So much control in his chestvoice. Nobody can do hi bends as he did in 73 to this day.
@@gergelymartonffyclimbing not as good as John, he doesn’t quite have the same emotion but just my personal opinion
Putting Lin in there twice is like dragging two 7/11 clerks and throwing them into the Olympic 300 meter dash just to show exactly how inhumanly good everyone else is by comparison.
Olympic 300 meter dash??
It's such a mean thing to do but also incredibly funny
I am just facinated by the idea, is that jc/hamilton in the ghetto? SO MANY QUESTIONS
This reminds me of the idea that Olympics should have "For Fun" section where athletes who finish their competitions get to try out other sports, like 100 meter freestyle race between high jumpers and gymnasts. Just to compare how insanely good other athletes are
@@danielkim411 I'm going to guess that bad as they may be, high jumpers will still fare better at racing than the average person. Swimming though might produce some really amusing results.
She really lured us into a false sense of security with the first two.
@@faltarego Lol.
ok so I'm not the only one being assaulted
John Legend made a smart choice. It’s better to stick with your range and sound good than it is to try to hit a note that’s too high and butcher it.
He could've done the same as Colm Wilkinson. I think that was a much better choice. He doesn't risk butchering, bu he also doesn't let it fall flat
That’s also how the note is written in the original score
0:40 - me in the shower
0:48 - me in front of people
I thought this was part two of "Why 'Cats'?"
Because this is what I'm still wondering about "Cats".
Same composer, unironically (Andrew Lloyd Webber)
Same
Hal, it's about freakin CATS
God, why cats? Whyyyyyyyyy?!
Some mysteries may never be solved.
Dear TH-cam Algorithm:
Please stop putting this in “My Mix”. This is not a whole song and is in no way an appropriate follow up to “September”.
I'm sorry, but the idea of this video casually popping up in the middle of a playlist with actual music is so hilarious to me lol
Legitimately cackling at this.
There could be nothing more appropriate.
What're you talking about!? I always remember to add this to my music playlist. I can't think of a better song to come after "country roads."
Now that I think about it, it does kinda fit after September
Mad respect to John Legend for just being like "Nah".
Apparently he blew his voice out singing the right note during dress rehearsal before the live recording?
@@bondfall0072where’d you here this?
You know... Knowing that the high note isn't part of the original writing for the song, and was just an ad-lib from Ian Gillain, I feel like it fits the song much better. It's this plaintive scream for reason, a man literally begging his god and his father for some explanation of why he's doomed him to suffer and die, and that's really powerful
Edit: It's Ian Gillain, not Ted Neely. My bad
The original adlib sounds really influenced by rock/metal of the 70s which is a cool influence bc it's not traditionally 'theater'
Also, when Ian Gillian does it, it sounds really effortless and loose, and the others make it sound really strained, bombastic and "you should start clapping now!".
@@kathrinapayton2911 I find it kind of funny to say "influence" when the singer is Ian Gillan. He was everything good about the hard rock singers of that time.
@@FernieCanto for my ears, what really makes Gillan sound like something else then the others is how he falls from the high Why to the following low notes. His low voice is so full and colorful.
I mean.. "low"... lower than before. Still not LOW, but I guess you get me.
I feel like this is preparing us for the next “Hal it’s about Cats”
Hal, it's about Jesus.
Ya're a furry, Hal
WHYYYYYYYYYYYYYYYY do you think that?
Hey Hal, *raises fist* Jesus man.
“SeE how I glitter”
"It started out with a kiss; how did it end up like this? It was only a kiss..." - the Disciples after Judas betrayed Jesus, probably
HAHAHAHA
N K it’s Easter....Jesus has opened up his eager eyes...
Cause he’s Mr. Brightside
Edit: not that I believe in this stuff...
"I've got soul, but I'm not a soldier." - Jesus
Gotta, gotta be down, because I want it all!....um, I don't know who says this. The Devil?
Buddy's having a smoke, and she's taking a drag--okay, this time Judas is saying this about Jesus.
Andrew Lloyd Webber: Torturing tenors since 1970
He and Stephen Sondheim could start a club
That's nothing compared to what he does to sopranoes.
@@margosollazzo2202 True! Patti LuPone herself said she thought the Evita score must have been written by someone who hates women
And torturing people with taste for just as long.
Andrew Lloyd Webber's musicals are blatant alto, bass, and baritone erasure /j
I didn’t know what this was from and very rashly typed “why should I die” into google and got a suicide hotline. So I guess google is working.
You’ve probably figured it out by now but it’s from the song Gethsemane from the musical Jesus Christ Superstar
did the exact same thing :(
It's ... In the video description tho.
@@l.n.3372 well clearly I didn’t look there
@@l.n.3372 also you liked your own comment
Fun fact: This is also the sound most people make when stepping barefoot on a lego.
happychaosofthenorth to be fair, we do all think death is upon us when then that happens. WHYYYYYYYYYYYYYYYYYDIEEEEEEEYIYIYIYI!
Framing!
🤣🤣🤣 I just had the best falling-over-can't-catch-my-breath-still-giggling-several-minutes-later laugh I've had in years!
Yes, indeed. That is also why my daugther's room is mostly a dead zone. Sometimes it just cannot be avoided to enter it...but never without shoes.
😂😂😂
I love how Camilo Sesto does the English "WHYYYYY" and then the Spanish "POR QUEEEEEE". Pretty dope.
He also sounds like he goes higher than a lot of the others! So cool.
Oh yes oh yes!
Camilo doesn't say "Why" it's just a scream (Aaahh! or Waaah!). That's all.
@@lily5291 I think it's because "por qué" doesn't let you go as high as "why", because of the way the vocals are pronounced.
@@ABYZClub For many years I agreed on your comment, but now, I kinda hear the 'why' in the scream, at least in the live perfomances.
Yo never thought I would see my man Camilo Sesto on this channel. His voice was as powerful as his songs corny, what a legend.
Sentí un raro caso de orgullo ajeno al verlo xD
@@nerdalotdulac8552 Jaja exacto!
Michael Ball and Michael Crawford sound almost exactly the same.
They even sort of looked alike in those particular performances!
"WHYYYYYYYYYYYY IS CATS?" -Lindsay Ellis
😂😂😂 I love this omg
Hal, it’s about cats
McCavityyyyyyyyyyyyyy
#releasethebuttholecut
Fun fact: Ian Gillan (the original singer for the concept album) actually improvised that note. He came in for a few hours just to get the album done and did that note just for shits and giggles. And everyone hasn’t been able to do it since lmao
I'd argue that no one in theater has been able to recreate it because fundamentally Ian Gillian is a rock / metal singer and wasn't doing theater.
If you got another rock or metal singer up there like Rob Halford, Tony Martin, Kim Peterson, or even Don Dokken, they'd very well beable to recreate that note.
That Guy I want nothing more than to hear Hansi Kursch hit that note with five other vocal tracks of him harmonizing with himself
Nobody does it better than Neeley, more Jesus than the original Jesus
I would say I disagree but I'm not a vocal expert. I'd say about half of those guys were pretty damn awesome
@@skeetsmcgrew3282 A lot of these are great, some are pretty awesome, but they're not even singing the same note as Ian Gillan, also the tone & vibrato on that top note by Gillan are next-level, IMHO. That part is subjective, though.
The Gethsemane Scream is so interesting because it’s an example of how flexible of a show JSC is. You can do the scream so many ways to match your range best.
For example, Ted Neely and Ian Gillian are more rock tenors and are able to hit the note with an aggressive shouty texture. Gillian even goes a bit sharp to emphasis the pain of the character.
Steve Balsamo has a more extensive 3 and a half octave range and a more lyrical, pretty sounding tone, so his high notes sound more easy and light!
Then you have John Farnham and Colm Wilkinson, who have powerful mixed high notes, though their falsetto or head voices may be a bit weaker, so they chose to belt the highest note they can in their mixed or chest voice, creating a very powerful sound!
Similarly, Billy Porter at this point has a strong mixed/head voice and while he likely wasn’t able to hit the high G, his modification to a high F is still powerful and suits his vocal capabilities at that point in time!
Michael Crawford, Michael Ball and John Legend are all Baritones and were likely unable to hit the high G in mix or falsetto, so they chose to sing the line as written originally. John Legend himself is interesting as he has a lovely falsetto sound, but the lightness of it likely wasn’t suited for that particular line. He even goes to the high G later on through modified vowels and placement near the climax of the piece, which suited that particular moment much better!
In regards to Lin, keep in mind that he was a freshman in college at this point and likely didn’t have the amount of training and experience he has now. Lin has improved significantly since this show and I’d like to think he could pull this song off much better nowadays! Plus if he was the lead in one of his first shows, it shows the talent that he possessed at the time.
Anyways this was longer than expected. But I found it interesting how different vocal types can modify this song to fit their different styles!
Underrated comment. Your defense for Lin is a breath of fresh air, as is your consideration and appreciation of the different approaches.
also the 1:11/1:12 note change from Alirio Netto... a masterpiece. chef's kiss
Good analysis! Steve Balsamo is personally my favourite Jesus. I just love his high notes.
Billy Porter's didnt sound good to my ear. It really feels like a flat tone - even if that's a perfect F, I didn't check, I'm just saying how it feels.
Wilkinson is my favorite among the ones that don't go up that high G. While I understand the choice of the baritones, I think it sounds very unsatisfying, it takes away a lot of the emotion.
Anyway, good analysis!
What did you think of Park Eun Tae, he was my favorite, it was so damn clean
Michael Crawford and Michael Ball are the same person. There's no way to people who look exactly the same and have the exact same voice sing the same damn song in the same damn way.
And have the same (first) name lmao
@Phasmania Maybe he got married to Ms.Ball when he sang the the second part.
All the same thing.
I strangely love Colm Wilkinson's "why". Despite not being able to reach that note, he still gives the "why" emphasis in his own range, like many of the others should've done imo.
I agree - he was one of my favorites actually.
I agree and if you look a music Sheet of the song, he is actually following it perfectly.
The high-pitched "Why" was a choice made by Ian Guillan when he was recording the original album. He knew he could easily do it and with emotion felt like it deserved a high pitched note.
Remembering he is the lead of Deep Purple, so there are many examples of how he can make these high pitched sections.
I feel the same...
It sounds great, my favourite on the list ... I guess if you can't do that rock n' roll wail, making it powerful in your own way is the _best_ choice
Yeah really, unless you're good/naturally inclined enough to hit those super fucking high falsettos with absolute PINPOINT ACCURACY, that is the route you should always take.
But sadly, doing that does kind of jibe with the way the music was originally intended to be sung. Its supposed to be emulating the now-classic rock acts of the day - Led Zepplin being a perfect example - long haired bearded dudes who filled up massive stadiums with their -followers- fans who came from all over to hear & see them -deliver- play their -sermon- music live on -the mount- stage, who (often) fell victim to petty infighting within their -apostles- band, leading (in many cases) to the death of the -messiah/son of God- lead singer.
EVERYONE ELSE: WHYYYYYYYYYYYYYYYYYYYYYyyyyyYYYYYYYYyyyyyYYYYYYYYyyYYyyyYyyyYYyyYYyyyYyyYYyYYY
LIN-MANUEL MIRANDA: Why. I. Should. Die.
Sometimes it's better to not try.
@@LaurasBookBlog not this time :/
Wasn't he a kid when he did that?
@@liam1558 Yee, the original video says he was a freshman at the time
@@liam1558 Undergrad at Wesleyan, apparently. And undergrad at drama school is where ALL the worst decisions happen.
After watching this several dozen times, I've decided that hitting the note isn't enough if you can't put some rock n roll stank on it. It needs that vibrato and anger to really hit home, otherwise it's just an air raid siren.
ian started the legend, ted made it better somehow, park euntae sent it to fuckin heaven, john and colm both knew their limits, and lin did his best and were all proud of him
Colm sounded so beautiful too!
No we are not
I feel like Colm's skilled restraint might go unnoticed. He picked a reasonable octave and executed it well, even if it isn't the dynamo performance we see from Lin Manuel Miranda.
I do feel that Colm Wilkinson did well considering the fact that he's not the type to do something that could result in his voice being demolished. Due to this restraint, he probably didn't want his signature angellic voice to be ruined by screaming a note out.
Of course I love the octave jump but when Colm sang my jaw dropped. So well-executed and emotional. I love him
Colm was giving me Ronnie James Dio energy with that delivery and I'm here for it
Also, this is an older Colm. Back in the day, I'm 100% sure he could go for the octave jump.
No ur so right, I loved his
You have the people who really go for it, and then you have the people who just kind of don’t.
Yeah this vid really came for Lin Manuel Miranda.
Lilette its a shame that they keep casting people who just. cannot hit that note lol
seriously no in between lol
I prefer it that way, they know they can't no point in going for it lol
Do you blame them if they just can't?
2:03 that growl he added goes so hard, wow
Watch the entire Camilo Sesto version of the song. He goes hard af, 1000%
I don't know whyyyyyyyyyyy Steve Balsamo isn't more credited in the comments. The way he transitions IN and mostly OUT of the perfect high note is so clean.
I'm so sad i seem the only one to rate his performance far above all others
He’s one of my favorite ones in this compilation too
0:40 - I was inspired
0:47 - Sad and tired
The performance took 3 minutes. Felt like 90
Watch me die
This comment is so underrated lmaooo
I can't believe I scrolled past this comment like fifty times (I come back to this video a lot, okay) and only got it now :D
This comment is everything
Me, reading all the mean comments about Lin: HE DOESN'T DESERVE THIS
Me, after hearing his clip again: maybe he does
@@mrrobotvoice8321 Don't be a fanboi cause that one clip is statement enough. BTW I did.
Mr robot voice There is no need lol come on!
Tbf, that was apparently a High School performance.
Still, not a great one.
Mr robot voice You’re right, you can fully appreciate how funny it is in full.
@@jazzycat8917 I feel we have to have this conversation at some point: Lin isn't a great singer, he's a great writter, but he's definitely not a singer
billy porter’s sounds really good even if it’s not the same note, I like it more than a lot of the others
It takes talent to adjust something for your range and make it not just an acceptable substitute, but iconic.
Im starting to think that he doesnt want to die
“Whyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy should I die??????!!!” *Repeat with various voices of varying quality and skill*
Dr ORRB thanks, I needed the cliff notes
Oh thanks I was looking for the lyrics.
And lin sit right at the bottom the trash bottom
This April Fools joke was suspended or delayed due to the Coronavirus.
i think this is an Easter joke
I think your avatar is screaming too.
April Fools died for our sins
@@smallseal17 And apparently rose again on Easter day.
@@ellaprice9657
Sure it is.
...OR IS IT?
i think billy porter did the best job of making it sound good while simultaneously showing the most emotion
and you'd be wrong
@@Dualis58nope
Alirio netto is literally perfection. I could listen that note for years on repeat
Fun fact here, that high G isn't actually in the play's score, Ian Gillan just improvised it when they recorded the concept album, and most actors have simply copied him ever since. So while it is disappointing that John Legend didn't hit it during his performance, he was actually singing the song as written.
Out of curiosity: source?
@@merrinh123 google "Jesus Christ Superstar score". It's around page 105
@@griffinhan-lalime4357 thank you
nevertheless, the generally accepted note takes precedence over the originally written one.
@@johngablesmith4671 Oh I agree, not only because it's the generally accepted version, but I also think the falsetto note sounds better. Just wanted to point out that hitting a treble C instead of the falsetto note is a correct way to sing it, even if the falsetto is generally preferred.
I almost have to give more credit to John Legend on this one. He knows fully he can't hit that note, so he goes for something that still sounds good. Better than going for it and sounding like a dying toucan.
He actually did hit it during the final dress of JCSLive and blew out his voice because of it. My friend was at the rehearsal and was blow away, and I ended up at the live taping where he unfortunately couldn’t hit it :/
I wish we got him hitting that note recorded. That would be FIRE.
I mean he did tried to do so but it didn't turned out well, but most of the time he was trying to be on his comfort zone an singing it as he knew he could, wich I respected
There's a video of Sebastian Bach going for the note that doesn't end well. Believe me, if Legend wasn't fully comfortable, he made the right call
That high note wasn’t in the original score either. From my understanding, the original actor ad-libed that section and it just made the song into a testament of range (or belting ability).
Gotta love the czech version at 1:52 - it just says "imma die now" XD
I didn’t realise it was Czech and just wondered by he was singing “Yeah, yeah, the deception!”
I have a rule, whenever this video is recommended, I watch it.
Why?
Lindsay Ellis: *makes deeply insightful essays about film, pop culture, feminism and society while also being really engaging, funny, and informative and making me look at things in a different way*
Also Lindsay Ellis: *compilation of dudes breaking the sound barrier and killing their vocal chords in the name of musical theatre*
Making that sound doesn't really hurt. Not sure if it's destroying the vocal chords
This is a balance I'm looking for right now. Went from hearing my family rant about the news to this and opened it without context, totally worth it. Long live this channel.
It's Easter
But WHYYYYYY
@@Talisguy Plus Ian Gillan literally blew out his vocal cords pulling high notes like this without taking care of himself.
the cast losing their shit over ted neely is so wholesome
i have never seen this musical
It's a god-tier musical
@@masarusenpai1952 ba-dum TSSSSSSSSSSSSHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
I know this is an old comment, but if I remember correctly he was sick that night. If you watch the full video of that performance they should how much of the cast is just watching and their reactions. It's really great.
It was a combination of things:
It was his "last" performance in the role that he made famous. He was the first stage Jesus in this musical, and the one in the motion picture. (Ian Gillan was technically the first, on the album.) Ted had been sick all night and wasn't sure he could hit that note that night, but braved it all to not disappoint everyone. He had been so nice and supportive to all the rest of the cast (who were in a bit of awe doing the musical with the guy who did it all throughout the 70s and 80s, and was the definitive Jesus.)
So yeah, it was emotional on a ton of levels... and then he hit that note, with that vibrato, on top of it being such an emotionally charged, iconic number... it was just huge, emotionally... and continues to be.
@@mattlufcy1254 so it’d be like - if you were in a production of My Fair Lady alongside Julie Andrews and she somehow got her beautiful singing voice back
Underrated, but Alirio Netto deserves props for keeping that texture through out the whole phrase.
No footage of Jesus singing this? The Gospel of Matthew describes his falsetto as "pretty good".
Even Caiaphas says Jesus is cool.
Me before hitting play: They're all great in their own ways.
Me after the video ends: Well, some of them, at least.
WHYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY *coughs blood*
Honestly, I feel kinda awful (as a trash goblin with terrible taste) that my main response to this video was "fuck I need to watch this again." I'll always have a soft spot for Neely's performance, because the fever dream that was the original movie was a fundamental part of my childhood, but I was surprised how many of them weren't the worst thing ever.
And then, of course, there was Lin. Dear, darling, poor Lin.
try Sebastian bachs, you will be dissapointed
Not gonna lie, I probably didn’t know a good chunk of these singers until now. I also kept repeating Camilio Sesto’s version because of not only switching keys but also languages!
High why to low porque! Whoa!
I felt personally victimised by that Lin Manuel clip
Kor O'Connell I’m crying and it won’t stop!!
If you don't have the range WhYyYyYyYyY?
@@Gee-xb7rt I'll give it to him for throwing his entire self into it, he knows he doesn't have the range.
@@mystical5868 I am kind of done with guys getting away with "soulful" voices. Madonna doing Evita was at least in tune and she got dragged. I guess Buddy Eyelash could get away with destroying Rainbow High in 2020 though, everyone is the same at the bottom.
As one should
I think my favorite is Steve Balsamo, the second guy, partially because he does that admittedly pretty Amazing zoom out but also because I know he does a ridiculously long high note later in the song too. In the studio version at least. It just goes on forever...
So glad I’ve found another person who loves Steve Balsamo. He’s my absolute favourite. His performance of Gethsemane is really something else.
Why is no one else talking about him?
Everyone's talking about how Lin Manuel Miranda is an alto but like John Legend pulled it off
actually, Lin is a tenor
for those of us who like timestamps:
ben forster: 0:00
steve balsamo: 0:08
ted neely: 0:14, 0:27
nick cartell: 0:18
john legend: 0:22
john farnham: 0:37
park eun tae: 0:40
lin manuel miranda: 0:47, 2:27
john arthur green: 0:53
heath saunders: 0:57
evan tyrone martin: 1:01
mark seibert: 1:06
alirio netto: 1:10
billy porter: 1:17
michael crawford: 1:27
michael ball: 1:32
colm wilkinson: 1:36
václav noid bárta: 1:42
kamil střihayka: 1:52
aaron lavigne: 1:57
camilio sesto: 2:03
paul nolan: 2:10
ian gillian: 2:17
glenn carter: 2:24
jimmy barnes: 2:33
i really enjoyed this compilation of grown men cosplaying jesus and wailing
Crawford was cosplaying the "Llllllllet's get ready to Rumbllllllllllllllllllllllllllllllllllle!" guy (Michael Buffer)
@@charlesheld3082 you have a fair point!
I thought Park’s was the best.
Camilo Sesto and Ian Gillan are the best
Edit: And the last guy of course
I was never interested in JCS, hadn't even heard this bit before and was absolutly awed by Park Eun Tae. Thanks to you, I can now look him up without trying to figure out the korean alphabet.
*How I explain Lindsay: yeah you should really watch Lindsay Ellis, she’s a deeply analytical film essayist who balances being really conscious and reflective with humor and occasional drunkeness and just really loves film and knows her stuff*
*What my confused friend sees:*
This^
Exactly.
You did say drunkenness so....
This to a T
She used to be Nostalgia Chick so...
Vaclav Noid 1:43 and Camilio Sesto 2:04 are the best embodiments I feel. Not necessarily the best singers but they really hit the midlife crisis vibes. You can just tell they’re in some shit
Comilio Sesto sounds terrible wtf?
@Dualis58 yeah but it's not always about what sounds good musically. I think Sesto really embodies the emotional tone. He sounds like he's just had an absolute day and now he has to die a horrible death just so his dad can prove a point.
@@ef1876 you can have emotionality without sounding like garbage
@@Dualis58 listen to the full original, Camilo Sesto is one of the best singers in here lmao
This is what I listen to during period pain. Really helps me express what I'm going through.
2:27
Someone call the police. Lin Manuel Miranda just got murdered twice
It was self defense though.
He was the police.
The worst part wasn't even getting absolutely dunked on by the one before it... it was the piercing cough during the first one. It made it *that* much more hilariously disrespectful to the effort.
I haven't seen Hamilton, and never will, but it does seem to prove one of the criticisms I heard (from Cody Johnston, Even More News). (Paraphrased) The show was filled with wonderful singers, apart from the lead who sounded really weak, but he wrote the thing and so I guess he was bound to give himself the choicest part.
@@MaliYojez apparently he wanted to play Aaron Burr but that fell through for some reason? So, he ended up being the lead. Which, by the way, I am so thankful for. I can't imagine "Wait for It" having the same impact if he sang it.
I've watched the second Ted Neely clip about 100 times now, and I still get unreasonably happy when I see his castmates freaking out offstage.
hey how does the lady you live with feel about JC Superstar
Yeah I saw him live around this time too and despite his age, he still ate that note up.
He only does the Gethsemane song live, no rehearsal, pure from memory
Which one is that?
I think it is cool that his voice has clearly aged, but that age actually makes it sound a lot cooler.
49.9 % of the singers: Belting beautifully in a falsetto voice
49.9 % of the other singers: Yeah, I’m not hurting my voice.
Colm Wilkinson: Belting awesomely in his usual range
Lin Manuel Miranda: As if sandpaper was pitch-corrected
Ian Gillan so absolutely destroyed this. Not as clean or perfect as some of the others but so characterful and well measured out.
What if we compile all these clips so that everyone starts singing "WHY" at the same time. I would willingly subject myself to that torture.
I didn't know I wanted that.
++
Yes
+
+
"Why should I die" should be my catchphrase every time I go into my job in a retail store that for some reason, still will not close.
The rule of thumb is, if your lungs are still in good enough condition to sing this, you're probably still good.
As Jesus Christ our lord and savior taught us, making money is the most important thing
z beeblebrox supply side jesus
Camilo Sesto became SO famous doing this musical, like life-long recognition.
I can't stop listening to that Ian Gillan clip, that overtone that he achieves is astonishing
Ian originated, Ted perfected, Billy KILLED it, and Lin was doing his best.
Too bad it wasn’t enough
I’m lin
His best wasn't good enough.
Totally agree, and while I know people will hate me: I love Ben, too... ¯\_(ツ)_/¯
@@ef1876 hi lin
What I found the tiniest bit humorous is that both Michael Crawford and Michael Ball not only looked like each other but sang it the very exact same way
I feel like what’s missing from most of these newer performances are the gritty/scream part of the “whyyy”, it’s what makes it so classic rock style
Is no one going to talk about Ben? He did such a great job!
Me to my friends: Lindsay Ellis is a very smart channel that teaches a lot.
Lindsay Ellis:
Proves you right? I don't see the joke.
Whhhhhyyyyyyyyy!
Me: Oh great, a new Lindsay Ellis video to watch while I fold laundry!
Lindsay Ellis:
WHHHHHHHHHYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY
The notification on my phone said "Lindsay Ellis: WHYYYYYYYYYYYY" And I automatically clicked
Same.
Me three
Me too 😂
Yuuuuuup
Hahaha same here. Didn't even think about it
Everyone: Absolutely nailing it!
Lin: 0:47….. you’re doing great sweetie.
I'd love to hear Jeff Blim from Starkid hit the high note. I bet he could do it
OMG YESSS
Their ranges go higher than my hopes and dreams for the future.
Tragically true statement.
That's not that hard
0:47
Idk, Miranda’s is pretty accurate for me.
If you can't get your _hopes_ up, then you're not even trying.
@@alex_evstyugov It's mostly a meme. Misery as comedy. :3
For anyone who cares, the Korean singer at 0:40 is Park Eun-Tae.
Thank you! His name was escaping me!
LOL the Korean captions say 'I do not know Korean' omg
His voice is heavenly and he is BEAUTIFUL
Thank you
I was like, yeah, how did she put it in? Then I went a looked -- turned out my Korean lessons are paying off and it just didn't register in my brain that she showed his name in Hangul.
tbh the ones that give it the emphasis and emotion in lower ranges sound way better than the ones that hit the nice clean pure falsetto note, it needs that crunch
What I love is the fact ALW has said many times he never intended for the note to be that high but someone did it and now everyone since has taken it as a challenge.
This is one of my favorite things about this musical that I already adore lmao
I feel like even though Colm Wilkinson couldn't hit the note he was still the only one who couldn't that still tried to put as much power as he could into that moment.
???
And *that* is why we never take the name of Colm Wilkinson in vain.
It would have been to protect his voice as well. He's my favourite.
Wilkinson’s was great. He obviously couldn’t hit the note but instead of chickening out he just changed it into something unique but still really powerful.
He’s a national treasure here in Ireland :)
He slayed the role of Judas though th-cam.com/video/WK9DYdPPIbE/w-d-xo.html
respect to john legend for thinking about that note and being like "you know what? WHY. my vocal cords don't need that struggle. i'm good fam."
Is that seriously a Powerpuff Girls OC
bruh
He thought about that note and was like "You know what? Why should I die?"
@@Gio_Panda underrated comment
@@robina.c.6380 I appreciate your appreciation.
I've heard he can hit the high note, he just damaged his voice doing it in a performance earlier so chilled out.
not gonna lie, I totally read that as "WRYYYYYYY" at first. pretty much the same energy though
you know something I noticed (in the song's full version) for john legend's it's that he just removes the emphasis that would be "Why" and keeps the build up going to "See how I Die" a bit later right when the music changes tempo again. He doesn't exactly hit it well still but it makes the song, as they say, hit different.
Only the 70's versions got the idea that the falsetto should turn into a sob, the modern ones are just going for the note instead of the feel. Which makes sense with how music changed, but, you know, me don't like it and I need to share that.
Billy Porter did a good job
And some of them are so oddly delivered. As much as I love Lin Manuel Miranda... what was that?!
@@tigamaki1345 I think we're missing a slow change in how the song is played. X is copying the changes that Y did based on changes that Z did and so on.
The original is extremely 70's, it makes total sense that it would adapt to later sensibilities or disappear. Even Webber changed how he did songs after that era.
I agree. When I was taking vocal lessons, my teacher would often tell me that I should try to hit the note, but keep in mind that I'm also trying to tell a story through the song. Nobody comes to see a perfect technical display without any emotion. That would defeat the purpose.
Really? Aaron LaVigne legit sounded like he was about to cry!
I can’t tell if this a late April Fool’s joke, a plug for Musicalsplaining or a celebration of Easter.
Or lockdown induced existential angst.
All of the above?
I just assume she's high on 420 month
Yes
I assumed it was a commentary on the state of the world.
the fact that you made an entire video about that one word being sung is so funny to me but thank you because i LOVE this musical
I typed in "why youtube" when youtube recommended me have a tarot card reading for "tarot day" and this came up. much better.
1. Watching Ted Neely nail this twice 33 years apart is really the best
2. Holy shit I did not know there was any footage of Ian Gillan singing any part of JCS, that was rad to see
Agreed on the Ian Gillan - that was superb. Love the approach and the wild, wammy-bar vibrato at the top. He was the genuine article. (But plenty of others were great, too.)
@@leomdk939 Ian is alive and well!
@@leomdk939 Everyone is imitating Gillan :D (Except for John Legend and Lin Manuel Miranda xD)
@Sean Wilkinson he's actually managed it pretty well in videos since then.. i heard that was just a bad week for him
Neely in 2006: I do not need! A microphone! My voice is fucking! POWERFUL!
Watching supercuts of high notes feels like eating only the marshmallows from lucky charms.
Ian killed it, this was low key made for heavy metal vocalists
Everyone: WwWwWwHhHhHhHhHhHhYyYyYyYyYyYyYyYYYYYYYYYYYYYYYY
LMM: hwhy? 😢