The Pancharatna Kriti set in Shri Ragam and Aadi Talam sung by TM Krishna. Unlike others, TMK here has rendered it in a low pitch and sung very slowly.
The beauty of this kirtan, sung by many stalwarts, but when TMk sings, he enjoys a d indulges himself in that pleasure, going through, perfectly on every words, turns and twists, slowly, as if he has all the time in the world, when he enjoys, he makes sure we also join him !!!! He mesmerised us and it's somebody puts us to sleep with such carass and slowly massaging our inner core ! He is a legend and giant in carnatic world. !!!
Have been listening to this song for almost 6 years with just enjoyment. Only today I bothered to look into the comments. I was overjoyed to read the comments that so many people have found bliss in this kriti and rendition from TMK. Peace!!!
AMONG THE PANCHARATNA KRITIS OF SREE THYAGARAJA... Endaro mahanubhavudu stands out as a shining gem, the sublimity, the spiritual quintessence, the condescending humility, the intricacies of carnatic music as a medium, contained in this outstanding kriti is......for all times....
There is a story behind the famous kriti Endaro Mahanubhavulu. It is set in the Sri Ragam and is in Aadi Talam. It was composed by Tyagaraja. It is said that a great musician from Kerala, Shadkala Govinda Marar visited Tygaraja and performed before him. Govinda Marar had expertise in singing in the six degrees of geometric speed and earned him the title 'Shadkala'. Tyagaraja was enchanted with his rendition of the Jayadeva ashtapathi Sancharadhadhara and then was born Endaro Mahanubhavulu, the unparallelled rhythmic beauty in Carnatic music. This kriti is supposed to have been spontaneously composed by Tyagaraja.
Same As Mangalampalli Bala Murali Krishna Garu.. Tears are not stopping from my eyes.. Thnk you Sir for Remembering MBK garu.. Blessed to listen this .. TMK is Also A Legend..
The most important thing you need to know is that Saint Thyagaraja is saluting all the great people around. Little did he realize he was one of them himself!
There is a story behind the famous kriti Endaro Mahanubhavulu. It is set in the Sri Ragam and is in Aadi Talam. It was composed by Tyagaraja. It is said that a great musician from Kerala, Shadkala Govinda Marar visited Tygaraja and performed before him. Govinda Marar had expertise in singing in the six degrees of geometric speed and earned him the title 'Shadkala'. Tyagaraja was enchanted with his rendition of the Jayadeva ashtapathi Sancharadhadhara and then was born Endaro Mahanubhavulu, the unparallelled rhythmic beauty in Carnatic music. This kriti is supposed to have been spontaneously composed by Tyagaraja.
Respected TMKrishna sir,totally claasical. mind blowing. thyagarajulu already expressed in his words those who critisises, dislikes they are great. endaro mahanubavulu
I can't believe the amazing calm his voice has.. and even more impressive is the clarity of the low notes. Sure MDR can go lower. but come on.. Only TM can take this song so low and still make it sound so pleasant and clear
Abhishek Abs did you hear Nagaiah's version of this song in the movie Tyagayya? If you like to hear the proper version of this song with correct pronunciation, please hear that in you tube.
Any given day, if one wants to feel peace, ko just listen to TM Krishna. Just outstanding knowledge of music combined with such a calm voice. Feel blessed
There is a story behind the famous kriti Endaro Mahanubhavulu. It is set in the Sri Ragam and is in Aadi Talam. It was composed by Tyagaraja. It is said that a great musician from Kerala, Shadkala Govinda Marar visited Tygaraja and performed before him. Govinda Marar had expertise in singing in the six degrees of geometric speed and earned him the title 'Shadkala'. Tyagaraja was enchanted with his rendition of the Jayadeva ashtapathi Sancharadhadhara and then was born Endaro Mahanubhavulu, the unparallelled rhythmic beauty in Carnatic music. This kriti is supposed to have been spontaneously composed by Tyagaraja.
om .. thanks for sharing this with us. I love hearing the genus and such history rather than critical comments. I listened in one night more than 50 times .... stumbling across by sheer accident
There is nothing wrong in TMK's pronunciation of Mahanubhavulu (with less amount of stress on the last two characters). It may be different from how Telugu people do it, but that does not mean that TMK has insulted or let down the language. What one must appreciate is the quality of rendering with pure devotion.
Inthujan Vaithilingam it's tough to understand your comments without paying due respects to your scarce appreciation of the arts. Your comparison of this rendition "to a drunkard" does injustice to drinking as much as it does to a wonderful interpretation of the song. And remember that "Bhava" is an evocation; it requires as much a nurture within, as it does a good ear/judgement. And evocativeness of a song is no less subjective than the distinction between royal challenge and a Laphroig.
No where near Balamurali or Jon B Higgins. Sorry. Higgins being an American pronounces with better clarity. I don't understand what is meant by saying "pronunciation the way Telugu people do"! Obviously it has to be pronounced the way Telugu pronounce.
i first came to know about sri.T.M.KRISHNA THE VOCALIST while discussing with my son [who is a vidwat in veena ] and who was getting ready to take up a fellowship in stockholm in sweden to do his PHD in cognitive compt science,......he reminded me to listen to T.M. KRISHNA the vocalist and highly recommended him,though my interest in carnatic musis only one of entertainment and for its intense BHAKTIRASABHAVA,,,,,,i love the nuances and intricacies of the music, more so because of its healing qualities both on the plane of one's personal well being both physical and mental.this music gives mental solace and can take you to heights of transcendence.......that way i got interested to listen to him ..i attended some live conserts in mysore centenary hall,university of mysore,and got absolutely impressed and inspired since when i make it mandatory to attend all conserts..he sings in a masterly fashion
I have read this rendition from literally dozens of classical giants. Never get tired of listening to it as it is a wonderful masterpiece by Saint Thyagaraja that is timeless in its philosophy. I think Dr. M. Balamuralikrishna's rendition seems the most melodious than others. But, this rendition is also great.
His respect for saahiyam is impeccable. Tyaagaraja, the God, Brahman of Carnatic, Pumbhaava Saraswati of Saahitya and King of Saints would have been disappointed with the mahanubhavas of Carnatic these days with their horrific lack of respect for words, sahityam and Telugu. If TM Krishna respects the Carnatic choodamanis wishes of suddha sahitya but hates his peers of today's Carnatic music, I'm perplexed if I should like him or hate him for not being a complaint conservative.
Just listen to the way he sings brahmaaa at 4:25 and thyagaa at 12:43. Weren't they just the best? The 4 notes of it just kept me looping around there. And even that slight push of endaro at 4:34 and finally what to say about mridangam? That variation at 3:30 is the half the reason why I believe TMK'S endaro mahanubhavulu is second best after MBK'S Endaro mahanubhavulu
I don't know it's meaning but I know the entire song. This is music, the most eternal thing in the universe.... It has no barriers....... TMK is one of the most blessed person living in the world. Such a soothing voice! 😍👌
@Mulugu, I do accept that there are mistakes in pronunciation when tamil singers sing telugu keertanams... But, a couple of things to bear in mind before being so critical... Telugu in Saint Thyagaraja's time was much more classical and it is heard to understand even for telugu people leave alone tamilians... It is out of not being familiar with the language and not out of disrespect that these singers make mistakes. In fact, the great tamil poet Mahakavi Bharthiyar praised Telugu to be the language best suited for music and thats how majority of carnatic music lovers in TN see it. The fact that they took so much effort to learn the kritis and sing should be appreciated. In fact, I have telugu friends who believe it is because of the active interest shown in carnatic music by enthusiasts in TN, that so many telugu kritis have prospered... Apart from the maestro Bala Murali Krishna who is in a league of his own, not many from AP come close to the galaxy of stalwarts from TN / Kerala in terms of their skill and service done to carnatic music, in recent times
Balaji Nagarajan Whilst I agree to what you say, there is however a slight deviation to what you have stated. Telugu no doubt lended itself much better to classical music than Tamil. Even the present day spoken Telugu lends itself well to this form of music. Most of Badrachala Ramadas Keertanas can be easily understood well by current day patrons. The key issue is not the language itself, but the level of patronage and the amount of knowledge and interest that has passed through the recent generations. Tamil Nadu has always had a much better structure to protect and support classical music. Be it be the temples in each and every town of Tamil Nadu continuously organising sabhas or the strong patronage in the form of various institutions, classical music never had a shortage of patronage in Tamil Nadu. 50 years back, there was tremendous following for carnatic music in Andhra too. Such was the following that carnatic music broke the caste and religious barriers as well. We have had Sheik Chinna Moulana mesmarise everyone with arguably one of the most exclusive carnatic instrument, Naadaswaram. We have had a flow of significant talent, an example being U Srinivas. Unfortunately, the patronage started to reduce. And as if that was not enough, those in power started to act against the artists. Andhra's biggest tragedy was when NTR denounced Dr. M. Balamurali Krishna as an Asthana Pandit from the Tirumala Tirupati Devasthanams. Politicians and those in power continued to poke into an areas which was best left alone. A net effect of this was a reduction in patronage, severe shortage of upcoming talent. So upset was Dr. M. Balamurali Krishna that he vowed not to perform in Andhra again. What was Andhra's loss was Tamil Nadu's gain and the results are here to see. A healthy stream of talent, support, patronage and I see carnatic music growing enormously in Tamil Nadu. Coming back to language, yes, the amount of mistakes committed in pronunciation are significant and no one can deny that. I have heard a recital where a 'Konda', meaning a hill, pronounced as a 'Kunda' meaning a pot. Having said that, degeneration of the language happened more by the way of addition of slang, subtle modifications made on the streets with each passing generation rather than the limited damage caused in the carnatic classical music sabhas. So, to those who crib about it, I would advice walking and talking on the streets to get an idea of how much the language and actually degenerated and then come back to these sabhas. And to those who would still crib about it, well, they have let the patronage and the culture die in their territory, so they cannot complain.
Balaji Nagarajan True, its an unfortunate situation in AP. For any thing to flourish it needs a critical mass and an eco-system to sustain it. Thats the reason many fortunate artists from AP migrate to Chennai. Like U Srinivas, Priya Sisters (their father migrated for them), Unnikrishnan (Who's father migrated) etc. in fact even BMK. In the olden days arts were patronized and nurtured by the rulers. In AP for the past few centuries before independence, a vast area was under the Nizam rule who destroyed any Hindu culture. So the eco-system was destroyed. People went out of touch with the art forms. The fortunate ones still migrate...
Tyagaraja's telugu is particularly simple. You dont need sophisticated knowledge of Telugu to understand many of his kritis. His language is remarkably close to contemporary language and if people claim they dont understand, they are either lazy or so deracinated.
Krishna Sir....i think ur almost same as Tyagaraja Swamy....we don't know exact of his voice....But we feel ur voice perfect among all other legends also ....
Lots of respect for TMK in general, no issue with the tempo, sahityam is a never-ending issue/debate/etc. amongst Carnatic singers...but aside from an exercise showing you can hit the low notes, what's the point of singing solo in such a low pitch here? Far prefer him singing in his "natural" pitch.
I believe this recording was made as a guide for the Cleveland Aradhana pancharatna rendition. The pitch was probably selected to accommodate anybody learning from the recording. The group renditions at the festival are in G.
His respect for saahiyam is impeccable. Tyaagaraja, the God, Brahman of Carnatic, Pumbhaava Saraswati of Saahitya and King of Saints would have been disappointed with the mahanubhavas of Carnatic these days with their horrific lack of respect for words, sahityam and Telugu. If TM Krishna respects the Carnatic choodamanis wishes of suddha sahitya but hates his peers of today's Carnatic music, I'm perplexed if I should like him or hate him for not being a complaint conservative.
Jayashree Iyer Yes Madam.Ee vasudha neevanti Deivamu and the charanam Aasache ara nimishamu nee pura vaasamu which reinforces Arunagirinathars Charanakamalalayathai Ara nimisha neramtil Melts the soul
The beauty of this kirtan, sung by many stalwarts, but when TMk sings, he enjoys a d indulges himself in that pleasure, going through, perfectly on every words, turns and twists, slowly, as if he has all the time in the world, when he enjoys, he makes sure we also join him !!!! He mesmerised us and it's somebody puts us to sleep with such carass and slowly massaging our inner core ! He is a legend and giant in carnatic world. !!!
My grand daughter sleeps hearing this song daily. Not from any other artists. You put this and she becomes still from being hyper.
Nice nice 👍
Jon B Higgins rendering too is mesmerizing
In a class of its own. TMK is a genius.
Have been listening to this song for almost 6 years with just enjoyment. Only today I bothered to look into the comments. I was overjoyed to read the comments that so many people have found bliss in this kriti and rendition from TMK. Peace!!!
This mans voice is apt to saint thiyagaiyer, i am now 3000years old❤
It is nice to hear it without the 'shout'. Serene and soothing. Thanks TMK...you are the best....
AMONG THE PANCHARATNA KRITIS OF SREE THYAGARAJA... Endaro mahanubhavudu stands out as a shining gem, the sublimity, the spiritual quintessence, the condescending humility, the intricacies of carnatic music as a medium, contained in this outstanding kriti is......for all times....
There is a story behind the famous kriti Endaro Mahanubhavulu. It is set in the Sri Ragam and is in Aadi Talam. It was composed by Tyagaraja. It is said that a great musician from Kerala, Shadkala Govinda Marar visited Tygaraja and performed before him. Govinda Marar had expertise in singing in the six degrees of geometric speed and earned him the title 'Shadkala'. Tyagaraja was enchanted with his rendition of the Jayadeva ashtapathi Sancharadhadhara and then was born Endaro Mahanubhavulu, the unparallelled rhythmic beauty in Carnatic music. This kriti is supposed to have been spontaneously composed by Tyagaraja.
well thank you, for the historicity of the kriti....you are just 'om'....but,why don't you make yourself known.?
T.M. Krishna is an artist par excellence. Listening to his videos at sunset is an enthralling experience. I am an incurable fan.
ಪ. ಎಂದರೋ ಮಹಾನುಭಾವುಲಂದರಿಕಿ ವಂದನಮು
ಅ. ಚಂದ್ರ ವದನುನಿಯಂದ ಚಂದಮುನು
ಹೃದಯಾರವಿಂದಮುನ ಜೂಚಿ
ಬ್ರಹ್ಮಾನಂದಮನುಭವಿಂಚು ವಾ(ರೆಂದರೋ)
ಚ1. ಸಾಮ ಗಾನ ಲೋಲ ಮನಸಿಜ ಲಾವಣ್ಯ
ಧನ್ಯ ಮೂರ್ಧನ್ಯು(ಲೆಂದರೋ)
ಚ2. ಮಾನಸ ವನ ಚರ ವರ ಸಂಚಾರಮು ಸಲಿಪಿ
ಮೂರ್ತಿ ಬಾಗುಗ ಪೊಡಗನೇ ವಾ(ರೆಂದರೋ)
ಚ3. ಸರಗುನ ಪಾದಮುಲಕು ಸ್ವಾಂತಮನು
ಸರೋಜಮುನು ಸಮರ್ಪಣಮು ಸೇಯು ವಾ(ರೆಂದರೋ)
ಚ4. ಪತಿತ ಪಾವನುಡನೇ ಪರಾತ್ಪರುನಿ ಗುರಿಂಚಿ
ಪರಮಾರ್ಥಮಗು ನಿಜ ಮಾರ್ಗಮುತೋನು
ಪಾಡುಚುನು ಸಲ್ಲಾಪಮುತೋ
ಸ್ವರ ಲಯಾದಿ ರಾಗಮುಲು ತೆಲಿಯು ವಾ(ರೆಂದರೋ)
ಚ5. ಹರಿ ಗುಣ ಮಣಿ-ಮಯ ಸರಮುಲು ಗಳಮುನ
ಶೋಭಿಲ್ಲು ಭಕ್ತ ಕೋಟುಲಿಲಲೋ
ತೆಲಿವಿತೋ ಚೆಲಿಮಿತೋ ಕರುಣ ಕಲ್ಗಿ
ಜಗಮೆಲ್ಲನು ಸುಧಾ ದೃಷ್ಟಿಚೇ ಬ್ರೋಚು ವಾ(ರೆಂದರೋ)
ಚ6. ಹೊಯಲು ಮೀರ ನಡಲು ಕಲ್ಗು ಸರಸುನಿ
ಸದಾ ಕನುಲ ಜೂಚುಚುನು ಪುಲಕ ಶರೀರುಲೈ
ಆನಂದ ಪಯೋಧಿ ನಿಮಗ್ನುಲೈ
ಮುದಂಬುನನು ಯಶಮು ಕಲ ವಾ(ರೆಂದರೋ)
ಚ7. ಪರಮ ಭಾಗವತ ಮೌನಿ ವರ ಶಶಿ
ವಿಭಾ-ಕರ ಸನಕ ಸನಂದನ
ದಿಗೀಶ ಸುರ ಕಿಂಪುರುಷ ಕನಕ ಕಶಿಪು
ಸುತ ನಾರದ ತುಂಬುರು
ಪವನ ಸೂನು ಬಾಲ ಚಂದ್ರ ಧರ ಶುಕ
ಸರೋಜ ಭವ ಭೂ-ಸುರ ವರುಲು
ಪರಮ ಪಾವನುಲು ಘನುಲು ಶಾಶ್ವತುಲು
ಕಮಲ ಭವ ಸುಖಮು ಸದಾನುಭವುಲು ಗಾಕ(ಯೆಂದರೋ)
ಚ8. ನೀ ಮೇನು ನಾಮ ವೈಭವಂಬುಲನು
ನೀ ಪರಾಕ್ರಮ ಧೈರ್ಯಮುಲ
ಶಾಂತ ಮಾನಸಮು ನೀವುಲನು
ವಚನ ಸತ್ಯಮುನು ರಘುವರ ನೀಯೆಡ
ಸದ್ಭಕ್ತಿಯು ಜನಿಂಚಕನು ದುರ್ಮತಮುಲನು
ಕಲ್ಲ ಜೇಸಿನಟ್ಟಿ ನೀ ಮದಿ-
ನೆರಿಂಗಿ ಸಂತಸಂಬುನನು ಗುಣ
ಭಜನಾನಂದ ಕೀರ್ತನಮು ಸೇಯು ವಾ(ರೆಂದರೋ)
ಚ9. ಭಾಗವತ ರಾಮಾಯಣ ಗೀತಾದಿ
ಶ್ರುತಿ ಶಾಸ್ತ್ರ ಪುರಾಣಪು
ಮರ್ಮಮುಲನು ಶಿವಾದಿ ಷಣ್ಮತಮುಲ
ಗೂಢಮುಲನು ಮುಪ್ಪದಿ ಮುಕ್ಕೋಟಿ
ಸುರಾಂತರಂಗಮುಲ ಭಾವಂಬುಲ-
ನೆರಿಂಗಿ ಭಾವ ರಾಗ ಲಯಾದಿ ಸೌಖ್ಯಮುಚೇ
ಚಿರಾಯುವುಲ್ ಕಲ್ಗಿ ನಿರವಧಿ ಸುಖಾತ್ಮುಲೈ
ತ್ಯಾಗರಾಜಾಪ್ತುಲೈನ ವಾ(ರೆಂದರೋ)
ಚ10. ಪ್ರೇಮ ಮುಪ್ಪಿರಿಕೊನು ವೇಳ
ನಾಮಮು ತಲಚೇ ವಾರು
ರಾಮ ಭಕ್ತುಡೈನ ತ್ಯಾಗ-
ರಾಜ ನುತುನಿ ನಿಜ ದಾಸುಲೈನ ವಾ(ರೆಂದರೋ)
Melodies voice Sri Tyagaraja keerthan. Excellent mridangam.
Same As Mangalampalli Bala Murali Krishna Garu.. Tears are not stopping from my eyes.. Thnk you Sir for Remembering MBK garu.. Blessed to listen this .. TMK is Also A Legend..
I didn't understand a thing. But I was really mesmerized. Music has no language barrier. I am indeed a fan of TMK. May GOD bless him and his music.
The most important thing you need to know is that Saint Thyagaraja is saluting all the great people around. Little did he realize he was one of them himself!
i enjoy this so much than any artist's and surely TMK and Thyagaraja swami are mahanubhavulus!!!!
Born artist ,,,,,,,Entharo mahanubaavu ............T.M.Krishna namaskaram......
There is a story behind the famous kriti Endaro Mahanubhavulu. It is set in the Sri Ragam and is in Aadi Talam. It was composed by Tyagaraja. It is said that a great musician from Kerala, Shadkala Govinda Marar visited Tygaraja and performed before him. Govinda Marar had expertise in singing in the six degrees of geometric speed and earned him the title 'Shadkala'. Tyagaraja was enchanted with his rendition of the Jayadeva ashtapathi Sancharadhadhara and then was born Endaro Mahanubhavulu, the unparallelled rhythmic beauty in Carnatic music. This kriti is supposed to have been spontaneously composed by Tyagaraja.
Great voice. Pure and divine. kusdos TM Krishna.
Respected TMKrishna sir,totally claasical. mind blowing.
thyagarajulu already expressed in his words those who critisises, dislikes they are great.
endaro mahanubavulu
എൻറെ ഭഗവാനെ... 🙏മനസ്സും കണ്ണും നിറഞ്ഞു.🙏 കൃഷ്ണ ഗുരുവായൂരപ്പാ🙏❤
What a rendition! MDR, TmK,Sir Bala Muralist Krishna are Jews of our Karnatak music
The mridangam is really superb ! Especially for the last few paras . Adds a really great effect.
Exactly... After reading your comment, I went into the audio more and found it was just brilliant
Mridingam is just out of the world from the begining ,in the last it just rocked. Hats off to the artist.
3:30 mridangam starts rolling 😇😇
Vandanamulu TMK gaaru, for this slow and deep singing❤
No words to explain. Simply superb. May God bless TMK.
എന്റെ ഭഗവാനെ.... മനസും കണ്ണും നിറഞ്ഞു
I can't believe the amazing calm his voice has.. and even more impressive is the clarity of the low notes. Sure MDR can go lower. but come on.. Only TM can take this song so low and still make it sound so pleasant and clear
exact opinion
Abhishek Abs did you hear Nagaiah's version of this song in the movie Tyagayya? If you like to hear the proper version of this song with correct pronunciation, please hear that in you tube.
MDRs endaro is divine. A meditative 1 hour masterpiece
th-cam.com/video/uODF8v1TUoE/w-d-xo.html
Absolutely!
calmness emitting rendition ..............
Any given day, if one wants to feel peace, ko just listen to TM Krishna. Just outstanding knowledge of music combined with such a calm voice. Feel blessed
I am a fan of Sanjay Subramanian..However, T.M Krushna sirs rendering this kriti is outstanding.He is such a brilliant artiste..You feel enthralled...
There is a story behind the famous kriti Endaro Mahanubhavulu. It is set in the Sri Ragam and is in Aadi Talam. It was composed by Tyagaraja. It is said that a great musician from Kerala, Shadkala Govinda Marar visited Tygaraja and performed before him. Govinda Marar had expertise in singing in the six degrees of geometric speed and earned him the title 'Shadkala'. Tyagaraja was enchanted with his rendition of the Jayadeva ashtapathi Sancharadhadhara and then was born Endaro Mahanubhavulu, the unparallelled rhythmic beauty in Carnatic music. This kriti is supposed to have been spontaneously composed by Tyagaraja.
om .. thanks for sharing this with us. I love hearing the genus and such history rather than critical comments. I listened in one night more than 50 times .... stumbling across by sheer accident
T M Krishna’s diction chastity of the Carnatic music is divine
There is nothing wrong in TMK's pronunciation of Mahanubhavulu (with less amount of stress on the last two characters). It may be different from how Telugu people do it, but that does not mean that TMK has insulted or let down the language. What one must appreciate is the quality of rendering with pure devotion.
Very bad singing, like a drunkard, plz hear M.S. Amma S version, then you will understand what is meant by singing with devotion.
Very Painful Comments. But what to do ? You can make comments also according to your levels and standards only.
Inthujan Vaithilingam it's tough to understand your comments without paying due respects to your scarce appreciation of the arts. Your comparison of this rendition "to a drunkard" does injustice to drinking as much as it does to a wonderful interpretation of the song. And remember that "Bhava" is an evocation; it requires as much a nurture within, as it does a good ear/judgement. And evocativeness of a song is no less subjective than the distinction between royal challenge and a Laphroig.
Singing Carnatic classical is devotion vs technique. Sometimes devotion is second place.
No where near Balamurali or Jon B Higgins. Sorry. Higgins being an American pronounces with better clarity.
I don't understand what is meant by saying "pronunciation the way Telugu people do"! Obviously it has to be pronounced the way Telugu pronounce.
i first came to know about sri.T.M.KRISHNA THE VOCALIST while discussing with my son [who is a vidwat in veena ] and who was getting ready to take up a fellowship in stockholm in sweden to do his PHD in cognitive compt science,......he reminded me to listen to T.M. KRISHNA the vocalist and highly recommended him,though my interest in carnatic musis only one of entertainment and for its intense BHAKTIRASABHAVA,,,,,,i love the nuances and intricacies of the music, more so because of its healing qualities both on the plane of one's personal well being both physical and mental.this music gives mental solace and can take you to heights of transcendence.......that way i got interested to listen to him ..i attended some live conserts in mysore centenary hall,university of mysore,and got absolutely impressed and inspired since when i make it mandatory to attend all conserts..he sings in a masterly fashion
I have read this rendition from literally dozens of classical giants. Never get tired of listening to it as it is a wonderful masterpiece by Saint Thyagaraja that is timeless in its philosophy. I think Dr. M. Balamuralikrishna's rendition seems the most melodious than others. But, this rendition is also great.
Agree..
never get tired of this keerthana
tears come for no reason whenever i hear this......
Sir I think the most "melodious" rendition of Endaro Mahanubavulu is by Thyagayya.
Yyy
Mesmarising voice.Each of his songs are really devine.God bless him
We can consider this as another "manodharma" by TMK. Unique indeed.
Rag sree, and Devine composition, superb rendering.
I thoroughly enjoy TMK's rendering of "Entharo Mahanubhavulu' in vilamba kaala. Namaskarams!
Gret kriti & Great Performance by TM Krishna Garu
What a beautiful rendering and presentation of the Song. May God bless him
Excellent....Excellent...Excellent voice....Mridhangam is very very super....
Wonderful music by TM Sir.
beautiful...what a voice..expression.you are.amassing...
words cease and u just live between TMKs voice
Let God bless you for your dedication in music
His respect for saahiyam is impeccable. Tyaagaraja, the God, Brahman of Carnatic, Pumbhaava Saraswati of Saahitya and King of Saints would have been disappointed with the mahanubhavas of Carnatic these days with their horrific lack of respect for words, sahityam and Telugu. If TM Krishna respects the Carnatic choodamanis wishes of suddha sahitya but hates his peers of today's Carnatic music, I'm perplexed if I should like him or hate him for not being a complaint conservative.
Bhakti is a predominating factor in this great artist 🙏
Always unique of master T.M krishna
If he is in full control, we lose our control here. His Control is beyond universe.
🤣
He is the true followers of Mahanubhava...
Such patience in tampering the beast. So much control and yet such respect! Only Balamurali had more flow than this!
Just listen to the way he sings brahmaaa at 4:25 and thyagaa at 12:43. Weren't they just the best? The 4 notes of it just kept me looping around there. And even that slight push of endaro at 4:34 and finally what to say about mridangam? That variation at 3:30 is the half the reason why I believe TMK'S endaro mahanubhavulu is second best after MBK'S Endaro mahanubhavulu
TMK is saraswathi putrudu.May God bless him n his music.
Just superbly rendered. Difficult lower octave redition. Done well.
Awesome music!.
Thanks.
God bless you TMK.
Beautiful and divine!!!!
wonderful voice. very calm and slow phase.I feel great if I listen to this song everyday morning. Great voice.
Beautiful felt like hearing this the whole day
Melodious and divine rendering by TMK anna...!! One of the most played in my playlist..!!
Yea
i am a babe knows nothing about ragaas.... but that doesn't forbid me from getting bathed in tears....
One keerthanam which moved countless hearts and souls for over 400 years....
It's your poorva janma samskaram :)
Music therapy by you sir.... 🙏🙏🙏🙏.... Infinity
soo soothing and divine
Accompanying artists - R.K. Shriram Kumar (violin), Arun Prakash (mridangam)
L.
There is no
Better composition
Other than enduro mahatma Jabalpur
Simple and sweet.
Simply amazing !!!!!
nanri what a voice... namaste
Fantastic music!.
Thanks.
Full of interest, and virtuoso stuff.
No words to tell woderful
I don't know it's meaning but I know the entire song.
This is music, the most eternal thing in the universe.... It has no barriers.......
TMK is one of the most blessed person living in the world. Such a soothing voice! 😍👌
He is a great artist and an asset to the music world.
just mesmerising rendition...TMK the Genius a
What else left super to enjoy classical
super amazing voice.
வயலின் அருமை....
Soothing rendition 🙏
@Mulugu, I do accept that there are mistakes in pronunciation when tamil singers sing telugu keertanams... But, a couple of things to bear in mind before being so critical... Telugu in Saint Thyagaraja's time was much more classical and it is heard to understand even for telugu people leave alone tamilians... It is out of not being familiar with the language and not out of disrespect that these singers make mistakes. In fact, the great tamil poet Mahakavi Bharthiyar praised Telugu to be the language best suited for music and thats how majority of carnatic music lovers in TN see it. The fact that they took so much effort to learn the kritis and sing should be appreciated. In fact, I have telugu friends who believe it is because of the active interest shown in carnatic music by enthusiasts in TN, that so many telugu kritis have prospered... Apart from the maestro Bala Murali Krishna who is in a league of his own, not many from AP come close to the galaxy of stalwarts from TN / Kerala in terms of their skill and service done to carnatic music, in recent times
Balaji Nagarajan Well said..
Balaji Nagarajan Whilst I agree to what you say, there is however a slight deviation to what you have stated. Telugu no doubt lended itself much better to classical music than Tamil. Even the present day spoken Telugu lends itself well to this form of music. Most of Badrachala Ramadas Keertanas can be easily understood well by current day patrons. The key issue is not the language itself, but the level of patronage and the amount of knowledge and interest that has passed through the recent generations. Tamil Nadu has always had a much better structure to protect and support classical music. Be it be the temples in each and every town of Tamil Nadu continuously organising sabhas or the strong patronage in the form of various institutions, classical music never had a shortage of patronage in Tamil Nadu. 50 years back, there was tremendous following for carnatic music in Andhra too. Such was the following that carnatic music broke the caste and religious barriers as well. We have had Sheik Chinna Moulana mesmarise everyone with arguably one of the most exclusive carnatic instrument, Naadaswaram. We have had a flow of significant talent, an example being U Srinivas. Unfortunately, the patronage started to reduce. And as if that was not enough, those in power started to act against the artists. Andhra's biggest tragedy was when NTR denounced Dr. M. Balamurali Krishna as an Asthana Pandit from the Tirumala Tirupati Devasthanams. Politicians and those in power continued to poke into an areas which was best left alone. A net effect of this was a reduction in patronage, severe shortage of upcoming talent. So upset was Dr. M. Balamurali Krishna that he vowed not to perform in Andhra again. What was Andhra's loss was Tamil Nadu's gain and the results are here to see. A healthy stream of talent, support, patronage and I see carnatic music growing enormously in Tamil Nadu.
Coming back to language, yes, the amount of mistakes committed in pronunciation are significant and no one can deny that. I have heard a recital where a 'Konda', meaning a hill, pronounced as a 'Kunda' meaning a pot. Having said that, degeneration of the language happened more by the way of addition of slang, subtle modifications made on the streets with each passing generation rather than the limited damage caused in the carnatic classical music sabhas.
So, to those who crib about it, I would advice walking and talking on the streets to get an idea of how much the language and actually degenerated and then come back to these sabhas. And to those who would still crib about it, well, they have let the patronage and the culture die in their territory, so they cannot complain.
Balaji Nagarajan True, its an unfortunate situation in AP. For any thing to flourish it needs a critical mass and an eco-system to sustain it. Thats the reason many fortunate artists from AP migrate to Chennai. Like U Srinivas, Priya Sisters (their father migrated for them), Unnikrishnan (Who's father migrated) etc. in fact even BMK. In the olden days arts were patronized and nurtured by the rulers. In AP for the past few centuries before independence, a vast area was under the Nizam rule who destroyed any Hindu culture. So the eco-system was destroyed. People went out of touch with the art forms. The fortunate ones still migrate...
Tyagaraja's telugu is particularly simple. You dont need sophisticated knowledge of Telugu to understand many of his kritis. His language is remarkably close to contemporary language and if people claim they dont understand, they are either lazy or so deracinated.
Prasad Kolluri well said
Mesmerising rendition
What a voice , great Manodharma…. all required is Bhakthi (devotion) ..why should he get into all controversies ...
King of music
Super Amazing Voice sir
Very peaceful...
'கரஹரப்ரியா' ராகத்தில் அமைந்த இந்த கீர்த்தனையை அருமையாக பாடியுள்ளார் ஸ்ரீ கிருஷ்ணா அவர்கள். வாழ்த்துக்கள்.
'ஸ்ரீ' ராகம்
Isn't it Sri?
The music and rendering is great
👍👍
Sir namaskkaram greatt music.
Krishna Sir....i think ur almost same as Tyagaraja Swamy....we don't know exact of his voice....But we feel ur voice perfect among all other legends also ....
Excellent music
Blessed artist🙏🏻🙏🏻
Krishnaji Super
super classical singer of the world.
Beautiful...
ramachandra iyer palakkad
a soul touching rendition
Lots of respect for TMK in general, no issue with the tempo, sahityam is a never-ending issue/debate/etc. amongst Carnatic singers...but aside from an exercise showing you can hit the low notes, what's the point of singing solo in such a low pitch here? Far prefer him singing in his "natural" pitch.
I believe this recording was made as a guide for the Cleveland Aradhana pancharatna rendition. The pitch was probably selected to accommodate anybody learning from the recording. The group renditions at the festival are in G.
Amr Tamimi Possibly. If so, fair enough.
His respect for saahiyam is impeccable. Tyaagaraja, the God, Brahman of Carnatic, Pumbhaava Saraswati of Saahitya and King of Saints would have been disappointed with the mahanubhavas of Carnatic these days with their horrific lack of respect for words, sahityam and Telugu. If TM Krishna respects the Carnatic choodamanis wishes of suddha sahitya but hates his peers of today's Carnatic music, I'm perplexed if I should like him or hate him for not being a complaint conservative.
endarO mahAnubhAvu-landariki vandanamu
anupallavi
canduru varNuni anda candamunu hrdayAra-
vindamuna jUci brahmAnandamanu bhavincu vAr-
(endarO)
carName 1
sAma gAna lOla manasija lAvaNya dhanya mUrdhanyul
(endarO)
carName 2
mAnasa vana cara vara sancAramu salipi mUrti bAguga pogaDanE vAr-
carName 3
saraguna pAdamulaku svAntamanu sarOjamunu samarpaNamu sEyu vAr-
carName 4
patita pAvanuDanE parAtparuni gurinci paramArthamagu nija mArgamutOnu
bADucunu sallApamutO svara layAdi rAgamula deliyu vAr-
carName 5
hari guNa maNimaya saramulu galamuna shObhillu devotee kOTulilalO telivitO
celimitO karuNa galgu jagamellanu sudhA drSTicE brOcu vAr-
carName 6
hoyalu mIra naDalu galgu sarasuni sadA kanula jucukunu pulaka
sharIrula I Ananda payOdhi nimagnula I mudabunanu yashamu galavAr-
carName 7
parama bhAgavata mauni vara shashi vibhAkara sanaka sanandana
digIsha sura kimpuruSa kanaka kashipu suta nArada tumburu
pavanasUnu bAlacandra dhara shuka sarOjabhava bhUsuravarulu
parama pAvanulu ghanulu shAshvatulu kamala bhava sukhamu sadAnubhavulu gAka
carName 8
nI mEnu nAma vaibhavambulanu nI parAkrama dhairyamula shAnta mAnasamu nIvulanu
vacana satyamunu, raghuvara nIyeDa sadbhaktiyu janincakanu durmatamulanu kalla
jEsinaTTi nImadi neringi santasambunanu guNa bhajanA-nanda kirtanamu jEyu vAr-
carName 9
bhAgavata rAmAyaNa gItAdi shruti shAstra purAnamu marmamulanu shivAdi sanmatamula
gUDhamulan muppadi mukkOTi surAntarangamula bhAvamula nerigi bhava rAga layAdi
saukhyamucE cirAyuvula galigi niravadhi sukhAtmulai tyAgarAptulaina vAr-
carName 10
prEma muppiri gonu vELa nAmamu dalacEvAru rAmabhaktuDaina tyAgarAjanutuni nija dAsulai
Awesome..
beautiful
Excellent rendering
Melodious.
Absolute bliss…
a slow rendition needs lot of courage , confidence and complete mastery. only Tmk can do it.TMK what are you made of?
Jayashree Seetharaman each word is rendered clearly
Jayashree Iyer Yes Madam.Ee vasudha neevanti Deivamu and the charanam Aasache ara nimishamu nee pura vaasamu which reinforces Arunagirinathars Charanakamalalayathai Ara nimisha neramtil
Melts the soul
Please listen to m d ramanathan singing this...
Confidence and freedom long live in India 💪🏾
Beautiful
Beauty ! !
mesmerizing