First things first: I really think that you are extremly talented! You shoot the pictures I would like to be able to shoot! For me it would be interesting to see you edit your footage since I believe that your editing is also outstanding and contributes a lot to the feel of your pictures... selamlar
Great informative video Eren! I like the idea of playing a story out in your head, usually I just shoot anyone I find interesting but defo going to try this tip now! :)
What does exposure compensation do? Don`t you spot meter the highlight in the frame and then dialing the exposure so the highlight is in zone 5? so 2.5 to 3 f-stops over 0?
Very useful information as always Eren. I did a Bank, Shoreditch, Barbican route yesterday. More cloudy than forcast so the light was not favourable unlike when I was down a few weeks before. First time at the Barbican which was really interesting with lots of photo opportunities there. Looking forward to trying some night photography in London in the next few weeks.
Huge thanks Clive! Awesome, lose that route and yh, with the Barbican I always feel it needs light to get those contrasty shadows, rainy days at Barbican work too.
Another excellent, colourful and informative video post Eren. I always look forward to them and take something away every time. A BIG thank you for your time and effort in putting them together. This post has convinced me that with some effort the 56 will add something to what I do. I've been on the fence with the 56 since 2014. My 14, 23 and 35 f1.4's and 50f/2 are my go to primes. It'll be nice to have the 56....finally! I'll let you know how I get on.
Thanks for this video. It motivaties me to go on my own and apply your tips. I’m going to the old centre of Delft, an superannuated small town in Holland with lot of light from bars, restaurants, theaters and so on. Delft is also a City of channels and students. So very cinametic. Hope it will be succesfull.
Thank you! will be dropping an episode on this in the near future, a lot of the same principles apply, and it really does depend on the look you're going for.
The Photos in your video is truly amazing. Very educating video. And inspiring. Do you have any experience of manual lenses like TTartisan 50mm f1.2? I’m considering that one for night time street photography.
Great video, as always! About looking for different angle when waiting for the right subject, happened so many times that suddenly super interesting subject is walking and I have to rush back to previous composition as I liked it better, so the photo ends up being slightly worse than it could be 😀 How do you expose neon lights BTW - clip them slightly or not at all? As I always struggle to make them look natural.
Huge thanks, haha, I try not clip them at all and then pull the shadows out in post, does depend on the scene though, if there really is no light anywhere else then you have to balance it a little bit otherwise you have to pull details out of really really dark shadows which usually comes up muddy. But yh, spend most my time editing these shots getting the lights where I want them to be
Another great explanation to improve, your videos are getting better and better, it's incredible, I have a question, when you edit your photos, what do you think is the camera profile that you use the most to achieve your cinematic aspects? eternal maybe?
@@erenjam Thanks, mate. I have been using these Fujicrons, but I wonder if I could achieve a much clearer picture with an f/1.4.. It’s always a trade-off, isn’t it?
Have you tried using the DR400% at night? From what I've seen in Pal2Tech's tests, the DR400% mode is like a dual gain readout to preserve highlights at 160 ISO and capture shadows at 640 ISO. I've only been using it in the day, haven't quite shot at night yet.
This my new favorite photography channel!
Huge thanks Charlie!
Nice video. But I’m missing one of the most interesting subjects for night time: post editing and color grading.
You should have more subscribers
Thanks Rich! getting there slowly :D
First things first: I really think that you are extremly talented! You shoot the pictures I would like to be able to shoot! For me it would be interesting to see you edit your footage since I believe that your editing is also outstanding and contributes a lot to the feel of your pictures... selamlar
Thank you! new editing episode coming soon :)
Very Informative. I like your style, you have a good eye.
huge thanks !
Facts 🙌
🙌🏻🙌🏻🙌🏻
Great informative video Eren! I like the idea of playing a story out in your head, usually I just shoot anyone I find interesting but defo going to try this tip now! :)
Thanks Sophie!
Excellent video and tips. Do you usually use automatic white balance at night? Also, do you have a preferred film simulation at night? Thanks
Thank you! Yh with WB I always leave it on auto when shooting raw. As for simulation I like classic chrome
The Ricoh is the queen of camouflage
Great tips and beautiful photos. Thank you
Thank you!
What does exposure compensation do? Don`t you spot meter the highlight in the frame and then dialing the exposure so the highlight is in zone 5? so 2.5 to 3 f-stops over 0?
Fantastic tips and very useful advices.
And the editing on all shots in the video is also great, true cinematic vibe.
Thank you bro! 🙏🏼
Great video Eren! Such good tips. And congrats on being featured in that GFX ad 👏
Big thanks Mick 👊🏼🙏🏼
Excellent points 👏👏
Thank you!
Very useful information as always Eren. I did a Bank, Shoreditch, Barbican route yesterday. More cloudy than forcast so the light was not favourable unlike when I was down a few weeks before. First time at the Barbican which was really interesting with lots of photo opportunities there. Looking forward to trying some night photography in London in the next few weeks.
Huge thanks Clive! Awesome, lose that route and yh, with the Barbican I always feel it needs light to get those contrasty shadows, rainy days at Barbican work too.
Another excellent, colourful and informative video post Eren. I always look forward to them and take something away every time. A BIG thank you for your time and effort in putting them together. This post has convinced me that with some effort the 56 will add something to what I do. I've been on the fence with the 56 since 2014. My 14, 23 and 35 f1.4's and 50f/2 are my go to primes. It'll be nice to have the 56....finally! I'll let you know how I get on.
Thanks Ian! the 56 is one of Fujifilm's finest
Really great shots!
thank you!
Great vid Eren 👍
Huge thanks Neil!
Thanks for this video. It motivaties me to go on my own and apply your tips. I’m going to the old centre of Delft, an superannuated small town in Holland with lot of light from bars, restaurants, theaters and so on. Delft is also a City of channels and students. So very cinametic. Hope it will be succesfull.
Great to hear! hope your trip went well 🙏🏼
Great advices and perfectly explained!!! Any advices maybe about shooting cinematic shoots during daytime?
Thank you! will be dropping an episode on this in the near future, a lot of the same principles apply, and it really does depend on the look you're going for.
The Photos in your video is truly amazing. Very educating video. And inspiring. Do you have any experience of manual lenses like TTartisan 50mm f1.2? I’m considering that one for night time street photography.
Thanks Lars! Yet to test manual lenses but there's a voitlander one I have my eye on
Good effort with your videos and photography [& a fellow fuji lover]; subscribed :)
Huge thanks!
Great vid, much appreciated! Just in time for me actually, as I'm planning to take some pictures tomorrow evening :)
Thank you Tomasz! Good luck 📸
Great video, as always! About looking for different angle when waiting for the right subject, happened so many times that suddenly super interesting subject is walking and I have to rush back to previous composition as I liked it better, so the photo ends up being slightly worse than it could be 😀 How do you expose neon lights BTW - clip them slightly or not at all? As I always struggle to make them look natural.
Huge thanks, haha, I try not clip them at all and then pull the shadows out in post, does depend on the scene though, if there really is no light anywhere else then you have to balance it a little bit otherwise you have to pull details out of really really dark shadows which usually comes up muddy. But yh, spend most my time editing these shots getting the lights where I want them to be
Another great explanation to improve, your videos are getting better and better, it's incredible, I have a question, when you edit your photos, what do you think is the camera profile that you use the most to achieve your cinematic aspects? eternal maybe?
Huge thanks, I use classic chrome mostly but yh, Etherna is a good option too
It's been a while bro! Welcome back and great subject :)
Huge thanks dude 👊🏼🙏🏼
i have to ask with what lens did you record that beautifull ending scene
That was shot with the 55-200
Workshop in minutes. Thank you again, Eren
Thanks bro!
Thanks for the tips! Do you reckon that f/2 or 2.8 could be enough? I worry that I won’t have enough depth-of-field. My main concern is noise.
yeah I use the f2 quite a lot and the 16-55 2.8 and night too. Faster the better but you can get away with shooting on 2 and 2.8 at night too
@@erenjam Thanks, mate. I have been using these Fujicrons, but I wonder if I could achieve a much clearer picture with an f/1.4.. It’s always a trade-off, isn’t it?
Thanks a lot for this video ! 🙌😉
Thank you! 🙏🏼
Wow so much information in just a few minutes this is cool
Huge thanks!
Thanks for the tips
🙏🏼
This is great dude 👌
Big thanks dude!
loved this one!
:)) thank you
Have you tried using the DR400% at night? From what I've seen in Pal2Tech's tests, the DR400% mode is like a dual gain readout to preserve highlights at 160 ISO and capture shadows at 640 ISO. I've only been using it in the day, haven't quite shot at night yet.
I've played a bit with the DR settings, I'll have a look into those tests, sounds interesting
Liked that video.... Im always down Soho shooting at weekends. Give me a shout.
Thanks dude! 📸🙌🏻