Beethoven: Symphony no. 9 in D minor, op.125(Haitink)
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- เผยแพร่เมื่อ 12 มิ.ย. 2024
- Bernard Haitink conducting the London Symphony Orchestra 2006
00:00 Allegro ma non troppo, un poco maestoso
15:27 Molto vivace
29:14 Adagio molto e cantabile
43:24 Presto - เพลง
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00:00 Allegro ma non troppo, un poco maestoso
15:27 Molto vivace
29:14 Adagio molto e cantabile
43:24 Presto
timpan player is so ruff and savige and that sound really great in some moments. His guts disarmed Haitink.
what
Yeah, what a brave player!
English
Just beautiful.
I love how the editors of this score unnecessarily split up all of the woodwind parts to inflate the score, as if this piece wasn't already monumental, massive or impressive enough by itself.
I think it’s because Beethoven assigned two players for each wind part, so there were two first flautists, two second flautists, two first oboists and so on.
@@ShaunakDesaiPiano I did't know about that, and it's an interesting idea, but even if that was the case, it was common practice in the 20th century (when this edition was made) to double wind parts anyway, no matter if intended or not, since the string sections used when playing Beethoven were often absolutely massive. Karajan is a good example for this.
The woodwinds often have completely separate lines for much of the first movement, so I think it could have been done to make the score look clearer.
bravo! long live the music of Beethoven!
The third movement is breathtaking!
Gerald Finley sings the baritone "oh Freunde" recit so damn well
the prestissimo at the end is not just straight up bonkers, it is almost beyond human ability
The thing about composers is, they try to make music that fits the style of the tempo. If its an Adagio, then they will use the notes that make it sound like it is a slow tempo piece. You can't play a rondo slowly because it was meant to be played fast.
This is not only the hymn of Europe this is the hymn of the world
49:22, 57:44 - in the first flute part, it’s the motif of the second theme of the movement, played backwards.
Thx!
53:38 the part with the triangle
31:38 3rd mov, 2nd theme
37:14 Sublime
It always reminds me of Bach's Goldberg variation 5
@@Sam-tj9np Yes!
The 3rd movement is underrated af, arguably the best one.
Indeed
55:10 the beginning of one of the subjects of the double fugue. A callback to the scherzo?
14:20 wow
horn orchestra study
35:48
52:41
39:00
18:52
37:14
"Clockwork orange" movie.
46:33
11:15
46:32
goog
45:13
50:10
51:00
51:28
52:10
53:50
56:55
2:49 (Time stamp for me)
You can send me the score for e-mail
I get all my scores from imslp.org, they are all free and in the public domain.
譜めくりのタイミングが時々ズレていて気になる。
Ok
Way too hasty. From the get-go.
Not a bad piece but just way too long. That adagio seemed to drag on forever.
The metronome marks for Beethoven's op 125 are regularly ignored, and the Adagio is no exception. Most conductors take it twice as slowly as the MM, sadly. However, when the Ninth was being prepared for its first performance in England, Beethoven wrote to the conductor that the entire performance should not exceed forty-five minutes. Even if all repeats in the Scherzo were omitted, this would still be an insanely fast rendition, amounting to rushed and gabbled playing and singing with no repose whatsoever. So it's a toss-up.
Guys who's gonna tell him about Mahler?
@@makaan699 i'm aware Mahler is an even worse offender
@@martinhess7334 When you understand his music, you can get to love his whole pieces. It looks like too long, but it’s not that long when you can appreciate it.
56:39
53:22