When Mike finishes with saying "Have fun playing this great _old_ song" I have to remind myself that yes, this was 60 years ago! But that's the magic of the Beatles, while a lot of early 60's music sounds dated, their songs still sound fresh and innovative.
Even in these early Beatles songs there are so many little nuances which add to the songs. Pretty impressive when you consider they were only in their early 20’s at the time.
I’m not a musician, but I love learning how these great Beatles songs are put together and performed. and when you perform the songs at the end of the demo, they’re always great!
When a verse is 9 measures and the chorus is 10 measures, it's a sure sign the song is not based on a formula. Rather it follows it's own melody. Personally, I prefer these types of songs.
It's truly amazing how much the young lads were playing and arranging songs in a "aeolian cadence" and didn't know it....! They were truly WAY ahead of their time.......I miss them...... Wonderful job Mike..!!!
I never thought much of this song as compared with others on the album. WRONG! Learning the song’s essence from you, Mike, you helped deepen my appreciation for it. And, your vocals are outstanding in your sound-alike. Thanks for this pleasurable learning experience.
Great job Mike…..it’s an unusual song in its structure. This was the song that caught the attention of the Times music critic for its unusual chord changes.
Mike, I know this is going to come across as badgering but you’re the man for the job. Years of searching and I’ve never found a decent tutorial on “I’m happy just to dance with you”. I know you are fascinated with John’s rhythm guitar in that song, and it baffles me you haven’t done a video on it yet. From one Beatles fan to another, your work is greatly appreciated.
Thanks so much for this. This song is one of those tunes, like There's A Place, or George's Don't Bother Me, that have always brought me looks of confusion or outright disgust! I feel somewhat exonerated! Thanks so much for these wonderfully executed demo's and greetings from an old timer in Southeastern Kentucky.
Hi Mike Your Hand Signed CDS of ( I Remember Django ) arrived here in Wisconsin today. Baba and You are fantastic on these recordings. You do so much for us in the Music World THANK YOU BIG TIME
Thanks so much, Mike; George's playing up to speed remind me of some Spanish strumming and it's also consistent with some Mercy Beat songs, with all the chord strumming that was done. We remember also that in the ending fadeout, you can hear them go to the D before it dies out. One of my favs :-)
Im an experienced musician but I enjoy your videos because I love the Beatles and watching your dedication to getting it all worked out exactly as it should be and sounding great. You've got the patience and dedication that all good teachers have too. By the way you are getting a much better sound out of that J160 E than John ever did. He was a bit of a basher.
accidentally found you through Ultimate Guitar the other day and man what an amazing idea for a channel. Obviously someone who feels about The Beatles the same way I do! Bravo.
Great Job on this one Mike. Back in the day my Group use to play this live. One of my Faviorite early Lennon songs. It was a group with no piano. Mark played Martins part on Guitar .I am sure George Harrison was not Happy he couldn't do that lead on Guitar. Oh well they ( The Beatles) weren't in control of things quite yet.
This is one of my least favourite Beatles songs … but your breakdown of the guitar parts has given me a new appreciation for it, Mike. Thanks for that!
Darn, I had always imagined George was playing unison notes to Martin's solo, ala A Hard Day's Night but operative word here is "imagined." It's just a blast to find out this great music was made.
@Rob - I did "Two of Us" a year ago. Here's the link: th-cam.com/video/g2bwIeM0ws4/w-d-xo.html FYI - to know if I did a song, TH-cam search my name and the song title.
Interesting that in effect, the song was recorded live to the master tape, including the 2 bounces. Perhaps at this time EMI didn't think the Beatles would last that long and didn't supply the budget to provide for a better recording and mix. I understand some of the early master tapes for Beatles songs can no longer be located.
Well done Mike! Wonder what the reason was Lennon allowed Martin to add the schmaltzy piano solo? Typically if Harrison couldn’t come up with a part, Paul could. Wonder if a harmonica part could have worked / sounded better! Mike, ever thought about covering 'Leave my kitten alone'? Wasn't released during the period they recorded it ( and not composed by the lads) but was included years later on the Anthology I? Another classic John vocal performances and quite a jumping little numba!! Could be tough to pull off vocally, but bet you can do it!
Not a second time is an underrated Lennon song, I always found it a bit different, not quite as singable as the others as it was very much taylored to Lennons voice to get the emotional impact. Robert Palmer did an excellent version of it, it really suited his voice also. The backing on that version was very polished to.
@cat - An "Aeolian cadence" is when a song in a major key resolves on the vi chord. "Not A Second Time" is in the key of G. The refrains end on Em. Em is the vi chord of G. The term is derived because the Aeolian mode is based on the sixth step of the major scale.
I always disliked this song for the out of time piano and it's prominence. Your mentioning George Martin playing it and being the last track bounced explains why it sounds so poor.
When Mike finishes with saying "Have fun playing this great _old_ song" I have to remind myself that yes, this was 60 years ago! But that's the magic of the Beatles, while a lot of early 60's music sounds dated, their songs still sound fresh and innovative.
Even in these early Beatles songs there are so many little nuances which add to the songs. Pretty impressive when you consider they were only in their early 20’s at the time.
I’m not a musician, but I love learning how these great Beatles songs are put together and performed. and when you perform the songs at the end of the demo, they’re always great!
Thank you for making these songs playable for intermediate players like me. I really appreciate all of the music.
When a verse is 9 measures and the chorus is 10 measures, it's a sure sign the song is not based on a formula. Rather it follows it's own melody. Personally, I prefer these types of songs.
couldn't agree more. When I write songs I pay no attention to measures . The only thing I have in common with John musically
It's truly amazing how much the young lads were playing and arranging songs in a "aeolian cadence" and didn't know it....! They were truly WAY ahead of their time.......I miss them...... Wonderful job Mike..!!!
good job lad is that j160e 0r j45
Glad to see you back Mike and still going strong , Thank-you for the indepth lessons ,I really learn a lot and appreciate your work 👍
Used to be My fave. Than came Julia, ..Prudence, Sadie & all the rest.
What a gift🎉
The history you share makes it even better!
I never thought much of this song as compared with others on the album. WRONG! Learning the song’s essence from you, Mike, you helped deepen my appreciation for it. And, your vocals are outstanding in your sound-alike. Thanks for this pleasurable learning experience.
The first time I heard this song it was almost 50 years ago...I was blown away then and every time I hear it! Thanks Mike for all you do!!!!!
Great job Mike…..it’s an unusual song in its structure. This was the song that caught the attention of the Times music critic for its unusual chord changes.
I'm always amazed by the amount of detail you provide in these videos ! Thank you for the indepth tutorials !
Mike, I know this is going to come across as badgering but you’re the man for the job. Years of searching and I’ve never found a decent tutorial on “I’m happy just to dance with you”. I know you are fascinated with John’s rhythm guitar in that song, and it baffles me you haven’t done a video on it yet. From one Beatles fan to another, your work is greatly appreciated.
I love Martin’s piano solo on this song. Can’t imagine any thing else sounding more perfectly in place.
I think ringos drumming is just simple genius. On this song. I believe. It's what makes the song great.
Thanks so much for this. This song is one of those tunes, like There's A Place, or George's Don't Bother Me, that have always brought me looks of confusion or outright disgust! I feel somewhat exonerated! Thanks so much for these wonderfully executed demo's and greetings from an old timer in Southeastern Kentucky.
A Beatles song that I forgot about. Thanks, Mike, for posting this.
Great lesson as usual Mike. I’d love to see you cover Yer Blues or One After 909. Cheers!
As usual, a terrific lesson Mike of yet another amazing Lennon song. Hope that all is well in France! 👍👍
Nice job on the drums as well.
Hi Mike Your Hand Signed CDS of ( I Remember Django ) arrived here in Wisconsin today. Baba and You are fantastic on these recordings. You do so much for us in the Music World THANK YOU BIG TIME
Love this song🙂. Nice job guys!
Thank you very much Mike!
Fantastic song, you nail it.
Excellent as always, Mike!
Thanks Mike--you are the best at this!!
Thanks so much, Mike; George's playing up to speed remind me of some Spanish strumming and it's also consistent with some Mercy Beat songs, with all the chord strumming that was done. We remember also that in the ending fadeout, you can hear them go to the D before it dies out. One of my favs :-)
"Regal" and "authoritative" playing by George: perfect description.
Una delle mie preferite, bene Mike !!👍👍
Im an experienced musician but I enjoy your videos because I love the Beatles and watching your dedication to getting it all worked out exactly as it should be and sounding great. You've got the patience and dedication that all good teachers have too. By the way you are getting a much better sound out of that J160 E than John ever did. He was a bit of a basher.
Lennon: musical genius - that’s it. Great lesson for us fledgling guitarists Mike, and as usual a brilliant sound alike
accidentally found you through Ultimate Guitar the other day and man what an amazing idea for a channel. Obviously someone who feels about The Beatles the same way I do! Bravo.
Mike: As always, a truly AWESOME job!!! Thank you!
Thanks Mike! This answered some questions I've had. Bravo!!🎼🎸💥
Great Job on this one Mike. Back in the day my Group use to play this live. One of my Faviorite early Lennon songs. It was a group with no piano. Mark played Martins part on Guitar .I am sure George Harrison was not Happy he couldn't do that lead on Guitar. Oh well they ( The Beatles) weren't in control of things quite yet.
I am very impressed. Your drumming was very good.
This is one of my least favourite Beatles songs … but your breakdown of the guitar parts has given me a new appreciation for it, Mike. Thanks for that!
Darn, I had always imagined George was playing unison notes to Martin's solo, ala A Hard Day's Night but operative word here is "imagined." It's just a blast to find out this great music was made.
Love the vocals.
Hi Mike ,
When are you going to do - two of us
Fantastic as ever
@Rob - I did "Two of Us" a year ago. Here's the link:
th-cam.com/video/g2bwIeM0ws4/w-d-xo.html
FYI - to know if I did a song, TH-cam search my name and
the song title.
How’s the throat healing Mike??? You’re the best!!!!
Interesting that in effect, the song was recorded live to the master tape, including the 2 bounces. Perhaps at this time EMI didn't think the Beatles would last that long and didn't supply the budget to provide for a better recording and mix. I understand some of the early master tapes for Beatles songs can no longer be located.
Thanks , you aré the man!!!
greath,thank you.
Mikee, could you tell how you mixing and mastering your Beatles lessons?
EQ, compressors and etc.
Very interesting.
💙💙💙 😊👍
LOVE all your tutorials! Need a reality check here: I'm hearing a Am6 at the 0.37 mark. This chord does not happen in solo or at 1:42. My imagination?
@jeff - Please watch the lesson. I go over in detail when the Am6 is used and when it is not used.
Thanks for confirming, Mike
Sticks Pachelli can play!
huh i hadnt heard this one in years and in my mind it used more special/unusual chords. ill listen to the studio version later.
Well done Mike! Wonder what the reason was Lennon allowed Martin to add the schmaltzy piano solo? Typically if Harrison couldn’t come up with a part, Paul could. Wonder if a harmonica part could have worked / sounded better!
Mike, ever thought about covering 'Leave my kitten alone'? Wasn't released during the period they recorded it ( and not composed by the lads) but was included years later on the Anthology I? Another classic John vocal performances and quite a jumping little numba!! Could be tough to pull off vocally, but bet you can do it!
All right!
Not a second time is an underrated Lennon song, I always found it a bit different, not quite as singable as the others as it was very much taylored to Lennons voice to get the emotional impact. Robert Palmer did an excellent version of it, it really suited his voice also. The backing on that version was very polished to.
Congrats on your great new CD, Mike. Is the missus back from the PO yet!
Nice
am6 i didnt notice !! wooooow!
"Not a second time" was sort of a prophetic song with the Beatles. They never did reunite again.
Beatlemania! in 🇨🇦
What’s this aeolian cadence again I don’t get it
@cat - An "Aeolian cadence" is when a song in a major key resolves on the vi chord. "Not A Second Time" is in the key of G. The refrains end on Em. Em is the vi chord of G.
The term is derived because the Aeolian mode is based on the sixth step of the major scale.
Love John’s comment that “Aeolian cadences” sound like some kind of exotic birds.
“Look, is that an Aeolian cadence? I can add it to my life list!”
Awesome Job Mike, this song is not so awesome IMHO.
Martin's "muzak" contribution is a perfect term for most of his garbage that did nothing for any song.
I always disliked this song for the out of time piano and it's prominence. Your mentioning George Martin playing it and being the last track bounced explains why it sounds so poor.
I think George Martin ruin this song by playing the piano on it