Beethoven: Symphony No. 4 | Thomas Hengelbrock and the Orchestre de Paris
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- เผยแพร่เมื่อ 22 พ.ค. 2024
- It is perhaps the most cheerful of Beethoven's symphonies, performed here with such lightness of step and deft elegance: Conducted by Thomas Hengelbrock, the Orchestre de Paris performs Ludwig van Beethoven's Symphony No. 4 in B-flat major, Op. 60, at a 2017 concert held at the Philharmonie de Paris.
Ludwig van Beethoven (1770-1827) composed his fourth symphony in 1806, in a comparatively short amount of time. The March 1807 premiere was held in private, conducted by the composer himself, the first public performance being given in November of that same year. The Symphony No. 4 was well received during the composer's lifetime, but fell under later criticism. When held up against Beethoven's monumental Symphonies Nos. 3, 5, and 9 - it appears somewhat flat, less pregnant with meaning. The sunny nature of the Fourth should not however obscure the fact that it, too, is an expression of a theme which lay outside the usual bounds of music, and a formidable one at that; the theme of freedom.
Beethoven had been previously preoccupied with his opera Fidelio - the paradigm of the ‘rescue opera’ genre. An initial version was premiered in 1805, the second incarnation appearing in March of 1806. Beethoven's fourth symphony may be considered a continuation of Fidelio’s theme of liberation. The first movement, for instance, begins with a slow, brooding introduction, upon which the fast, lilting main theme bursts in like a liberating strike. Beethoven also references his sole opera in movements which follow. There is, however, an additional, programmatic parallel between Beethoven's Fourth and Fidelio: Both pieces deal with love. In the opera, the theme is openly played out, yet in the Symphony No. 4 it is expressed as a gesture, or a mood. Beethoven was experiencing a contented love affair with the Countess Josephine Deym von Stritetz while he was composing his fourth symphony.
(00:00) I. Adagio - Allegro vivace
(12:05) II. Adagio
(21:49) III. Menuetto - Trio: Allegro vivace - Un poco meno allegro
(27:21) IV. Allegro ma non troppo
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I was 18 as I came to know the music of Beethoven. Since then he has been a favorite of mine. There is no composer like him. His music goes so deep into the heart almost like surgery. I sometimes cry when I listen to his music. It is like a healing experience, a deliverance of pain.
One can never hear Beethoven without understanding the greatest of composers for the age we live in today. Every note, every action, every movement is a design of beauty and grace. Yes we honor and worship our Bach, our Mozart, all the greatest of the great, but Ludwig van Beethoven speaks to us at this very instant as we look for solace and a release from our cares and worries in this time of a plague and sickness. He is our respite from these cares. Thank you dear, dear Ludwig van Beethoven.
Siiii
Yes!
Titanul muzicii clasice ...
🤓
iii 15:02 😅😅😅😅😊😊
LUDWIG VAN. BEETHOVEN 💖💖💖💖💖💖OUR DEAR COMPOSER FOREVER AND EVER. ...EVER. ...EVER. ...💖💖💖💖💖
God, a cameraman who knows the score and just when and where to aim his canera which is what makes it fun to watch
Beethoven is like nature soft ,tranquil but also violent and volcanic always deep and profound supreme God's gift
Thank you
from
ISRAEL
very kind of you
The second movement is beautiful.
I am struck by its intensity and its pureness and its never ending ways of inventing ways to poetry, like in the second movement, the Adagio. But after all, it is Beethoven.
A great symphony beethoven 👏👏❤🎵🎹
❤❤❤❤❤❤
MAGISTRAL interpretación por esta orquesta parisina de la Cuarta Sinfonía del Genial Ludwig Beethoven compuesta en 1806 cuyo legado musical abarca desde el Clasicismo hasta los inicios del Romanticismo siendo considerado sin ninguna duda como uno de los más importantes compositores de toda la historia. Mención especial para el prestigioso director de orquesta alemán Thomas Hengelbrock. BRAVO !!! Saludos desde España.
Gracias! Saludos desde Berlin!
PLEASE program 4 and 2 and 1 MUCH more often!!!!!!!!!!!
A great performance and recording . Thank you very much .
Eu e o Jardim botânico amamos.Grata 🎼DW
Amo esa Sinfonia era un genio
Isn't it odd how rarely you hear his even-numbered symphonies? Even the most casual classical music is familiar with his odd numbered--particularly 5 and 9--but the even numbered compositions are something that needs to be searched for.
Los grandes genios de la música, muy difícil superarlo
El segundo movimiento es de una belleza única, esos sonidos son profundos, no es solo música de salón, sin su sufrimiento Beethoven no sería Beethoven
SUPERBE , CAPTIVANT , PRODIGUX , ENVOÛTANT , HEUROSAMENT GRANDE MERCI !!!
Спасибо))))Это прекрасно)))
Thank you as well!
magnifico
Simplemente genial esta interpretación del gran Beethoven en ejecutar con gracia suprema.
A great composer makes a great performance.
Wunderschöne Aufführung dieser kompakten doch perfekt komponierten Sinfonie mit seidigen Tönen aller Streicher und milden Tönen aller Bläser. Der zweite Satz klingt besonders schön und echt elegant. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im fleißenden Tempo und mit sorgfältig kontrollierter Dynamik. Einfach faszinierend!
Der Dirigent ist bei diesem Kommentator stets "intelligent und genial", also keine Neuigkeit.
Thank you. Beautiful Beethoven: Symphony No. 4, payed by The Orchestra de Paris conducted by Maestro Hengelbrock, uploaded by DW Classical music.
Гениально!
This is so beautiful sound and really giving peaceful feelings in my mind.
Wonderful!!!!! Thank you!!
Thank you.❤
Excellent Sound !
Thank you!!!
Hermosa melodía
Superb...
Maravilloso!!!
4a Sinfonia ajuda a gente eliminar sentimentos negativos como o ódio, o ciúme e o desejo de vingança. Faz se vê. Sinto muito feliz.
Muchas gracias DW !
연주 정말 좋네요!
Super sound in this super uptaking!
Wonderful performance!
Wonderfull!!!!!
Excelente!
Haydn writ large.Grace wit and power. And oh the heavenly Adagio.
Life!!!!
32:17 stuff which nightmares is made of
Thomas Hengelbrock, grandioso. Forse si può definire l'erede naturale di Carlos Kleiber e di Leonard Bernstein. Trascina con se l'orchestra trasformandola in un organico di solisti che suonano insieme. MERAVIGLIOSO!
Very soothing piece
Nel Roseto musicale di Beethoven una delle sinfonie che ci è dato di ascoltare e vedere nella sua completezza: la numero 4 op.60 eseguita dalla Orchestre De Paris condotta dal Maestro Thomas Hengelbrock.
Un encomio meritato alla compagine, professionalmente molto attenta e preparata nel dimostrare di affrontare con alto risultato di bravura, lavori di compositori per i quali è indispensabile il perfetto affiatamento dell'organico nel rispetto della stesura originale del compositore.
L'andamento storico di molte bellezze musicali, alla prima della loro esecuzione non sempre ha incontrato fortuna; così è stato per questa sinfonia, nonostante abbia incontrato personaggi come: Schuman, George Grove, Berlioz.
Composta nell'estate del 1806, attraversando peripezie è stata indirizzata alla Contessa Giulietta Guizzardi.
Il lavoro di questa esecuzione mostra essere una presentazione ove si rimarca nella fraseologia musicale, quello che è stato per la 3 (eroica) che l'ha preceduta.
Un ringraziamento dovuto e sentito a quelli che rendono possibili questi tasselli importanti nella Cultura dell'Arte.
Particolare conoscenza a tutti, ma in particolare alle giovani generazioni.
Thank you very much for your detailed and kind comment!
DW...die Schönheit! dall' Italia con amore
😊
참 좋습니다(very good)!
👍
Is it beginning with B flat minor?
Beethoven is truth.
Beethoven is truth
Me tirem uma dúvida, quando vão tocar certa música todos os integrantes tem que ir ou só o que vai ser executado na música
Orquestra está de parabéns
Az 5. Vagy 9 .sznfonia kerul sorra es gratulalok avirtoz zenekarna
Zenekanak.
Mikor fogjak az 5. Szinfoniat eloadni
Ennyi nem eleg
Ok
Kevesen ismerik ezt aszinroniiat de e helkul nem lenne meg a abefejezetlen.oriasi zseni volt beethowen.
19:28
Great conductor; great master piece. The conductor has a hair problem though, as I see it (I am in the same case, but not that bad).
At the first performance of this, Beethoven had to tell the orchestra to go back to the beginning and start again because they were doing such a bad job. I wish he could have heard this performance!
🇺🇳 26:15