op-1 limitations makes you think harder 😁 thanks so much for these tricks! I love the first one. I wish op-1 had a function to drop all lifted tracks mixed into a single track, but your 1st trick is quite close to that!
When you re sample with the "ear input" it records also the master mixer infos (pan, drive, effects, volume)...so the differences in volume versus the lift and drop method...I guess
Fabulous tips. Thanks so much. I need to try it to see if I can maintain the quality of the sounds. Great fun even with the minor mistakes which we all make (but some of us edit out). Cheers. Lee
The kick track is muted because im playing back the audio from the op1 back onto itself and the kick track is the one I'm recording to. If I were to unmute the kick track, it would be twice as loud because I'd technically be recording onto it twice (once for the recording that already exists and a second time when I record the playback audio). I hope that makes sense!
I had the same question, the missing link for me was remembering that recording over tape, overdubs on that track. So basically what he’s doing here is overdubbing 1-3 on top of the drum track on 4. Once you un-mute, all 4 tracks are audible.
op-1 limitations makes you think harder 😁 thanks so much for these tricks! I love the first one. I wish op-1 had a function to drop all lifted tracks mixed into a single track, but your 1st trick is quite close to that!
There are a considerable amount of really cool tips you shared in here that I either didn’t know or didn’t think of. Thanks!
great video
Love the no nonsense straight info dump subbbeeedddd
Love the album method, for performance related stuff, Niceone 🙌🏾🔈🔉🔊
I'm intrigued! How do you use the album method for performance stuff? You mean to record your live changes to the sound etc?
@@GavinVickery yes, for pre recording a performance to album then lifting it. I didn’t realise you could lift from album....to rechop.
Great tips thanks a lot!
Dude, amazing video, youre a hero for making this, thank you sooooooooooooooo muchhhhhhhhhhhhhhhhhhhhhh
Very useful thank you!
When you re sample with the "ear input" it records also the master mixer infos (pan, drive, effects, volume)...so the differences in volume versus the lift and drop method...I guess
Ah, that would explain the extra gain I had! I'll need to turn that stuff off when resampling. Good catch!
@@GavinVickery and also the input and the destination track gain 😜
Fabulous tips. Thanks so much. I need to try it to see if I can maintain the quality of the sounds. Great fun even with the minor mistakes which we all make (but some of us edit out). Cheers. Lee
I used method 1, but I can't reproduce the same sound. What should I do? Thank you all.
Does the 1.5 software on the field negate this?
I’m missing something… in the first method you muted the kick track…how did you record everything else plus the kick on the 4th track? Thanks :)
The kick track is muted because im playing back the audio from the op1 back onto itself and the kick track is the one I'm recording to. If I were to unmute the kick track, it would be twice as loud because I'd technically be recording onto it twice (once for the recording that already exists and a second time when I record the playback audio). I hope that makes sense!
I had the same question, the missing link for me was remembering that recording over tape, overdubs on that track. So basically what he’s doing here is overdubbing 1-3 on top of the drum track on 4. Once you un-mute, all 4 tracks are audible.