Alexandra tem uma voz de grande beleza. Agudos lindos para tão jovem. Poderá ser uma grande cantora,assim como a Nadine.Parabens a ambas Saudações do Brasil !
Muchas gracias por este video❤ Admiro mucho a Nadine💙❤️ además ser una excelente cantante se ve que es muy sencilla❤❤❤ felicidades... saludos desde México💙❤️posdata( soy soprano lirico-ligero) no se hasta donde Dios me permita llegar pero.. afortunadamente he tenido oportunidad de cantar en varios lugares en México❤ ojalá algún día pueda hacerlo por todo el mundo..no aspiro a ser como Nadine...pero por lo menos cantar en otros lugares del Mundo... Bendiciones a todos los que lean mi comentario❤🎉
Mario Del Monaco was using appogiarsi in nucca, what is demonstrated here. It is not bad at all. Have a look on some of the old school singers. Most of them use it on high notes.
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is being hailed as one of the most promising, young talents in opera today. She was named the Richard Tucker Award Winner in 2017 and was awarded the 2018 Beverly Sills Artist Award by the Metropolitan Opera. Having made a string of successful debuts at the Met, Teatro alla Scala, Opéra national de Paris, and Staatsoper Berlin, she has become a fixture at many of the top houses around the world. On August 24th, 2018, her debut album, There’s a Place for Us, was released under the Deutsche Grammophon/Universal Music labels.
says that the sound needs to be pulled forward and sent up, but she herself demonstrates how to roll the sound back and down, that is, she sings in a low position and pushes the sound back into the throat. Well, she thinks, of course, that she is a master.
@@celibidache1000 by "her", do you mean Nadine Sierra, the youngest winner of the Met Council Auditions, winner of the Richard Tucker Award, winner of the Beverly Sills Award, and one of the most sought after sopranos in the world? That Nadine Sierra?
@@dchisham Yes, exactly that Nadine, with the woofy chest notes, the shrill high notes, the underdeveloped mixed registers, with tensions in her tongue, neck (look at those over active sternocleido mastoideus), jaw and shoulders; who raises her larynx and spreads her mouth at the top - that Nadine. Competitions for classical singers today is a joke - a bad joke. Every single singer has awful technique, and it's always the most theatrical singer that wins (and nor seldom the pretties, skinniest, and most "charming") . Those competitions are a display of constricted sopranos, artificially darkened mezzos (who are, in fact, sopranos with a short register), nasal tenors without chest participation (everyone's a Rossini tenor today - a fach that doesn't exist), baritones who are underdeveloped tenors, and basses who just are baritones with depressed larynges. And so they win, and are thrown around the world by their managents, singing too heavy and too much repertoire for their poor underdeveloped instruments to handle, and dissappear after 5 years (10 years if they have really robust instruments) because their voices are broken. They lost their voice, and the management and opera houses gained money. Here is my prediction (unless somebody helps her re-coordinate her voice): within 5 years, Nadine's voice will have an ever woofier low register, duller middle register with unclear vowels, and a top that is shrill and her to control. Her vibrato will be even slower and wider. Let's just wait and see. And if it's your view that she sings well, please tell me what I'm her technique is good, according to you.
@@celibidache1000 don‘t want to be mean here, but it comes over like you didn‘t win that competition of yours and giving bitter trash talk about someone who is obviously not gonna read this, because she has a great carrier. Hating on today’s singers is an awful trend, coming from This is Opera and this guy who calls himself Scarpia or some sh&t, and none of them can present a carrier on their own, or even a demonstration of their singing. And we are seriously getting tired of some people ruining opera for the rest of us, who are trying to enjoy it.
![เจ็บที่ยังฮัก - ม่อน วรวิทย์ [ Official Mv ] จอนนี่มิวสิค](http://i.ytimg.com/vi/KALIGSRSjFs/mqdefault.jpg)
Alejandra has a beautiful voice !!
Que nota de voces!!! Hermosas ambas!
Alexandra tem uma voz de grande beleza. Agudos lindos para tão jovem. Poderá ser uma grande cantora,assim como a Nadine.Parabens a ambas
Saudações do Brasil !
Both of them great voices!!!
Muchas gracias por este video❤ Admiro mucho a Nadine💙❤️ además ser una excelente cantante se ve que es muy sencilla❤❤❤ felicidades... saludos desde México💙❤️posdata( soy soprano lirico-ligero) no se hasta donde Dios me permita llegar pero.. afortunadamente he tenido oportunidad de cantar en varios lugares en México❤ ojalá algún día pueda hacerlo por todo el mundo..no aspiro a ser como Nadine...pero por lo menos cantar en otros lugares del Mundo... Bendiciones a todos los que lean mi comentario❤🎉
This was REALLY helpful!!!❤❤❤❤❤❤❤
Awesome, thank you!
So lucky!!!
Nadine....❤️🔥❤️🔥❤️🔥
Wonderful 🌸
wow thank u so much for sharing ❤
Надин очень старается помочь)
Mario Del Monaco was using appogiarsi in nucca, what is demonstrated here. It is not bad at all. Have a look on some of the old school singers. Most of them use it on high notes.
6:06 so beautiful
Nadine is perfect! The student has "flat highs". But she has a good future if continues studying.
Not just flat highs unfortunately. She sings flat throughout her range
Nadeine, great job. Please point out when the soprano goes flat always.
I want to hear singing Puccini
¡Gracias, Chava! 💕🤓
Ale López Que gran experiencia tuvo que haber sido esta clase maestra con la gran Nadine Sierra.Todo lo mejor para tu carrera!
Que preciosa voz tienes! Me quedé wow!😍😍
@@blanca.gtez08 ¡Muchas gracias! 🙂
👏👏👏❤❤❤
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is being hailed as one of the most promising, young talents in opera today. She was named the Richard Tucker Award Winner in 2017 and was awarded the 2018 Beverly Sills Artist Award by the Metropolitan Opera. Having made a string of successful debuts at the Met, Teatro alla Scala, Opéra national de Paris, and Staatsoper Berlin, she has become a fixture at many of the top houses around the world. On August 24th, 2018, her debut album, There’s a Place for Us, was released under the Deutsche Grammophon/Universal Music labels.
says that the sound needs to be pulled forward and sent up, but she herself demonstrates how to roll the sound back and down, that is, she sings in a low position and pushes the sound back into the throat. Well, she thinks, of course, that she is a master.
Tu eres experta?
It surely doesn't sound back in the throat to me...
What on earth is she talking about?
Pharyngeal shape and its impact on air speed and resonance
@@anduribaritone But what she says is nonsense, which is evident from her underdeveloped voice.
@@celibidache1000 by "her", do you mean Nadine Sierra, the youngest winner of the Met Council Auditions, winner of the Richard Tucker Award, winner of the Beverly Sills Award, and one of the most sought after sopranos in the world? That Nadine Sierra?
@@dchisham Yes, exactly that Nadine, with the woofy chest notes, the shrill high notes, the underdeveloped mixed registers, with tensions in her tongue, neck (look at those over active sternocleido mastoideus), jaw and shoulders; who raises her larynx and spreads her mouth at the top - that Nadine.
Competitions for classical singers today is a joke - a bad joke. Every single singer has awful technique, and it's always the most theatrical singer that wins (and nor seldom the pretties, skinniest, and most "charming") . Those competitions are a display of constricted sopranos, artificially darkened mezzos (who are, in fact, sopranos with a short register), nasal tenors without chest participation (everyone's a Rossini tenor today - a fach that doesn't exist), baritones who are underdeveloped tenors, and basses who just are baritones with depressed larynges.
And so they win, and are thrown around the world by their managents, singing too heavy and too much repertoire for their poor underdeveloped instruments to handle, and dissappear after 5 years (10 years if they have really robust instruments) because their voices are broken. They lost their voice, and the management and opera houses gained money.
Here is my prediction (unless somebody helps her re-coordinate her voice): within 5 years, Nadine's voice will have an ever woofier low register, duller middle register with unclear vowels, and a top that is shrill and her to control. Her vibrato will be even slower and wider. Let's just wait and see.
And if it's your view that she sings well, please tell me what I'm her technique is good, according to you.
@@celibidache1000 don‘t want to be mean here, but it comes over like you didn‘t win that competition of yours and giving bitter trash talk about someone who is obviously not gonna read this, because she has a great carrier. Hating on today’s singers is an awful trend, coming from This is Opera and this guy who calls himself Scarpia or some sh&t, and none of them can present a carrier on their own, or even a demonstration of their singing. And we are seriously getting tired of some people ruining opera for the rest of us, who are trying to enjoy it.
Некрасиво в такой юбке.
pienso que Alejandra tiene la voz mas hermosa que la misma coach Nadine
no es asi,falta la intonacion
Учитесь слушать и слышать
Te equivocas y no porque este diciendo que la srita Alejandra lo haga mal pero falta trabajo técnico debes documentarte antes de opinar..🤦🏻
But the teacher’s voice is too nasal😢
Flat on Bello - too much crescendo