The essence of this performance is that it introduces the piece with a cautious, ancestral early music approach, making the audience fully aware that the piece was originally written for histrical plucked keyboard instruments, and then presenting moden sonic pleasures when the emotion increases, and without any sense of incongruity.
everyone who records this piece plays the fugue so fast and completely lifelessly and so much information is lost. You play it with the most exquisite attention to the voices and their importance and interplay it's so satisfying I've been looking for a good recording for an hour 😫
Bach kannte auch das Leid. Wir wissen, dass er ein sehr gläubiger Mensch war. Er hätte am liebsten Opern geschrieben, was er mit der Matthäus-Passion in gewisser Weise auch getan hat. Aus anthropologischer Sicht stellt sich die Frage, ob man gläubig sein muss, um Bach so vollkommen zu interpretieren, wie Sie es tun?
That's how one has to approach this piece. Glenn Gould himself, in his early days, rushed into it, only to understand later in life that it required a more toned down,mature tempo.
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The essence of this performance is that it introduces the piece with a cautious, ancestral early music approach, making the audience fully aware that the piece was originally written for histrical plucked keyboard instruments, and then presenting moden sonic pleasures when the emotion increases, and without any sense of incongruity.
You probably sniff your own farts.
everyone who records this piece plays the fugue so fast and completely lifelessly and so much information is lost. You play it with the most exquisite attention to the voices and their importance and interplay it's so satisfying I've been looking for a good recording for an hour 😫
Glenn gould himself rushed it in his early days. Later on in life he realised Bach has got to be taken a more respectful, cautious, approach.
Tu e Bach.....siete la dimostrazione che la vita "extraterrestre" esiste❤❤
I just can't tear myself away from your playing this P&F... Everything is so correct, so appropriate. Thanks again.
Thank you for your tempo choice. I love it. ❤
so refreshing an interpretation!
WUNDERBAR!
Bach kannte auch das Leid. Wir wissen, dass er ein sehr gläubiger Mensch war. Er hätte am liebsten Opern geschrieben, was er mit der Matthäus-Passion in gewisser Weise auch getan hat. Aus anthropologischer Sicht stellt sich die Frage, ob man gläubig sein muss, um Bach so vollkommen zu interpretieren, wie Sie es tun?
Muy bonito.❤
❤
Slow is no problem (like Glenn Gould played this slow as well), but those tempo changes?
slow motion 😴😴😴
That's how one has to approach this piece. Glenn Gould himself, in his early days, rushed into it, only to understand later in life that it required a more toned down,mature tempo.
Sei molto brava. Riguardo il preludio la prima parte forse dovrebbe essere molto essenziale con nessun "abbellimento" e la seconda meno controllata.