I'm curious, if you're using a loop / insert in your DAW, how do you deal with and check phase coherency? I find in my UAD Apollo 16 / Protools system, I have about 60 samples of latency on resampling. I am more implementing hardware after converter before summing externally. This makes recall a bit of a pain. I'm curious what your approach to this is?
Also, for rooms, the cymbal problem is why I like ribbons for rooms. It takes most of that cymbal wash down where you'd want it. I love seeing how you work. Maybe someday we'll get to make an album together!
Hey David! Yeah I mostly use an in/out plug in for the hardware. Then I mix a while and then bounce a group of tracks, mute the old tracks and only play the processes tracks. I know pro tools has a bounce function where it puts it into a take folder so you can easily go back and forth to the raw vs processed. This all is for individual tracks, and then sure I could see myself using outboard in the way to a summer.
Free Download for All 8 Years of CSL Downloads and PDF guides: www.creativesoundlab.tv/alldownloads
this is a great video! ive never heard this much explanation about the 1176. great job brotha! also i love that you used an Audioscape 76a.
Love the Charlie Brown Tongue of Concentration when fiddling with the settings :P
awesome, never knew the mechanics behind the ratios on a 76. thanks!
Ace, can't wait for pt3!
Yeah me too. Was hoping to release all at the same time but I got behind.
Nice movement feels good
I'm curious, if you're using a loop / insert in your DAW, how do you deal with and check phase coherency? I find in my UAD Apollo 16 / Protools system, I have about 60 samples of latency on resampling. I am more implementing hardware after converter before summing externally. This makes recall a bit of a pain. I'm curious what your approach to this is?
Also, for rooms, the cymbal problem is why I like ribbons for rooms. It takes most of that cymbal wash down where you'd want it. I love seeing how you work. Maybe someday we'll get to make an album together!
Hey David! Yeah I mostly use an in/out plug in for the hardware. Then I mix a while and then bounce a group of tracks, mute the old tracks and only play the processes tracks. I know pro tools has a bounce function where it puts it into a take folder so you can easily go back and forth to the raw vs processed. This all is for individual tracks, and then sure I could see myself using outboard in the way to a summer.
Oh and studio one will ping for latency and then adjust. Then I can sweep between wet and dry within the in/out plug in.
Big fan of that kick sound - do you have any videos up on the specifics of tuning kick drums?
How does this compare to the Warm audio WA76?