Excellent as ever, Mike!...the quality of the songs that they wrote and recoded at such a young age is quite amazing. Thank you, Mike, for your expertise in reproducing these Beatle classics! 🎸 James
Superb deconstruction of another Beatles’ gem. It’s mind blowing to learn and see the barely 21 year old Harrison’s talent. Not only were his licks tasty beyond compare, his sophisticated timing was also incomparable. He was a prodigy for his time and all time! Hendrix and Page admittedly held playing skills beyond Harrison, but Harrison was ahead of all rock n roll guitarists at that time, and he laid groundwork and opportunities for other future artists to excel. Your teachings really open a new space for examination and appreciation of Beatles’ works. Thank you Mike!
Without a doubt, it was my mother who “inherited me a taste for The Beatles”. At first she didn't let me touch her vinyl collection, but one day when she was already a teenager, she gave me a cassette, my first Beatles cassette. It was a compilation of singles under the name, The Beatles Rarities from the EMI Parlophone, with its cover with a beautiful and dark blue background with golden letters. In this compilation it was that, I call your name and its chord progression blew my mind. How cool, I said to myself. I listened to that cassette so much that it practically fell into dust from listening, going back and listening again. Beautiful memory, thank you Maestro, as always, solid 👍👍👍👍👍👍👍
Mike, i wanted to let you know that i wrote my research paper in college Humanities about how the Beatles changed rock and roll history. Im a couch guitarist with a Martin 12 string and an Ovation 6 string. I consider myself a very accomplished rhythm player that cant play 2 notes of lead put together. I don't know the circle of 5th's, but understand chord progression. The way the Beatles introduced minors. 7th's, augmented chords was my main focus of my research paper. Dr. Chow, my Humanities Professor was a classical trained pianist. Little did i know, he was a CLOSET BEATLE FAN. Needless to say, i got an " A " . He totally agreed with my hypothesis. Until the Beatles, most early rock and roll and skiffle was a 3 chord progression . Going out on a liimb with a minor thrown in. Thanks for all you do to keep the music alive. I consider John as one of the best rhythm players of all time.
They were so inventive with chord progressions. Thanks for the analysis. I’ve had a ‘66 Guild Starfire electric 12 string since the ‘80s and have used it at gigs for “You Can’t Do That,” which people recognize. However, “I Call Your Name” has always been a personal favorite.
Mike, you've brought to my awareness what has made the Beatles different and superior to all other bands that ever existed. The Beatles band members - all of them - brought, not only their "A-Games" to every song they ever produced, they brought much, much more: They brought MUSIC. Most other bands use dull chords and fancy riffs to their music. But if they broke it down like the Beatles did and add what NEEDED to be there, you will see why they created "Beatle-mania". Mike I learn so much from you and I appreciate your love and attention to the Beatles and imparting the Beatle superiority to us. Thank you.
Thanks Mike, you always do the boys so well! Bravo! I'd like to put a vote for "One After 909". Amazing that it was just recorded live out doors on a rooftop in 40 degree blowing wind weather and came out perfect!! Got to give props to Preston on his keyboard work too!
Another fave of mine from John! He had a great talent for that rock n roll vibe plus memorable melodies! I also like the Mamas and Papas version, which was a bit goofy, but a nice tribute to the Beatles' songwriting. Thanks again!
Thanks so much Mike. This is one of my favourite Beatle tracks on my favourite Beatle EP. In my humble opinion, their best EP, containing as it does Paul legendary apparently one take version of "Long Tally Sally", Johns blistering version of I think, Larry William's "Slow Down", and a very creditable solo by Ringo on Carl Perkin's "Matchbox". I read somewhere that the great Mr Perkins was actually at the session. The whole EP is hard driving rock n' roll, with great lead work by George and possibly John on each track. Ang George's newly acquired jangly 12 string Rick, is plastered all over it. Thanks again for opening up one of my favourite Beatle tracks for me.
Thanks a mill Mike for that rendition from the fab 4. It certainly envoked a great memory for me as my first time to hear it was from Billy J, but the beatles sure played it so professionally, as you do Mike. Well done and thank you. Just like to wish you and yours a very happy 2024 and looking forward to your Django collection and more from the Fab 4.
Hi Mike, as a kid I used to and listen to all these songs by The Beatles and wonder how they produced all these wonderful songs. I have learnt such a lot from watching your videos. So thank you Mike. Happy New year to you and yours.
Brilliant as always Mike. Always thought of this as a bit of a hidden gem. You’ve also inspired me to look into getting a Harley Benton - such good value
Mike would you ever do anything from the Beatles solo career? I've really wanted some solid charts and tabs for some of the George Harrison numbers. Love your tutorials, the best in the world
@@roncaruso931 George the take that was used was from the live rooftop performance in January 69 so the lineup would’ve been Paul on bass John on rhythm guitar George on lead guitar and Ringo on drums with Billy Preston on piano
Spectacular…. I’ve been waiting for this lesson a long time…. Funny how on the solo it feels reggae style … but all John is doing is upstrokes…thanks for this one … fantastic job…
A long time ago I used to have 4 cassette recorders, and play each part, and put them all together! I wish I had some of those tapes to listen to now. Lol 😂 But that's the only way I could do it at the time. I really love your channel sir!! Your really good too!🙏🎸 It's cool seeing you do all the parts!
Great job on the "sound-alike" Mike! never associated "You Can't Do That" with this song until you pointed it out -- two of my fav early Beatles tracks
Awesome history background and lesson Mike. Please add the “Heart” or “Thanks” Icon so I can make a donation. I always learn so much from your videos…one can spend many years just learning all the intricacies of Beatles music….fantastic!, Peace, Sal 💪🏼🎸
those are some great sounding chords together, cowbell is nice too kinda driving. always one of my favorite tunes ans hadn't heard it in a long time. when i was a kid my mom bought the first few beaatle albums because she liked them too but not my dad.
Excellent as always Mike! This is one of my favorite of John's early "rockers" . A very under rated song in my opinion. I also think You Can't do That was one their best - owing nothing to the cow bell in both songs, as you mentioned was noted by Dick Lester . Odd comment, especially since the song was not used in the movie - although it was considered.
Mike, great work as usual. May I suggest/request that someday you offer bass tabs to go along with all your previous work. Anyroad, that would complete the circle. Thanks again.
Great lesson Mike, always. You played it as the beatles really did and the Guitar harmonics rythm and lead are not of this planet. It would be great if you show us the song " Slow down".
A favorite song! It is self-propelling. Always thought it was pre-Hard Days Night, thanks for info! I agree, this period of the Beatles is "underestimated" - George Martin said something quite dumb about them becoming musically interesting much later (i e when he was more involved, I guess). A tight band playing together is just something so special.
@Firetuna1 - re: "George Martin said something quite dumb..." I couldn't agree with you more! For me - the Beatles were at their best left to their own device as a rocking lil' "tight band playing together." Martin gave them schmaltz. And when he played on their early records (like his piano solo on "Not A Second Time") his ideas were pure cornball.
@@MPfrance Thanks. I always assumed that all the stuff on side 2 was produced to fill up the LP. Like side 2 of "Help", I think the songs are on average, every bit as good as those used in the film. Interesting to find that out. Great vids by the way. I know it's only (to my knowledge) got the one guitar on it, but any chance of "Fixing a hole"? I can already play it but I'd put money on my not being 100% true to the Harrison performance. You on the other hand, seem to know every bit of every part inside out.
@david - Thanks. Sorry, no intentions to do "Hey Bulldog." I've got to like the song in order to spend two weeks completely engulfed in it. I have zero fondness for "Hey Bulldog."
Your rendition at the end was brilliant! The cowbell the Beatles added was such a nice touch. Finger work on frets by this and all guitar players: incredible! So fast, landing on just the right spots. How do you do that?
To me, on the original track of this song it sounds like there is a tape splice where the cowbell comes in because it doesn't sound clean. This has been corrected on remaster versions of the song
I really like this song and the job you have done here. I've always thought of it as John's equivalent to "When I'm 64". It really gives you an insight into a very young John Lennon's conception of what a song should be, minus the middle 8, which as you mention came later. I wish they had done a few more takes because the "Ska" section is just a rhythmic disaster. One of the very few times you hear Ringo screw up on tape
It's funny how, whenever Lennon talks about a song that he happened to be writing on his own: There is always a separate account from Paul, with him saying something along the lines: "...Now that I recall, I was in the room with John, when he was working on that song!" XD
i always thought the appealing thing about the beatles was their music was a bit more musically sophisticated than the rock music that came before them with the use of their major and minor 7ths and major 7ths chords that sounded so good on the ear.
Thank you Mike for this great song of a lesson! Excellent… as usual. I’m still trying figure out how to fit my fingers into that Ric 12… let alone trying to bend the strings. Lol ❤But you inspired me to work on that handicap! Haha… Happy New Year and thank you once again… you are the man!!! Question… is the Harley Benton easier to play than the Ric 12? Just curious… 😂❤😅
The leadbreak could very well be the first time a white band attempted to play Jamaican music, in this case ska as reggae was still several years away.
Mike, have read both Gerry Marsden's and Billy J Kramers Biography's, they do not say much of anything about their recording during the time the recorded with George Martin at Abby Road. You have covered so many facts (which I love hearing) about the Beatles recording do you have any stories about those guys recording at Abby Road? Only thing that seems to be said is the Dakotas and Billy J were not on the best of terms and that George Martin said Gerry Marsden was a fair guitar player, oh and Billy J Kramer a very limited talent.
My second favorite Beatles song of all time after You Can't Do That. One thing about John's part that I think needs more emphasis on this song is his accents. Much of his strumming on the downbeat is very abrupt and choppy. He plays the cord and he abruptly ends it by muting it with the side of his hand so that the cord almost feels like a punch versus a full strum. This really gives the song an edge and is nothing like you can find anywhere else out there.
Excellent as ever, Mike!...the quality of the songs that they wrote and recoded at such a young age is quite amazing. Thank you, Mike, for your expertise in reproducing these Beatle classics! 🎸 James
My pleasure!
Superb deconstruction of another Beatles’ gem. It’s mind blowing to learn and see the barely 21 year old Harrison’s talent. Not only were his licks tasty beyond compare, his sophisticated timing was also incomparable. He was a prodigy for his time and all time! Hendrix and Page admittedly held playing skills beyond Harrison, but Harrison was ahead of all rock n roll guitarists at that time, and he laid groundwork and opportunities for other future artists to excel. Your teachings really open a new space for examination and appreciation of Beatles’ works. Thank you Mike!
Jack Bruce once said that Harrison was the best rhythm guitar player he ever heard.
Always loved this song. Hugely underrated.
Once again another great Beatles lesson. Keep on rocking on. Thanks Mike.
Thanks, will do!
Without a doubt, it was my mother who “inherited me a taste for The Beatles”. At first she didn't let me touch her vinyl collection, but one day when she was already a teenager, she gave me a cassette, my first Beatles cassette. It was a compilation of singles under the name, The Beatles Rarities from the EMI Parlophone, with its cover with a beautiful and dark blue background with golden letters. In this compilation it was that, I call your name and its chord progression blew my mind. How cool, I said to myself. I listened to that cassette so much that it practically fell into dust from listening, going back and listening again. Beautiful memory, thank you Maestro, as always, solid 👍👍👍👍👍👍👍
Mike, i wanted to let you know that i wrote my research paper in college Humanities about how the Beatles changed rock and roll history. Im a couch guitarist with a Martin 12 string and an Ovation 6 string. I consider myself a very accomplished rhythm player that cant play 2 notes of lead put together. I don't know the circle of 5th's, but understand chord progression. The way the Beatles introduced minors. 7th's, augmented chords was my main focus of my research paper. Dr. Chow, my Humanities Professor was a classical trained pianist. Little did i know, he was a CLOSET BEATLE FAN. Needless to say, i got an " A " . He totally agreed with my hypothesis. Until the Beatles, most early rock and roll and skiffle was a 3 chord progression . Going out on a liimb with a minor thrown in. Thanks for all you do to keep the music alive. I consider John as one of the best rhythm players of all time.
That's awesome. I'd love to read it if possible
They were so inventive with chord progressions. Thanks for the analysis. I’ve had a ‘66 Guild Starfire electric 12 string since the ‘80s and have used it at gigs for “You Can’t Do That,” which people recognize. However, “I Call Your Name” has always been a personal favorite.
"Well, there you have it!" No kidding you rascal, this is too good, because of your talent and studious nature! Thanks a million!
Many thanks!
Best Beatles content out there
More great history and instruction!! Thanks, Mike!
Glad you enjoyed it
Mike, you've brought to my awareness what has made the Beatles different and superior to all other bands that ever existed. The Beatles band members - all of them - brought, not only their "A-Games" to every song they ever produced, they brought much, much more: They brought MUSIC. Most other bands use dull chords and fancy riffs to their music. But if they broke it down like the Beatles did and add what NEEDED to be there, you will see why they created
"Beatle-mania". Mike I learn so much from you and I appreciate your love and attention to the Beatles and imparting the Beatle superiority to us. Thank you.
Love it ! Thank you as always, Mike !
Glad you enjoy it!
Man GEORGE got a lot of licks in on this one! Fantastic job Mike! This song is so brilliantly written, you can hear from POP TO COUNTRY BLUES ON IT.
Giving me another incentive to break out my 360/12 now 2 songs in a row! Thanks again for all your time and effort keeping Beatlemania alive.
My pleasure!
Excellent Mr meticulous Mike. You must have the patience of Job. As there say in your new neck of the woods....magnifique et merci Michel.
Great video Mike. Love the Mamas and Papas cover of this song.
Bravo Mike! Love this Tune! 🎸🎵
Thanks Mike, you always do the boys so well! Bravo! I'd like to put a vote for "One After 909". Amazing that it was just recorded live out doors on a rooftop in 40 degree blowing wind weather and came out perfect!! Got to give props to Preston on his keyboard work too!
Another fave of mine from John! He had a great talent for that rock n roll vibe plus memorable melodies! I also like the Mamas and Papas version, which was a bit goofy, but a nice tribute to the Beatles' songwriting. Thanks again!
Thanks so much Mike. This is one of my favourite Beatle tracks on my favourite Beatle EP. In my humble opinion, their best EP, containing as it does Paul legendary apparently one take version of "Long Tally Sally", Johns blistering version of I think, Larry William's "Slow Down", and a very creditable solo by Ringo on Carl Perkin's "Matchbox". I read somewhere that the great Mr Perkins was actually at the session. The whole EP is hard driving rock n' roll, with great lead work by George and possibly John on each track. Ang George's newly acquired jangly 12 string Rick, is plastered all over it. Thanks again for opening up one of my favourite Beatle tracks for me.
Thanks a mill Mike for that rendition from the fab 4. It certainly envoked a great memory for me as my first time to hear it was from Billy J, but the beatles sure played it so professionally, as you do Mike.
Well done and thank you.
Just like to wish you and yours a very happy 2024 and looking forward to your Django collection and more from the Fab 4.
Great job Mike .. you show the Way, AS ALWAYS .
Amazing as always. Thank you!
Excellent job decoding these sounds and rendering them with authentic tones!
Thanks Mike. Another great, informative lesson. I love the backstories with the lessons.
Thanks Mike. The vids and tabs take the mystery out of many songs i love to play.
Keep thinking you’re going to run out and then up pops another gem. Thanks Mike
Hi Mike, as a kid I used to and listen to all these songs by The Beatles and wonder how they produced all these wonderful songs. I have learnt such a lot from watching your videos. So thank you Mike. Happy New year to you and yours.
Thanks for listening
Great - as usual. You are exactly on point - The Beatles could take any song and make gold and platinum. Flash back for great memories.
Great lesson
Gave me goose bumps, like first time I heard it at age 13, 59 years ago
One of my absolute favs, even the Mammas and Papas cover. Mike please add the bass tutorial for all of those bass players out there !! Big Fan Mike !
Brilliant as always Mike. Always thought of this as a bit of a hidden gem. You’ve also inspired me to look into getting a Harley Benton - such good value
Brilliant job as always! Thanks Mike.
My pleasure!
Mike would you ever do anything from the Beatles solo career? I've really wanted some solid charts and tabs for some of the George Harrison numbers. Love your tutorials, the best in the world
@wook - Naw. There's still plenty to do and if I run out - I'll do Paul's bass.
Would love to see Paul's bass on the "One After 909" BTW, who played lead on that song?@@MPfrance
@@roncaruso931 George the take that was used was from the live rooftop performance in January 69 so the lineup would’ve been Paul on bass John on rhythm guitar George on lead guitar and Ringo on drums with Billy Preston on piano
Thank you, Mike. Your research details are astounding, robust, and very entertaining.
Spectacular…. I’ve been waiting for this lesson a long time…. Funny how on the solo it feels reggae style … but all John is doing is upstrokes…thanks for this one … fantastic job…
Glad you liked it!
Excellent lesson for one of my favorite Lennon tunes. Thanks Mike
A long time ago I used to have 4 cassette recorders, and play each part, and put them all together! I wish I had some of those tapes to listen to now. Lol 😂 But that's the only way I could do it at the time. I really love your channel sir!! Your really good too!🙏🎸 It's cool seeing you do all the parts!
Thanks for the impeccable work. I'll say it again THE BEST BEATLES CHANNEL!
I always loved it too...
Thank you once again Mike
Mike you are the BEST at this.
Great job on the "sound-alike" Mike! never associated "You Can't Do That" with this song until you pointed it out -- two of my fav early Beatles tracks
Thanks!
Awesome history background and lesson Mike. Please add the “Heart” or “Thanks” Icon so I can make a donation. I always learn so much from your videos…one can spend many years just learning all the intricacies of Beatles music….fantastic!, Peace, Sal 💪🏼🎸
those are some great sounding chords together, cowbell is nice too kinda driving. always one of my favorite tunes ans hadn't heard it in a long time. when i was a kid my mom bought the first few beaatle albums because she liked them too but not my dad.
One of my favourites to play live, almost as you're showing.
Great song
Hey Mike "More Cowbell" I always wanted to say that 🤣 This was incredible - thank you!
Thanks to you, Mike, the true 5th Beatle.
I sang this at secondary school party in a great lycee hall , my favorite
Brilliant
Very cool. I'm so glad the 325 stayed in tune.
Excellent as always Mike! This is one of my favorite of John's early "rockers" . A very under rated song in my opinion. I also think You Can't do That was one their best - owing nothing to the cow bell in both songs, as you mentioned was noted by Dick Lester . Odd comment, especially since the song was not used in the movie - although it was considered.
❤bellissima maestro Mike you are TOP,congratulazions w the Beatles forever 😊😊😊😊
Yet another Lennon classic tune! Great song & thanks for keeping their music alive and well Mike! Happy New Year! 👍👍💥💥
Mike, great work as usual. May I suggest/request that someday you offer bass tabs to go along with all your previous work. Anyroad, that would complete the circle. Thanks again.
Great lesson Mike, always. You played it as the beatles really did and the Guitar harmonics rythm and lead are not of this planet. It would be great if you show us the song " Slow down".
A favorite song! It is self-propelling. Always thought it was pre-Hard Days Night, thanks for info! I agree, this period of the Beatles is "underestimated" - George Martin said something quite dumb about them becoming musically interesting much later (i e when he was more involved, I guess). A tight band playing together is just something so special.
@Firetuna1 - re: "George Martin said something quite dumb..." I couldn't agree with you more! For me - the Beatles were at their best left to their own device as a rocking lil' "tight band playing together." Martin gave them schmaltz. And when he played on their early records (like his piano solo on "Not A Second Time") his ideas were pure cornball.
2:15 But is it me or was "You can't do that" also not used in the film? 🤔
They filmed a lip sync of "You Can't Do That" for the movie but it was left on the cutting room floor.
@@MPfrance Thanks. I always assumed that all the stuff on side 2 was produced to fill up the LP. Like side 2 of "Help", I think the songs are on average, every bit as good as those used in the film. Interesting to find that out. Great vids by the way. I know it's only (to my knowledge) got the one guitar on it, but any chance of "Fixing a hole"? I can already play it but I'd put money on my not being 100% true to the Harrison performance. You on the other hand, seem to know every bit of every part inside out.
Man, love your lessons! Can’t wait for hey bulldog, please and thank you? Have you planned on doing that one? Happy new year Mike:)
@david - Thanks. Sorry, no intentions to do "Hey Bulldog." I've got to like the song in order to spend two weeks completely engulfed in it. I have zero fondness for "Hey Bulldog."
amazing thank you
You're the Kingpin of Beatles Breakdowns!!!🎉🎉🎉
Hell yes! Been looking for this
ahh a Harley Benton 12 String Guitar ! Cool!
Love this song
Your rendition at the end was brilliant! The cowbell the Beatles added was such a nice touch. Finger work on frets by this and all guitar players: incredible! So fast, landing on just the right spots. How do you do that?
@albert - re: "How do you do that?" Practice. Many, many, many hours of practicing.
Awesome lesson!
To me, on the original track of this song it sounds like there is a tape splice where the cowbell comes in because it doesn't sound clean. This has been corrected on remaster versions of the song
I really like this song and the job you have done here. I've always thought of it as John's equivalent to "When I'm 64". It really gives you an insight into a very young John Lennon's conception of what a song should be, minus the middle 8, which as you mention came later. I wish they had done a few more takes because the "Ska" section is just a rhythmic disaster. One of the very few times you hear Ringo screw up on tape
Happy New Year/Bonne Annee, Mike!
Thinking that john probably wrote It for his parents‚ then gave it away it's so sad! Fab tutorial! Ty❤
It's funny how, whenever Lennon talks about a song that he happened to be writing on his own: There is always a separate account from Paul, with him saying something along the lines: "...Now that I recall, I was in the room with John, when he was working on that song!" XD
Always liked this song, great job Mike! (as usual). I wonder why they never played it live? Does it need more cowbell? :)
Great job! Always liked that song! How do you like the Harley Benton 12 string? Does it have a large neck. Was thinking about getting one. Thanks FF
What Lind of 12 Ric are you playing ? .Can't make out the name on the headstock .
Thanks again for the best tutorial .
That was a surprise. I got confused and was expecting You Wont See Me. Because it starts with "When I call you up"
i always thought the appealing thing about the beatles was their music was a bit more musically sophisticated than the rock music that came before them with the use of their major and minor 7ths and major 7ths chords that sounded so good on the ear.
Thanks Mike, I’ve been waiting for you to do this song…one of my favs. BTW, is your 325 from the 90’s or a 2000s model? Your tone is great.
@Dr - You're welcome. Mine's a 2006. But I'm sure you know that most tone comes from the hands (and the amp).
Nice.
Thank you Mike for this great song of a lesson! Excellent… as usual. I’m still trying figure out how to fit my fingers into that Ric 12… let alone trying to bend the strings. Lol ❤But you inspired me to work on that handicap! Haha… Happy New Year and thank you once again… you are the man!!! Question… is the Harley Benton easier to play than the Ric 12? Just curious… 😂❤😅
I see a Rick 360-12 in some of the old videos'.
@ram - Yeah - they make GREAT firewood! lol
@@MPfrance an expensive piece of firewood.
Now and Then anytime soon?
The leadbreak could very well be the first time a white band attempted to play Jamaican music, in this case ska as reggae was still several years away.
Chiedo gentilmente quali corde usi sulla tua Gretsch grazie
Awesome. What happened to your rickenbacker 360/12?
@ron - Thanks. I sold it to one of my students. He made me an offer I wouldn't refuse.
Ah, Call Your Name is amazing. John pronunciation itself?
More cowbell!
Mike, have read both Gerry Marsden's and Billy J Kramers Biography's, they do not say much of anything about their recording during the time the recorded with George Martin at Abby Road. You have covered so many facts (which I love hearing) about the Beatles recording do you have any stories about those guys recording at Abby Road? Only thing that seems to be said is the Dakotas and Billy J were not on the best of terms and that George Martin said Gerry Marsden was a fair guitar player, oh and Billy J Kramer a very limited talent.
Baby you-re a rich man next!!!!
My second favorite Beatles song of all time after You Can't Do That. One thing about John's part that I think needs more emphasis on this song is his accents. Much of his strumming on the downbeat is very abrupt and choppy. He plays the cord and he abruptly ends it by muting it with the side of his hand so that the cord almost feels like a punch versus a full strum. This really gives the song an edge and is nothing like you can find anywhere else out there.
👍 HI Mike
Jeez, Mike - how prolific can you get? 🙂
More cowbell!