Most professional endpins are made incredibly sharp, and are regularly sharpened to be stuck into whatever surface. It isn’t rubber-tipped, I believe that rubber may interfere with resonance, so they prefer not to use it.
Some people actually choose to leave them out or play them on top because they are not very cellistic, they make the sound muddy and sometimes sound not so good, even if they are executed perfectly. This includes great cellists. See Steven Isserlis' performance of the Dvorak. He often plays the triplets on top or even removes them entirely. Are you saying he's a subpar cellist?
![[🇺🇸VLOG] A Day of a Juilliard School cellist](http://i.ytimg.com/vi/1_6m74tSpxU/mqdefault.jpg)
Wonderful! 👏
You're so good!!!
wow
wefysan58 who is her teacher?
Esther Joo the one at Juilliard I am guessing
what is she playing? could those be: 1 Bach? 2. a Tchaikowsky cello concerto?
1. Bach
2. Dvorak
PG 89 and the title of the piece? if u don't mind thank u :D
DityaSangGita I don’t recognize the Bach, but the Dvorak is his cello concerto in B Minor.
Thanks guys for suggestions. I'd be happier if anyone can tell me the what exactly they are :D
DityaSangGita first piece is the _allemande_ of the 5th suite of Bach
I'm a few years late but what songs are you playing? Looking for a couple audition pieces
Its dvoraks cello concerto
how old is she?
This was when she was 14. She is 16 now.
No end pin rest? How didn't her cello slip?😂
The Maddy Way rubber tipped endpin most likely
Most professional endpins are made incredibly sharp, and are regularly sharpened to be stuck into whatever surface. It isn’t rubber-tipped, I believe that rubber may interfere with resonance, so they prefer not to use it.
@@terryjones573 it does interfere with resonance. When I play on stage I always stick my cello into the wood. There is a difference.
So at Juilliard they don't teach you how to play octaves with the triplets in the lower voice? Interesting...
Looking forward to your performance on Dvorak and with your fucking triplets in front of the jury of Juilliard! When can we hear it?
Some people actually choose to leave them out or play them on top because they are not very cellistic, they make the sound muddy and sometimes sound not so good, even if they are executed perfectly. This includes great cellists. See Steven Isserlis' performance of the Dvorak. He often plays the triplets on top or even removes them entirely. Are you saying he's a subpar cellist?