Having your printed comments on the screen as you're going through the sounds is a good way to do it. It was easy to understand and listen at the same time.
Yes, I once had someone spit take a double shot of whiskey, out there mouth and nose, even choking, when I said “here’s my clean tone,” and was using a Fuzz Face, with my volume knob down, for that great clean a Fuzz Fave can get. What made him nearly choke, was when I said “it’s my clean, snd I can still do this…” as I dined my volume knob, and the Fuzz came wailing. He was not expecting that, and his eyes looked so confused. 😆 He realized what was happening immediately after, but you really brought that memory back. Thanks.
I love that you said just flip the knobs and switches! I love playing around with new things trying to just figure it out without following any instructions!! This thing sounds awesome!!
Ok so usually don’t comment on these but had to say I really appreciate the effort on the captions in this demo. Would love to see more of this where applicable. Also good demo and walk thru as always, appreciate you, keep it up.
The Origin Effects Cali76 Stacked Edition Dual -Stage Compressor is flat-out the best compressor pedal I have ever played. I totally get compression; I've been using it in the studio on vocals and every conceivable instrument for damn near half a century, but I can clearly see that this Clean gizmo goes way, WAY beyond compression. Me want...plus, I'm hard-wired from the factory to gotta have any pedal with a "Physics" control. Great demo, Rhett! 😎
I love this! I've been struggling with a boring clean sound for years. My CS-3 just makes it sound strained, and my Dynacomp just makes it sound flat. This pedal seems to bring clean to life in ways I can't really describe. Love it!
“They don’t know I’m making this video” lol yeah they sent it because you’re just that awesome. 😂 Too funny, great vid as always man. I’m sure they’ll be stoked with the surprise vid!
This. Got also creeping head ache coming just for thinking myself crouching over it and turning and switching and turning and switching… sounds good AF though🥲
Now this the sound I have been looking for. I have always just wanted "More" from my bass. Not distortion or fuzz. I can get that anywhere. This is really cool !
Oh wow!!!! I'd buy it just for the Leslie effect on the EQ alone!! I had to rewind that section half-a-dozen times to listen to it over and over -- that one really hit me! All of its other stuff is just gravy on top of that! That "dusty" mode is also extremely cool! Sweet!!!
Awesome pedal, and great demo! It's great to see a pedal that has a ton of vibe that can be applied in a wide musical context! I'm looking forward to seeing how this will sound on my acoustic rig!
This may possibly be, my 1st Chase Bliss Pedal purchase? I'll bet it would sound incredible, paired with a low-gain Quality Overdrive? They really pack alot of tonal versatility into their pedals. Nice Demo. oNe LovE from NYC
I’m glad clean is making a comeback…even country has sounded like Led Zeppelin for the last 20 years. I miss the cleaner tones of 1950-1979…especially 65-75…the great era of tone and mixing. It’s great to see appreciation for this still alive.
Country hasn’t sounded like Led Zeppelin for the past 20 years. Which artists you talking about? The mainstream country, sounds far more like Pop and hip hop music.
I find that once an amp is sufficiently above 6-8 (depending on amp), a lot of the nuance disappears. As the waveform sufficiently distorts, it becomes more and more like a square wave. You can’t hear things like guitar type, amp type, as much. Sure the player will feel the difference of all the rigs. But it doesn’t translate to tape. Clean, you can hear the difference between a Tele, Strat, Les Paul etc…but once you drive the crap out of the amp they all start to sound the same. I hope music goes cleaner. So many cooler tones that way.
I actually started writing a plugin to do this once, with the end goal of putting into a pedal. I always meant to develop it properly: applying a "dirty" volume envelope to a clean tone. Well, looks like someone with a better business sense than me actually did it! And probably better excecuted than I would have done too 🙃. The dynamic EQ aspect to compensate for lost range and give a "dynamic" feeling back when the actual signal power range is compressed is a really genius thing. This is a clever pedal, hats off!
Nice tones, that pedal sounds nice. Nice playing! If you want vintage sounding tones, cleaner is always better. But add other colour like post-compression, saturation. I find that my amp almost sounds too clean in the room, when it sounds best recorded (and mixed). The sweet spot is way lower IMO. If most guys think 6-9 is the sweet spot, but I get all my best tones with my amp closer to 2-5. Way more detail and nuance in the tone. A good compressor (post speaker), can turn that into magic.
@@seanervin7183 Oh they do.. you get lots of bang for your buck with CB pedals..tons of features,I have Mood1, 2,Blooper,Lossy,Onward on my Pedalboard..endless fun..
I preordered this due to the number of different ways I can use this at different locations on my pedal chain, including the noise gate and the mono in stereo out ability.
I would use the hell outta this as a quickly effect for random instruments in the studio. I have a little pedal board with a delay and a couple reverbs that I use at the end of signal chains to create a “space”, I can throw this on and it’d be cool as hell
Hopefully their compressor isn't noisy like so many of their earlier pedals. A compressor that's noisy would be a compounding nightmare. Good demo, some rad sounds. I'm not sure what this does outside of a standard compressor + stereo trem signal path other than adding irregular modulation to get 'wacky', but even as a stereo trem and compressor in a single pedal, that's a good feature set full stop.
love your videos, but what is the point of all the disclaimers about Chase Bliss' influence on the video? if they sent you the pedal, of course they know you're making a video about it. they DO have a say in the video, because they can choose not to send you more pedals if you're too critical. I appreciate your attempt at transparency, and your genuine critiques of the product. but TH-camrs act like their reviews are so impartial when they have relationships to maintain. the truth is that you have a vested interest in avoiding certain points of criticism, like the astronomical pricetag, affiliate links or not. an unbiased review is simply not possible unless you buy the thing with your own money
Or if they send you the pedal to demo and return and don't get a say in the video. Sure they can stop sending him pedals but he can call them out for it and borrow them from others and post reviews anyway.
And what's the point of your criticism? What do you actually expect from such a video? It can only be honest if he craps on some aspect? You state the obvious. It's like complaining about freezing in winter. We can expect a little "well meaning" in such reviews, so what, it's to be expected.
Cool they added side chain input but just looks like an 1/8 jack. Empress compressor has this too. Very few guitar pedals compressors have side chain input. There is the bespoke The Pill pedal and it has full 1/4 inch for side chain and but that's it in terms of compressor pedals with side chains. Raynger technically have one too. For an effect that is used in production so much these days you'd think guitar pedal companies would think of this more so people can do it live without a laptop.
The Compadre (and I guess others with midi control) will do some nice tremolo with a wave generator Does make some great sounds though A deeper dive on the midi possibilities would be interesting.
It seems promising. Someday, some musical genius is going to do with that pedal what Kevin Shields did with a vibrato bar, tons of fuzz, and a reverse reverb: make albums that girls and boys in their 20s play on repeat for over a year. Or not. Alls I know is that there are two types of pedals: ones made by amateurs who understand fourier sequences and general wiring: and these contain a lot of good, classic effects. Then there's the second type: ones made by electronic engineers. Dangerous in the wrong hands, but capable of doing things that type 1 isn't. Clean is type 2. As someone who's just a few credits shy of a M.S. in mathematics, I've been around for a lot of "which STEM field is the hardest". The conversation lasts until someone says "electronic engineer", and then everyone shuts up because critics agree.
And yet none of the electronic engineering lecturing staff at my college could fix my Sennheiser iem receiver packs or my BMC pedal when they all packed up. 🤣🤣🤣
@@bassmandudge You know, that reminds me a little bit like my having a reputation as a hacker (pick whatever definition you like: they all apply) and people always expect me to fix what's wrong with their fucking iPhones. Or printers. I always have to let it be known early and often that I DON'T DO PRINTERS. I can tell you right now that fixing a receiver is way too specific and delicate for anyone other than the manufacturer to help you. There are microchips in there, and some kind of ad-hoc operating system. It's like, just because I understand logic gates and could theoretically build a computer with a punch of PC boards and a soldering iron doesn't mean I know why your video card isn't working. If I can't fix it through the software, there's no way I'm going under that level. Ask an electronic engineer 😀 But perhaps you're right. I'm kind of in awe of anyone who knows their way around a magnetic field in three-dimensional space, so I'm a bit biased. Are you an EE graduate/major? Consider my hat doffed. Even if it was only a few classes, if vector fields don't make you want to run for the hills, you've got my respect.
It helps to know how you runing it. I just found out ALL my pedals zound better going straight thru return jack of loop... totally bypass preamp. (Preamp bypass "switch" still doesnts really bypass!)
I get what your getting at something new for the gear heads, I'll stick to my Mateus Asato dsp plugin, Cory Wong gets you there as well. Liking that reverb scenario though my man, so sweet.
I used to play with a compressor but felt naked without it years ago. I felt like it became a crutch and wanted to be able to control the volume and response more with my playing. I feel like it also brings out more of your own signature feel without one.
I went through the same journey, I do love compression but there’s nothing like playing a gained up amp and using the volume knob and playing for different tones.
"Dusty" mode is exactly why I use the Revv Tilt Boost with the drive switch engaged all the time. This is all in all a pretty cool pedal, and it might just be the pedal that replaces my Para EQ and Origin, because it is a single box!
Hi Rhett, enjoyed all of your videos. I simply can't find the one video of yours where you started with a retro video of a cruising motorboat with you playing some effects that sounded very retro... Please help 🙏
Sorry, but you can't alter or switch on "Physics" 😅 At least the "Squish"-labeled knob on my Greer Fish Press compressor makes sense. I like that compressor, and the Keeley for staightforward compression. I also like the Chase Tone Secrep Preamp.
Naah, was childish and dumb, and he knows it now. There's always a Plan B, or even C to Z. And he knows even that too. Otherwise his basement studio should have been finished for at least a YEAR (Plan A) , and still isn't.
"What if clean was as interesting as dirty?" Jamie West-Oram of The Fixx. The King of Clean. The only player ever whose tone I tried to duplicate. Never got there. If I can get close with this, I'm definitely interested.
It might be just me but u needed a extra second or two to read as and listen to what you were doing other than that great demo of this nice piece of gear that I now want
My living room amp is a 2 watt Fender Greta. To achieve any reasonable volume it will get dirty. Will this pedal allow me to crank it yet get clean tones? (Not a genuine question, because thats not what the Greta is for, but an answer would be appreciated anyway)
Having your printed comments on the screen as you're going through the sounds is a good way to do it. It was easy to understand and listen at the same time.
in traditional @knobs fashion
@@max_mittlersomeone else who also picked up on that!
I suck at reading tho, so it was a bit fast for me
Agreed, that format is so much nicer for hearing what the pedal is about
Unfortunately, I put the video on while I was cleaning my room and didn't notice the subtitles for the first 10 minutes, lol
love the subtitles, makes total sense to explain things like this while playing
Always like when reviewers do this
I really liked the closed caption narration rather than speaking and interrupting the flow while demo-ing the pedal
Might be the best demonstration video for a piece of gear that I have ever seen. Great work!
Stereo on my car speakers was awesome sounding 🙌🏻
“So anyways here’s my clean tone” is nutz 😂😂
Yes, I once had someone spit take a double shot of whiskey, out there mouth and nose, even choking, when I said “here’s my clean tone,” and was using a Fuzz Face, with my volume knob down, for that great clean a Fuzz Fave can get.
What made him nearly choke, was when I said “it’s my clean, snd I can still do this…” as I dined my volume knob, and the Fuzz came wailing.
He was not expecting that, and his eyes looked so confused. 😆
He realized what was happening immediately after, but you really brought that memory back.
Thanks.
@@CorbCorbin careful dining on volume knobs you could chip a tooth
I love that you said just flip the knobs and switches! I love playing around with new things trying to just figure it out without following any instructions!! This thing sounds awesome!!
Bass part was from - “I’ll stay” D’Angelo and the rh factor, originally Funkadelic
Ok so usually don’t comment on these but had to say I really appreciate the effort on the captions in this demo. Would love to see more of this where applicable. Also good demo and walk thru as always, appreciate you, keep it up.
The Origin Effects Cali76 Stacked Edition Dual -Stage Compressor is flat-out the best compressor pedal I have ever played. I totally get compression; I've been using it in the studio on vocals and every conceivable instrument for damn near half a century, but I can clearly see that this Clean gizmo goes way, WAY beyond compression. Me want...plus, I'm hard-wired from the factory to gotta have any pedal with a "Physics" control. Great demo, Rhett! 😎
Watch this with headphones! Great video, thanks Rhett!
great. now I'm on drugs. thanks.
I absolutely hate the autopan. Not a fun one to listen to to me. I now have vertigo lol
Indeed, on headphones the pan thing is NOT subtle!
@@TheWeathermanJR I'm glad I'm not the only one! I had to stop the video...
I'm digging the videography in this one, as well as how you used text. Plus the playing is fantastic.
I love this! I've been struggling with a boring clean sound for years. My CS-3 just makes it sound strained, and my Dynacomp just makes it sound flat. This pedal seems to bring clean to life in ways I can't really describe. Love it!
“They don’t know I’m making this video” lol yeah they sent it because you’re just that awesome. 😂
Too funny, great vid as always man. I’m sure they’ll be stoked with the surprise vid!
That's got me to eyerolls as well. This pedal company sending free pedals to youtubers is going to be SO surprised when they make a video about it!! 😅
I think I’d be better off spending (another) $400 on more lessons.
I'm right there with you.
Let’s be honest, we could say that with basically every pedal 😂
good idea😅
This. Got also creeping head ache coming just for thinking myself crouching over it and turning and switching and turning and switching… sounds good AF though🥲
@@Speedgovernor Yeah, I can feel my legs cramping from squatting over the pedalboard with a guitar balanced on one knee for hours on end 😅
This is the coolest pedal I have seen in a while. It may be the coolest pedal I have ever seen. I love these sounds.
9:00 I’ll Stay by Funkadelic. Iconic tune. The D’Angelo/RH Factor is even crazier
Maaaaannnnn.. drove me crazy. RH freak but couldn’t place it. We met him after a show once. Could barely function. Hope he’s doing ok
Now this the sound I have been looking for. I have always just wanted "More" from my bass. Not distortion or fuzz. I can get that anywhere. This is really cool !
Usually "How Did They EvenThink Of This" is hyperbole, but this thing is worthy of the question.
Can we talk about how CLEAN that autofocus pull was at 0:35?
Literally wondering the same thing
Autofocus I’m pretty sure…
Everything after the initial clean tone was a detriment to that beautiful tone you started with.
I also liked the starting tone, but I disagree, at least half of those settings were gorgeous.
One off those pedals that makes U feel like " am I love with this sound? ?...Beautiful ....Thanks Rhett and Chase Bliss Clean
Oh wow!!!! I'd buy it just for the Leslie effect on the EQ alone!! I had to rewind that section half-a-dozen times to listen to it over and over -- that one really hit me! All of its other stuff is just gravy on top of that! That "dusty" mode is also extremely cool! Sweet!!!
I love the ambient stuff. Definitely different for you. Reminds me of shoegaze stuff, which I really like.
Man, the Chase Bliss stuff is so cool, and this is no exception. Great demo, and great playing.
Fantastic way to get a feel for this pedal, well done, and thank you.
Awesome pedal, and great demo! It's great to see a pedal that has a ton of vibe that can be applied in a wide musical context! I'm looking forward to seeing how this will sound on my acoustic rig!
never thought i'd say this about a clean tone or compressor, but that's probably coolest pedal i've seen yet (in it's role).
this demo has made me want to be a better player so i can justify buying this incredible pedal! inspirational work by chase bliss
WOW! Thanks Rhett. Great review. Now I know what to buy next. You should get credit for my purchase.
This may possibly be, my 1st Chase Bliss Pedal purchase? I'll bet it would sound incredible, paired with a low-gain Quality Overdrive? They really pack alot of tonal versatility into their pedals. Nice Demo. oNe LovE from NYC
The audio makes this the best demo video I have ever watched.
The Dusty dip switch shimmers and and artifact beautifully
I’m glad clean is making a comeback…even country has sounded like Led Zeppelin for the last 20 years. I miss the cleaner tones of 1950-1979…especially 65-75…the great era of tone and mixing. It’s great to see appreciation for this still alive.
I love clean tones. Maybe because sent years playing keys.
Country hasn’t sounded like Led Zeppelin for the past 20 years.
Which artists you talking about?
The mainstream country, sounds far more like Pop and hip hop music.
Clean was never out of style just looking in the wrong places
Radiohead and side projects have had some great clean tones going for decades.
I find that once an amp is sufficiently above 6-8 (depending on amp), a lot of the nuance disappears. As the waveform sufficiently distorts, it becomes more and more like a square wave. You can’t hear things like guitar type, amp type, as much. Sure the player will feel the difference of all the rigs. But it doesn’t translate to tape.
Clean, you can hear the difference between a Tele, Strat, Les Paul etc…but once you drive the crap out of the amp they all start to sound the same.
I hope music goes cleaner. So many cooler tones that way.
The swelling ambient stuff around 14:00 would sound awesome going into a gnarly over drive!
I actually started writing a plugin to do this once, with the end goal of putting into a pedal. I always meant to develop it properly: applying a "dirty" volume envelope to a clean tone. Well, looks like someone with a better business sense than me actually did it! And probably better excecuted than I would have done too 🙃. The dynamic EQ aspect to compensate for lost range and give a "dynamic" feeling back when the actual signal power range is compressed is a really genius thing. This is a clever pedal, hats off!
Also just calling it "clean", that's marketing genius damn
Wow the Physics control is awesome. Would be cool to hear the Black Hole Sun arpeggio section through that! 💡
Wasn’t expecting some RH factor on the bass. Great stuff
great demo Rhett, thanks.
That is amazing! Great demonstration Rhett. Thank you
I am tempted to shelve my pedalboard and just try this pedal to see what I can get out of it?…
Sweet playing Rhett. I was sad when it ended. 😊
That sound at 6min. Excellent
Nice tones, that pedal sounds nice. Nice playing!
If you want vintage sounding tones, cleaner is always better. But add other colour like post-compression, saturation. I find that my amp almost sounds too clean in the room, when it sounds best recorded (and mixed).
The sweet spot is way lower IMO. If most guys think 6-9 is the sweet spot, but I get all my best tones with my amp closer to 2-5. Way more detail and nuance in the tone. A good compressor (post speaker), can turn that into magic.
I would buy this pedal just for the manual that teaches you the ins and outs of how to use compression.
Dude I swear I just saw you in a sneak peak video for Fender. It was freaking cool.
Tough sell at $400.
That's said about every CB pedal but they sell a ton anyway..
@@patrickr6505 Not a bash on CB at all - I'm sure they make great stuff - they better for that kind of dough!
@@seanervin7183 Oh they do.. you get lots of bang for your buck with CB pedals..tons of features,I have Mood1, 2,Blooper,Lossy,Onward on my Pedalboard..endless fun..
@@seanervin7183agreed.. walrus is about as high as I’m willing to go
@@seanervin7183 they are good if you want something close to a rack unit, but not spend rack unit money. Tbh.
I’m happy to see CBA release an analog pedal after they discontinued most of their best analog offerings.
I preordered this due to the number of different ways I can use this at different locations on my pedal chain, including the noise gate and the mono in stereo out ability.
This is the missing link in my rig, good lord, it’s precisely what I have been hunting for in a compressor, plus Chase Bliss wizard magic.
very cool Rhett! thanks for sharing your skills and knowledge!
I would use the hell outta this as a quickly effect for random instruments in the studio. I have a little pedal board with a delay and a couple reverbs that I use at the end of signal chains to create a “space”, I can throw this on and it’d be cool as hell
pedal sounds AMAZING
Hopefully their compressor isn't noisy like so many of their earlier pedals. A compressor that's noisy would be a compounding nightmare.
Good demo, some rad sounds. I'm not sure what this does outside of a standard compressor + stereo trem signal path other than adding irregular modulation to get 'wacky', but even as a stereo trem and compressor in a single pedal, that's a good feature set full stop.
Cool pedal, and nice playing, Rhett.
Cb: buttons knobs lever switches lights pulleys.
Mxr: on/off
This looks fun. First new pedal in awhile to grab my attention.
How am I not subscribed!?!
Fixed that finally!
Playing sounds inspired by Derek and Susan ! Really beautiful. Cool pedal!
Great video and great examples of what the pedal does. Thanks dude 🍻
love your videos, but what is the point of all the disclaimers about Chase Bliss' influence on the video? if they sent you the pedal, of course they know you're making a video about it. they DO have a say in the video, because they can choose not to send you more pedals if you're too critical. I appreciate your attempt at transparency, and your genuine critiques of the product. but TH-camrs act like their reviews are so impartial when they have relationships to maintain. the truth is that you have a vested interest in avoiding certain points of criticism, like the astronomical pricetag, affiliate links or not. an unbiased review is simply not possible unless you buy the thing with your own money
Or if they send you the pedal to demo and return and don't get a say in the video. Sure they can stop sending him pedals but he can call them out for it and borrow them from others and post reviews anyway.
He didn’t say he was impartial! On the contrary, he disclosed this possible limited source of bias
And what's the point of your criticism? What do you actually expect from such a video? It can only be honest if he craps on some aspect? You state the obvious. It's like complaining about freezing in winter.
We can expect a little "well meaning" in such reviews, so what, it's to be expected.
Cool they added side chain input but just looks like an 1/8 jack. Empress compressor has this too. Very few guitar pedals compressors have side chain input. There is the bespoke The Pill pedal and it has full 1/4 inch for side chain and but that's it in terms of compressor pedals with side chains. Raynger technically have one too. For an effect that is used in production so much these days you'd think guitar pedal companies would think of this more so people can do it live without a laptop.
Great demo!
Awesome stuff Rhett!
The Compadre (and I guess others with midi control) will do some nice tremolo with a wave generator
Does make some great sounds though
A deeper dive on the midi possibilities would be interesting.
Great review, I loved the silent narration and explanations while playing and adjusting the pedal. Also, what bass is that being used here?
So the modulating EQ is like a harmonic tremolo? Cos that's a tilt EQ, right? Bass up/treble down and vice-versa.
This went to the top of the Christmas list.
It seems promising. Someday, some musical genius is going to do with that pedal what Kevin Shields did with a vibrato bar, tons of fuzz, and a reverse reverb: make albums that girls and boys in their 20s play on repeat for over a year.
Or not. Alls I know is that there are two types of pedals: ones made by amateurs who understand fourier sequences and general wiring: and these contain a lot of good, classic effects. Then there's the second type: ones made by electronic engineers. Dangerous in the wrong hands, but capable of doing things that type 1 isn't. Clean is type 2.
As someone who's just a few credits shy of a M.S. in mathematics, I've been around for a lot of "which STEM field is the hardest". The conversation lasts until someone says "electronic engineer", and then everyone shuts up because critics agree.
And yet none of the electronic engineering lecturing staff at my college could fix my Sennheiser iem receiver packs or my BMC pedal when they all packed up. 🤣🤣🤣
@@bassmandudge You know, that reminds me a little bit like my having a reputation as a hacker (pick whatever definition you like: they all apply) and people always expect me to fix what's wrong with their fucking iPhones. Or printers. I always have to let it be known early and often that I DON'T DO PRINTERS.
I can tell you right now that fixing a receiver is way too specific and delicate for anyone other than the manufacturer to help you. There are microchips in there, and some kind of ad-hoc operating system. It's like, just because I understand logic gates and could theoretically build a computer with a punch of PC boards and a soldering iron doesn't mean I know why your video card isn't working. If I can't fix it through the software, there's no way I'm going under that level. Ask an electronic engineer 😀
But perhaps you're right. I'm kind of in awe of anyone who knows their way around a magnetic field in three-dimensional space, so I'm a bit biased. Are you an EE graduate/major? Consider my hat doffed. Even if it was only a few classes, if vector fields don't make you want to run for the hills, you've got my respect.
Great video on a brilliant pedal! I was sold way before you showed us there was a sidechain in, that is dope!
I remember asking Joel to please.make a CBA compressor at NAMM 2017.
He did it!
... ordered ...
Gerald undone style intro, much appreciated
Great demo, Rhett
I'm not sure i would utilize a lot of these features, but I love it!
Aww, sounds like a great pedal! Thank for another great video Rhett! Going to be at big house guitars anytime soon?
I'll end up owning at least 4 of these.
End of chain mastering for many things.
I can't wait to try it on synths.
Rhett, I see you doing your best @Knobs thing with the video subtitles. I approve
I'll Stay - one of my fave funkadelic tunes!
3:44 panning wasn't subtle in headphones 🤣
The song is “I’ll Stay” by RH Factor featuring D’Angelo
It helps to know how you runing it. I just found out ALL my pedals zound better going straight thru return jack of loop... totally bypass preamp. (Preamp bypass "switch" still doesnts really bypass!)
I get what your getting at something new for the gear heads, I'll stick to my Mateus Asato dsp plugin, Cory Wong gets you there as well. Liking that reverb scenario though my man, so sweet.
i have seen stupid stuff in my time but this takes the cake
I like the semi drive tone you are getting out of this thing.
9:00 I’ll stay - Funkadelic (or the great version by RH Factor)!
I used to play with a compressor but felt naked without it years ago. I felt like it became a crutch and wanted to be able to control the volume and response more with my playing. I feel like it also brings out more of your own signature feel without one.
I went through the same journey, I do love compression but there’s nothing like playing a gained up amp and using the volume knob and playing for different tones.
Well try to play clean on q transistor fender frontman 100 watts that's a whole other level of feeling naked while playing
@@johnf.r6658 yea loud clean amps will equalize you that’s for sure
@@johnf.r6658 I used to use a fender blues deluxe. That was my favorite amp clean tone ever. The reissue one from the 90’s with Jen son speakers.
Do you hav any other Chase Bliss pedals (like Mood or Onward) to demo the interaction? Also, have you tried it on your acoustic?
Playing sounds great!
"Dusty" mode is exactly why I use the Revv Tilt Boost with the drive switch engaged all the time. This is all in all a pretty cool pedal, and it might just be the pedal that replaces my Para EQ and Origin, because it is a single box!
The ParaEQ must be infinitely more tweakable in EQ for what its worth.
It's absolutely does offer more flexibility, but this gives me most of what I use it for.
Hi Rhett, enjoyed all of your videos. I simply can't find the one video of yours where you started with a retro video of a cruising motorboat with you playing some effects that sounded very retro...
Please help 🙏
Sorry, but you can't alter or switch on "Physics" 😅 At least the "Squish"-labeled knob on my Greer Fish Press compressor makes sense. I like that compressor, and the Keeley for staightforward compression. I also like the Chase Tone Secrep Preamp.
“And remember, there is no plan B”
Miss when Rhett would say that. Made no sense, but I dug it!
Naah, was childish and dumb, and he knows it now. There's always a Plan B, or even C to Z. And he knows even that too. Otherwise his basement studio should have been finished for at least a YEAR (Plan A) , and still isn't.
"You have one life, live it wisely and to the fullest."
p sure it was related to climate change but I think it was a little too subtle and confused too many people so he stopped
i might get one for swells and tremolo sounds. i like pedals that do multi effects better for some reason.
"What if clean was as interesting as dirty?"
Jamie West-Oram of The Fixx. The King of Clean. The only player ever whose tone I tried to duplicate. Never got there. If I can get close with this, I'm definitely interested.
Interesting... I'm going to listen to the Fixx - but until now, Johnny Marr (the Smiths) is my King of Clean...
It might be just me but u needed a extra second or two to read as and listen to what you were doing other than that great demo of this nice piece of gear that I now want
My living room amp is a 2 watt Fender Greta. To achieve any reasonable volume it will get dirty. Will this pedal allow me to crank it yet get clean tones?
(Not a genuine question, because thats not what the Greta is for, but an answer would be appreciated anyway)
That bass riff at 8:21 is called "I'll Stay" by Funkadelic
Bro, I only knew of the RH Factor cover of this featuring D’Angelo
I'll Stay! Have you heard the Marcus King Band version in the Sharry Barry medley? Killer.
Like that it has the “THAT THING YOU DO” font and color scheme
EQ modulation is pretty interesting