Carmina Burana III: Veris Leta Facies

แชร์
ฝัง
  • เผยแพร่เมื่อ 28 ส.ค. 2024
  • Orchestration Tip: Exposed Low Horn Notes • Orchestration Tip: Exp...
    Carmina Burana Score Analysis at 77K Subs: • Carmina Burana Score A...
    Pocket Guide to Carmina Burana (shorts videos): • Pocket Guide to Carmin...
    100 Orchestration Tips: orchestrationo...
    100 MORE Orchestration Tips: orchestrationo...
    For the most up-to-date orchestration analysis and additional resources and perspectives, please join me on Patreon.
    / orchestrationonline
    Visit the official Orchestration Online website and subscribe to our newsletter. orchestrationon...
    Join the orchestration online community by subscribing to this channel, checking in on Twitter @OrchestrationOL, and being part of the conversation on Facebook. / 278568792265515

ความคิดเห็น • 46

  • @just1stone689
    @just1stone689 3 หลายเดือนก่อน +24

    THIS is why TH-cam was invent..for cat videos and precise niche knowledge sharing . I truly enjoyed this. THANK YOU!

  • @jonathanp935
    @jonathanp935 3 หลายเดือนก่อน +16

    Let's get Thomas up to 77k, he deserves it, his content is unmatched on youtube!

  • @enriquesanchez2001
    @enriquesanchez2001 3 หลายเดือนก่อน +4

    THOMAS! This scintillating section always manages to perk up the hairs on my neck and arms! THANK YOU for dissecting the deceptively simple orchestration for us to study and admire! Thanks to you could never be enough for me to express my delight! ♥♥♥♥

    • @OrchestrationOnline
      @OrchestrationOnline  3 หลายเดือนก่อน +1

      Ah Enrique, you are truly a superfan as well as an intelligent and sensitive soul. Your feedback is always on point. Thank you so much for being there all through these often confusing times.

    • @enriquesanchez2001
      @enriquesanchez2001 3 หลายเดือนก่อน

      @@OrchestrationOnline Thomas, you deserve no less and even more!

    • @enriquesanchez2001
      @enriquesanchez2001 3 หลายเดือนก่อน

      @@OrchestrationOnline Thomas, only an intelligent and sensitive soul, such as yourself, is ever capable of recognizing this feature of another. ☺Thank you... stay healthy.

  • @herveorus7432
    @herveorus7432 3 หลายเดือนก่อน +2

    Hi Thomas, an other door opened to a new antic world ! So Cool ! Thanks a lot !!!!

  • @matOpera
    @matOpera 3 หลายเดือนก่อน +2

    Thank you for doing this. Your observations are exceptionally valuable. I sang this piece in high school, and I must admit, it is not my favorite artistically or textually, but there is indubitably a lot to learn from Orff’s compositional techniques. And your analysis of them gives us a second layer of a seasoned composer’s experience to learn from.

  • @Qermaq
    @Qermaq หลายเดือนก่อน +1

    I've made sure my subscription is in place. I'd count this work among my top 5 pieces of music ever composed. Looking forward!

  • @zacharyniswender1925
    @zacharyniswender1925 3 หลายเดือนก่อน +1

    I’m really looking forward to the rest of this series. Never heard this work before and I’m enchanted by it. Thank you Thomas!

  • @jankapi-zq9nn
    @jankapi-zq9nn 2 หลายเดือนก่อน +1

    Thank you so much for this lesson! I hate Carmina Burana with a burning passion, but there is absolutely a lot to learn from it.

    • @shosty6733
      @shosty6733 หลายเดือนก่อน

      If you don’t mind sharing, why do you hate it?

  • @benbazzrea712
    @benbazzrea712 หลายเดือนก่อน

    Thank you for your work on these. I'm sure it takes a lot of effort to do this and it doesn't go unnoticed.

  • @Qermaq
    @Qermaq หลายเดือนก่อน +2

    7:40 what amazes me is it sounds like the xylo is playing the woodwind lick bit it's not. I'm sure it would be really sloppy if it were scored that way. This allows the percussive xylo tone to color the woodwinds but not interrupt their ensemble, being seated right near each other in the orchestra.

  • @alexchristodoulou
    @alexchristodoulou 3 หลายเดือนก่อน +1

    Just priceless, thank you so much. Not sure how we can help getting the channel more subs, but I hope it gets there soon!

    • @OrchestrationOnline
      @OrchestrationOnline  3 หลายเดือนก่อน

      Thanks a bunch, Alex! Maybe share this vid around? Anyway, I really appreciate the feedback, and I'm desperately looking forward to starting the series now after so much great energy in the comments. Maybe I could preview more chapters on Patreon...

  • @ricucci-hillmusic
    @ricucci-hillmusic 2 หลายเดือนก่อน

    Earned my subscription! I'd love a full dive into this piece, a long-time favorite of mine.

  • @AdamAnderson.Composer
    @AdamAnderson.Composer 2 หลายเดือนก่อน

    Bene! Plūrimum mē laetitiae affert hunc canālem invēnisse! ❤❤❤

  • @Hudson_Holland
    @Hudson_Holland 3 หลายเดือนก่อน

    I would love to see this series! This was an excellent video very inspiring to see how simple orchestration can often be the more beautiful and effective than complicated textures and ornamentation. I hope you get enough subscribers!

    • @OrchestrationOnline
      @OrchestrationOnline  3 หลายเดือนก่อน

      Thanks heaps for your kind comment. I'm just itching to rip through all of these songs right now. I might even just start producing some in advance, I feel so impatient to get to work on it. At least the videos would be ready if my subs suddenly notched up.

    • @Hudson_Holland
      @Hudson_Holland 3 หลายเดือนก่อน

      ​@@OrchestrationOnlineIm so excited for them. Ive never actually listened to all the songs so thats something I will do in the meantime. Thanks for motivating me to listen to them :)

  • @bassface84
    @bassface84 3 หลายเดือนก่อน +1

    favorite piece of music i've ever performed this is....

    • @OrchestrationOnline
      @OrchestrationOnline  3 หลายเดือนก่อน +1

      Great to hear it! I'll have to do the series now...🙂

  • @Jokertyf
    @Jokertyf 3 หลายเดือนก่อน +1

    i can't help but hear inklings of a dies irae quote in the wind/celeste part at the end of each verse. Do you think that was intentional?

    • @OrchestrationOnline
      @OrchestrationOnline  3 หลายเดือนก่อน +1

      It does have the same pattern. I wouldn't be surprised if it was.

  • @johnopalko5223
    @johnopalko5223 3 หลายเดือนก่อน

    I'm really looking forward to your series on _Carmina Burana._ I've loved this work since I was a teenager and I finally had the pleasure of performing it on two separate occasions. Now I need to find recordings of the final two works in the trilogy, _Catulli Carmina,_ and _Trionfo di Afrodite._

    • @OrchestrationOnline
      @OrchestrationOnline  3 หลายเดือนก่อน

      Thanks John, I'm also really looking forward to digging in. I think you can find those recordings on TH-cam. Interestingly, Catulli is pretty modernistic in its harmony and very stripped-down in its sound picture; while Afrodite is a very laid-back work. It reminds me somehow of Also Sprach Zarathustra - a huge beginning, but then the rest of the piece is somewhat lyrical and thoughtful rather than grandiose. So Carmina Burana would be the titanic introduction to the very sparse Catulli Carmina and the gentler Trionfo di Afrodite.

    • @johnopalko5223
      @johnopalko5223 3 หลายเดือนก่อน

      @@OrchestrationOnline Thank you, Thomas. I will see if I can find them and give them a listen.
      I know "Also Spruce Zarathustra" was either a typo or a case of DYAC (damn you, autocorrect) but it raises the interesting image of Richard Strauss writing a tone poem about loggers in the Pacific Northwest. 😀
      Yes, this is how my brain works, alas.

    • @OrchestrationOnline
      @OrchestrationOnline  3 หลายเดือนก่อน

      @@johnopalko5223 Also Redwood Sequoia Sempervirens. 😄

  • @ridwancoding5646
    @ridwancoding5646 2 หลายเดือนก่อน

    I really hope these get made. Will the series be as graphical as this demo?

    • @OrchestrationOnline
      @OrchestrationOnline  2 หลายเดือนก่อน +2

      Absolutely. That's my current standard.

  • @seba4053
    @seba4053 3 หลายเดือนก่อน

    This part of Carmina Burana is very important in italy: in Pierpaolo Pasolini's movie "Salò o le 120 giornate di Sodoma", was used as soundtrack in one of the most important scenes of the cinema. At the end of the film.

  • @Qermaq
    @Qermaq หลายเดือนก่อน

    15:20 I just think of it as being sub-dominant-ish. Like if it were jazz, it'd be a Dm6/9/A maybe. It finally resolves on the A5.

    • @OrchestrationOnline
      @OrchestrationOnline  หลายเดือนก่อน

      Ignore my previous comment, I thought you were talking about Dulcissime.

  • @frankdrebinn
    @frankdrebinn 3 หลายเดือนก่อน

    "Sors immanis
    et inanis,
    rota tu volubilis,
    status malus"

  • @misi1979
    @misi1979 3 หลายเดือนก่อน +1

    Let's make this happen...I-m already a subscriber....probably I need to make another few accounts for this:)

    • @OrchestrationOnline
      @OrchestrationOnline  3 หลายเดือนก่อน +1

      Haha, that's one way of solving the problem! 😄 Seriously though, if you could help me spread the word, then that would be even better!

    • @misi1979
      @misi1979 3 หลายเดือนก่อน

      @@OrchestrationOnline Just jocking:) I wish You good health and joy.:)

  • @jersmith1486
    @jersmith1486 3 หลายเดือนก่อน

    why does piccolo use ledger lines like that? It will always be up there.

    • @OrchestrationOnline
      @OrchestrationOnline  3 หลายเดือนก่อน +2

      Not sure what you mean - if you're talking about the first 3 bars, that's actually sounding an octave higher. Since pro flute players don't usually like reading 8va lines that much, those high ledger lines are fine.