Well they said earlier he used many different amps throughout his career. for holy mountain he used a Laney aor 100 pro tube lead and a hiwatt that I don't remember the exact model of going through a civil war big muff Then he used modified green matamp gt120 going through a mxr distortion+ and a pignose amplifier going through the civil war big muff for dopesmoker For the early days of high on fire he used the green matamp gt120 with soldano slo series rack mount pre amp on top of it And for the last decade he has been using a mix of different amps but the oranges are a must @@BobPapadopoulos
Agreed, You don't take a pedal like the Doom Stick and cut mids; sounds to me like the bass is carrying a lot of the more melodic mid content, where the guitar is more a full range, sustaining, wash.Good job for Compressors(Sustain, focus, and boost).
Pretty good. Just saw Sleep a few weeks ago. He gets a lot of his sound by pushing the amps. The stage volume was loud and huge. Every amp and cab are used. He also uses vibrato on chords and a lot of hammer ons. His hands are huge in his tone. Check out some rad bands from the U.K. like Electric Wizard and Conan.
The Doom genre is just soo much fun to play and listen to. The dirty walls of fuzz vibrating in your chest. The uncontrollable need to bob your head as you slowly lose your self in the void. Great band choice to really show case what Doom is capable of.
"They're a doom band with alot of fuzz and if you try to put that into a solid state amp, it's not gonna work" *While looking at the Orange Crush Series* Orange Crush 120: "Am I a joke to you!?"
Shaun Morrison would a catalinbread sft be cheaper than an ampeg anyways? sure it's not the EXACT tone or anything but it's still a better option for not busting the bank i guess
Ramon W yes I actually like solid state amps more for stoner/sludge metal. Unless it’s a Sovtek. But yeah Crush 35rt+Russian Big Muff= Sludge Stoner Metal.
@@idiosyncraticmushroom3030 I love my Traynor custom Reverb still but I also love my Peavey Century. Two totally different animals. But both great for doom/stoner stuff
@@tite93 brand and model seem to be the most important considerations. Whether it's tube or solid state is sort of an afterthought for me. And even then only because I have to consider what tubes I'll have to inevitably replace.
Matt Pike's tone is way less muddy than that. Turn up the midrange and turn down the bass a little, and restring the guitar with a heavier string gauge. Also almost all of the riffs were played wrong. Great effort though, I've been waiting to see a doom metal rig on here for a while.
ep282 The old Sleep, HoF tone is also much different with those Matamp’s vs his Soldano and now Orange tone which is much brighter with a lot of preamp gain vs a low gain cranked power section. I definitely prefer his Dooesmoker and Art of Self-Defense tones.
Rabea Massaad Bea, take from a decades long Matt Pike fan, the tone was spot on. You had that square wave goodness that was the hallmark of Dopesmoker. And the riffs were fine. Matt plays them on the 12th fret but even he himself has said many times, “whatever is fine, just as long as it sounds good.” Cool to hear you are digging Sleep/HoF. They are my favorites, personally
You have bad ears then. He hits the opening chord to the main Dopesmoker progression 3 times instead of two then rushes the chord changes which go astray quickly. Also, what part of the live Holy Mountain off Dopesmoker sounds like what they were playing? It is no Sleep song. It sounds sorta like part of Domesmoker, but not really.
Great effort and thanks for doing it. Agree with the calls for Electric Wizard! I think a critical factor in Matt Pike's tone is multiple speakers. A small Orange head and a cab with a few speakers might have got it close
Holy shitballs! I was NOT expecting this. My all-time favorite guitarist, criminally underrated and unheralded, getting his own “Sound Like...”. This is cool, man
The Dopesmoker remaster is from 2012, but the original was released in 2003, originating in the late 90s with the shortened version, Jerusalem, which was all they could release at that point. Highly recommend listening to the 2003 version over the 2012 remaster. The 2012 one is extra compressed and lacks some of the atmosphere of the original Dopesmoker. Jerusalem has different mixing and mastering completely, as well as parts cut out. Most if not all of the recordings themself are the same as Dopesmoker's though.
I fanboysquealed very hard when I saw the title! Came quite close actually, but slightly too muddy for High on Fire, maybe just putting the micro amp after the fuzz, or choosing a fuzz that handles boost a bit better would've come closer. High on Fire has a really in-your-face kind of wall of sound, especially compared to other stoner bands, which go for a more ground-shaking kind of wall of sound, like you did in that video. Though for Sleep, it was spot on, as Sleep goes more for the ground-shaking than for the in-your-face. I think trying to sound both like Sleep AND High on Fire might've been a slight mistake, seeing as Sleep is way thicker, flabbier and muddier than High on Fire, which is kinda like a mix of stoner, early swedeath and early hardcore/thrash/crossover, or at least that's how I view it. Maybe a seperate episode for both would've been a better choice. This said, as a massive fan of stoner metal (and also appreciating doom), I totally salute you going towards those genres, and I would really like seeing you cover bands like Fu Manchu, Truckfighters, Orange Goblin, Clutch or any others in the future.
Squier J Mascis Jazzmaster Marshall DSL or Origin depending EHX Big Muff EHX Electric Mistress (for Freak Scene) Vox Wah (for Little Fury Things) perhaps some reverb and delay and i think we're all set
I think my personal favorite piece of information from this video is that Rabea is playing the latest DOOM, and that makes me happy because I love that game and keep recommending it to everyone I talk to.
Fun fact: my old band rehearsed just down the hall from H.o.F. for years; we had to be sure to do different days because they shook the goddamned building. Three dude apocalypse.
Also, 0/10 marks for wearing a shirt, Bea. Matt Pike's lack of shirt at nearly all times totally effects his tone. Your shirt definitely has a negative impact on the tone-skin effect. ;)
I finally found that stoner metal song I listened to ages ago that was over an hour long and made me feel pretty stoned just from listening to it!!!! :-D (Dopesmoker by the way! ;-) )
So happy to see this. You should do Kurt ballou of converge/god city studios next. I bet he’s gonna give you trouble, I’m not talking crap either I wouldn’t have suggested him if I didn’t think you could pull it off. As I laid in a hospital bed with ***50+ kidney stones and just one malformed kidney*** and watched you guys crack Adam Jone’s guitar sound, I was blown away and it helped me add his sound into the tool songs I know how to play as I recovered and incorporate The tricks and tips you provided into my own sound without ripping him or you guys off.Especially if you count bands Kurt ballou produced and engineered or provided some small amount of guitar you’ll have a good long episode on your hands. He almost always had an influence on their sound. He produced a couple high on fire albums and he’s the guitarist for converge. They are about as filthy as it gets while still being varied in sound. Some sample tracks for you to try: hell to pay,grim heart/black rose, Jane doe,damages, dark horse, under duress, plagues , sadness comes home, empty on the inside, coral blue, on my shield, precipice/all we love we leave behind, first light/last light(the latter song’s lyrics I have tattooed on my thigh for a light in those dark times), drop out, heartless, you fail me, in her shadow, in her blood, eagles become vultures, hanging moon, they stretch for miles, in harms way, color me blood red, tremor, eve. I know it looks like a discography but it’s just a list highlighting the HUGE tonal landscape Kurt ballou and the rest of converge have crafted. Sorry about the novel but I’m very passionate about converge they saved my life and had my back through the darkest of days I’ve had so far in my life. Also Jacob bannon the frontman that lends his screams/singing voice/spoken word and lyrics to the band, That’s not all he contributes to converge either.the amazing art surrounding the band is painted by him. He’s actually quite a renowned artist. If you look at the converge wiki I’ll bet that you’ll find a album/band you like that have had either Jacob bannon paint the cover/designed tees and art for, or Kurt Ballou cast his musical magick over in one way or Another. Let alone the huge amount of other bands the converge members are ether past members or current members of. I’ll make those songs into a Apple Music playlist you can find later tonight.
😂😂😂 I’m loving that nobody in the room can hear the massive fuzz because they’ve hammered their ears so much!!! It shows through how loud/huge that sound is! 😂😂😂
Your budget is only limited to $850,000 US, and then go and source a roomful of custom amps too loud to actually physically play in to record the record. There are rumors another $100,00 was spent on weed. :P
And if you've got the same rig as Matt Pike (which probably means you live in another planet) there are interviews for, I believe, Guitar Player where they show his amps and there are the settings written on it.
Should've used the EHX Big Muff OP Amp re-issue. I use it through the clean channel of my Orange TH-30 head (w/Orange PPC212 closed-back & Orange PPC212 open-back cabs), and it nails the Sleep sound.
I can get a good early Pike tone with my 1977 JMP 50 watt and my Orange AD30 in stereo through separate guitar cabinets. And with a Chandler Tube Driver. Good stuff guys. Need more videos like this. It's hard to capture how these heavy rigs sound via microphone because it's something that must be experienced in person. It'll blow your fro around.
Idk why everyone always says you need a valve amp to play doom.... you absolutely do not. Sunn Beta lead and concert lead are excellent amps for that sound. Both are solid state. I have a 1979 Peavey Solid State, a micro amp, and Carcosa Fuzz and it’s incredibly good at Doom/stoner metal.
Glenn has a signature ESP but it's too much money so they need an ESP with EMG's, i recommend an ESP M400 and for amps get a DSL20 or 40, for pedals get an MXR Distortion +, MXR Micro Chorus, MXR 10 Band EQ, perhaps an MXR Micro Flanger and a cry baby wah Richie has a signature V so get that, throw in a Marshall DSL amp as andertons don't stock ENGL, get a Boss DD3 for Saints in Hell, an MXR Micro Chorus, an EHX Micro POG for Sinner and a Dunlop Jerry Cantrell Wah, if that's gonna break the bank just get a standard wah
Lemmy used a Rickenbacker 4004 LK Limited edtion 2 marshall Jmp-25 Super Bass amps 2 marshall 4x15 cabs and 2 marshall 4x12 cabs he called his Rig Murder one
The last and longest serving guitar player Phill Campbell I believe he used a marshall JVM 410H and maybe a JCM 900 4100 Thru Marshall cabs and a lot of different guitars but towards the end he mostly played a LAG Explorer I think.
@Mark Seymour take it from somebody who worked for the band mate. Motorhead sound, especially the first six records where a combination of 70s punk and 50s rock and roll with the gain turned up as well as the metronome. I guess you young lads call it on steroids. That's why the blokes were the long-hairs that the punks accepted. They heard the punk in the fusion of the two styles.
If you trying for Phil Campbell sound or even Eddie all you need is a high gain Marshall and an overdrive. Phil messed around with line 6 for a little while but only for one tour. Marshall across the board and now they're strapped with a traditional humbucker and the bridge or Les Paul with a ceramic.
@@mistermotorbanger8279 Yeah Phil's tone was pretty Marshally for the most part. Although you're right with Line 6 on the Hammered tour, along with ENGL, Soldano, Bogner, Mesa etc in the past haha. He's definitely experimented with gear over the years
I would have picked the EQD Acapulco Gold to get the Power Amp Saturation and an MXR 10 band EQ as Matts HOF sound isn't so scooped. The Sleep tones were pretty good!
if you want to try some really heavy doom do Conan, they tune down to F standard. Listen to their song Thunderhoof its brutal, especially towards the end
This hurts. Sleep is my favourite band. Those tones barely resemble Pike's. Your first mistake was no Orange. You just assumed that more fuzz and distortion would equal Pike's tone. But the Doomstick was pretty cool NGL.
Set the guitar on the floor in front of the amp. Kick it. Walk out of the room and leave the cameras to record three hours of feedback. Most accurate "Sounds Like" ever.
I would disagree. They have used a couple different amp brands over the years, and their sound is very different throughout their different eras, early days sound different than the 99-08 era, and their modern sound changes album to album. Even if they wanted to focus on the Death Metal era, they would have to find a very versatile rig, that gets the warm cleans and the crushing distortion tones.
Pre Blackwater park opeth would be very difficult. They were using strats and les Paul's then I believe and idk how they got those sounds out of them. But everything after that is prs se's through a Marshall.
i don't know much about the late tom petty's rig but i know more about mike, i'd say go for a fender telecaster either with the humbucker in the neck or just the lipstick cos he uses teles a lot as well as some gibsons and stuff for amps you need a fender combo cos he uses a princeton and i think a fender tweed deluxe for pedals he uses a Line 6 DL4, a Way Huge Camel Toe and a cry baby classic wah, i think some other things too but it all depends on what they play
William Allison I personally think the Gretsch G2420T Streamliner would be better, because of the Broad’Trons are closer to the pickups used on the 6120. Though you could probably get closer with TV Jones Brian Setzer Signature Pickups. I agree with the Blues Jr for its Bassman like sound, but why not use a DM-2W, because he used the original DM-2?
The King Ted Nugent used Brownface deluxes, which were closer to being British voiced. But both those are fairly specific tones, especially since I don’t think many modern Fender amps come close to an old Brownface. If Andertons stock Guild, a Starfire might be a good option if there is a model with a PAF-style humbucker in it to get that midrange honk (I’m pretty sure there is on with Seymour Duncan Seth Lover pickups), and maybe a Blackstar Artist 15 because it has a similar control layout to the 6G3.
@Simmy 2001 i think the G2420T is the shout cos it has the accurate pickups and a bigsby i'm sticking to blues junior and the DM2 Wazacraft by Boss is gonna finish it so that's quite reasonable and it'll work fine
obviously his Signature Jazzmaster Marshall DSL Vox Wah (for Little Fury Things) Electric Mistress (for Freak Scene) Big Muff for all his fuzz tones maybe some delays and an extra fuzz and it's ripe for the picking
Jm with antiquities 100 watt Marshall valve amp with amp set before breakup Overdrive always on for clean tones Wah Different muffs he says he turns everything down so the muff is the loudest in the chain Flanger Delay Super high action and earplugs he talked about always playing with earplugs and wanting to feel the guitar thru his body like he felt when playing drums also that Dinosaurs original concept was to be the loudest Dude is so rad There’s a reverb video on it on the reverb channel I’m paraphrasing I am not an expert but a fan and a guitar nerd
Playing with t-shirts is not hallowed when you say Matt Pike. Thank you a lot guys! This video is gold
I was the 420th updoot. I am truly smiled upon by the Weedian on this day
Matt Pike: It's all about the Mid
Rabea: No Mids!
Rabea: Thinks an Orange is necessary.
Pike: Uses Pignoses.
Well they said earlier he used many different amps throughout his career. for holy mountain he used a Laney aor 100 pro tube lead and a hiwatt that I don't remember the exact model of going through a civil war big muff
Then he used modified green matamp gt120 going through a mxr distortion+ and a pignose amplifier going through the civil war big muff for dopesmoker
For the early days of high on fire he used the green matamp gt120 with soldano slo series rack mount pre amp on top of it
And for the last decade he has been using a mix of different amps but the oranges are a must @@BobPapadopoulos
@@BobPapadopoulos he used pignoses in sleep
for high on fire he uses a soldano preamp into a cranked matamp gt120
"What happens if you leave it on to do its own thing?"
A new Sunn O))) album, of course!
Y'all need a lot more mids for doom. Scooped mids just make everything sound like muddled shit, especially with that much distortion
For sure. Especially with lower tunings.
Youre a hero Fenner
100%
Agreed, You don't take a pedal like the Doom Stick and cut mids; sounds to me like the bass is carrying a lot of the more melodic mid content, where the guitar is more a full range, sustaining, wash.Good job for Compressors(Sustain, focus, and boost).
@@markferguson3745 Hey im just getting into these concepts. Can you explain what mids are? Thanks mate.
I'm grinning from ear-to-ear. More Stoner/Doom please.
Yes same! He called it too🙏😀
SCOOP THE MIDS?!?!?
video closed
you need a budget for weed!!!
A 1/2 oz really should be figured in to the budget.
An ounce a day lightens the way
Stone chariot ascending the dealer is my refuge
And Acid lol.
plenty of psychedelic usage in the doom/stoner scene midude
Pretty good. Just saw Sleep a few weeks ago. He gets a lot of his sound by pushing the amps. The stage volume was loud and huge. Every amp and cab are used. He also uses vibrato on chords and a lot of hammer ons. His hands are huge in his tone. Check out some rad bands from the U.K. like Electric Wizard and Conan.
Fuck yeah conan are sick
Conan sound immense live.
My mate saw conan play in Sydney, I didn't know them back then. So pissed off I didn't go
Better yet each is covering a different one of the 3 eq bands.
Saw Conan live with Black Label Society and holy fuck they put on a show
now pick up a goddamn bass and do al cisneros
Big Daddy [OFFICIAL] He used a Boss DS1 and a DOD 250 OD for a long time with OM. No actual fuzz
Can't play a Rickenbacker without busting the bank haha!
Recently he's been using fuzz pedals, but yeah, was almost always Boss DS1 into a matamp into a couple of 2x15 cabs.
Rickenbacker > Megalith Fuzz > AB Box > POG > Green Matamp w/ 3 8x10s > Marshall guitar half stack
i don't care about what you guys are saying, i want to see them do it!
The Doom genre is just soo much fun to play and listen to. The dirty walls of fuzz vibrating in your chest. The uncontrollable need to bob your head as you slowly lose your self in the void. Great band choice to really show case what Doom is capable of.
no dragonaut?
That's what I was wondering!
YEAH WHAT THE ACTUAL FUCK
Dude for real
Or fury whip, or Turk, or the druid, or silver back
They're obviously not huge sleep fans lol
"They're a doom band with alot of fuzz and if you try to put that into a solid state amp, it's not gonna work"
*While looking at the Orange Crush Series*
Orange Crush 120: "Am I a joke to you!?"
Sunn Beta Lead left the chat
King buzzo left the chat
Bruh the katana 100 mk2 would like a word also.
Randall Rg100es has also left the chat
Crush 60 would be like their best option it's not that expensive either !
do kyuss guitar and bass
i agree with this
fuck yes!
I'm pretty sure Andertons don't stock Ampeg, so it might be a right pisser.
Shaun Morrison would a catalinbread sft be cheaper than an ampeg anyways? sure it's not the EXACT tone or anything but it's still a better option for not busting the bank i guess
Fuck yeah
The Crush series actually takes a fuzz quite nicely.
Ramon W yes I actually like solid state amps more for stoner/sludge metal. Unless it’s a Sovtek. But yeah Crush 35rt+Russian Big Muff= Sludge Stoner Metal.
With that much distortion it doesn't matter whether it's solid state or tube. King Buzzo of Melvins uses solid state amps to great effect
@@idiosyncraticmushroom3030 I love my Traynor custom Reverb still but I also love my Peavey Century. Two totally different animals. But both great for doom/stoner stuff
@@tite93 brand and model seem to be the most important considerations. Whether it's tube or solid state is sort of an afterthought for me. And even then only because I have to consider what tubes I'll have to inevitably replace.
Matt Pike's tone is way less muddy than that. Turn up the midrange and turn down the bass a little, and restring the guitar with a heavier string gauge. Also almost all of the riffs were played wrong. Great effort though, I've been waiting to see a doom metal rig on here for a while.
ep282 hey man. Thanks for the feedback. We learn the riffs by ear right before shooting so most episodes we do are probably all played wrong hahaha
ep282 The old Sleep, HoF tone is also much different with those Matamp’s vs his Soldano and now Orange tone which is much brighter with a lot of preamp gain vs a low gain cranked power section. I definitely prefer his Dooesmoker and Art of Self-Defense tones.
Rabea Massaad Bea, take from a decades long Matt Pike fan, the tone was spot on. You had that square wave goodness that was the hallmark of Dopesmoker. And the riffs were fine. Matt plays them on the 12th fret but even he himself has said many times, “whatever is fine, just as long as it sounds good.” Cool to hear you are digging Sleep/HoF. They are my favorites, personally
Bea that Dopesmoker/Jerusalem riff was flat out perfect, keep up the good work.
You have bad ears then. He hits the opening chord to the main Dopesmoker progression 3 times instead of two then rushes the chord changes which go astray quickly. Also, what part of the live Holy Mountain off Dopesmoker sounds like what they were playing? It is no Sleep song. It sounds sorta like part of Domesmoker, but not really.
"I've put 12 to 56 on this."
"Nice."
The perfect relationship.
Great effort and thanks for doing it. Agree with the calls for Electric Wizard!
I think a critical factor in Matt Pike's tone is multiple speakers. A small Orange head and a cab with a few speakers might have got it close
The sound got so huge when Matt turned on the doom stick, that the pedal cam shook at 11:25
Holy shitballs! I was NOT expecting this. My all-time favorite guitarist, criminally underrated and unheralded, getting his own “Sound Like...”. This is cool, man
I love getting this tone on my DSL 1 watt tube combo. absolutely monstrous tone at actually audible levels unlike alot of matt pike concerts hahah
Wow I have that amp too... what settings and or pedals do you use?
The Dopesmoker remaster is from 2012, but the original was released in 2003, originating in the late 90s with the shortened version, Jerusalem, which was all they could release at that point. Highly recommend listening to the 2003 version over the 2012 remaster. The 2012 one is extra compressed and lacks some of the atmosphere of the original Dopesmoker. Jerusalem has different mixing and mastering completely, as well as parts cut out. Most if not all of the recordings themself are the same as Dopesmoker's though.
Julian Avolia Al also recommends the 2003 version.
I fanboysquealed very hard when I saw the title!
Came quite close actually, but slightly too muddy for High on Fire, maybe just putting the micro amp after the fuzz, or choosing a fuzz that handles boost a bit better would've come closer. High on Fire has a really in-your-face kind of wall of sound, especially compared to other stoner bands, which go for a more ground-shaking kind of wall of sound, like you did in that video. Though for Sleep, it was spot on, as Sleep goes more for the ground-shaking than for the in-your-face.
I think trying to sound both like Sleep AND High on Fire might've been a slight mistake, seeing as Sleep is way thicker, flabbier and muddier than High on Fire, which is kinda like a mix of stoner, early swedeath and early hardcore/thrash/crossover, or at least that's how I view it. Maybe a seperate episode for both would've been a better choice.
This said, as a massive fan of stoner metal (and also appreciating doom), I totally salute you going towards those genres, and I would really like seeing you cover bands like Fu Manchu, Truckfighters, Orange Goblin, Clutch or any others in the future.
I can describe Matt Pike in one syllable: "Riff"
Awesome! Please do a Sounds like Dinosaur Jr.!
Reverb.com did a really good video of him showing off his dirt pedals, check it out.
uhhhhh....You're missing a few amps. Fender DDR, Hiwatt Custom 100, and two Marshall Plexi's
Squier J Mascis Jazzmaster
Marshall DSL or Origin depending
EHX Big Muff
EHX Electric Mistress (for Freak Scene)
Vox Wah (for Little Fury Things)
perhaps some reverb and delay
and i think we're all set
I saw J. Mascis play a solo show in Raleigh. I got to hang out with him for a bit after sound check and talk music. That was a good day.
11:26 camera wobbles when the Doom Stick comes on lol
Seriously tho
Sound Like Baroness
Uplifting, epic metal/rock played with single coils, p90's, fender amps, and fuzzes
COME ON, NOW
YES
Fuck yeah, Baroness!
Red album-era Baroness though
Emilio_Largo711 red album baroness is tough as fuck but i'd love a general overview
Got to check those bands out. Never heard of them.
Recently been getting into Doom with palbearer, so worth a punt.
Scriptosaurus rex if you’re looking for more I’d recommend Windhand and Elder!
Thanks both. Glad this isn't 4chan and the the internet actually has constructive corners too haha!
also check out Conan and Acid King
If you like Pallbearer make sure to check out Warning and YOB, they were both a big influence on Pallbearer.
Elder
I think my personal favorite piece of information from this video is that Rabea is playing the latest DOOM, and that makes me happy because I love that game and keep recommending it to everyone I talk to.
My favourite episode so far. I think i watched it three times
Fun fact: my old band rehearsed just down the hall from H.o.F. for years; we had to be sure to do different days because they shook the goddamned building. Three dude apocalypse.
This was awesome. Could you sound like Red Fang, The Sword or Fu Manchu?
Sound like red fang: humbucker loaded guitar, tuned to dadgg with the high E removed, sunn beta bass, orange 4x12. That’s it.
@@thewaterboyjjx175 easier said than done my friend
Brendan Statham it’s a pretty straight forward tone really. Not a ton of nuance. Building that rig with gear Andertons sells however might be tricky
I meant the gear is harder to aquire (specifically the sunm) than most gear.
@@strazburg CR120 pretty well nails red fang.
Also, 0/10 marks for wearing a shirt, Bea. Matt Pike's lack of shirt at nearly all times totally effects his tone. Your shirt definitely has a negative impact on the tone-skin effect. ;)
Truth
And also the fact that he's high as fuck at all times
pls do robert fripp king crimson
and Adrian Belew, you gotta love his work in Elephant Talk
That’s a good one
Blessed Black Wings has a WICKED riff, i’m suprised it wasnt played
One giant black knob on the front IS all you'll ever need
Now THIS is what I want! It might be a bit niche, but a sounds like YOB would also be amazing.
I finally found that stoner metal song I listened to ages ago that was over an hour long and made me feel pretty stoned just from listening to it!!!! :-D (Dopesmoker by the way! ;-) )
This is awesome! I recognized 10,000 Years as soon as the first bass note hit my ears! More, please! 🤘🏼✨🖤
So happy to see this. You should do Kurt ballou of converge/god city studios next. I bet he’s gonna give you trouble, I’m not talking crap either I wouldn’t have suggested him if I didn’t think you could pull it off. As I laid in a hospital bed with ***50+ kidney stones and just one malformed kidney*** and watched you guys crack Adam Jone’s guitar sound, I was blown away and it helped me add his sound into the tool songs I know how to play as I recovered and incorporate The tricks and tips you provided into my own sound without ripping him or you guys off.Especially if you count bands Kurt ballou produced and engineered or provided some small amount of guitar you’ll have a good long episode on your hands. He almost always had an influence on their sound. He produced a couple high on fire albums and he’s the guitarist for converge. They are about as filthy as it gets while still being varied in sound. Some sample tracks for you to try: hell to pay,grim heart/black rose, Jane doe,damages, dark horse, under duress, plagues , sadness comes home, empty on the inside, coral blue, on my shield, precipice/all we love we leave behind, first light/last light(the latter song’s lyrics I have tattooed on my thigh for a light in those dark times), drop out, heartless, you fail me, in her shadow, in her blood, eagles become vultures, hanging moon, they stretch for miles, in harms way, color me blood red, tremor, eve. I know it looks like a discography but it’s just a list highlighting the HUGE tonal landscape Kurt ballou and the rest of converge have crafted. Sorry about the novel but I’m very passionate about converge they saved my life and had my back through the darkest of days I’ve had so far in my life. Also Jacob bannon the frontman that lends his screams/singing voice/spoken word and lyrics to the band, That’s not all he contributes to converge either.the amazing art surrounding the band is painted by him. He’s actually quite a renowned artist. If you look at the converge wiki I’ll bet that you’ll find a album/band you like that have had either Jacob bannon paint the cover/designed tees and art for, or Kurt Ballou cast his musical magick over in one way or Another. Let alone the huge amount of other bands the converge members are ether past members or current members of. I’ll make those songs into a Apple Music playlist you can find later tonight.
itunes.apple.com/us/playlist/rich-history-tonal-landscape-converge-have-crafted/pl.u-e98ll7KHKGBBD7
Meth of a hell of a drug
I've been wainting for this, well done. BY busting the bank too please!
😂😂😂 I’m loving that nobody in the room can hear the massive fuzz because they’ve hammered their ears so much!!! It shows through how loud/huge that sound is! 😂😂😂
Awwwww yeah!!! Been requesting this for years. Cheers guys :D
PLEASEE do a sound like Matt Pike BUY BUSTING THE BANK!!!
siets96 lets start, gimme six 100 watter orange amps...
And 4 FZ2
Your budget is only limited to $850,000 US, and then go and source a roomful of custom amps too loud to actually physically play in to record the record. There are rumors another $100,00 was spent on weed. :P
THE ultimate sound like. Matt Pike = ultimate tone. Thank you for that guys, you are the bests !
And if you've got the same rig as Matt Pike (which probably means you live in another planet) there are interviews for, I believe, Guitar Player where they show his amps and there are the settings written on it.
"If you're not grimacing on the other side of the screen, there's something wrong."
What does it say about me that I'm grinning like a madman?
Great tones guys, Pike would be proud.
Sound like the Cocteau twins
Laughed, I did.
Should've used the EHX Big Muff OP Amp re-issue. I use it through the clean channel of my Orange TH-30 head (w/Orange PPC212 closed-back & Orange PPC212 open-back cabs), and it nails the Sleep sound.
Would love to hear "sound like The Sword" they use a lot of custom peddles wonder how close you could get.
I can get a good early Pike tone with my 1977 JMP 50 watt and my Orange AD30 in stereo through separate guitar cabinets. And with a Chandler Tube Driver. Good stuff guys. Need more videos like this. It's hard to capture how these heavy rigs sound via microphone because it's something that must be experienced in person. It'll blow your fro around.
Sound like Extreme? I think Rabea would have fun with that!
Thank you for taking a moment for the bass !
Electric Wizard: Dopethrone. Please. I need this.
Agony Grind behringer sf300. Fuzz mode 2. Dime the gain and eq to taste. $30 dopethrone tone. Its a clone of the boss fz2 that was used on that album.
Brad Schmidt yup
Idk why everyone always says you need a valve amp to play doom.... you absolutely do not. Sunn Beta lead and concert lead are excellent amps for that sound. Both are solid state. I have a 1979 Peavey Solid State, a micro amp, and Carcosa Fuzz and it’s incredibly good at Doom/stoner metal.
Great video guys do you think you can do a sounds like Judas Priest please
Glenn has a signature ESP but it's too much money so they need an ESP with EMG's, i recommend an ESP M400 and for amps get a DSL20 or 40, for pedals get an MXR Distortion +, MXR Micro Chorus, MXR 10 Band EQ, perhaps an MXR Micro Flanger and a cry baby wah
Richie has a signature V so get that, throw in a Marshall DSL amp as andertons don't stock ENGL, get a Boss DD3 for Saints in Hell, an MXR Micro Chorus, an EHX Micro POG for Sinner and a Dunlop Jerry Cantrell Wah, if that's gonna break the bank just get a standard wah
Yes, yes, yes! But classic Priest! 78 thru 84.
Having recently discovered Sleep and Matt Pike's mighty and filthy sound, this made me extremely happy. Thanks 👍
Sound like Motorhead , by Busting the bank.
Lemmy used a Rickenbacker 4004 LK Limited edtion 2 marshall Jmp-25 Super Bass amps 2 marshall 4x15 cabs and 2 marshall 4x12 cabs he called his Rig Murder one
The last and longest serving guitar player Phill Campbell I believe he used a marshall JVM 410H and maybe a JCM 900 4100 Thru Marshall cabs and a lot of different guitars but towards the end he mostly played a LAG Explorer I think.
@Mark Seymour take it from somebody who worked for the band mate. Motorhead sound, especially the first six records where a combination of 70s punk and 50s rock and roll with the gain turned up as well as the metronome. I guess you young lads call it on steroids. That's why the blokes were the long-hairs that the punks accepted. They heard the punk in the fusion of the two styles.
If you trying for Phil Campbell sound or even Eddie all you need is a high gain Marshall and an overdrive. Phil messed around with line 6 for a little while but only for one tour. Marshall across the board and now they're strapped with a traditional humbucker and the bridge or Les Paul with a ceramic.
@@mistermotorbanger8279 Yeah Phil's tone was pretty Marshally for the most part. Although you're right with Line 6 on the Hammered tour, along with ENGL, Soldano, Bogner, Mesa etc in the past haha. He's definitely experimented with gear over the years
😂 you busted my bank with the guitar alone!
12:24 the face you make when your tone is shaking the entire room
When you were demoing the pedals individually, you kicked on the Doom stick, and the pedal cam shook out of focus for a second. So awesome.
sounds like electric wizard would be cool
I've waited so long for this. Thanks guys !!
i'd love to see you do conan!
I would have picked the EQD Acapulco Gold to get the Power Amp Saturation and an MXR 10 band EQ as Matts HOF sound isn't so scooped. The Sleep tones were pretty good!
👏👏👏👏👏 SOUND LIKE SLAYER!
👏👏👏👏👏 SOUND LIKE SLAYER!
👏👏👏👏👏 SOUND LIKE SLAYER!
👏👏👏👏👏 SOUND LIKE SLAYER!
👏👏👏👏👏 SOUND LIKE SLAYER!
Please do a by busting on this one ASAP! By far some of the most epic tones ever!
if you want to try some really heavy doom do Conan, they tune down to F standard. Listen to their song Thunderhoof its brutal, especially towards the end
I love Rabea's face towards the end there playing some Sleep. It's the standard expression to people who love, or hate sludgey doom.
This hurts. Sleep is my favourite band. Those tones barely resemble Pike's. Your first mistake was no Orange. You just assumed that more fuzz and distortion would equal Pike's tone. But the Doomstick was pretty cool NGL.
hey at least dopesmoker was closest
@@widowmaker5544 See, from my ears, that was one of the furthest away. Idk, man. I'm just really picky with my stoner doom tone I guess.
I guess it s because holy mountain was a bonus live track on dopesmoker
Thank you guys for this! One of my fav's. Love this series.
sounds like sunn o))))))
P90 Loaded Gibson Les Paul, Cranked DSL40, Doom Stick, done
Set the guitar on the floor in front of the amp. Kick it. Walk out of the room and leave the cameras to record three hours of feedback. Most accurate "Sounds Like" ever.
Put a mic inside a refrigerator, hit record, leave for an hour
Sound Like Sunn o))) Without Leaving The Pub
SepSep SUNN amp to bring destruction on earth
i’m not usually crazy about the without busting the bank series (i love the hosts though)
but this one is awesome.
rig should have been epiphone les paul standard,
orange or15
cheapest 1x12 in the store,
mxr distortion +
baby oil
This guy know whats up. ESP and orange is fantastic for matt pike sound.
OR15 is the shit! Could have nailed Matt Pikes tone with just a boost pedal.
Well said
KYUSS!
\m/ All I gotta say is if you think they sound heavy on the records, go catch either of them live! So much POWER! \m/
Opeth would be tough
I would disagree. They have used a couple different amp brands over the years, and their sound is very different throughout their different eras, early days sound different than the 99-08 era, and their modern sound changes album to album. Even if they wanted to focus on the Death Metal era, they would have to find a very versatile rig, that gets the warm cleans and the crushing distortion tones.
Pre Blackwater park opeth would be very difficult. They were using strats and les Paul's then I believe and idk how they got those sounds out of them. But everything after that is prs se's through a Marshall.
Thanks for this guys, very thick-sludgy and yet warm sound!!! :D
Sound like Joy Division
NoiseFeedMusic Bollocks, if a tone is perfect for a band's sound then it's a good fuckin tone what u sayin fam??
that was the best one yet... smiles all round for me...
Pls do the pixies at some point. Good video btw.
Now bust the bank, boys! This is one I have been looking forward too. Electric Wizard or Weedeater next please!
FINALLY
Rabea's doom face @ 10:39 had me crying
Sound like Electric Wizard!!!
Jayden Baker cranked Sound City 120 and a Boss FZ-2. Also, you would need to be Jus. The big cranked amps are needed though.
Matt uses a custom nine string guitar. The three high strings are doubled, giving him that crazy chorus lead sound.
Holy mountain is not off dopesmoker!
Ht40mkii is the best amp ever hands down I love it so much.. wouldnt hurt if I had a 65 deluxe reverb or something 😅
My bloody valentine
i thought that said Bullet For My Valentine for a second
now i am sad :(
William Allison except that band sucks and my bloody valentine doesn’t
Fuzz after reverb, volume all the way up. Boom.
NoiseFeedMusic jaguar>keely loomer>clean amp you absolute goofball
Pussy's.
Matt Pike BY busting would be so much fun, hope you guys get to do that.
Sound Like Tom Petty and the Heartbreakers please.
i don't know much about the late tom petty's rig but i know more about mike, i'd say go for a fender telecaster either with the humbucker in the neck or just the lipstick cos he uses teles a lot as well as some gibsons and stuff
for amps you need a fender combo cos he uses a princeton and i think a fender tweed deluxe
for pedals he uses a Line 6 DL4, a Way Huge Camel Toe and a cry baby classic wah, i think some other things too but it all depends on what they play
yes, been waiting for this for so long! awesome!
Please do episodes on Buzz Osbourne of the Melvins and Page Hamilton of Helmet.
I just got into High On Fire and Sleep. I love it.
Nice video guys! Please do
-The Cult
-Police
-Stray Cats
-Ted Nugent
-UFO
Thanks in advance!
Brian Setzer's tone is really simple
Gretsch G5420
Fender Blues JR or Hotrod Deluxe
Tone City Tape Machine
all done
William Allison I personally think the Gretsch G2420T Streamliner would be better, because of the Broad’Trons are closer to the pickups used on the 6120. Though you could probably get closer with TV Jones Brian Setzer Signature Pickups. I agree with the Blues Jr for its Bassman like sound, but why not use a DM-2W, because he used the original DM-2?
Simmy 2001 he mainly used a Roland space echo though which is much brighter and clean sounding then a dm2
The King Ted Nugent used Brownface deluxes, which were closer to being British voiced. But both those are fairly specific tones, especially since I don’t think many modern Fender amps come close to an old Brownface. If Andertons stock Guild, a Starfire might be a good option if there is a model with a PAF-style humbucker in it to get that midrange honk (I’m pretty sure there is on with Seymour Duncan Seth Lover pickups), and maybe a Blackstar Artist 15 because it has a similar control layout to the 6G3.
@Simmy 2001 i think the G2420T is the shout cos it has the accurate pickups and a bigsby
i'm sticking to blues junior
and the DM2 Wazacraft by Boss is gonna finish it
so that's quite reasonable and it'll work fine
THANK YOU VERY MUCH . . . for doing this one guys !
Sound like the shaggs or Lil Wayne by bustling the bank thank you very much
Yes! I’ve been waiting for this one for a while now
Sound like Dinosaur Jr./J. Mascis
obviously his Signature Jazzmaster
Marshall DSL
Vox Wah (for Little Fury Things)
Electric Mistress (for Freak Scene)
Big Muff for all his fuzz tones
maybe some delays and an extra fuzz and it's ripe for the picking
Jm with antiquities
100 watt Marshall valve amp with amp set before breakup
Overdrive always on for clean tones
Wah
Different muffs he says he turns everything down so the muff is the loudest in the chain
Flanger
Delay
Super high action and earplugs he talked about always playing with earplugs and wanting to feel the guitar thru his body like he felt when playing drums also that Dinosaurs original concept was to be the loudest
Dude is so rad
There’s a reverb video on it on the reverb channel I’m paraphrasing I am not an expert but a fan and a guitar nerd
Best sounds like yet. Great tones and riffs.
Sound like Ritchie Blackmore! I can’t believe you haven’t done this yet.