Ferruccio Busoni - 24 Preludes Op. 37 (audio + sheet music)
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- เผยแพร่เมื่อ 29 เม.ย. 2019
- Busoni was a child prodigy whose gifts were compared, not unjustly, to Mozart's. At the age of 7 he made his first public appearance playing works by Schumann, Clementi, and Mozart. At 9 he was performing Mozart's C minor Concerto. And at 15 the Accademia Filarmonica of Bologna awarded him honors in piano and composition given only once before -- to Mozart. Brilliant as that seems, it signals being led by his parents, itinerant musicians, down the path of relentless exploitation made legendary by Mozart to blight the tender years of legions of gifted youngsters, including Franck and Liszt. Busoni's biographer, E.J. Dent, gives a horripilating account of the family's catch-as-catch-can travails -- presenting Ferruccio to packed or empty houses from Italian backwaters to Vienna as he played Bach, Scarlatti, Mozart, Hummel, Chopin, Schumann, Schubert, and his own compositions, and took themes from the audience to improvise upon. Inevitably, the stress of being the primary breadwinner provoked periods of illness. "The strain was aggravated," Dent wrote, "by the boy's consciousness that he himself was the only member of the family who had a real sense of their responsibilities and the only one who made a serious attempt to grapple with them." A period of private study with Wilhelm Mayer over 1880 came as a godsend and laid the foundation for the composer Busoni was to become. "When he left Graz in April 1881," Dent noted, "he took with him a book of 430 folio pages written out in his own hand with every elegance of Italian calligraphy -- a complete treatise on composition, beginning with the rudiments of music and proceeding through harmony, counterpoint, and fugue to instrumentation and composition in all forms. But Mayer, for all his German thoroughness, was no dry pedant. 'Möglichst vielseitige Bildung macht den Künstler' (the widest possible culture makes the artist) was the motto written at the foot of the table of contents."
The 24 Preludes for piano, composed the following month, afford a close conspectus not only of Busoni's technical grasp at 15, but a glimpse into his effusive, if undeveloped, inscape of feeling. Though obviously prompted by Schumann and Chopin, there is a preponderance of pseudo-Baroque and dance pieces, and a number of neo-Classical miniatures (similar to what Saint-Saëns, d'Indy, and Magnard would compose through the next dozen years) facilitated by virtuoso writing, hobbled occasionally by awkwardness, and suffused with that melting Italianate lyricism that takes one by surprise through much of Busoni's juvenilia.
(AllMusic)
Please take note that the audio AND sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry.
Original audio: • Ferruccio Busoni: 24 P... and • Ferruccio Busoni: 24 P...
(Performance by: Geoffrey Douglas Madge)
Original sheet music: imslp.org/wiki/24_Preludes,_O...) - เพลง
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1. Moderato (C major) [00:00]
2. Andantino sostenuto (A minor)[2:59]
3. Andante con moto (G major) [6:01]
4. Allegretto (E minor) [9:14]
5. Vivace assai quasi presto (D major) [12:00]
6. Moderato (B minor) [13:48]
7. Allegro vivace (A major) [16:11]
8. Allegro moderato (F# minor) [17:59]
9. Allegretto vivace e con brio (E major) [19:51]
10. Vivace ed energico (C# minor) [21:18]
11. Allegretto piacevole "alla danza" (B major) [23:29]
12. Andantino (G# minor) [25:41]
13. Allegretto scherzando (F# major) [28:35]
14. Lento funebre (Eb minor) [30:21]
15. Andantino sostenuto (Db major) [33:18]
16. Maestoso ed energico (Bb minor) [36:18]
17. Allegretto vivace (Ab major) [37:11]
18. Allegretto con moto (F minor) [38:39]
19. Allegro vivo (Eb major) [41:11]
20. Allegro moderato (C minor) [42:21]
21. Andantino sostenuto (Bb major) [44:24]
22. Vivace e scherzoso (G minor) [47:19]
23. Allegro vivace (F major) [48:10]
24. Presto (D minor) [49:25]
The tonalities of Chopin
@@fryderyckchopin484 many other composers follow the same tonality order like Scriabin, Blumenfeld, Kabalevsky,etc..
I'm wondering about the nicknames.
@@fryderyckchopin484 also better than chopin
@@themoonfleesthroughclouds :(
Wow it's amazing to see how much his style evolved since these pieces and his first concerto and the grand 1 hour concerto he composed many years later. A lot of These preludes sound quite neoclassical.
Ferrucio Busoni - 24 Preludes, Op. 37
1. - Moderato (C major): 0:00
2. - Andantino sostenuto (A minor): 2:58
3. - Andante con moto (G major): 6:00
4. - Allegretto (E minor): 9:14
5. - Vivace assai quasi presto (D major): 12:00
6. - Moderato (in carattere d'un corale) (B minor): 13:50
7. - Allegro vivace (in caraterre di Giga) (A major): 16:11
8. - Allegro moderato (F-sharp minor): 17:59
9. - Allegretto vivace e con brio (in carattere campestre) (E major): 19:51
10. - Vivace ed energico (C-sharp minor): 21:17
11. - Allegretto piacevole "alla danza" (B major): 23:29
12. - Andantino (G-sharp minor): 25:41
13. - Allegretto scherzando (F-sharp major): 28:35
14. - Lento, funebre (E-flat minor): 30:21
15. - Andatino sostenuto, con espressione (D-flat major): 33:18
16. - Maestoso ed energico (B-flat minor): 36:19
17. - Allegretto vivace (A-flat major): 37:11
18. - Allegretto con moto (F minor): 38:50
19. - Allegro vivo (E-flat major): 41:12
20. - Allegro moderato (C minor): 42:20
21. - Andantino sostenuto (B-flat major): 44:24
22. - Vivace e scherzoso (G minor): 47:20
23. - Allegro vivace (F major): 48:10
24. - Presto (D minor): 49:25
Busoni, one of the greatest composer. I am in love, thanks for the upload!
Excellent pieces , beautiful/outstanding performance by Madge. Thanks for sharing.
2. Andantino sostenuto (A minor)[2:59]
4. Allegretto (E minor) [9:14]
5. Vivace assai quasi presto (D major) [12:00]
7. Allegro vivace (A major) [16:11]
8. Allegro moderato (F# minor) [17:59]
9. Allegretto vivace e con brio (E major) [19:51]
11. Allegretto piacevole "alla danza" (B major) [23:29]
13. Allegretto scherzando (F# major) [28:35]
14. Lento funebre (Eb minor) [30:21]
17. Allegretto vivace (Ab major) [37:11]
19. Allegro vivo (Eb major) [41:11]
21. Andantino sostenuto (Bb major) [44:24]
22. Vivace e scherzoso (G minor) [47:19]
23. Allegro vivace (F major) [48:10]
Some of busonis preludes are really incredible,some are less then that.but that's not important..what's more important,is that he could write really great stuff..and also really imaginative pieces too..I wish he made more recordings,all are agreed when he was playing he was a super great pianist and knowone was more imaginative.
I wonder how Busoni got the idea for no.5 and no.6 is a gem . Very mature young man !!!
The sixth piece Is inspaired by choral style and the fifth Is like and Hunt song
These sound amazing - I have heard only a few of these. Thanks for the upload. My fave 19
BEAUTIFUL ! MANY THANKS 💝 💝 💝 💝 💝
Comp9sicision de Busoni que maravilla es con.el que guve mas contacto. ,gracias Busoni por las obras que pudimos interpretar. ❣️❣️❣️❣️❣️❣️❣️🇮🇷
Primera vez ,que escucho a BUSSONI si Bach. Bellísimo. 🎶🎶🎶🌹 🇮🇷
I listened and loved at first sight Db Major prelude, and I'm Just praticing it....
it is beautiful
First!!!! And I love Busoni, great upload.
c#m prelude so unique and beautiful
Que genio tan especial. 🇮🇷❣️.
Busoni is one of my favorite composers. Too bad he now seems to be being played less and less.
Maybe cause he sucked as a composer
That's because his compositions were extremely difficult, for example the fantasia contrapuntisticca is as hard as Beethoven/Liszt 9th symphony transcription and the Busoni concerto is one of the hardest concerti ever...
19 - my best!
Have you noticed he used the same tonalities I used in each prelude?
No. 6 is in b minor . Omg I just looked 3 is in G 24 in d minor no.16 in b flat minor . He really did . OMGawd !!!
@@MrInterestingthings nah I am just messing, but take a look to how composers structured their 24 preludes by using the 24 tonalities (majors and minors), all of this influence comes from Bach, look at his Well Tempered Klavier.
So did Scriabin
Both are arranged in the order of the circle of fifth. It is a musically canonical way to arrange all 24 tonalities. Nothing special.
@@PaPa-kr5yt you didn't get the joke :(
Busoni . Is the composer that other composers listen to, to get ideas…
👏👏👏👏👏
didn't even know he wrote these
Absolutely beautiful! Thank you for sharing! Which piece/work starts at 13:50? I love it!
Busuccio Ferroni
eeyee
Why does No.15 sound so familiar?
A lot of the themes sound Bach but look like Liszt or Rachmaninoff
so
47:19 lol prelude as well as a fugue
Agosto 20-------_-23
These pieces, in my opinion, will never break through into the main repertoire. Busoni will remain much more "niche" and cultish than, say, Medtner, who has infinitely more inventiveness and character. These are written by somebody who knows everything about music, how it is put together and what the masters of the past have done, but whose creative gift is small to negligible. They have less of the true fire even than Clara Schumann's anodyne maunderings
@Dhruva Punde That's almost the age of Mendelssohn when he wrote some of his most engaging music. The problem is that Busoni didn't progress from this to writing more memorable music (name Busoni's best melody). Like his advocate Ronald Stevenson, Sorabji and others, he will forever remain the interest of a few cult devotees.
La CAMPANELA ES LIZST ---- BUSSONI.
Mmm 14 so yummy
μυ
Purtroppo paragonati a quelli di chopin di rach o di scriabin sono un nulla
Ужас!
sounds like Shostakovich. Equally boring. Nothing compared to Bach.
Stop comparing with Bach and you will be fine. Take a look at his transcriptions for Bach and enjoy them. Also the Concerto with the Quartet is a masterpiece by Busoni as a child.
ok
1. Moderato (C major) [00:00]
2. Andantino sostenuto (A minor)[2:59]
3. Andante con moto (G major) [6:01]
4. Allegretto (E minor) [9:14]
5. Vivace assai quasi presto (D major) [12:00]
6. Moderato (B minor) [13:48]
7. Allegro vivace (A major) [16:11]
8. Allegro moderato (F♯ minor) [17:59]
9. Allegretto vivace e con brio (E major) [19:51]
10. Vivace ed energico (C♯ minor) [21:18]
11. Allegretto piacevole "alla danza" (B major) [23:29]
12. Andantino (G♯ minor) [25:41]
13. Allegretto scherzando (F♯ major) [28:35]
14. Lento funebre (E♭ minor) [30:21]
15. Andantino sostenuto (D♭ major) [33:18]
16. Maestoso ed energico (B♭ minor) [36:18]
17. Allegretto vivace (A♭ major) [37:11]
18. Allegretto con moto (F minor) [38:50]
19. Allegro vivo (E♭ major) [41:11]
20. Allegro moderato (C minor) [42:21]
21. Andantino sostenuto (B♭ major) [44:24]
22. Vivace e scherzoso (G minor) [47:19]
23. Allegro vivace (F major) [48:10]
24. Presto (D minor) [49:25]