I already loved the original intro and changes here and there: already a fresh breath of air from practically most Strawberry Crisis arranges. And then the vocals hit along with the erhu. Got shivers. And then main menu theme at 4:35?? Good lord, this is a gem.
Very good observation at 4:35. I made small references to the main menu theme, Magical Beast Scramble and The World Is Made In An Adorable Way. Glad you liked the arrangement, thanks so much for your comment!
I can only say that this remaster is absolutely incredible. I already love the original Strawberry Crisis to death but this one just became my favorite version of the song.
Oh, now with what you explained in the description things make more sense. You did the arrangement before the full game was released, which is why I missed the style of the other boss themes, as well as the final boss's instruments and some references that I think would be very well placed here. As an arrangement itself, I really liked the first part and the end of the second part, but as an arrangement in the TH19 style, not so much. Of course I now understand the reason for much of this from what you explained, but I wanted to share my opinions, judging as if this were an arrangement based on the style of the full game's themes. The violins seem to have been used a lot, which for some reason gave me a certain feeling of a Karl Zuñiga style arrangement. I have the impression that most of the time the drums are not being used in the way I would expect for original TH19 songs (I can't explain very well why). But you implemented the excess of cymbal beats well, I just think these beats could have "been more prominent" somehow, as it's almost impossible to ignore them most of the time when listening to TH19 themes, and I missed a use very excessive of them in the climax, which happens a lot in TH19. I miss instruments with a specific reverb often used in the OST. A few more instruments used in Zanmu's theme would be very welcome, they are so good.
In the introduction there are parts of the melody (which appears in other sections throughout the arrangement) that I liked and others that I didn't like. The piano is cool. From 0:30 to 1:21 I really liked it, the trumpet and bass are cool and have a kind of futuristic touch, and I think it suits Yumemi (I think here you used instruments from the title theme, but it was still cool for a boss theme). I just found the use of the violin strange, as it sounds more "Karl Zuñiga" than "ZUN", although it has slight similarities with one of the uses in Reimu's theme. From 1:21 to 2:06 the acoustic guitar is cool, the choir aligns with ZUN's arrangements and recent games, despite not aligning with the original themes. While I liked how you made this part more dynamic, I didn't like that it was so relaxed most of the time, without the feeling of tension that I feel in the original. From 2:07 to 2:29 it is very good, with a good feeling of climax, maintaining the striking simplicity of the original. From 2:30 to 4:45 it really looks like something much more Karl Zuñiga. There are many changes. You used ehru and voices well here. Well, this arrangement certainly has quality and was made with care. These points I mentioned are just my opinion on the issue of suitability for the intended style. Thank you for always having this dedication and releasing quality work.
Somehow I thought violins were going to be featured in this installment, hahaha. I mean, ZUN used them beautifully in the menu theme and in Reimu's stage From 1:21 to 2:06 I understand what you mention. About the tranquility thing, I tried to make it sound relaxed since from what little I had heard of the TH19 themes is that certain tracks weren't really attempts and some played with the hyperactive and the tranquil, although I guess I should have chosen another section and not that part that should match the whole main base From 2:30 to 4:45 maybe I took too many liberties hahaha I had in mind to restructure all the previous base and make a new section as if it was a kind of last spell. Orphen wanted me to make a part that would explode completely and serve as a closure, so I had to do a lot of testing and trying to find something that I really liked. In between so many changes of my own I went with my own instinct instead of thinking of something that ZUN would do, my mistake Thank you very much for your comment! @@TouhouMusicFan
I'm glad you liked the arrangement. The Touhou community releases quite a bit of fan-made content, I'm surprised to this day and it's appreciated that there's so much love for Touhou itself. I hope to continue providing content like this to the channel, thank you very much for your interest and appreciation
Hola soy ... Xd(? Nahh mentira, parece que te tomaste muchas libertades, parece un tema diferente, pero usando el leifmotive de yumemi y sobreexplotandolo mucho al parecer, te quedó genial, se me hace que no escuché todo el track en el stream mmmm, creo que soy yo
En el Stream se muestra también las dos partes, solo que se alterna entre los estilos de los otros músicos que decidieron participar En la segunda parte del tema intenté hacer algo diferente y romper por completo la estructura previa de la primera parte para darle un cierre al tema y que suene de alguna manera "impresionante" Muchas gracias por tu comentario
1. if you're talking about the intro to the song, he composed it. If you're talking about the cover image, the image is available in the album download in #-proyectos in the Paradise of Boundaries server. 2. The staff decided to invite Tokiko and Ocha to arrange the theme into their own style while Karl did the arrangements for the intro, middle section and outtro
@@mami.quiere.mequetrefe Thank you very much for clarifying that. To be honest I don't quite understand what Cchieffkiefbeff is referring to, the translator doesn't help me :c
@@mami.quiere.mequetrefe ye it was the song intro i was talking about and for the latter, i was wondering if the other phases were loops or entire new sections because strawberry crisis isnt 6 minutes long (or 4:27 either) so can you or Karl please answer that
![Touhou 05 Remastered - Alice in Wonderland (Arrangement - PCB Style) - [MIDI]](http://i.ytimg.com/vi/D-xK49F29cI/mqdefault.jpg)
![Touhou 05 Remastered - Alice in Wonderland (Arrangement - PCB Style) - [MIDI]](/img/tr.png)
![Touhou 3: Love of Magical Chimes // Strawberry Crisis (2021 remaster) [chiptune arrangement]](http://i.ytimg.com/vi/ILzN3t3AHSs/mqdefault.jpg)
![[東方 Arrange] PoFV: Eastern Judgement in the Sixtieth Year ~ Fate of Sixty Years (UDoALG Mix)](/img/n.gif)
2:28 It had the thing vibe, you know "The Thing", and i love it😢😭
It feels like you must sacrificed yourself for the world technology😢😭
I already loved the original intro and changes here and there: already a fresh breath of air from practically most Strawberry Crisis arranges. And then the vocals hit along with the erhu. Got shivers. And then main menu theme at 4:35??
Good lord, this is a gem.
Very good observation at 4:35.
I made small references to the main menu theme, Magical Beast Scramble and The World Is Made In An Adorable Way.
Glad you liked the arrangement, thanks so much for your comment!
No wonder, I thought I was hearing Reimu's theme and something else in there. Love it
Epic moments:
0:30 - 1:22
2:06 - 2:31
3:13 - 4:00
4:01 - 4:48
I can only say that this remaster is absolutely incredible. I already love the original Strawberry Crisis to death but this one just became my favorite version of the song.
I'm glad you liked the arrangement. Thank you very much for your comment!
すごくかっこいい！ストロベリークライシスの良いところと最近の曲の良いところが融合していて、聞いていてものすごく楽しい
(クライシス)
@@ああ-o9g3r すまん…直してくる
I'm glad you liked the arrangement, thank you very much!
you nailed this one its amazing 😭was amazed when i was watching the stream on paradise of boundaries, finally i can listen to itt
Thank you very much, I am happy that the arrangement is to your liking
SUPER SUPER ÉPICO Y BIEN HECHO, ME ENCANTAAAAAAAAAAA!!!!
Me alegra que te guste. Muchas gracias por su comentario!
Can't stop replaying this
Oh, now with what you explained in the description things make more sense. You did the arrangement before the full game was released, which is why I missed the style of the other boss themes, as well as the final boss's instruments and some references that I think would be very well placed here.
As an arrangement itself, I really liked the first part and the end of the second part, but as an arrangement in the TH19 style, not so much. Of course I now understand the reason for much of this from what you explained, but I wanted to share my opinions, judging as if this were an arrangement based on the style of the full game's themes.
The violins seem to have been used a lot, which for some reason gave me a certain feeling of a Karl Zuñiga style arrangement. I have the impression that most of the time the drums are not being used in the way I would expect for original TH19 songs (I can't explain very well why). But you implemented the excess of cymbal beats well, I just think these beats could have "been more prominent" somehow, as it's almost impossible to ignore them most of the time when listening to TH19 themes, and I missed a use very excessive of them in the climax, which happens a lot in TH19. I miss instruments with a specific reverb often used in the OST. A few more instruments used in Zanmu's theme would be very welcome, they are so good.
In the introduction there are parts of the melody (which appears in other sections throughout the arrangement) that I liked and others that I didn't like. The piano is cool.
From 0:30 to 1:21 I really liked it, the trumpet and bass are cool and have a kind of futuristic touch, and I think it suits Yumemi (I think here you used instruments from the title theme, but it was still cool for a boss theme). I just found the use of the violin strange, as it sounds more "Karl Zuñiga" than "ZUN", although it has slight similarities with one of the uses in Reimu's theme.
From 1:21 to 2:06 the acoustic guitar is cool, the choir aligns with ZUN's arrangements and recent games, despite not aligning with the original themes. While I liked how you made this part more dynamic, I didn't like that it was so relaxed most of the time, without the feeling of tension that I feel in the original.
From 2:07 to 2:29 it is very good, with a good feeling of climax, maintaining the striking simplicity of the original.
From 2:30 to 4:45 it really looks like something much more Karl Zuñiga. There are many changes. You used ehru and voices well here.
Well, this arrangement certainly has quality and was made with care. These points I mentioned are just my opinion on the issue of suitability for the intended style. Thank you for always having this dedication and releasing quality work.
Somehow I thought violins were going to be featured in this installment, hahaha. I mean, ZUN used them beautifully in the menu theme and in Reimu's stage
From 1:21 to 2:06 I understand what you mention. About the tranquility thing, I tried to make it sound relaxed since from what little I had heard of the TH19 themes is that certain tracks weren't really attempts and some played with the hyperactive and the tranquil, although I guess I should have chosen another section and not that part that should match the whole main base
From 2:30 to 4:45 maybe I took too many liberties hahaha
I had in mind to restructure all the previous base and make a new section as if it was a kind of last spell. Orphen wanted me to make a part that would explode completely and serve as a closure, so I had to do a lot of testing and trying to find something that I really liked. In between so many changes of my own I went with my own instinct instead of thinking of something that ZUN would do, my mistake
Thank you very much for your comment!
@@TouhouMusicFan
i love being a touhou fan because i reguarly get to eat on content like this made by fans all the damn time
I'm glad you liked the arrangement.
The Touhou community releases quite a bit of fan-made content, I'm surprised to this day and it's appreciated that there's so much love for Touhou itself.
I hope to continue providing content like this to the channel, thank you very much for your interest and appreciation
SO HEAVENLY
so pretty
Cuando lo puse en mi stream me quedé pensando mucho tiempo en ella, y ahora el algoritmo de youtube la regreso a mi, excelente arreglo Karl.
Muchas gracias!
always nice seeing arrangements of my favorite thpc98 song
Me encanto esta version uwu
Gracias!
it's here! love it so much
Thank you very much, I'm glad to read that
increible :0
Gracias!
Hola soy ... Xd(?
Nahh mentira, parece que te tomaste muchas libertades, parece un tema diferente, pero usando el leifmotive de yumemi y sobreexplotandolo mucho al parecer, te quedó genial, se me hace que no escuché todo el track en el stream mmmm, creo que soy yo
En el Stream se muestra también las dos partes, solo que se alterna entre los estilos de los otros músicos que decidieron participar
En la segunda parte del tema intenté hacer algo diferente y romper por completo la estructura previa de la primera parte para darle un cierre al tema y que suene de alguna manera "impresionante"
Muchas gracias por tu comentario
What instrument is used for the synth chords you used here from the UDoALG title theme?
I use HALion [Triebwerk] (Dance Power Stabs)
so that just leaves the staff roll theme right?
hey where may i ask did you get the intro from
also may i ask why yumemi has 5 phase themes please, like genuinely
1. if you're talking about the intro to the song, he composed it. If you're talking about the cover image, the image is available in the album download in #-proyectos in the Paradise of Boundaries server.
2. The staff decided to invite Tokiko and Ocha to arrange the theme into their own style while Karl did the arrangements for the intro, middle section and outtro
@@mami.quiere.mequetrefe Thank you very much for clarifying that. To be honest I don't quite understand what Cchieffkiefbeff is referring to, the translator doesn't help me :c
@@mami.quiere.mequetrefe ye it was the song intro i was talking about
and for the latter, i was wondering if the other phases were loops or entire new sections because strawberry crisis isnt 6 minutes long (or 4:27 either) so can you or Karl please answer that
@@cchieffkiefbeffthey're new sections
@@mami.quiere.mequetrefek
hiatus again huh, weird
bro messed with something!
!
@@KarlZuniga make the trumpets lesser, do guitars more
The most overrated thing I've ever seen in my life. 🎉
I could have done better, but at least it didn't look too bad, haha
@@KarlZuniga sorry my mistake, underrated* I noticed it too late 😔
Oh, don't worry, I tend to make a lot of mistakes in my writing too (maybe too many mistakes)@@FutoOnChase