if you listen carfully, this song will make you visualise Krishna standing on that multi headed snake and jumping on its heads one at a time, giving unexpected punch to that snake so that it gets tired after some time, the snake gets exhausted and hisses at 7:22 and leaves out of the pond, and every one dances in joy after that. Who ever composed it, this is extremely brilliant and the composor had excellent visual skills, that he converted visuals into sound !
I am from north India when first time i listen this gem . i felt it was Tamil but later came to know it was Sanskrit . Happy to see our culture :) it was transcendence experience . I wish we Indians able to respect our culture .My personal opinion south Indian culture is more flourished and spiritual. Madam it was awesome :)
South India was never under much invasion like in North India. Thus, there was enough time for music and culture to flourish. For eg. Kerala has three classical art forms!
I recently had the blessed opportunity of hearing Aruna Sairam-ji perform this live in Kolkata on 18.11.2023. Her rendition of this Tillana was just mesmerising & mind-boggling.
God only knows or is counting how many times I would have heard this.... Such an energetic song .... More than a excercise... Our whole body dances to ammas song ... Instructor madhiri Appidiyae kettundae Kannan Kitta sandhoshama poiyudalam ... Always mesmerising ....
Wonderful is too shallow an expression for this rendition. She sings almost playfully, but with utmost concentration. She even put back her fallen bindi, without missing a beat. Extraordinarily talented.
Ms. Sairam, you have won my heart. Its almost like the story comes alive in my minds eye when I hear your most melodic perfect voice. Thank You so much.🙏🙏
Aruna ji, It is indeed a beautiful composition by Oothukadu Iyer and you have rendered it in an amazing manner. I wanted to tell you that my 1.7 year old son likes all your songs especially this one. He tries to imitate you and sings along the thillana. He says Paati Paati when listens even your voice from far. We were amazed to know this. Probably the most youngest fan of yours.
அமெரிக்காவில் என் பேரனோடு இருந்த 6+6+6 மாத காலமும் என் அருணாம்மா பாட்டுத்தான் எனக்கும் என் பேரனுக்கும் யூ ட்யூபில் கேட்டுட்டே இருப்போம் அது ஒரு சொர்க்கம் அருணாம்மா பாடலும் என் பேரனின் அருகாமையும் ஆனந்தம்
Amazing singing as usual.. amazing presence of mind to notice and realize that her sindhooram had fallen down and fixing it without breaking a beat.....
The entire unit works in unison with Aruna Sairam to prove 'the more you know, the less you need'. Violin stops at 3:07 allowing the lyrical/ rythmic beauty to shine. Percussion alignment is profound in its subtelity. Excellence achieved through precise, persistent and elegant annotation. Bravo!
I am lucky person that I hail from telugu, which is derived from Sanskrit language. We easily understand most of the words from the above composition in Sanskrit. I also thank, carnatic music composer tyagaraja, made all his keerthanas in telugu which still are in syllabus of music learners,
Kalinga narthana” literally means “Kalinga dance” in Sanskrit, and it refers to a popular real story in which the god Krishna, as a young boy, danced on the hood of serpent Kaliya (aka Kalinga) to stop him from poisoning the Yamuna river. A thillana contains many rhythmic sounds and words and intricate sequences that are fused with repetitive musical notes. In Kalinga Nartana Tillana various rhythmic sounds are beautifully interwoven harmoniously interlaced with Sanskrit lyrics by the poet. Oothukadu Venkata Kavi had even set the singing style in such a way that, at one place, a particular word is enunciated to resemble the hissing sound made by the great serpent. He has liberally used gati-bhedam, that is change of rhythm, something that very few major Carnatic composers have done before or since. Jatis [rhythmic syllables] and lyrics intermingle, thereby giving a dramatic and striking effect of the rapid and cadenced foot movements and adroit swings of the dancing Lord. Oothukkadu Venkata Kavi or Oottukadu Venkata Subbaiah Iyer was one of the pioneering composers in Indian classical Carnatic music.He lived in South India in the present-day state of Tamil Nadu. Also known by the name Oothukkadu Venkatasubba Iyer, he composed hundreds of compositions in Sanskrit, Tamil and Marathi of which over 500 are available. These were handed down from generation to generation by the descendants of the composer's brother's family. As per available information (from the Family Tree) Oottukkadu Venkat Kavi was born to Subbu Kutti Iyer and Venkamma in Mannargudi, a temple town near Tanjavur in South India, sometime in early 1700s. Later on, they are said to have migrated to Oottukkadu, which was a small neighbouring village.Currently, around 500 compositions of this great composer have been discovered through various sources. Over 300 of these have been published by noted harikatha exponent, Needamangalam Krishnamurthy Bhagavatar (who was a descendant of the poet's brother's family), who was instrumental in popularizing Venkata Kavi's works. Venkata Kavi's compositions reveal that he was a complete master of the science and art of music in all senses of the term - melody, rhythm or lyrics and was eloquent in Sanskrit and Tamil. Renowned for his rare depth, scholarship and sublime appeal,he was proficient in a variety of musical forms such as the kriti, tillana and kavadichindu. He used talas and themes that not many other Carnatic composers have preferred to handle. His compositions are a blend of a high degree of scholarship on a variety of subjects and inspired expression. During a lecture demonstration on the composer by Needamangalam Krishnamurthy Bhagavatar in December 1955, The Music Academy Madras Experts' Committee noted that "Venkata Kavi's compositions filled a gap between Purandara Dasa (1484-1564) and the Carnatic Music Trinity of Tyagaraja, Muthuswami Dikshitar and Shyama Shastri, who lived around 1760s-1840s. While he has rightfully been acknowledged as one of the greatest composers on Krishna, Venkata Kavi composed hundreds of pieces on other deities too. Several pieces also reveal his humility, reverence for the great personalities before his times and the high state of bliss that he probably experienced almost ceaselessly. His works scarcely contain autobiographical notes and show that he had reached great spiritual and philosophical heights. Deeper studies have dispelled myths about some of his compositions like "Alaippayude kanna" (Kanada) being autobiographical, and shown that this and numerous other pieces on Krishna in lilting Tamil were parts of his opera based on Bhagavatam. His works also reveal the proximity he felt towards God and show his deep devotion. (I got this on Google....this should be here for us.....!)
Everything is good except the word mythological. When Venkata Kavi composed, he might have experienced the real Krishna himself. If it was mythological he would never have
शब्दों का जादू जगाती आप अति विशिष्ट गायिका हैं....कमाल कर रही हैं ! आपका ये वीडियो मैं बहुत बार देख चुकी हूँ और हर बार नवीन लगता है....आपको सादर प्रणाम ! 😊🌹🍀❣🙏🙏
Mam thanks is song ke liye. Aap Ka ye song aur music ek medicine bhi hai. Kuch time pehle meri tabiyat aisi thi ki bola bhi nahi jaa raha tha but Aapke song ne medicine ka kaam kiya. Kuch raahat mili. Thanks is music ke liye, aur singing ke liye.
Wonderful.. I've been watching this many times for the past 6 years, still like a new for me bcoz of the beauty of presentation.. Thanks a lot m'am again.. Lots of love from Guruvayur
Excellent mam...wonderful wonderful no words to explain....you just amazing...we love you , our heart felt pranams....I don't knw how many times I watched this video but still continuing more and more
Kalinga Narthana tillana...Kaliyaa Damana Pallavi: taam dhIm tarana taam dhIna takiTa describing Krishna’s dance using rhythmic syllables Anupallavi: taam dhIm tarana taam dit takiTa dhigirtakiTa dhigir takiTa tadingiNatOm taam dhIm tarana taam yamunaataDaaga pankEruhapada With his lotus-like feet in the water of the Yamuna river…
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if you listen carfully, this song will make you visualise Krishna standing on that multi headed snake and jumping on its heads one at a time, giving unexpected punch to that snake so that it gets tired after some time, the snake gets exhausted and hisses at 7:22 and leaves out of the pond, and every one dances in joy after that. Who ever composed it, this is extremely brilliant and the composor had excellent visual skills, that he converted visuals into sound !
Woww
Thanks for letting this know.. 🙏🙏👍
Yes me too
Yes it really does.
Southern culture, the real and original Bharatiya culture!
Love from महाराष्ट्र! 🕉️🙏🏻🌺
She sings it like a Sanskrit rap 😍
I am from north India when first time i listen this gem . i felt it was Tamil but later came to know it was Sanskrit . Happy to see our culture :) it was transcendence experience . I wish we Indians able to respect our culture .My personal opinion south Indian culture is more flourished and spiritual. Madam it was awesome :)
Composed by Oothukadu Venkata Subbaiyer who lived bet 1700-1765
South India was never under much invasion like in North India. Thus, there was enough time for music and culture to flourish. For eg. Kerala has three classical art forms!
Ooka.thakali
She can make dead person alive with her music.. wish I can go to her concert once in my life
@Raj Narayanan rightly said, thank you
Aruna Sairam is so talented that no wonder she has been awarded the prestigious Padma award for her contribution to Carnatic music world
I'm addicted to this song for 3 months now. I wonder how this gem of a composition and amazing rendition by Padma Shri Aruna ji missed my notice
Finally in a loop , I learnt this song, I am so happy 😁
Aruna akka is brilliant ❤️ no doubt, but I’m very proud of my ancestor who wrote this beautiful piece
I recently had the blessed opportunity of hearing Aruna Sairam-ji perform this live in Kolkata on 18.11.2023. Her rendition of this Tillana was just mesmerising & mind-boggling.
I attended a few of her concerts here in US. She is a great singer.
She sings with a great passion. She puts her heart into every word!
Ma’m felt like Krishna is dancing right in front of you !!!
Goosebumps while listening Ma’m🙏
A gem that came out of the spiritual traditions of an unbroken civilization that is Southern India.
The Dravidian parties are working hard day and night to destroy our Hindu civilisation
God only knows or is counting how many times I would have heard this....
Such an energetic song .... More than a excercise... Our whole body dances to ammas song ... Instructor madhiri
Appidiyae kettundae Kannan Kitta sandhoshama poiyudalam ...
Always mesmerising ....
My heart goes for the rendition of the same song by Kuldeep Pai and Sooryagayatri. What an amazing performance.
I enjoy both the renditions. They are of different flavours.
Yep. The rendition by Kuldeep Pai, Sooryagayatri and Rahul is just WOW. I get goosebumps everytime I hear them. God bless all of them.
@@santoshkumaraluru6317 True that!! I agree!!
Both are different but earthy Aruna madam has given live performance versus edited in studio which is also a excellent composition
Link?
Am addicted to this song
Pindivantalu recipi
Same here
i am also addicted
Me Watching 7th time.. I don't know What happened to me, Pls Watch Sawmik Datta Version Also
Me too.everyday I hear once
Though it was partially Telugu and Sanskrit, it was written by a Tamil man down south in a village in those times.
Wonderful is too shallow an expression for this rendition. She sings almost playfully, but with utmost concentration. She even put back her fallen bindi, without missing a beat. Extraordinarily talented.
Gururaj BN
Gururaj BN u whoishenowl understood
Percussionists' delight -- Krishna's dance cannot be described any better -- Madam Aruna Sairam in her best.
அம்மா நீங்கள் பாடும் போது அந்த கண்ணன் என் கண் முன்னே நர்த்தனம் ஆடுகிறார் .என் கண்களில் நீர் வழிகிறது.வாழ்க நீங்கள் பல்லாண்டு.
S..... S true
We are gifted to live in this age of Padma Shri Aruna Sairam- Dr Harihara Puthran
I never knew a song can give so much happiness and make difference in the days quality
I don't know the carnatic terms...but making goosebumps
Wowwwe. Even a person who doesn't know to dance will start dancing with her wonderful movements.
Ms. Sairam, you have won my heart. Its almost like the story comes alive in my minds eye when I hear your most melodic perfect voice. Thank You so much.🙏🙏
Aruna sairam exlant
കൃഷ്ണ കൃഷ്ണ ഗുരുവയുരപ്പാ 🙏🙏🙏
My daughter addicted to this song 🎵😍 lovely voice of aruna sairam mam 😍
This is the original song in its entirety:
kalinga narthana thillana - gambheeranata - adi | oothukadu venkata kavi
P
tām dheem tarana tām dhina takiṭa
AP
tām dheem tarana tām
dhittakiṭa dhrgutakiṭa dhrgutakiṭa tadhingiṇatom
tām dheem tarana tām yamunā taṭāka pankēruhapada
Ṡ,ṘṠ Ṡ,ṘṠ sārasa daḷa nayanāyata sāhasa mōdita jagadiha
C
tāmita tajjham taka tajjham takadhika tajjham tām
1.
mada bhujanga shira pādayuga pāṇidhrụta madhunināda vēṇurava
2.
gōpānganā kulavrta mādhava madhusoodana hari
sammadana pada nāṭana taga tagana natajana parivrta sadayamuda hrdaya
3.
nirantarānanda mukhakamala ananta naṭānga padayugaḷa
madhu muraleedhara hari laharee mareechi sageeta manōramaṇa
vraja dhurandhara jalada shōbhamāna dhara chikura mukula makuṭaneela
shikaṇḍaka mōhanānga kaḷinga naṭana
4.
neela manōhara jāla vibhooṣhaṇa nirata chalanchala bhujanga nartana
neeraja dalāt adhika mrdulapada nikaṭa tarangōttunga tāḍanga
nrttaka nrttaka tām taka tai taka tadhimi dhittaiya taka
tākiṭa nakajaga dhrgujaga nam tam takanaka nakajaga dhrgujaga nam tam
yamunā taṭāka tunga tarangam himakara sthimita ramita shubhāngam
itastatas chara karuṇāpāngam yativara hrdaya sarōruha bhrngam
dhinata tillāna dhinata tillāna dhinata tillāna dhrgu takiṭa tillāna
tilaka sindoora alaka shrngāra vadana gambheera uraga phaṇa sanchara
nanda sukumāra navaneeta dadhi chōra cchanda maṇihāra jalajabhava nuta dheera
jaya vijayee bhava nanda kumāra vraja jana paramānanda kishōra
kāleeya naṭanānanda gambheera karuṇārasa yuta bhāva shareera
dheem ta tām ta dheem ta tām ta tai
dheem tattōm ta dheem tattām ta tai dhimi tadhimi takiṭa jhaṇu
jagaṇaga nam tari tagaṇaga jham tari dhiriku tāku dhimi tadhimita kiṭa jhaṇu
vraja kumāra mahimālankrta vanamālā dhurandhara krta krtākāra
tajjham ta takajjham ta takaṇṇam ta takurram ta
tāku jhaṇam tari tataku jhaṇam tari tā jhaṇam tari tadhimi takiṭa jhaṇu
tāku jhaṇam tari tataku jhaṇam tari tata jhaṇam tari tadhimi takiṭa jhaṇu
adbhuta nartana chitrita mudrita vidyutam udbhavam adbhutam adbhutam
tāku jhaṇam tari tataku jhaṇam tari tata jhaṇam tari tadhimi takiṭa jhaṇu
tāku jhaṇam tari tataku jhaṇam tari tari tā
didhi sutah kāla vidhinutah sheela atishaya neela dhrta pada lōla
tāku jhaṇam tari tataku jhaṇam tari tata jhaṇam tari tadhimi takiṭa jhaṇu
tadhimi takiṭa dhimi tāka dhimi takiṭa dhimi tāka tadhimi takiṭa dhimi tāka
tā tattōm tattai kiṭatakatarikiṭa dhōm kiṭatakatarikiṭa tarikiṭakiṭataka
tāku jhaṇam tari tataku jhaṇam tari tā jhaṇam tari tadhimi takiṭa jhaṇu
tadhimi dhittaiya tarikiṭataka tā tajham kiṭataka tadhimi dhittaiya
atishaya sukha nirupamakara pāda jham kiṭataka tadhimi dhittaiya
sarasamōha muraḷeerava nātha sakala lōka sammōhana geeta
taritajham taka taritajham takiṭa katōnga katōnga
tāmta dheemta tōmta taita karakamala dhrta abhaya varaprada
taku dhinam taka dhinnam kiṭataka tātai tāngu tātai tām
dhrga takataka dhinnam tāngu tātai tāngu tātai tām
kadamba kisalaya milita noopura padam chalita krta pāda tām
tillāna dhrga tillāna dhrga dhrga tillāna kiṭatōm kiṭataka
ta tan na nam kiṭa tōm nam kiṭa tata tarikiṭa tari kiṭataka
tarikiṭa taka taḷāngu taka tām kiṭataka tām kiṭataka tarikiṭa tām
kiṭataka tarikiṭa tarikiṭa tām
tāmta dheemta tōmta tai tyajōraga bandha tad bhujanga shirasi
charaṇam chalanam krtanam dhrtanam vadanam jita chandramadam
kara kankaṇa kinkiṇi nam na na nam
pada taka taka dhimi dhimi jhaṇu jhaṇu tām
tadāg ta tillāna kanaka bhooṣhaṇa takiṭa tagattagāya
mukhabhara mandasmita navavara poojita padayugala
hari jaya vijayee bhava nanda kumāra vraja jana paramānanda kishōra
kāleeya naṭanānanda gambheera karuṇārasa yuta bhāva shareera
5.
madamadhukara madhupa taralasama nayana kamaladaḷa chalana muni hrdayamapi
chōra chātura dayākara muradi bheekara
👌👌👌👌👍👍👍👍
Wow superb
Thanks a lot for lyrics
This is just so beautiful! Puts a smile on my face each time looking and hearing this song by Aruna amma
Aww...this is beyond words, simply. She must be seeing "nandkumar" with her closed eyes while singing this, that's how she sings. "Adbhut" 🙏
Kalinga Narthana Thillana..😙
Radhe Krishna ❤
എന്ത് ശാന്തത ആണ് ഈ പാട്ട് കേൾക്കുമ്പോൾ മനസ്സിൽ കണ്ണൻ അങ്ങനെ കാളിയന്റെ ശിരസിൽ നൃത്തം ആടികൊണ്ടിരിക്കുന്ന ഭാഗം ആണ് മനസ് നിറയെ ❤❤
Wauw this is good for My ears, heart and soul. Thank you India, for your beautiful music. ❤
LEGEND ❤️!! This song is just so awesome . Ma'am 's presentation is like Ornament to our Lord Krishna!!
The Goddess Saraswathi is here in person to bless us with this performance!
Her rendition reflects truly & vividly shows Bal Sri Krishna's Nrityam in Kalia
One of the best song by Aruna Sairam madam. This is my favorite.
Speechless performance
Hats off to all legends ☺️ 💕
She is too good. Look at her naughty wink 4:59. I guess, Sri Krishna is dancing inside her mind.
🙏
🙏
👌loved it
I think because she add two sur which I never listen before in her other tillana
Exactly
The glory of her voice and music is mesmerising 😍😍😍😍🌸❤️
Aruna ji, It is indeed a beautiful composition by Oothukadu Iyer and you have rendered it in an amazing manner. I wanted to tell you that my 1.7 year old son likes all your songs especially this one. He tries to imitate you and sings along the thillana. He says Paati Paati when listens even your voice from far. We were amazed to know this. Probably the most youngest fan of yours.
Ooo
ತುಂಬಾ ಸೊಗಸಾಗಿ ಮೂಡಿಬಂದಿದೆ ಬಹಳ ಚೆನ್ನಾಗಿತ್ತು
తుంబా సొగసాగి మూడిబందిదె బహళ చెన్నాగిత్తు
🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
this crosses all the limits of music and style ,such a unique piece i bet world have ever seen.
This is awesome. Jai Sri Krishna 🙏🏻
My daughter sleeps after listening to this song.
Even my son
அமெரிக்காவில் என் பேரனோடு இருந்த 6+6+6 மாத காலமும் என் அருணாம்மா பாட்டுத்தான் எனக்கும் என் பேரனுக்கும் யூ ட்யூபில் கேட்டுட்டே இருப்போம் அது ஒரு சொர்க்கம் அருணாம்மா பாடலும் என் பேரனின் அருகாமையும் ஆனந்தம்
It is supposed to wake up the sleeping ones.
தெய்வமே...எம்எஸ் க்கிற்குபிறகு வாழும் நடமாடும் சரஸ்வதி....பல்லாண்டு பல்லாண்டு வாழவேண்டும்
Amazing singing as usual.. amazing presence of mind to notice and realize that her sindhooram had fallen down and fixing it without breaking a beat.....
I just can envision the entire eternal dance of shree krishna !!! She sings in such an unforgettable tone !! Charan sparsh maam
The entire unit works in unison with Aruna Sairam to prove 'the more you know, the less you need'. Violin stops at 3:07 allowing the lyrical/ rythmic beauty to shine. Percussion alignment is profound in its subtelity. Excellence achieved through precise, persistent and elegant annotation. Bravo!
I am lucky person that I hail from telugu, which is derived from Sanskrit language. We easily understand most of the words from the above composition in Sanskrit. I also thank, carnatic music composer tyagaraja, made all his keerthanas in telugu which still are in syllabus of music learners,
Telugu is not from Sanskrit. Telugu has different origin from sanskrit.
Super performance...outstanding accompaniments.....
Kalinga narthana” literally means “Kalinga dance” in Sanskrit, and it refers to a popular real story in which the god Krishna, as a young boy, danced on the hood of serpent Kaliya (aka Kalinga) to stop him from poisoning the Yamuna river.
A thillana contains many rhythmic sounds and words and intricate sequences that are fused with repetitive musical notes.
In Kalinga Nartana Tillana various rhythmic sounds are beautifully interwoven harmoniously interlaced with Sanskrit lyrics by the poet.
Oothukadu Venkata Kavi had even set the singing style in such a way that, at one place, a particular word is enunciated to resemble the hissing sound made by the great serpent. He has liberally used gati-bhedam, that is change of rhythm, something that very few major Carnatic composers have done before or since. Jatis [rhythmic syllables] and lyrics intermingle, thereby giving a dramatic and striking effect of the rapid and cadenced foot movements and adroit swings of the dancing Lord.
Oothukkadu Venkata Kavi or Oottukadu Venkata Subbaiah Iyer was one of the pioneering composers in Indian classical Carnatic music.He lived in South India in the present-day state of Tamil Nadu. Also known by the name Oothukkadu Venkatasubba Iyer, he composed hundreds of compositions in Sanskrit, Tamil and Marathi of which over 500 are available. These were handed down from generation to generation by the descendants of the composer's brother's family.
As per available information (from the Family Tree) Oottukkadu Venkat Kavi was born to Subbu Kutti Iyer and Venkamma in Mannargudi, a temple town near Tanjavur in South India, sometime in early 1700s. Later on, they are said to have migrated to Oottukkadu, which was a small neighbouring village.Currently, around 500 compositions of this great composer have been discovered through various sources. Over 300 of these have been published by noted harikatha exponent, Needamangalam Krishnamurthy Bhagavatar (who was a descendant of the poet's brother's family), who was instrumental in popularizing Venkata Kavi's works.
Venkata Kavi's compositions reveal that he was a complete master of the science and art of music in all senses of the term - melody, rhythm or lyrics and was eloquent in Sanskrit and Tamil. Renowned for his rare depth, scholarship and sublime appeal,he was proficient in a variety of musical forms such as the kriti, tillana and kavadichindu. He used talas and themes that not many other Carnatic composers have preferred to handle. His compositions are a blend of a high degree of scholarship on a variety of subjects and inspired expression. During a lecture demonstration on the composer by Needamangalam Krishnamurthy Bhagavatar in December 1955, The Music Academy Madras Experts' Committee noted that "Venkata Kavi's compositions filled a gap between Purandara Dasa (1484-1564) and the Carnatic Music Trinity of Tyagaraja, Muthuswami Dikshitar and Shyama Shastri, who lived around 1760s-1840s.
While he has rightfully been acknowledged as one of the greatest composers on Krishna, Venkata Kavi composed hundreds of pieces on other deities too. Several pieces also reveal his humility, reverence for the great personalities before his times and the high state of bliss that he probably experienced almost ceaselessly. His works scarcely contain autobiographical notes and show that he had reached great spiritual and philosophical heights. Deeper studies have dispelled myths about some of his compositions like "Alaippayude kanna" (Kanada) being autobiographical, and shown that this and numerous other pieces on Krishna in lilting Tamil were parts of his opera based on Bhagavatam. His works also reveal the proximity he felt towards God and show his deep devotion.
(I got this on Google....this should be here for us.....!)
It is a popular historical story and not a mythological story. Sri Krishna was very much a real and historically-present person.
Everything is good except the word mythological. When Venkata Kavi composed, he might have experienced the real Krishna himself. If it was mythological he would never have
@@austin426512 thanks for marking this....i made a correction.... thanks again. vandan
@@AgdamBagdam7 🙏🙏
Thajjam tha thakajjam tha thakannam tha thakurrrram.................. greattt...... great greattt........
सुंदर........फार सुंदर गायला अरुणाजी........फारच आवडले
@Shubham D UK hindusthani classical music madhye jasa tarana asto tasa carnatic music madhla thillana
KALINGA NARTHANNA THILLANA BY ARUNA SAIRAM .....IN ISHA YOGA CENTER.......IS AMAZING.... THANK YOUR GOODSELF MADAM ... NAMASKARAM 🎉
Words r inadequate to describe this performance
அதி அற்புதமான ஒரு அனுபவம் 🙏🙏🙏
Love the song of sooryagayathri and Rahul vellal rendition. Soulful young and refreshing.
Exactly
yeah that was beautiful. But this was a live concert, no chance to finetune and upload the best version
Madam is great,a gift to enchanting and enhancing love for Indian Carnatic music all around
Amazing............... amazing singing.
Iam addicted to the singer... .... song.... pranamam arunammaaa.......
Absolutely beautiful
शब्दों का जादू जगाती आप अति विशिष्ट गायिका हैं....कमाल कर रही हैं ! आपका ये वीडियो मैं बहुत बार देख चुकी हूँ और हर बार नवीन लगता है....आपको सादर प्रणाम ! 😊🌹🍀❣🙏🙏
Когда же я ее выучу) Обожаю Калинга Нартана!
Wow.....no words to say ....amma....how much beautiful
This... World needs more of this..
Beautiful yes 🙌 thank all for it swami lovees it all very much thank all for sharing all in swami s project proud ❤
Goosebumps ❤❤❤
Shanti milti hai is singing se aur is music se
She is magnificent, just fantastic ❤️
No words to express my feelings
Magnifique ; et dans la détente totale. J'adore.
th-cam.com/video/dKqLEhFf6Cg/w-d-xo.html
Imagine dancing to this music. Oh wow. What joy.
HARE KRISHNA
Amazing!!! Hare Krishna
Mam thanks is song ke liye. Aap Ka ye song aur music ek medicine bhi hai. Kuch time pehle meri tabiyat aisi thi ki bola bhi nahi jaa raha tha but Aapke song ne medicine ka kaam kiya. Kuch raahat mili. Thanks is music ke liye, aur singing ke liye.
Such a fantastic song . No words to you Aruna Amma👌👏
Paavam my Krishna, crying because of this mam.....
A rhythmic delight. Thanks for posting. God bless all of you.
Ananth Sundara-Rajan k999
Jitna suno kum hai. Baar Baar sunne ko Mann karta hai.
Best way to listen to this song is to put it in 1.5speed and listen ☺😊
I like this song so much
While north was getting decimated south was rising high and beyond. May the knowledge spread to the north again.
👌👏👏Mesmerizing,my salutes to the great singer,scholar 🙏🏻🙏🏻🙏🏻
Wonderful.. I've been watching this many times for the past 6 years, still like a new for me bcoz of the beauty of presentation.. Thanks a lot m'am again.. Lots of love from Guruvayur
Wow wow what a excellent rendition with explanation. A big namaskaram to Aruna amma.
Mam first time mein aapki singing sunn Kar Mai aapki fan ho gaee hu.
What a recital amma, padabhivandanam amma🙏🙏🙏🙏🙏🙏🙏🙏.
She is wow 🙌
Excellent mam...wonderful wonderful no words to explain....you just amazing...we love you , our heart felt pranams....I don't knw how many times I watched this video but still continuing more and more
പറയാൻ വാക്കുകളില്ല അതി മനോഹരം 🙏🙏🙏
no words to say 🙏
பேஷ்பேஷைஅட்டகாசம் அமேசிங் அருமை சூப்பர் சபாஷ் ஏஒன்ஆஹா ஓஹோ🎉👍🙏💯
No words to express my feelings excellent mam.
I'm hard core addict of this performace
Vow wonderful song n rhythm thanq amma
no words for this
Who was the greatest hero of the Mahabharat? None other than the Lord Krishna as per Barbarik.
Jai Sri Krishna
Kalinga Narthana tillana...Kaliyaa Damana
Pallavi:
taam dhIm tarana taam dhIna takiTa
describing Krishna’s dance using rhythmic syllables
Anupallavi:
taam dhIm tarana taam dit takiTa dhigirtakiTa dhigir takiTa tadingiNatOm
taam dhIm tarana taam yamunaataDaaga pankEruhapada
With his lotus-like feet in the water of the Yamuna river…
voice of moon