Beethoven: Mass in C major, op. 86
ฝัง
- เผยแพร่เมื่อ 2 มิ.ย. 2024
- 00:00 Kyrie
05:32 Gloria
15:50 Credo
29:04 Sanctus
40:20 Agnus Dei
Soprano: Elly Ameling
Alto : Janet Baker
Tenor : Theo Altmeyer
Bass : Marius Rintzler
New Philharmonia Orchesta & Chorus w/ Carlo Maria Giulini conducting
![[TH] 2024 PMSL SEA GF D3 | Summer | มาร่วมเป็นพยาน กับวินาทีแชมป์!](http://i.ytimg.com/vi/JCYvEsFlwx8/mqdefault.jpg)
I nearly fell off my chair when I heard the chord progression at 14:12.
Just time stamping some fav parts:
8:55 the alt solo with the interjections of the choir
20:23 that high note of the tenor followed by the cruxificus of the choir
7:17 the tenor solo, esp the 2nd part
6:42 that one cord
40:21 beginning of the Agnus dei and the following build up
Capolavoro assoluto. Beethoven parla dell'uomo, dell'umano attraverso il sacro. Sacro per lui è il sentirsi umani, uomini fratelli. E sacre sono le emozioni umane.
For thine is the kingdom, the power, and the glory forever and ever.
This is music is so genius!! It's beatiful
What did the critic have to say about the 3rd piece being by far the best?
It's in-credo-ble.
Beautiful and introspective performance. Giulini clearly loves the music.
I'll be performing this with my schools choir next week and it's so nice hearing professionals sing it 😍
wow :D How has it been ?
I performed it with the school choir in 1966 - a grammar school in a provincial town in Wales, but we performed a major choral work each year and this laid the foundations for my love of choral music. This is still one of my favourite Mass settings.
00:00 Kyrie
05:32 Gloria
15:50 Credo
29:04 Sanctus
40:20 Agnus Dei
Wonderful.
250 anos de Beethoven!
mito
@@DrNykterstein17 che Dio l'abbia in gloria. E noi teniamocelo stretto. Parla di noi, parlando di Dio e questo è ancora più evidente nella Missa solemnis.
I'll be performing this on Saturday in London, and Sunday in Dundas , Canada with Chorus Hamilton. Currently using this video as a rehearsal aid.
こんなに素晴らしい曲もあったのですね
やはりベートーヴェンは偉大です
I was studying this for school exam
Amazing
I performed this piece my last year with the University of Georgia Chorale, back when I could actually sing. ;-)
I would swear that two of the soloists in the Beethoven are:
Paul Plishka, bass & Janet Baker, alto.
Like this piece a lot, but so bad that so few people know it.
It's a favorite of mine as well. I'm still upset I missed a rare live performance of it in my area!
@@jamisonsanchez9372 why did you stop making videos
But dear Beethoven, what have you done again
This was the first choral piece I sang, with my university's choir. That was about 50 years ago. We sang the 1st, 2nd and 5th movements (Kyrie, Gloria, Agnus Dei). I would rather have sung secular pieces, though I found this to be beautiful music.
How rude, two commercials right at the beginning of the Gloria.
We are performing this with Ryde Chorus on the Isle of Wight on 13 April. This is a lovely recording to help us rehearse. We have the Choraline and Fletcher services too, but hearing the real thing is lovely.
Best of luck with your performance. Will it be uploaded on TH-cam? I'd love to hear!
2020.10.16. 20:00 Lotte concert hall, seoul KOREA. PERFORM by Bach Solisten Seoul(Conductor Sun-a KIM).
Plagal progression
Sanctus 29:04
Gloria 14:27
Gloria 6:37
Terz
Gloria 14:13
Harard summer community sing at sanders theater
32:23 benedictus
It's pretty cool, you can almost see bits of Wagner in both this and the Missa Solemnis. But then some tacky Mozartian passages interrupt the "scenery" and you're reminded this is a half century too early for Das Ring. Beethoven truly was something.
😍
What recording is this?
I updated the description with more info, sorry about that.
1:03
Why do the Altos sound like they’re in the next room? 😢
12:02
Innnnnn
Glooooooooooooooria
De-i Paaaatris
O sorry wrong mass
GOD BEETHOVEN ABOUT ALL!
23:26
kein beneditschimus kein patschem sondern PACEM!
Always the same story in catholic masses. The music is much too strong in the Kyrie and in the Agnus Dei. These sections of the Mass require a feeble and humble music which expresses and underlines the sinners' prayer for mercy and forgiving, Mozart and Haydn did evenworse. They composed Kyrie and Agnus Dei with drums and trumpets. The music has to follow the meaning of the text, and in most catholic masses this demand is not fulfilled.
Bach did well the Agnus Dei
@@marcotuliomacedobicalhomar8320 Bach was protestant. He took the words in the text serious.
@@olavtryggvason1194 Protestants don't take anything seriously
@@carolingian5736 Not today. But when Bach was alive they did.
That's only half the truth. “Kyrie eleison” was a common cry of veneration and exaltation toward any sovereign. The supplication wasn't in the foreground, but the glorification of the Lord as the one from whom we may expect grace.
And as to the Agnus Dei, I would name two aspects: the passion of Christ and the desperation of the prayer. Both aspects can be shown in a somber lighting or in a dramatic one.