Sviatoslav Richter - Beethoven - Piano Sonata No 1 in F minor, Op 2
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Ludwig van Beethoven
Piano Sonata No 1 in F minor, Op 2
Sviatoslav Richter, piano - เพลง
A brilliant performance. Honest and direct, without unnecessary frills. A monster pianist!
1. Allegro : 0:07
2. Adagio : 5:54
3. Menuet + trio : 10:30
4. Prestissimo : 14:17
thanks, 谢谢, gracias
Thank you
Richter has always been my favourite pianist and this sonata is absolutely amazing !
What a fantastic opening, with Richter rubbing his hands, looking unimpressed at the late comers to concert, and then launching into his wonderful performance without waiting for them to settle. He certainly came to play!
Seemed more like he was getting his fingers ready without making it obvious lol
A great performance nonetheless
@@hauscchildt6418 Maybe so, but he sure doesn't give the late crowd time to get to their seats. and that sudden head turn and stare :)
First Movement - 0:05
Second Movement - 5:53
Third Movement - 10:30
Fourth Movement - 14:18
A conceptual power bordering on the demonic. I treasure the few times I actually heard him live.
Envy you
@@pro...7051
Зависть - смертный грех во всех религиях, да и атеисты её не жалуют.
Впрочем, поклонение кумирам также не приветствуется.
@@user-su5ry8cj2p это фигура речи такая, а не в буквальном смысле я сижу и кумиров себе леплю, однако😂
Разве что искры не летят от энергии и невероятной силы таланта. Полевая самоотдача и погружение в музыку!
А у других пианистов разве не так?
Как вы видите разницу?
@@annaheart7731 я про Рихтера и про данное видео только)
@@alexustas2203 Ясно. :)
Я лично вижу некоторую субъективную разницу, когда разные пианисты играют какое-то одно любимое мной произведение, которое я уже сама сто раз прочувствовала чуть ли не каждую ноту (ну в меру своих возможностей - я не музыкант). Тогда вижу, что этот играет быстро, и вообще не вызывает эмоций, например, а этот именно задевает все струны моей души.
Но есть и какие-то субъективные критерии, по которым выделяют какого-то пианиста, и который становится "звездой". Вот Рихтера, например, наш преподаватель по музыке, сама концертный исполнитель, выделяет как-то особенно.
Обожаю эту сонату! РИХТЕР --Величайший Музыкант!
В 4 части наш дух захватывает.Так как играл Рихтер не сыграет никто и никогда.
Слушаю перед экзаменом...
mein persönlicher Favorit, in diesem Fall wegen seiner Musikalität und Leidenschaft
Бетховен и Рихтер гении.! До слёз
Мысль свежая.
He was the best pianist of the XX century in too many concepts.
Absolument
Absolutely
The emperor of pianists
Best Beethoven playing and best sound: both direkt and without "effects" or artificial "affects", but sincere. The last part is pure love expression/experience through music.
Я не решусь комментировать что-либо.Просто Спасибо за возможность слушать прекрасную музыку в исполнении величайшего Мастера.
Гений❤
An object lesson in music making, pure and simple... that night, Richter was playing for himself... the audience just happened to be there.
4th movement: 14:18
Thanks
Damn that’s fast
Yes!
Просто великолепно
Amazing!My favorite pianist
What a wonderful performance. And the fourth movement was absolutely exhilarating!
Oooh - I am glad you like his rendering of the fourth movement, I was looking for someone who would play it slower than normally heard, but Sviatoslav Richter actually plays it much faster than most. I like it slower.
What an incredible technique!!
гениально! Спасибо за видео1
Fantastico Sviatoslav, ha ripreso il movimento finale... Gli piaceva troppo!!!! 🤣 🤣 🤣 Pianista straordinario
Т.е., он бисировал, не дожидаясь, пока публика попросит?
Лихо!
I begin to understand why his famous teacher Heinrich Neuhaus claimed there’s nothing he could teach to his most talented pupil Sviatoslav Richter.
This man touch embodies music itself, this is pure unadulterated music ladies and gentlemen, speaking to us through Richter’s physical body, Richter at its best. How can you teach anything about music when music itself is speaking to you through your pupil?
I agree, but we also have to take into consideration that when someone called him the greatest pianist in the world he claimed that if he was, Sofronitsky is God!
There is always something worthwhile in Richter playing Beethoven, even if you prefer the interpretation of others in a particular work. He is never to be discarded from the top guns in this repertoire. I personally often prefer Kempff in Beethoven but...they are both beyond praise.
do you know Gulda? :)
4th movement... awesome!!! LVB was a metalhead
Я ищу слово,чтобы описать музыку и игру!
Это гениально!
Marvelous performance!
Давно на экзамене я решил финал сыграть "под Рихтера". Так мне потом устроили головомойку : " Ты зачем так насиловал инструмент? Под Рихтера решил закосить?" ))) Влепили четвёрку)))
Это было 110% правильное решение! Если на слух узнали под кого "решил закосить" значит сходство однозначно имело место быть👍
@@user-xn1uq1vp1ywhy do people think Richter pretend to be some way? Sorry I don't speak Russian if I misunderstand, thank you
Оказывается Рихтер насиловал инструмент. И ему поставили четверку😂
Richter is a phenomenon from Bach to Prokofiev, nonetheless I prefer players like Serkin ,Arrau or Kempff playing Beethoven, bud as I said, there's nothing to criticize on him, it is only a matter of individual taste
Nadie ha hecho ni hace actualmente la 23 (appassionata) como Richter la hizo (ni siquiera Gilels). Beethoven revive cada vez que suenan esas grabaciones de los '50 en Praga.
@@timothystemm6358 Hello Timothy. As i said this is a matter of taste. I do prefer the master of singing or old school such players as Alfred Cortot, Horowitz,Serkin or Arrau for instance. This russian school with these players such as Gielels, Rostropovich, Richter for instance were rather looking for perfection and power and not to make their instruments sing as their first priority. That´s why i prefer this op. 2 nr 1 with Serkin who plays very calm and noble , you can also feel the same when you hear the Pathetique with Claudio Arrau or the Apassionata with Horowitz. Nontheless i must say that to me is the best version of the sonatas played by Gulda back in the sixties . I do preffer anayway the old school mostly with musicians like Casals, Cortot, Rubinstein or these 3 master born in 1903 : Horowitz, Arrau and Serkin. I won´t never criticize Richter because i don't really know nothing bad played by him and as i said, this is only my personal conection to the other players.
@@franciscosanchezcabrera2157 Thank you!
Bravo
Прекрасно！
I have a sense that Richter is a bit angry at the audience. Still, he superbly concentrates on the music.
He clearly takes it out on them in the finale!!
Зол на публику???
Он - обслуга.
Публика платит деньги и заказывает музыку.
Я, правда, на халяву слушаю. Кроме благодарности, ничем отплатить не могу.
Но публика в зале - в своём праве.
@@user-su5ry8cj2p I don’t think angry, but he was slightly bothered at the beginning, I think it’s because they were making noise.
U alive?
para mí es el mejor pianista.
sfido chiunque a confrontare il prestissimo con qualsiasi altro pianista: non c'è competizione. Richter immenso
Браво, великий Рихтер !
Stunning performance. He brings an unsurpassed energy and vitality. I heard the slips cited by others here but IMO they make him human.
Please give me little slips over a sterile performance.
He is a musical genius who happened to be a pianist.
Always superb.
Hear the words of Ludwig van Beethoven!
,,Eine falsche Note zu spielen ist unwichtig. Ohne Leidenschaft zu spielen ist unverzeihlich!"
Bravo!!!!!!👏👏👏👏👏👏👏👏
I. Allegro
II. Adagio
III. Menuetto
IV. Prestissimo
Великолепно!
Что-то совершенно невероятное звучит...
Святославе,дякую.Слухати таку музику- щастя усім:виконавцю і слухачам.Спасибі.
Не за что, Ирына. Он, часом, не украинец, как все великие деятели?
btr152. В Вашем комментарии всё «величие» ваше.
@@btr152 Из Одессы. В точку попали!
@@NikNik-en5el Одесса основана русскими.
II. 05:54
III. 10:29
IV. 14:18
How he Played the last movement!!!! 😵😵😵😱
An excellent rendition. Almost as good as mine! Seriously, I've just started playing the first movement of this sonata, and my teacher wants me to aim for the "correct" tempo of 88 minims per minute straight away! Well, I'm aiming for it, but ...
Viel Glück!
@@cmonman7947 Danke. Es ist mir einigermassen gelungen.
@@martinlee5604 Super!
Your teacher is a fool…
88 ??? Allegro means fast, especially with Beethoven. Richter plays around 110, my impression is he starts on the slow end and then increases. Check also Schiff, Kovacevic, Gulda, Buchbinder…; don’t mean than Richter is too slow, seems to aim for contrast with the last movement. Anyway, gorgeous performance….despite not in the best mood😉
15:02 a slight slip, but excusable at that tempo
Sublime
Moscow Conservatory, Great Hall - 1976
Genious !!!!!!
sad that the sound quality is so low but such amazing playing regardless.
concert lights ?
1:26
M3 parece bien ❤️🩹 intérprete
When is this concert?
Вот бы так научиться играть !
The prestissimo is really Richter unchained. 😳 Formula 1!
Where is he playing?
Тома Даракчиев idk
A little late but he's playing at Moscow Conservatory's Grand Hall if anyone's curious
why is half of the comments russian?(just a question)
What's with the grace notes in the third movement? They should be played on the beat. And why is there no info about date and venue of performance?
Venue is Moscow Conservatory, Great Hall. Year I will not be able to tell you, unfortunately
1976
@@PromixDelPiero Thank you!
@@affonsosantos5729 Thank you!
Well, the grace note played on the beat everyone plays incredibly ugly, you mean? I prefer what Richter does. Either that or you play on the beat, but two quavers, not a short note.
The technique is amazing, of course, but for me the last part lacks depth. I like Barenboim's interpretation.
16:01
I also heard it. But y'know, Beethoven said: "To play a wrong note is insignificant; to play without passion is inexcusable!"
Who could critise him for playing a wrong note, when he is doing such a great performance? It's the music what counts, not the single notes.😊
Krümelkackerei Sorry
Time 16:01 - Beethoven said: "To play a wrong note is insignificant; to play without passion is inexcusable!" (I suspect it was deliberate😉, although the performance is not ostentatiously passionate)
It wasn't deliberate, he just placed his finger a little bit to a side of the key, that's not a wrong note, it's a mechanical mistake due to the energy of the movement. A truly wrong note is that when the musician doesn't know the correct one. I'd even say a correct note can be a wrong one, if just played without the proper intention.
I agree: there's no way that resounding an error is deliberate, especially at such a key juncture in the sonata. It just reminds us that even the greatest of performers make mistakes, etc.
4 часть - ну и бешеный темп! Очуметь!
Не бешанный
Я музыкант 7 лет и лаурят международных конкурсов я быстрее могу на много
@@user-ls5mu3om1j Какой молодец! ))))) Браво! Где можно послушать?
@@user-ls5mu3om1j "лаурят"?
@@karinamelkumova4274
Нет подписчиков. Нет видео.
Такие интересные "лауряты".
Jackie Chan played 17:55 wayyy better
devia ser crime interromper uma sonata de beethoven com o whindersson Nunes fazendo propaganda de um cupom de R$15 no Ifood
Concordo pienamente!
U guys alive?
Yes
more or less
@@cornelpienariu3266 why Yes?
@@bobbyfischer9420 why more or less? You got the Covid? Lol
had it already... twice@@oficialmathias6715
Why the repetition of the last segment of the finale ? It destroys the structural and dramatic balance. What a pity in an otherwise perfect performance...🤔🤔🤔
Maybe he liked it too much😊
I loved it. Nobody else does that and it’s such a nice development
The repetition is in Beethoven’s original sheet. Richter is one of very few who interpret it.
@@estebant751 Thanks for the info. I suppose it functions within the tradition of classical sonataform, but it cuts the musical current in Beethovens music. It's a dilemma because Beethoven stands on the brink between classic formalism and romantic free experiment. This kind of repetition may be a choice, incalculated in the sheet by Beethoven himself as a possibility... but it is, in my opinion, against the spirit and mood of the music itself. I am glad this kind of interpretation stays the exception in performing practice...🤔🤔🤔
@@Beethovens.Heritage Pollini also takes both repeats in the last movement.
Do people really like his 4th movement here?
Yeah
Effortless
финал отвратителен. А 3 часть чрезмерно замедлена. Не лучшее исполнение Рихтера.