Its true that the horizon is near the middle, but the treeline raises up above that, leaving about a third of the piece for the sky. Thats what he was talking about in the beginning, "ground" doesnt literally refer to only the ground but also all the objects that will be visually connected to it.
Wonderful, and the voiceover explanations are a treasure of information. Looking at the courses... The only thing I would change in the painting is the edges of the roof and of the pole. They're too perfect, it screams digital...
First we need to understand why that rule exists. Due to atmospheric perspective, objects that are very far away start to merge into the sky due to the scattering of light through all the particles in the atmosphere, such as water particles. Since a clear sky is blue with the light source (the sun) emitting a warm light, the general rule of thumb would be what you described with what’s closer to you and illuminated by the sun being warm, and what’s far away merging into the blue of the sky, becoming cooler. So there are two main reasons why that rule could not apply to a scene: one would be if the objects in the background aren’t far away enough for there to me enough particles between the observer and the background (that treeline in the pic is not very far from the observer), so the color temp wouldn’t be too affected. Second is that not all light scenarios are a warm sun and a blue sky. In a sunset scene like the video’s picture, the sky is red, so mountains in the background would shift towards the warm of the sky.
Look at Affinity and clip studio paint. Photoshop claims license over anything you create as does Lightroom. Lightroom is purely a photo editor luminar neo is a great replacement for that.
Improve your digital painting skills with the full course on Proko - proko.com/digitalpainting
Exellent tutorial! This is the exact philosophy I woke up to study more of this morning, cheers!
☕️👌 Many thanks. 🙏
After the adjustments, the horizon went back to the middle.
Its true that the horizon is near the middle, but the treeline raises up above that, leaving about a third of the piece for the sky. Thats what he was talking about in the beginning, "ground" doesnt literally refer to only the ground but also all the objects that will be visually connected to it.
this master class is perfect!! just what i needed, will definitely try this approach! thank you thank you thank you!
If you post your results trying it on socials, give us a tag! We'd love to see it.
Wonderful, and the voiceover explanations are a treasure of information. Looking at the courses...
The only thing I would change in the painting is the edges of the roof and of the pole. They're too perfect, it screams digital...
I love this video and the way you show your process. Very informative!
Beautiful result. Great tips! picked up a lot
Love this video! Very useful for my self study tyy
wow this is so helpful! ty for the helpful tips and inspiring me to draw
Thanks for letting us be a part of your art journey!
Loved this tutorial
this is incredibly helpful
Great video, very helpful! Thank you 💖
Save flattening your sketches - select the area then use Copy Merged.
Almost felt like watching Bob Ross ;D
Thanks bro, super informartive and useful! 🔥
such a nice video gj
Learned alot thankyou
How does it correspond to the rule that warmer and more vivid colours should be in front and colder in the back?
First we need to understand why that rule exists. Due to atmospheric perspective, objects that are very far away start to merge into the sky due to the scattering of light through all the particles in the atmosphere, such as water particles. Since a clear sky is blue with the light source (the sun) emitting a warm light, the general rule of thumb would be what you described with what’s closer to you and illuminated by the sun being warm, and what’s far away merging into the blue of the sky, becoming cooler. So there are two main reasons why that rule could not apply to a scene: one would be if the objects in the background aren’t far away enough for there to me enough particles between the observer and the background (that treeline in the pic is not very far from the observer), so the color temp wouldn’t be too affected. Second is that not all light scenarios are a warm sun and a blue sky. In a sunset scene like the video’s picture, the sky is red, so mountains in the background would shift towards the warm of the sky.
beautiful ❤. how much time did it take you?
I am new here. Please, which software do you use for working with this picture in the video? Thanks for all, greetings from germany
MS Paint. Definitely. 😁
You can also use light room from your phone. I use it to edit photos, and it's much cheaper than photo shop
But not for painting... @@alex24mamba
Look at Affinity and clip studio paint. Photoshop claims license over anything you create as does Lightroom. Lightroom is purely a photo editor luminar neo is a great replacement for that.
Clip studio is 60% off rn until 25th june btw!!
What sorfware did you use ?
The software used here is Photoshop.
@@ProkoTV thanks
Looks very cool, i think the barn could have used more detail tho, everything has a distinct look but for some reason the barn looks cartoony and flat
CAN YOU PLEASE EXPLAIN HOW HE DID THE PERSPECTIVE THING,I HAVE NO SUCH TOOL IN MY PHOTOSHOP THE WAY HE DID USING PEN TOOL
It´s a plugin! You have to install it separately,. He says the plugin name in the video.
u using plugin something for prespective? cuz my pen dont have it
I wish that you feature a manga artist in one of your videos in the future
I miss Skelly
Same tbh
No skelly…. he fell off for sure 😤
I loved the end you are really good at panting bye
1 st sirrrrrr
That voice!
First i was here when the video was 7 seconds old
I am first 🥇
What if we say to heck with hierarchy and have multiple focal points and no supporting actors lol. Jk
Im 8th i guess
House? Were you raised in a barn? 😂
Pains me that you merged layers vs copy all. But it's just sketches lol
Good job man
but colors are too DEAD
First! Can I get pinned?
No.
Pin me
I miss Jon Neimeister I hope he comes back in the course eventually!