Hello! This tutorial was really useful, your voice is very pleasant and calm and you're funny aswell! Thanks once again for the very detailed explanation
Hello - thank you so much for the kind words!! I will be uploading a new video tutorial this weekend on how to prepare Photoshop layers in a different way. :-) Hope you can watch that when it comes out!
I was going to do it this route or this way in illustrator but I feel like there is an more efficient way to serpate out all of your colors. It was nice to learn that overprint preview exits that way you can better see what your comp will really look like (softproof it) however you could use less clicks by changing the opacity of your selection to multiply via the Appearance panel. That's better than using the attributes panel.
Hi! Thank you for the video, it's really clear and easy! For the knockout, would it work to position the stroke on the outside (stroke can be on outside, middle, or inner, here you have it in the middle) or would it give you the same problem?
Hello and I apologise for the super late reply! I believe no matter where you put the stroke, as long as you unclick the overprint option, it would get knocked out. I have an updated video here: th-cam.com/video/JdXvrGMdYcw/w-d-xo.html
I wonder, is illustrator or photoshop better for riso print ? And I don't understand the use of half tones...when to use half tones and how to use ? Can anyone help ?
Very helpful! Thank you! I have one question. Is there any similar way in photoshop like this? sometimes i use photoshop to make risograph printing flie, it is inconvenience compared to do with illustrator ;-(
+light yellow (노란불) Hello - I have a photoshop training video that talks a bit about working in monotone, duotone, and tritone... you can check it to see if it helps. I think it is Part 4...
Hello! This tutorial was really useful, your voice is very pleasant and calm and you're funny aswell! Thanks once again for the very detailed explanation
Thank you so much for this tutorial. That's helpful! and The sound of your voice is soothing and pleasant. I love that.
Hello - thank you so much for the kind words!! I will be uploading a new video tutorial this weekend on how to prepare Photoshop layers in a different way. :-) Hope you can watch that when it comes out!
Great! that's nice. Thank you! :-)
I was going to do it this route or this way in illustrator but I feel like there is an more efficient way to serpate out all of your colors. It was nice to learn that overprint preview exits that way you can better see what your comp will really look like (softproof it) however you could use less clicks by changing the opacity of your selection to multiply via the Appearance panel. That's better than using the attributes panel.
Hi! Thank you for the video, it's really clear and easy! For the knockout, would it work to position the stroke on the outside (stroke can be on outside, middle, or inner, here you have it in the middle) or would it give you the same problem?
Hello and I apologise for the super late reply! I believe no matter where you put the stroke, as long as you unclick the overprint option, it would get knocked out. I have an updated video here: th-cam.com/video/JdXvrGMdYcw/w-d-xo.html
Thank you so much for this!
No problem!
I wonder, is illustrator or photoshop better for riso print ? And I don't understand the use of half tones...when to use half tones and how to use ? Can anyone help ?
Is it possible to do this with a normal printer?
Very helpful! Thank you!
I have one question.
Is there any similar way in photoshop like this?
sometimes i use photoshop to make risograph printing flie,
it is inconvenience compared to do with illustrator ;-(
+light yellow (노란불) Hello - I have a photoshop training video that talks a bit about working in monotone, duotone, and tritone... you can check it to see if it helps. I think it is Part 4...