Behringer actually bought a Yamaha DX-1 and a Linn Drum at an auction. The case that the Linn Drum was in also contained a bunch of Eprom chips for the Linn Drum. The drums for Shout were included. Behringer is making those sounds as a soundbank for their Linn Drum clone. Behringer's clone is going to be released very soon.
I got misty-eyed watching this video. I got a knock-off Walkman when I was 14 and Big Chair, still a fairly new release, was one of the first cassettes I bought. I must’ve listened to it ten million times and 41 years later the sound of the intro hi-hat and bells still thrills me. It’s wonderful to see how it was made. Thank you!
That snare is so iconic. So many hip hop songs used it right after Tears for Fears made it famous. "Pee Wee's Dance" By Joeski Love, Whodini "Funky Beat", Beastie Boys "Beastie Groove", Run-DMC "Walk this Way" and countless others but my favorite will always be Tears for Fears "Shout" (US 12" Remix)
OK, this is officially the most nerdy thing I've ever seen on TH-cam or at least gotta be way up there. I loved it. Great job. Keep going super cool regarding the when the levy breaks sample.
Excellent video. With so many elements you’d think the drum track would sound too busy but it all works. Those bell sounds made me smile, such a nostalgic sequence
My Emu Drumulator was stock with those Levee Breaks kick and snare samples. The amount of hits generated from samples of that one song is pretty amazing
I still have my original Oberhiem DX that I paid around $1100 for in 1983. I'll never sell it. I've heard New Order used one back in the 80s. They probably had the more expensive DMX which had more options. I just subscribed. This is some great stuff!!!
I remember those sounds. I bought a LinnDrum when they first came out and it was stored at my mom's house through the '90s. I had Bruce Forat set it up for MIDI along with a Rhodes Chroma around '93. When my mom sold her house she reminded me I had some gear that I should pick up. About 20 years ago, I donated it to the Museum of Making Music in Carlsbad, CA. It was an awesome piece of gear.
I actually sampled the drums from when the levee breaks and used software to separate the different sounds (as i did not have any stems from them). The separator (regroover pro ) did a great job and separated the kick, snare and the shakers that was used on it. I hardly knew song but instantly felt it was about the most epic sounding ' natural' drum. I found out that when you speed up the when the levy break drums in the analog manner, meaning that when you speed up the sounds get higher in pitch and the slower you play them the lower pitched they get, that the reason it sounds so big is basically just because it is a slowed down recording of a drum set. If you speed it up, it stops sounding big and bombastic but rather sounds like a nromal drum recording. I think for this reason it sounds most natural if you use these essentially slowed down samples in a quite slow bpm , or at least make the kick and the beat not follow each other too quickly but leave some time in between because that naturally happens when you slow down a drum groove. A morphed real sample usually sounds much more interesting than one fully digitally created one, but even better if you do stuff to it so that it still retains the interesting non simplistic sounding elements and character that fully digital drums usually completely lack. I think the also epic sounding drums from the track from bjork ' army of me' sound also big, and if i remember correctly (but not sure, years ago) it was also just a regular drum that was slowed down in an analog manner. The last drum I find sound big and epic in a similar way is from the puff daddy cover from kashmir from led zeppelin song , ' come with me' sound also very big, but I am not sure how they fully did it as its not simply a slowed down version. Maybe they used other methods. Would you know which to make it sound so big? (puff daddy - come with me) Do you happen to have these bell sounds, toms and such and such as separate recordings maybe, without them being overplayed by each other? I'd love hear them in an isolated manner seperate . While these sort very big sounding drums are great, it can be challenge to find equally big sounding other drum elements to use along with them. Also, i'd love to hear if you know more songs that have such type of drums...the slow, ultra big sounding, yet acoustic sounding drums.
I'm a bit of a sample nerd and I just always assumed all these artists sampled When the Levee breaks themselves, I had no idea someone made eproms for drum machines with those.
Terrific video. If you can do anything on Naked Eyes first album, that would be fantastic. I love all the sounds and textures they used, including the drums.
Yess! Can’t wait for your next video 😊 Also, the sounds on that chip are utterly amazing! We would love to put them on a Roland SPDs and have a live jam with them! Are you going to put them online somewhere for people to play around with?
That was amazing... And to learn that the original samples for the "Digi Drums" EPROM kit were samples of John Bonham plus some custom / matching recordings of toms is some really cool knowledge. Thanks for the great vid!
Love this, great work! I wonder if these same Linn units used on their debut album "The Hurting", which also has some great drum programming throughout. So many great tracks to dissect for future videos, a few of the top of my head: Men Without Hats "Safety Dance" Alphaville "Big in Japan" Soft Cell "Torch" Depeche Mode "Never Let Me Down Again"
Awesome... pure gold. I did some drum machine programming beats in the 1980s- 1990s. My first drum machine was an Oberheim DX, and it had interchangeable eproms also. I really liked the sound but its short coming was that it was released just prior to Midi being implemented. My next drums machines were the Korg DDD-1, Alesis HR-16 and later the SR-16. I also used a variety of Simmons and later Roland electronic drums, and even had a tiny Mattel Synsonics Drums. Between these and various keyboards and samplers I really had a great variety of drum sounds. The best part of the Linn, as well as my machines, was the ability to loop 4 or 8 bars (or more) and "add" sounds as you went. I sometimes recorded the snare hits "live" while recording on 2inch 24tracks to get a more realistic vibe or feel instead of being quantized. All the days... thank you for the video and sending me down a long forgotten era of my life.
You have made my dream come true, to know how the hell this was done, I congratulate you and thank you infinitely, for me you are a boss who helps humanity a lot.🎉😊😮
Great video nick. I was fortunate to have a Linndrum with this excellent eprom set. It sadly got damaged due a burnout. I eventually bought a sequential drumtracks & recaptured that great sound again.
Roland Orzabal often mentions the use of the when levee breaks snare sound. Fish out of Water drums are from that sample, but taken from a sample and loops CD at the time. I think he used again on their more recent songs.
Awesome video! More more more!! Something I’ve always wondered is how drum machines were recorded in the 80s. It’s so simple now to solo everything and then move it into place.
To think so many of these songs wouldn't have been anything close to what they were, maybe wouldn't have come into existence at all without this technology.
Love your Video. I have some eproms with some of the Sounds for my Oberheim DX and my SCI Drumtraks, still on the Hunt for some sounds. Cant await to see your next Video. Take care.
I see Captain Pikant has some competition 😏 I travelled back to the UK 2 years ago and found my original vinyl copy of Songs From The Big Chair. Still a great album. Of course it came back to the US with me!
This is one of the first songs I played drums to when I was about 8 years old. I always wondered how that drum track was created- it sounded too real to be a drum machine, but it was!
Great video thank you. Do you know if the triangle EPROM uses any of the same round robin sort of technique like the hi-hats? Might be just the reverb but to me it's got a much nicer sound to it than just a single sample would suggest.
Great video. Might sound basic and a very obscure choice but you could do the drums from the British soap opera Eastenders. I've also wondered what drums were used and the kick to me sounds like a Linn Drum of some description but the clap sounds like the 808 clap. Would you do old skool house drums too?
Very cool. Pretty sure John Bonham‘s kick sample was also used in “Relax” by Frankie goes to Hollywood amongst others 🤔 I remember programming Funky Cold Medina into my Roland TR505 back in the day 😂
Yes yes. Who knew dissecting things that you have heard a million times voukd be such fun. More please from all 80s kids
Behringer actually bought a Yamaha DX-1 and a Linn Drum at an auction. The case that the Linn Drum was in also contained a bunch of Eprom chips for the Linn Drum. The drums for Shout were included. Behringer is making those sounds as a soundbank for their Linn Drum clone. Behringer's clone is going to be released very soon.
I got misty-eyed watching this video. I got a knock-off Walkman when I was 14 and Big Chair, still a fairly new release, was one of the first cassettes I bought. I must’ve listened to it ten million times and 41 years later the sound of the intro hi-hat and bells still thrills me. It’s wonderful to see how it was made. Thank you!
Thank you so much for watching. New episode next week.
That snare is so iconic. So many hip hop songs used it right after Tears for Fears
made it famous. "Pee Wee's Dance" By Joeski Love, Whodini "Funky Beat", Beastie
Boys "Beastie Groove", Run-DMC "Walk this Way" and countless others but my
favorite will always be Tears for Fears "Shout" (US 12" Remix)
Michael Jackson's The Way You Make Me Feel and Janet's Control also used them
Art of Noise used it too.
Depeche Mode - Never Let Me Down Again
OK, this is officially the most nerdy thing I've ever seen on TH-cam or at least gotta be way up there. I loved it. Great job. Keep going super cool regarding the when the levy breaks sample.
Excellent video. With so many elements you’d think the drum track would sound too busy but it all works. Those bell sounds made me smile, such a nostalgic sequence
Awesome, this channel will blow up if you can maintain this professional recreation of iconic music
@@danieltrochei4544 thank you! I hope you are correct. Episode 2 coming next week.
I agree! Good stuff!
When you started to play those triangle I got a chill ! Such memories, thank you for this incredible demo and your research work. Cheers from Canada.
Yeah, "a chill", exactly what I felt as well. A chill!!
The same drums were used on Never Let Me Down Again, also engineered by Dave Bascombe
@@sincinati yup! I will be covering Depeche Mode in future episodes.
My kind of video❤
Yes yes yes. ...TFF 4 ever.
Linn drum 4 ever.
Groove machine.intuitive
My Emu Drumulator was stock with those Levee Breaks kick and snare samples. The amount of hits generated from samples of that one song is pretty amazing
I still have my original Oberhiem DX that I paid around $1100 for in 1983. I'll never sell it. I've heard New Order used one back in the 80s. They probably had the more expensive DMX which had more options. I just subscribed. This is some great stuff!!!
Amazing. Cover whatever you wish. This series will become an instant classic.
Ok.. THAT’s cool. Thanks for the history lesson. More please. Subbed.
Amazing! That album is still in my regular listening rotation.
Amazing recreation, congratulations!
Insane, how recognizable a song is... just by hearing the first sounds of this legendary drum machine!
That's a trademark for '80s songs
I remember those sounds. I bought a LinnDrum when they first came out and it was stored at my mom's house through the '90s. I had Bruce Forat set it up for MIDI along with a Rhodes Chroma around '93. When my mom sold her house she reminded me I had some gear that I should pick up. About 20 years ago, I donated it to the Museum of Making Music in Carlsbad, CA. It was an awesome piece of gear.
Hell yea. Thanks for sharing. The Linndrum is one of my favorite pieces of gear ever made. New episode will be out this week.
Instant like and sub. Great work. Loved hearing them build
Brilliant research and authentic recreation. And to the point! Superb stuff. 👍
I actually sampled the drums from when the levee breaks and used software to separate the different sounds (as i did not have any stems from them). The separator (regroover pro ) did a great job and separated the kick, snare and the shakers that was used on it. I hardly knew song but instantly felt it was about the most epic sounding ' natural' drum. I found out that when you speed up the when the levy break drums in the analog manner, meaning that when you speed up the sounds get higher in pitch and the slower you play them the lower pitched they get, that the reason it sounds so big is basically just because it is a slowed down recording of a drum set. If you speed it up, it stops sounding big and bombastic but rather sounds like a nromal drum recording. I think for this reason it sounds most natural if you use these essentially slowed down samples in a quite slow bpm , or at least make the kick and the beat not follow each other too quickly but leave some time in between because that naturally happens when you slow down a drum groove.
A morphed real sample usually sounds much more interesting than one fully digitally created one, but even better if you do stuff to it so that it still retains the interesting non simplistic sounding elements and character that fully digital drums usually completely lack.
I think the also epic sounding drums from the track from bjork ' army of me' sound also big, and if i remember correctly (but not sure, years ago) it was also just a regular drum that was slowed down in an analog manner. The last drum I find sound big and epic in a similar way is from the puff daddy cover from kashmir from led zeppelin song , ' come with me' sound also very big, but I am not sure how they fully did it as its not simply a slowed down version. Maybe they used other methods. Would you know which to make it sound so big? (puff daddy - come with me)
Do you happen to have these bell sounds, toms and such and such as separate recordings maybe, without them being overplayed by each other? I'd love hear them in an isolated manner seperate . While these sort very big sounding drums are great, it can be challenge to find equally big sounding other drum elements to use along with them.
Also, i'd love to hear if you know more songs that have such type of drums...the slow, ultra big sounding, yet acoustic sounding drums.
I hope you make millions...you deserve it. Thanks for what youre doing!!
Wow that video was amazing. Would love to see some more 80s stuff!
That was so fun! Great job!
Brilliant work Bruce! What a rhythm it was... and still is. You know it's good because the drums alone are all you need for that big song feeling.
Wonderful recreation and fantastic research about those details
Great video! KEEP more of THIS coming!! A-ha ,pet shop boys ...etc...
Dude! Seriously impressive! Love this series. 👍🏻
Great job!
Good stuff….as an 80s drum programmer it’s great to see your dedication to the art. Keep it up. Oh…maybe some Prince tracks? Kiss?
Thank you so much! Means a lot. I’ve dedicated the past 10 years to learning these machines. New episode will be out this week.
Great video! You did some excellent research to dig up the exact sounds used. Hope to see more videos like this. Subbed.
@@shadowfall2823 really appreciate it! Episode 2 will be out next week.
I'm a bit of a sample nerd and I just always assumed all these artists sampled When the Levee breaks themselves, I had no idea someone made eproms for drum machines with those.
still sounds fantastic today! so sich in texture.
This is pure awesomeness. Thank you so much for uploading this video.
Amazing! You cracked the tone code with that one. Well done!
Nice! I love that this is going to be a series. Subscribed, thanks.
This is awesome! Thanks
This channel is FANTASTIC! Thank you so much for this, sir.
Terrific video. If you can do anything on Naked Eyes first album, that would be fantastic. I love all the sounds and textures they used, including the drums.
Voices in my head
That was awesome!
Great video
Looking forward to more
Depeche Mode
New Order
The Cure
Front 242
HELL YES! Instant fan of this YT channel .... do one on any Depeche Mode ! :)
Thank you! I will definitely be covering Depeche Mode in future episodes.
Yess! Can’t wait for your next video 😊
Also, the sounds on that chip are utterly amazing! We would love to put them on a Roland SPDs and have a live jam with them!
Are you going to put them online somewhere for people to play around with?
Great video!! I totally forgot that Digidrums was the beginning of Digidesign.
That was amazing... And to learn that the original samples for the "Digi Drums" EPROM kit were samples of John Bonham plus some custom / matching recordings of toms is some really cool knowledge. Thanks for the great vid!
Thanks for watching! Episode 2 will be out next week.
This is awesome, the nuts and bolts behind such a recognizable sound. So cool to see how it was created . Looking forward to more content.
Thank you! New episode this week.
Love this, great work!
I wonder if these same Linn units used on their debut album "The Hurting", which also has some great drum programming throughout.
So many great tracks to dissect for future videos, a few of the top of my head:
Men Without Hats "Safety Dance"
Alphaville "Big in Japan"
Soft Cell "Torch"
Depeche Mode "Never Let Me Down Again"
So well done!
@@TechnoEmpire thank you so much! I actually bought my Linn 9000 from you guys back around 2015!
@@CVsoundlabs Oh wow, very cool! Looking forward to the video you do of the 9000!
Wow this is great!
Yes! More of this please!
Awesome... pure gold. I did some drum machine programming beats in the 1980s- 1990s. My first drum machine was an Oberheim DX, and it had interchangeable eproms also. I really liked the sound but its short coming was that it was released just prior to Midi being implemented. My next drums machines were the Korg DDD-1, Alesis HR-16 and later the SR-16. I also used a variety of Simmons and later Roland electronic drums, and even had a tiny Mattel Synsonics Drums. Between these and various keyboards and samplers I really had a great variety of drum sounds.
The best part of the Linn, as well as my machines, was the ability to loop 4 or 8 bars (or more) and "add" sounds as you went. I sometimes recorded the snare hits "live" while recording on 2inch 24tracks to get a more realistic vibe or feel instead of being quantized.
All the days... thank you for the video and sending me down a long forgotten era of my life.
Fantastic work!
@@briankonash8438 thank you! Episode 2 coming soon.
Amazing production value! Subscribed!
it's too bad that this video ends! amazing content. subbed
Crushing that drum programming!!! 🤯
Great stuff! Looking forward to more of your content!👍
Thank you! New episode will be out this week.
Subscribed. Dope stuff
Thank you Maestro.
Outstanding
Great video! I thought it was all Fairlight, and I was wrong! Thanx
You have made my dream come true, to know how the hell this was done, I congratulate you and thank you infinitely, for me you are a boss who helps humanity a lot.🎉😊😮
kick-ass performance (and great research!) multiple thumbs up 👍👍👍
Thank you! New episode will be out next week.
Fantastic video! Really looking forward to your future videos.
Thank you so much! New episode will be out this week.
Great video! Looking forward to watching more.
Thank you! New episode will be out this week.
Great video nick. I was fortunate to have a Linndrum with this excellent eprom set. It sadly got damaged due a burnout. I eventually bought a sequential drumtracks & recaptured that great sound again.
Thank you! I’m sorry to hear about your Linndrum. The Drumtraks is great tho! New episode will be out this week.
@ Many thanks. Looking forward to the new episode 👍
Great work!
Thank you! New episode this week.
Roland Orzabal often mentions the use of the when levee breaks snare sound. Fish out of Water drums are from that sample, but taken from a sample and loops CD at the time. I think he used again on their more recent songs.
I can’t believe that this is the first video on your channel, because the production quality is very good! Keep up the good work!
Thank you so much! New episode this week.
Amazing, Greetings from Venezuela...
Awesome
Awesome job!
Thank you. Episode 2 coming soon!
Amazing
Amazing stuff !
Thanks so much! Episode 2 coming soon.
Great first video…keep them coming….
Thank you! New episode this week.
Awesome video! More more more!! Something I’ve always wondered is how drum machines were recorded in the 80s. It’s so simple now to solo everything and then move it into place.
Thank you! New episode this week.
Incredible
wtf, thanks! really huge content, I signed up instantly!
To think so many of these songs wouldn't have been anything close to what they were, maybe wouldn't have come into existence at all without this technology.
Love it! Great 80's
Thank you! New episode this week.
Love your Video. I have some eproms with some of the Sounds for my Oberheim DX and my SCI Drumtraks, still on the Hunt for some sounds. Cant await to see your next Video. Take care.
@@acidjack thank you so much! The DX is one of my favorites. New episode will be out next week.
Love it.
I see Captain Pikant has some competition 😏 I travelled back to the UK 2 years ago and found my original vinyl copy of Songs From The Big Chair. Still a great album. Of course it came back to the US with me!
heck yessir
Epic!
Killed it
This is one of the first songs I played drums to when I was about 8 years old. I always wondered how that drum track was created- it sounded too real to be a drum machine, but it was!
Awesome!
Great video!!!! Thank you!
Thanks for watching. New episode will be out next week!
that reverb sounds so good
AMS 🙌🏻🙌🏻🙌🏻
@@CVsoundlabs "AMS"?
accelerator mass spectrometry?
acute mountain sickness?
What??
@@Noone-of-your-Business AMS RMX-16
Geat first video. Nailed it!
@@commodore74 thank you! New episode next week.
@@CVsoundlabs Excellent!
These dissections are great. I think making the (processed) drum sample kits available would be a popular decision. 👍
Great vid! Instant follow. 👏
Thank you! New episode this week.
This is so neat!
Thank you! Episode 2 coming soon.
Epic!!! Best damn drum machine EVER!!!
Agreed! New episode will be out next week.
The Snare and Bassdrum is clearly from the Emulator. The song uses the whole set of the Digidrums Eproms
I don’t quite understand how it’s from the emulator if it uses digidrums eproms? You’re saying they sampled them into the emulator?
@@CVsoundlabsthe emulator “rock drums” kit has the same kick and snare from When The Levee Breaks.
More of this please!
@@colnago6501 episode 2 coming next week!
Great video thank you. Do you know if the triangle EPROM uses any of the same round robin sort of technique like the hi-hats? Might be just the reverb but to me it's got a much nicer sound to it than just a single sample would suggest.
@@NyquistTheorem the triangle is a 4 eprom sound that goes in the hi hat slots.
This is great!
Thank you! New episode will be out next week.
nailed it!
Cool vid! Can you do one on OMD "If You Leave" drums?
Great video. Might sound basic and a very obscure choice but you could do the drums from the British soap opera Eastenders. I've also wondered what drums were used and the kick to me sounds like a Linn Drum of some description but the clap sounds like the 808 clap. Would you do old skool house drums too?
Very cool. Pretty sure John Bonham‘s kick sample was also used in “Relax” by Frankie goes to Hollywood amongst others 🤔
I remember programming Funky Cold Medina into my Roland TR505 back in the day 😂