Thanks so much for the input. I’m on a search for a good amp and cab. I currently have a small box 50 but to me the difference is too much between the two channels. When you switch from the plexi side cleanish to the second channel it changes the EQ way too much. Being that there is shared EQ controls it’s a bit of a pickle. I’ve been reading about the Twin sister or Dirty Shirley and it may be something I’m interested in. I’m seeing a lot of common theme where people like other amps better than Bogner but prefer their cabs. Anyways, I had another question. Did you really have to back off the master volume control to get that much gain crunch sound ? - on the Smallbox 50 if I backed off the master on either channel it would take a lot more effort to get a higher volume the way it sounds you are achieving.
@@joshuadillon4396 Hey Josh, I have a SB50 now and sold both the DS and TS. Great amps, it's just the SB50 suites me better plus this one came with the SAT mod done by Dave. I'm not understanding your question regarding the MV. MV doesn't affect gain, just the overall volume of the amp. Now, tonally as you increase the volume it does change some and have to adjust the eq for that particular MV setting.
Hey there. Thanks again so much for these responses on an older thread. So, it’s funny because you say master volume doesn’t affect gain but then say it kinda does affect tone. Tone can then affect gain a bit. Just like sometimes the more gain you may need to back off treble or vice versa/. The more EQ in of treble can actually make you hear more gain. Anyways. I am simply commenting on and trying to understand because it seems like in this video you are trying to absolutely maximize gain . You have the gain slammed And an overdrive in front. But then you have the master slammed all the at back. friedmans master volumes are quite impressive but they still like any - are not perfect. But main question is just was there a reason you had to slam that master all the way back and how on earth did you even get such volume then just by the mic maybe and pushing volume up after recording ?
The Amp sounds superb. Adding the OCD is Killer. The dog is the man :-)
F**K ME…..I’ll take that tone ANY day over the BE-100 line. That was absolutely KILLER. Well done!
Monster tone!
Sounds amazing
amp sounds so good
Damn straight
I don't think I hear much difference except some more gain. Desn't seem to tighten it up or anything...
An OCD has quite a bit of low end artifacts. A tubescreamer or Klon style pedal would definitely do a better job with adding tightness.
Good lawd thats fuckin awesome
Damn 🔥
killer
Which cab
Bogner 212 with V30/CB65
Thanks so much for the input. I’m on a search for a good amp and cab. I currently have a small box 50 but to me the difference is too much between the two channels. When you switch from the plexi side cleanish to the second channel it changes the EQ way too much. Being that there is shared EQ controls it’s a bit of a pickle. I’ve been reading about the Twin sister or Dirty Shirley and it may be something I’m interested in. I’m seeing a lot of common theme where people like other amps better than Bogner but prefer their cabs. Anyways, I had another question. Did you really have to back off the master volume control to get that much gain crunch sound ? - on the Smallbox 50 if I backed off the master on either channel it would take a lot more effort to get a higher volume the way it sounds you are achieving.
@@joshuadillon4396 Hey Josh, I have a SB50 now and sold both the DS and TS. Great amps, it's just the SB50 suites me better plus this one came with the SAT mod done by Dave. I'm not understanding your question regarding the MV. MV doesn't affect gain, just the overall volume of the amp. Now, tonally as you increase the volume it does change some and have to adjust the eq for that particular MV setting.
Hey there. Thanks again so much for these responses on an older thread. So, it’s funny because you say master volume doesn’t affect gain but then say it kinda does affect tone. Tone can then affect gain a bit. Just like sometimes the more gain you may need to back off treble or vice versa/. The more EQ in of treble can actually make you hear more gain. Anyways. I am simply commenting on and trying to understand because it seems like in this video you are trying to absolutely maximize gain . You have the gain slammed And an overdrive in front. But then you have the master slammed all the at back. friedmans master volumes are quite impressive but they still like any - are not perfect. But main question is just was there a reason you had to slam that master all the way back and how on earth did you even get such volume then just by the mic maybe and pushing volume up after recording ?
I just set the volume to taste for the room. My room is 15ft x 20ft with wood/tile flooring so it’s lively.
Les Paul?
I believe so